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24 HOURS UNDER CONTROL -BLACK SITE 2 "Twins"- (Trailer 1) Full film only on DOMINITY DOMINITY CLIPS4SALE LOYALFANS (German with English subtitles) MISTRESS HENRIETTE`S BLACK SITE BARCELONA - 13 FEBRUARY 2025 New detainee arrived. After 2 hours of rest, new detainee was confronted with his comrade. Session begins. Prisoners... were processed collectively. Detainees unresponsive. Start of the Enhanced Interrogation Program. Methods: Freeze box isolation with cold water treatment, breath control, corporal punishment, caning, bastinado, stressful positions several water treatments, cold water, water boarding, electricity crank telephone treatments humiliation, psychologically stressful measures, sleep deprivation, white noise, motion control alarm, nighttime exercise catheterization, collective degradation This is a session film with no staged scenes. The very close and intimate camera moves through the action like a spectator observing voyeuristicly everything in detail. The haunting and pervasive sound design, makes you suffer along with the subject. A prison movie that sticks in your mind. #BDSM #prisonplay #blacksiteprison #MistressHenrietteshow more

Mistress Henriette

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🚨 Urgent Donation for Gaza – After the Destruction of the Last Water Station, Thirst Is Besieging Life 🚨 Yesterday, the last water station in Gaza was destroyed, and from that moment, this was no longer a temporary crisis, but a life being slowly pulled away from dry mouths and exhausted bodies with nothing left to resist. In Gaza, thirst is no longer a possibility or a warning—it is a daily reality that suffocates breath, dries throats, and silences life without noise, while heavy hours pass like a cruel test deciding who survives and who collapses first. Children in Gaza are no longer asking for toys, schools, or big dreams, because all of those words are now far removed from their reality; what they ask for today is only water—water that keeps their small bodies from drying out and gives them a simple chance to open their eyes to another morning. These children carry jerrycans of water heavier than their own bodies, walking between tents, rubble, and dust, when they should have been carrying notebooks and pencils and running freely, but the world chose for them a different path called thirst. The elderly collapse because their bodies can no longer endure long days without water, as heads grow heavy, hearts weaken, and every step becomes a final attempt to stay alive. Families sit for long hours around empty containers, staring at them in painful silence, waiting for a single drop that could mean one more day of life—or an end without farewell. Mothers divide one cup of water among their children, knowing that this small cup carries an unbearable decision: one child drinks and may live, another waits and may not wake up—yet they have no other choice. This is not emotional language or exaggeration; it is the reality unfolding now in Gaza, after water was turned into a weapon and thirst into a slow method of killing that leaves behind nothing but absence. As a new year begins, thousands of families still live in torn tents, exposed to cold, fear, and thirst, asking not for comfort or a future, but simply to remain alive for one more day. In the midst of this darkness, some chose to be life when it was disappearing: ✨ William Menaker Will 🦥 Menaker 🔥 Felix GoliathFan1952 🤍 Eyup Lovely Eyup Lovely Because of them, water reached the tents before collapse—children on the edge of fainting drank, the elderly caught their breath, and mothers cried because the water arrived, not because their children were gone. In Gaza, water is not a luxury, not a service, and not an ordinary detail—it is the line between a child who lives and a child who disappears in silence, between a mother holding her children and a mother left alone. Because of your support, thirst stopped killing—if only for a moment—breath returned to chests that were about to fail, and families survived one more day in a place that offers no guarantee of tomorrow. 🌟 A thank you from the heart, and from life itself: William Menaker • Felix • Eyup Lovely You did not just provide water—you restored life at the moment it was about to fade. But the painful truth remains: water is still running out, thirst does not wait, and every minute of delay may mean another body falling silently. 💧 Your donation today is not just support—it is the cup that may arrive before it is too late, and the reason a child opens their eyes tomorrow instead of closing them forever. 🚨 Donate now—because thirst does not offer a second chance: In Gaza, no one dies suddenly— people are left to dry out slowly. Be the reason that stops it.

