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1 thing about Hov, he’s going to push back on stereotypes & certain assertions about hip hop culture. A lot of rappers would have agreed with the host’s take about rap being materialistic, especially since the crowd was on that side & it’s a layup to get a laugh...

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284,808 просмотров • 9 месяцев назад •via X (Twitter)

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Happy birthday Roger Troutman 🕊 Zapp, the band he led, had a heavy influence on Hip Hop, especially the West Coast. In addition to being sampled a lot, he also worked with rappers 2Pac, Dre, Scarface, Eazy E, & more.
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Happy birthday Roger Troutman 🕊 Zapp, the band he led, had a heavy influence on Hip Hop, especially the West Coast. In addition to being sampled a lot, he also worked with rappers 2Pac, Dre, Scarface, Eazy E, & more.

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Pusha T & Malice speak on ‘Community’ and show love to JID: “It’s JID and those that have the skillset…[where] you find that love of hip hop…Artists like JID take it back to a time where you HAD to know how to rap” From 1 Grammy nominee to another 🏆 Via Frazier Tharpe II & GQ
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Pusha T & Malice speak on ‘Community’ and show love to JID: “It’s JID and those that have the skillset…[where] you find that love of hip hop…Artists like JID take it back to a time where you HAD to know how to rap” From 1 Grammy nominee to another 🏆 Via Frazier Tharpe II & GQ

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Here’s a clip from Big Fun In The Town (1986) where a Black Elder shares what he thought of Hip-Hop/Rap. This same narrative has been recycled since the birth of Hip-Hop. It’s important that you educate yourself before you speak on something you don’t know about.
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Here’s a clip from Big Fun In The Town (1986) where a Black Elder shares what he thought of Hip-Hop/Rap. This same narrative has been recycled since the birth of Hip-Hop. It’s important that you educate yourself before you speak on something you don’t know about.

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“The Streets don’t give a F*ck about the Grammys” - 2018 J. Cole Zendaya Ft. Cole’s perspective on the Grammy’s isn’t a new revelation within Hip-Hop. He’s talked about it on platforms that have went on to do millions of views. He’s also put it in verses. People are being disingenuous.

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Boogie Down Productions - “My Philosophy” The biggest misconception about KRS-One is that he’s a “conscious” rapper. But long before that label was ever used to describe some rappers (often in a derogatory manner), KRS-One was dropping science. Not sure when it became a thing for any rapper to *not be conscience. But if you really listen to the pioneering rappers from Melle Mel to Run-DMC to LL Cool J to Rakim to Chuck D to Kool G Rap to MC Lyte to Queen Latifah…you’ll notice one thing for certain: They were all “conscious”. That is to say, they were all obliviously intelligent, aware of their environment and surroundings, and completely at ease with expanded vocabularies and nuanced poetry. And yet, none of them were ignorant of the streets. KRS-One, of the greatest MCs of all time (and an automatic win in ANY MC battle), displayed intelligence right from the start. He was also from the streets. And while over time labels have been used to misinform people about what hip hop/rap music was, is, and can be, these two things should never be seen as mutually exclusive. Especially since hip hop/rap music’s roots are deeply embedded in the streets. In fact, this is one of the primary elements that gives hip hop/rap music it’s distinct flavor. Another primary element that distinguishes hip hop/rap music from all other music forms is sampling. Here, on the aptly titled “My Philosophy,” a sampled-based song built around menacing drums and flip of sample of Stanley Turrentine’s and Milt Jackson’s “Sister Sanctified,” we feel the force of sampling in hip hop/rap music. As I say in my book The Art of Sampling, 3rd Edition, hip hop beatmakers (producers) can convert anything to hip hop form. And the reconceptualization and recontextualization of a small sample from an obscure jazz fusion tune like “Sister Sanctified” goes a long way in proving this point…
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Boogie Down Productions - “My Philosophy” The biggest misconception about KRS-One is that he’s a “conscious” rapper. But long before that label was ever used to describe some rappers (often in a derogatory manner), KRS-One was dropping science. Not sure when it became a thing for any rapper to *not be conscience. But if you really listen to the pioneering rappers from Melle Mel to Run-DMC to LL Cool J to Rakim to Chuck D to Kool G Rap to MC Lyte to Queen Latifah…you’ll notice one thing for certain: They were all “conscious”. That is to say, they were all obliviously intelligent, aware of their environment and surroundings, and completely at ease with expanded vocabularies and nuanced poetry. And yet, none of them were ignorant of the streets. KRS-One, of the greatest MCs of all time (and an automatic win in ANY MC battle), displayed intelligence right from the start. He was also from the streets. And while over time labels have been used to misinform people about what hip hop/rap music was, is, and can be, these two things should never be seen as mutually exclusive. Especially since hip hop/rap music’s roots are deeply embedded in the streets. In fact, this is one of the primary elements that gives hip hop/rap music it’s distinct flavor. Another primary element that distinguishes hip hop/rap music from all other music forms is sampling. Here, on the aptly titled “My Philosophy,” a sampled-based song built around menacing drums and flip of sample of Stanley Turrentine’s and Milt Jackson’s “Sister Sanctified,” we feel the force of sampling in hip hop/rap music. As I say in my book The Art of Sampling, 3rd Edition, hip hop beatmakers (producers) can convert anything to hip hop form. And the reconceptualization and recontextualization of a small sample from an obscure jazz fusion tune like “Sister Sanctified” goes a long way in proving this point…

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We have every right to feel a certain way about buffoonish behavior. These folks come from other cultures & participate in stereotypes that were used against #FBA .If the justification is “they getting money”, then go make money off perpetuating stereotypes about YOUR OWN culture
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We have every right to feel a certain way about buffoonish behavior. These folks come from other cultures & participate in stereotypes that were used against #FBA .If the justification is “they getting money”, then go make money off perpetuating stereotypes about YOUR OWN culture

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If I told you this was a Hip Hop track that came out in 1989 and not 69 youd believe me. From the beat to the rapping and gold chains it would make sense because this everything about the music and style is hip hop. But since Isaac Hayes was rapping in gold chains in Memphis and not the Bronx, it doesn’t count. Bambooty, and Melle Mel would have you believe they started this culture. Instead of telling the truth about how this culture was handed down to them. The ego of these hip hop so called legends is astonishing. They sampled everything and give credit to nobody. That’s sad.

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