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2001: A SPACE ODYSSEY is back again for a run in a breathtaking 70mm presentation - the format it was made for. Experience Stanley Kubrick’s visionary epic like never before, with Douglas Trumbull’s visual effects still unmatched over 50 years later. 🎟️:

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55,275 görüntüleme • 1 yıl önce •via X (Twitter)

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Axiomeme1 yıl önce

Kubrick is still the greatest; sorry spielberg and scorses

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Alexander Boldizar1 yıl önce

"Made me think of early Pynchon and of Neal Stephenson at his best. The most interesting novel I’ve read in a long time."

Benzer Videolar

Stanley Kubrick’s 2001: A Space Odyssey (1968) still looks more futuristic than most sci-fi made today. Kubrick and Douglas Trumbull built entire visual effects techniques from scratch and they still hold up over 50 years later.
2:08

Stanley Kubrick’s 2001: A Space Odyssey (1968) still looks more futuristic than most sci-fi made today. Kubrick and Douglas Trumbull built entire visual effects techniques from scratch and they still hold up over 50 years later.

cinesthetic.

87,802 görüntüleme • 9 ay önce

'Space Oddity' was inspired by Stanley Kubrick’s 2001: A Space Odyssey. Released just before the Apollo 11 moon landing, it was used by BBC during lunar coverage, cementing its place in history. 🌙
4:42

'Space Oddity' was inspired by Stanley Kubrick’s 2001: A Space Odyssey. Released just before the Apollo 11 moon landing, it was used by BBC during lunar coverage, cementing its place in history. 🌙

Music and Lyrics! 🎙️🎵🎸🎼🎹🤘

14,380 görüntüleme • 5 ay önce

In 2001: A Space Odyssey, Kubrick’s iconic match cut isn’t just about the bone turning into a satellite… it also transforms into the pen that drifts back to Floyd’s hand. Visual storytelling at its finest.
0:27

In 2001: A Space Odyssey, Kubrick’s iconic match cut isn’t just about the bone turning into a satellite… it also transforms into the pen that drifts back to Floyd’s hand. Visual storytelling at its finest.

cinesthetic.

60,149 görüntüleme • 3 ay önce

In 2001: A Space Odyssey, Kubrick’s iconic match cut isn’t just about the bone turning into a satellite — it also transforms into the pen that drifts back to Floyd’s hand. Visual storytelling at its finest.
0:27

In 2001: A Space Odyssey, Kubrick’s iconic match cut isn’t just about the bone turning into a satellite — it also transforms into the pen that drifts back to Floyd’s hand. Visual storytelling at its finest.

cinesthetic.

3,016,119 görüntüleme • 10 ay önce

The great Douglas Trumbull, one of the main pioneers of visual effects, was born on this day in 1942. From his mastery, vision, and creativity as a visual effects supervisor emerged the science-fiction landscapes of films like ‘2001: A Space Odyssey’, ‘Blade Runner’ or ‘Close Encounters of the Third Kind’.
1:05

The great Douglas Trumbull, one of the main pioneers of visual effects, was born on this day in 1942. From his mastery, vision, and creativity as a visual effects supervisor emerged the science-fiction landscapes of films like ‘2001: A Space Odyssey’, ‘Blade Runner’ or ‘Close Encounters of the Third Kind’.

Lost In Film

113,535 görüntüleme • 4 ay önce

Imagine watching the Stargate sequence in 2001: A Space Odyssey (1968) in a theater back then. Audiences in the late ‘60s had never seen anything remotely like it. Stanley Kubrick delivered something that felt beyond normal cinema.
2:19

Imagine watching the Stargate sequence in 2001: A Space Odyssey (1968) in a theater back then. Audiences in the late ‘60s had never seen anything remotely like it. Stanley Kubrick delivered something that felt beyond normal cinema.

cinesthetic.

44,138 görüntüleme • 3 ay önce

Stanley Kubrick warned about AI long before it existed. In 2001: A Space Odyssey (1968), when Dave says, "Open the pod bay doors, HAL," the AI calmly replies, "I’m sorry, Dave..I can’t do that." Kubrick’s HAL warned us, how dangerous a thinking machine could become.
1:30

Stanley Kubrick warned about AI long before it existed. In 2001: A Space Odyssey (1968), when Dave says, "Open the pod bay doors, HAL," the AI calmly replies, "I’m sorry, Dave..I can’t do that." Kubrick’s HAL warned us, how dangerous a thinking machine could become.