🚨 Urgent Donation for Gaza – After the Destruction of the Last Water Station, Thirst Is Besieging Life 🚨 Yesterday, the last water station in Gaza was destroyed, and from that moment, this was no longer a temporary crisis, but a life being slowly pulled away from dry mouths and exhausted bodies with nothing left to resist. In Gaza, thirst is no longer a possibility or a warning—it is a daily reality that suffocates breath, dries throats, and silences life without noise, while heavy hours pass like a cruel test deciding who survives and who collapses first. Children in Gaza are no longer asking for toys, schools, or big dreams, because all of those words are now far removed from their reality; what they ask for today is only water—water that keeps their small bodies from drying out and gives them a simple chance to open their eyes to another morning. These children carry jerrycans of water heavier than their own bodies, walking between tents, rubble, and dust, when they should have been carrying notebooks and pencils and running freely, but the world chose for them a different path called thirst. The elderly collapse because their bodies can no longer endure long days without water, as heads grow heavy, hearts weaken, and every step becomes a final attempt to stay alive. Families sit for long hours around empty containers, staring at them in painful silence, waiting for a single drop that could mean one more day of life—or an end without farewell. Mothers divide one cup of water among their children, knowing that this small cup carries an unbearable decision: one child drinks and may live, another waits and may not wake up—yet they have no other choice. This is not emotional language or exaggeration; it is the reality unfolding now in Gaza, after water was turned into a weapon and thirst into a slow method of killing that leaves behind nothing but absence. As a new year begins, thousands of families still live in torn tents, exposed to cold, fear, and thirst, asking not for comfort or a future, but simply to remain alive for one more day. In the midst of this darkness, some chose to be life when it was disappearing: ✨ William Menaker Will 🦥 Menaker 🔥 Felix GoliathFan1952 🤍 Eyup Lovely Eyup Lovely Because of them, water reached the tents before collapse—children on the edge of fainting drank, the elderly caught their breath, and mothers cried because the water arrived, not because their children were gone. In Gaza, water is not a luxury, not a service, and not an ordinary detail—it is the line between a child who lives and a child who disappears in silence, between a mother holding her children and a mother left alone. Because of your support, thirst stopped killing—if only for a moment—breath returned to chests that were about to fail, and families survived one more day in a place that offers no guarantee of tomorrow. 🌟 A thank you from the heart, and from life itself: William Menaker • Felix • Eyup Lovely You did not just provide water—you restored life at the moment it was about to fade. But the painful truth remains: water is still running out, thirst does not wait, and every minute of delay may mean another body falling silently. 💧 Your donation today is not just support—it is the cup that may arrive before it is too late, and the reason a child opens their eyes tomorrow instead of closing them forever. 🚨 Donate now—because thirst does not offer a second chance: In Gaza, no one dies suddenly— people are left to dry out slowly. Be the reason that stops it.

