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20. Rushmore (1998) Before Wes Anderson's films became stylistic exercises loaded up with an oppressive amount of visual detail and excruciatingly twee dialogue supporting boring vignette plot lines, he made really good movies, and this one was his best.
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andrew robinson as elim garak. his character was supposed to be a one-off, but the moment this man saw alexander siddig for the first time he LITERALLY thought 'wait a minute...I want to fuck this guy' and made that his whole objective with garak. he became a supporting character
🐐🖖steffi🖖🐐
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