Movies Scenes 🎫

19,196 görüntüleme • 8 ay önce

Spartacus is Stanley Kubrick’s fifth feature film & one of his best. As the years have gone by, I feel like this film isn’t mentioned enough as a top-tier Kubrick film, it just feels a little forgotten relative to films like Eyes Wide Shut (which has transformed into a cult classic over the last few decades), 2001: A Space Odyssey, or even Barry Lyndon. This movie also reunited Kubrick with Kirk Douglas just a few years after Paths of Glory. I think I prefer Spartacus to Paths of Glory by the slightest of margins.
1:05

Spartacus is Stanley Kubrick’s fifth feature film & one of his best. As the years have gone by, I feel like this film isn’t mentioned enough as a top-tier Kubrick film, it just feels a little forgotten relative to films like Eyes Wide Shut (which has transformed into a cult classic over the last few decades), 2001: A Space Odyssey, or even Barry Lyndon. This movie also reunited Kubrick with Kirk Douglas just a few years after Paths of Glory. I think I prefer Spartacus to Paths of Glory by the slightest of margins.

Cinema Tweets

14,758 görüntüleme • 1 gün önce

Stanley Kubrick filmed the moon landing hoax? Not a chance. This was the best he could do with a massive crew and the latest special effects for 2001: A Space Odyssey (1968). The Earth is oversized. He added fake stars. And they couldn’t reproduce the Moon’s low gravity right.
3:47

Stanley Kubrick filmed the moon landing hoax? Not a chance. This was the best he could do with a massive crew and the latest special effects for 2001: A Space Odyssey (1968). The Earth is oversized. He added fake stars. And they couldn’t reproduce the Moon’s low gravity right.

Alex Boge

18,527 görüntüleme • 4 ay önce

Imagine watching 2001: A Space Odyssey for the first time in theaters in 1968. Kubrick, decades ahead of his time, delivering a cinematic experience like no other.
1:04

Imagine watching 2001: A Space Odyssey for the first time in theaters in 1968. Kubrick, decades ahead of his time, delivering a cinematic experience like no other.

cinesthetic.

454,566 görüntüleme • 1 yıl önce

the visual presentation of this scene was phenomenal. the writing impeccable. this is a once in a generation anime… we won’t get something like this again for a very very long time.
2:20

the visual presentation of this scene was phenomenal. the writing impeccable. this is a once in a generation anime… we won’t get something like this again for a very very long time.

Sara

1,483,922 görüntüleme • 2 yıl önce

Get an exclusive look behind the scenes at ILM's groundbreaking visual effects on #GladiatorII. Now nominated for a BAFTA Award for Best Special Visual Effects, along with VES Award nominations for both Outstanding Environment in a Photoreal Feature (Rome) and Outstanding Model in a Photoreal or Animated Project (The Colosseum). Experience the epic journey now on Paramount+.
3:51

Get an exclusive look behind the scenes at ILM's groundbreaking visual effects on #GladiatorII. Now nominated for a BAFTA Award for Best Special Visual Effects, along with VES Award nominations for both Outstanding Environment in a Photoreal Feature (Rome) and Outstanding Model in a Photoreal or Animated Project (The Colosseum). Experience the epic journey now on Paramount+.

Industrial Light & Magic

18,620 görüntüleme • 1 yıl önce

Christopher Nolan didn’t want a “humanoid” robot fo Interstellar. He asked for something radically different: a functional machine, almost military, far from science fiction clichés. The design of TARS (and CASE) was inspired by a mix of Kubrick’s monolith (2001: A Space Odyssey) and modular tools, with a brutalist style.
1:15

Christopher Nolan didn’t want a “humanoid” robot fo Interstellar. He asked for something radically different: a functional machine, almost military, far from science fiction clichés. The design of TARS (and CASE) was inspired by a mix of Kubrick’s monolith (2001: A Space Odyssey) and modular tools, with a brutalist style.