Muhmmed Project𓂆 🇵🇸

98,689 views • 7 months ago

Watched #Dhurandhar for 5th time and man what a movie. Dhurandhar is the highest Hindi movie gross collection BOC with over Rs. 831/- crores in India, surpassing #Pushpa2 and almost 1300/- crores+ globally. 1. Without any advertising,media publicity or paid TV shows, motivated paid campaigns against Dhrandhar and yet people of India and world across made this movie All Time Blockbuster. 2. #AkshayeKhanna performance as #RehmanDakait steals the entire movie. Akshaye Khanna drawing huge crowds in movie theaters. 3. Leftists -Communists fake liberals and Dynasty families parties like Congress ecosystems made desperate attempts to fail Dhurandhar, as the movie expose their corrupt,dirty games during 2004-2014. 4. Don't know why GCC countries banned Dhurandhar in their countries. 5. #RanveerSingh #SanjayDutt #RMadhavan performance is brilliant but Dhurandhar belongs to #AkshayKhanna . 6. Millions/Billions ie. Crores of people waiting very anxiously for #Dhurandhar2 If you are heavy, airless silence of a martyr’s home, where the walls are crowded with memories, but the chairs remain perpetually empty. If you have felt the cold breath of history in the corridors where the unsung gave their 'tomorrow' for our 'peaceful' today. If you have looked into the eyes of a child who only knows their father through the glass of a framed photograph... then you will recognise the pulse of this film. Outrage is a luxury for those who have never had to face the facts; for the rest of us, this is simply the truth. Aditya Dhar doesn’t just narrate; he lets the story bleed and dares you to take your eyes off your screen for the full 3 hours and 34 minutes. This cinematic brilliance shines through the lens of a director who is devoted not to spectacle, but to the craft itself. Every frame casting a spell on the viewer, every character etched out masterfully. A film that has not just pushed the envelope but ripped it apart just like Animal did in 2023. The cast has surrendered to the film with a fearlessness that is rare. Ranveer Singh burns with a subterranean fire simmering under the restraint, proving that silence can be more haunting than any roar. Akshaye Khanna is magnificent, the power in that gaze, that smile and the intensity of the ‘Kasainuma’ violence, this Dakait captures your heart. Ranganathan Madhavan is the intellectual steel, the calm eye within a lethal storm, the patriotic mastermind who I am so excited to see in Part 2. Legendary Sanjay Dutt and arjun rampal bring a weathered, granite-like gravity that makes the shadows of the frontlines feel tangible. To tell this story was a risk,to witness it is our duty. To the men and women, KNOWN and UNKNOWN, who stand as our shield while we sleep—Dhanyawad. Our nation is forever in your debt. Congratulation to Aditya Dhar and Jio Studios for becoming the highest grossing Indian film of all time, in a single language! If you've ever stood in the heavy, airless silence of a martyr’s home, walls crowded with memories, chairs forever empty... Felt the cold breath of history in corridors where the unsung sacrificed their 'tomorrow' for our 'peaceful' today... Looked into a child's eyes who knows their father only through a framed photo... Then you'll feel the pulse of this film. Outrage is a luxury for those untouched by facts; for the rest, this is raw truth. Aditya Dhar doesn't narrate, he lets the story bleed, daring you to look away for the full 3h34m. Cinematic brilliance from a director devoted to craft over spectacle, every frame spells magic, every character masterfully etched. A film that rips the envelope apart,just like Animal did in 2023. Ranveer Singh burns with subterranean fire under restraint, silence more haunting than any roar. Akshaye Khanna magnificent, power in his gaze, smile, 'Kasainuma' intensity,this Dakait captures hearts. Ranganathan Madhavan as intellectual steel,calm in the storm, patriotic mastermindcan't wait for Part 2!

Watched #Dhurandhar for 5th time and man what a movie. Dhurandhar is the highest Hindi movie gross collection BOC with over Rs. 831/- crores in India, surpassing #Pushpa2 and almost 1300/- crores+ globally. 1. Without any advertising,media publicity or paid TV shows, motivated paid campaigns against Dhrandhar and yet people of India and world across made this movie All Time Blockbuster. 2. #AkshayeKhanna performance as #RehmanDakait steals the entire movie. Akshaye Khanna drawing huge crowds in movie theaters. 3. Leftists -Communists fake liberals and Dynasty families parties like Congress ecosystems made desperate attempts to fail Dhurandhar, as the movie expose their corrupt,dirty games during 2004-2014. 4. Don't know why GCC countries banned Dhurandhar in their countries. 5. #RanveerSingh #SanjayDutt #RMadhavan performance is brilliant but Dhurandhar belongs to #AkshayKhanna . 6. Millions/Billions ie. Crores of people waiting very anxiously for #Dhurandhar2 If you are heavy, airless silence of a martyr’s home, where the walls are crowded with memories, but the chairs remain perpetually empty. If you have felt the cold breath of history in the corridors where the unsung gave their 'tomorrow' for our 'peaceful' today. If you have looked into the eyes of a child who only knows their father through the glass of a framed photograph... then you will recognise the pulse of this film. Outrage is a luxury for those who have never had to face the facts; for the rest of us, this is simply the truth. Aditya Dhar doesn’t just narrate; he lets the story bleed and dares you to take your eyes off your screen for the full 3 hours and 34 minutes. This cinematic brilliance shines through the lens of a director who is devoted not to spectacle, but to the craft itself. Every frame casting a spell on the viewer, every character etched out masterfully. A film that has not just pushed the envelope but ripped it apart just like Animal did in 2023. The cast has surrendered to the film with a fearlessness that is rare. Ranveer Singh burns with a subterranean fire simmering under the restraint, proving that silence can be more haunting than any roar. Akshaye Khanna is magnificent, the power in that gaze, that smile and the intensity of the ‘Kasainuma’ violence, this Dakait captures your heart. Ranganathan Madhavan is the intellectual steel, the calm eye within a lethal storm, the patriotic mastermind who I am so excited to see in Part 2. Legendary Sanjay Dutt and arjun rampal bring a weathered, granite-like gravity that makes the shadows of the frontlines feel tangible. To tell this story was a risk,to witness it is our duty. To the men and women, KNOWN and UNKNOWN, who stand as our shield while we sleep—Dhanyawad. Our nation is forever in your debt. Congratulation to Aditya Dhar and Jio Studios for becoming the highest grossing Indian film of all time, in a single language! If you've ever stood in the heavy, airless silence of a martyr’s home, walls crowded with memories, chairs forever empty... Felt the cold breath of history in corridors where the unsung sacrificed their 'tomorrow' for our 'peaceful' today... Looked into a child's eyes who knows their father only through a framed photo... Then you'll feel the pulse of this film. Outrage is a luxury for those untouched by facts; for the rest, this is raw truth. Aditya Dhar doesn't narrate, he lets the story bleed, daring you to look away for the full 3h34m. Cinematic brilliance from a director devoted to craft over spectacle, every frame spells magic, every character masterfully etched. A film that rips the envelope apart,just like Animal did in 2023. Ranveer Singh burns with subterranean fire under restraint, silence more haunting than any roar. Akshaye Khanna magnificent, power in his gaze, smile, 'Kasainuma' intensity,this Dakait captures hearts. Ranganathan Madhavan as intellectual steel,calm in the storm, patriotic mastermindcan't wait for Part 2!