Nolan Archive

1,249,170 görüntüleme • 10 ay önce

Still Rahul Dravid holds the record for the fastest 50 by a pure batsman for India in ODIs. 22 years later, and it is still unbroken.
1:55

Still Rahul Dravid holds the record for the fastest 50 by a pure batsman for India in ODIs. 22 years later, and it is still unbroken.

Aswathama

203,684 görüntüleme • 7 ay önce

For the first time in cinema, a black hole was modeled using real physics equations in Interstellar. Nolan insisted that the journey through it should feel physical, tangible, and almost painful, not a psychedelic trip like in 2001: A Space Odyssey.
3:21

For the first time in cinema, a black hole was modeled using real physics equations in Interstellar. Nolan insisted that the journey through it should feel physical, tangible, and almost painful, not a psychedelic trip like in 2001: A Space Odyssey.

Christopher Nolan Archives

222,948 görüntüleme • 10 ay önce

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.
2:07

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.

cinesthetic.

63,520 görüntüleme • 9 ay önce

The Nintendo Switch Reveal Presentation was 8 years ago today. A lot of games were announced that day including Xenoblade Chronicles 2, Super Mario Odyssey, Splatoon 2, Octopath Traveler, Fire Emblem Warriors... They ended it with one of their best trailers for a game that would still define the system 8 years later!
3:49

The Nintendo Switch Reveal Presentation was 8 years ago today. A lot of games were announced that day including Xenoblade Chronicles 2, Super Mario Odyssey, Splatoon 2, Octopath Traveler, Fire Emblem Warriors... They ended it with one of their best trailers for a game that would still define the system 8 years later!

Stealth

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$XRP wasn’t made for speculation. IT WAS BUILT TO RUN THE SYSTEM. Bitcoin ran 1.3 BILLION% because it was never a threat. XLM, XRP, and utility coins? Held back for years. Now, the system is shifting. The real adoption is coming. If you still think Bitcoin is the only winner, you're missing #XRP.
3:30

$XRP wasn’t made for speculation. IT WAS BUILT TO RUN THE SYSTEM. Bitcoin ran 1.3 BILLION% because it was never a threat. XLM, XRP, and utility coins? Held back for years. Now, the system is shifting. The real adoption is coming. If you still think Bitcoin is the only winner, you're missing #XRP.

X Finance Bull

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In 2010, Abbott's primary vote was 43%, three years later, in 2013, it was a whopping 46%. Today it's 18% Sussan Ley's leadership is terminal; she is gone, it is over, and frankly, I have never advocated for this ever before, not even with Malcolm Turnbull, for the good of the Party, Sussan Ley should resign. Peta Credlin.
3:45

In 2010, Abbott's primary vote was 43%, three years later, in 2013, it was a whopping 46%. Today it's 18% Sussan Ley's leadership is terminal; she is gone, it is over, and frankly, I have never advocated for this ever before, not even with Malcolm Turnbull, for the good of the Party, Sussan Ley should resign. Peta Credlin.

Timjbo 🇦🇺

34,581 görüntüleme • 6 ay önce

On this day, 55 years ago, Robert Wise's "The Andromeda Strain" (1971) was released in the USA & Canada. The visual impact of the dreaded microscopic organism was deemed so vital to the suspense drama, that $250,000 was allotted for the creation of special photographic effects by Douglas Trumbull of '2001: A Space Odyssey' (1968) fame, and James Short. Trumbull “imagineered” the germ’s appearance, which in the story was seen on microscope and computer viewing screens at enlargements of up to one million times. ("Photographing The Andromeda Strain", Jon Bloom, American Cinematographer, 2020)
3:59

On this day, 55 years ago, Robert Wise's "The Andromeda Strain" (1971) was released in the USA & Canada. The visual impact of the dreaded microscopic organism was deemed so vital to the suspense drama, that $250,000 was allotted for the creation of special photographic effects by Douglas Trumbull of '2001: A Space Odyssey' (1968) fame, and James Short. Trumbull “imagineered” the germ’s appearance, which in the story was seen on microscope and computer viewing screens at enlargements of up to one million times. ("Photographing The Andromeda Strain", Jon Bloom, American Cinematographer, 2020)

DepressedBergman

72,368 görüntüleme • 5 ay önce