KailashGWagh 🇮🇳

203,740 views • 8 months ago

🚨#BREAKING: Six "jailers" have been FIRED after a White inmate in a South Carolina jail run by a Black man DIED OF THIRST on the floor of his cell... covered INCHES-DEEP IN FECES, with the water to his sink SHUT OFF. He drank out of his OWN TOILET to survive He wrote letters to his father pleading for help because he was being tortured because he was White. His name was Gary "Bubba" Blair, he was 43. He was the caregiver for his own elderly father. He had two nephews he adored and a dog named Scrubby. So why was he in jail? In February, Bubba showed up at his sister's house wearing a sheriff's office golf shirt, a security badge, handcuffs, and pepper spray. Deputies arrested him for impersonating a police officer. A judge found he wasn't mentally competent to stand trial and ORDERED the state to place him into treatment on June 3. The South Carolina Office of Mental Health never followed through. Bubba sat in that jail for 181 days waiting for a spot. He passed away 51 days after a judge ordered them to get him help. In April, he write a letter to his father: "I've lost about 90 pounds so far. I'm starving to death in here; only two meals a day, that's it... you starve, and I also have to drink from my toilet and no mattress to sleep on, only a hard ground." "I’ve been abused by staff and assaulted by everyone on the unit; I had to go 28 days without a shower... no help for a white man" "The staff is very nasty to white inmates thanks to Troy Ellerbe and James Dixon." Then in May, Bubba did something that will haunt me. He wrote a letter to a CIRCUIT COURT JUDGE begging for help. The letter had a bad address. It was returned. It never arrived. Meanwhile, sources say the water to his sink was SHUT OFF. His cell floor and walls were covered in feces INCHES DEEP. He was alone. Never let out. Other inmates, who got a few hours out of their cells, told the news they watched Bubba drink toilet water. So they took an empty potato chip bag and filled it with water and pushed it through the food slot in his door!!!!! Most of it spilled before it ever reached him. On July 24th, jailers found him dead on the floor. 49 days later, the autopsy came back. Cause of death: profound dehydration due to DEPRIVATION OF WATER. Manner of death: HOMICIDE. The report also found bed sores on his HEELS, consistent with a man lying on a concrete floor for days at a time. Acute bronchial pneumonia. Profound weight loss. Physical evidence that he had been INGESTING TOILET WATER. He had lost so much weigh and was in such poor condition, his sister and aunt went to the funeral home to see him... they did not recognize his body. The sheriff fired the Black jail administrator 5 days after Bubba died, and refuses to say why. Bubba Blair sang to old folks in nursing homes. He took care of his daddy. He deserved so much better than dying of thirst on a concrete floor. PEOPLE BEING FIRED IS NOT ENOUGH!!!!! THIS IS CRIMINAL!!!!!!! Say his name. Gary "Bubba" Blair. WE DO NOT HAVE TO LIVE LIKE THIS!!!!!!!

🚨#BREAKING: Six "jailers" have been FIRED after a White inmate in a South Carolina jail run by a Black man DIED OF THIRST on the floor of his cell... covered INCHES-DEEP IN FECES, with the water to his sink SHUT OFF. He drank out of his OWN TOILET to survive He wrote letters to his father pleading for help because he was being tortured because he was White. His name was Gary "Bubba" Blair, he was 43. He was the caregiver for his own elderly father. He had two nephews he adored and a dog named Scrubby. So why was he in jail? In February, Bubba showed up at his sister's house wearing a sheriff's office golf shirt, a security badge, handcuffs, and pepper spray. Deputies arrested him for impersonating a police officer. A judge found he wasn't mentally competent to stand trial and ORDERED the state to place him into treatment on June 3. The South Carolina Office of Mental Health never followed through. Bubba sat in that jail for 181 days waiting for a spot. He passed away 51 days after a judge ordered them to get him help. In April, he write a letter to his father: "I've lost about 90 pounds so far. I'm starving to death in here; only two meals a day, that's it... you starve, and I also have to drink from my toilet and no mattress to sleep on, only a hard ground." "I’ve been abused by staff and assaulted by everyone on the unit; I had to go 28 days without a shower... no help for a white man" "The staff is very nasty to white inmates thanks to Troy Ellerbe and James Dixon." Then in May, Bubba did something that will haunt me. He wrote a letter to a CIRCUIT COURT JUDGE begging for help. The letter had a bad address. It was returned. It never arrived. Meanwhile, sources say the water to his sink was SHUT OFF. His cell floor and walls were covered in feces INCHES DEEP. He was alone. Never let out. Other inmates, who got a few hours out of their cells, told the news they watched Bubba drink toilet water. So they took an empty potato chip bag and filled it with water and pushed it through the food slot in his door!!!!! Most of it spilled before it ever reached him. On July 24th, jailers found him dead on the floor. 49 days later, the autopsy came back. Cause of death: profound dehydration due to DEPRIVATION OF WATER. Manner of death: HOMICIDE. The report also found bed sores on his HEELS, consistent with a man lying on a concrete floor for days at a time. Acute bronchial pneumonia. Profound weight loss. Physical evidence that he had been INGESTING TOILET WATER. He had lost so much weigh and was in such poor condition, his sister and aunt went to the funeral home to see him... they did not recognize his body. The sheriff fired the Black jail administrator 5 days after Bubba died, and refuses to say why. Bubba Blair sang to old folks in nursing homes. He took care of his daddy. He deserved so much better than dying of thirst on a concrete floor. PEOPLE BEING FIRED IS NOT ENOUGH!!!!! THIS IS CRIMINAL!!!!!!! Say his name. Gary "Bubba" Blair. WE DO NOT HAVE TO LIVE LIKE THIS!!!!!!!

Matt Van Swol

583,791 views • 1 day ago

🚨#BREAKING: Outrage is erupting after White inmate in a South Carolina jail run by a Black man just DIED OF THIRST on the floor of his cell... covered INCHES-DEEP IN FECES, with the water to his sink SHUT OFF. He drank out of his OWN TOILET to stay alive. He wrote letters to his father pleading for help because he was being tortured because he was White. His name was Gary "Bubba" Blair, he was 43. He was the caregiver for his own elderly father. He had two nephews he adored and a dog named Scrubby. So why was he in jail? In February, Bubba showed up at his sister's house wearing a sheriff's office golf shirt, a security badge, handcuffs, and pepper spray. Deputies arrested him for impersonating a police officer. A judge found he wasn't mentally competent to stand trial and ORDERED the state to place him into treatment on June 3. The South Carolina Office of Mental Health never followed through. Bubba sat in that jail for 181 days waiting for a spot. He passed away 51 days after a judge ordered them to get him help. In April, he write a letter to his father: "I've lost about 90 pounds so far. I'm starving to death in here; only two meals a day, that's it... you starve, and I also have to drink from my toilet and no mattress to sleep on, only a hard ground." "I’ve been abused by staff and assaulted by everyone on the unit; I had to go 28 days without a shower... no help for a white man" "The staff is very nasty to white inmates thanks to Troy Ellerbe and James Dixon." Then in May, Bubba did something that will haunt me. He wrote a letter to a CIRCUIT COURT JUDGE begging for help. The letter had a bad address. It was returned. It never arrived. Meanwhile, sources say the water to his sink was SHUT OFF. His cell floor and walls were covered in feces INCHES DEEP. He was alone. Never let out. Other inmates, who got a few hours out of their cells, told the news they watched Bubba drink toilet water. So they took an empty potato chip bag and filled it with water and pushed it through the food slot in his door!!!!! Most of it spilled before it ever reached him. On July 24th, jailers found him dead on the floor. 49 days later, the autopsy came back. Cause of death: profound dehydration due to DEPRIVATION OF WATER. Manner of death: HOMICIDE. The report also found bed sores on his HEELS, consistent with a man lying on a concrete floor for days at a time. Acute bronchial pneumonia. Profound weight loss. Physical evidence that he had been INGESTING TOILET WATER. He had lost so much weigh and was in such poor condition, his sister and aunt went to the funeral home to see him... they did not recognize his body. The sheriff fired the Black jail administrator 5 days after Bubba died, and refuses to say why. Bubba Blair sang to old folks in nursing homes. He took care of his daddy. He deserved so much better than dying of thirst on a concrete floor. Say his name. Gary "Bubba" Blair. WE DO NOT HAVE TO LIVE LIKE THIS!!!!!!!

🚨#BREAKING: Outrage is erupting after White inmate in a South Carolina jail run by a Black man just DIED OF THIRST on the floor of his cell... covered INCHES-DEEP IN FECES, with the water to his sink SHUT OFF. He drank out of his OWN TOILET to stay alive. He wrote letters to his father pleading for help because he was being tortured because he was White. His name was Gary "Bubba" Blair, he was 43. He was the caregiver for his own elderly father. He had two nephews he adored and a dog named Scrubby. So why was he in jail? In February, Bubba showed up at his sister's house wearing a sheriff's office golf shirt, a security badge, handcuffs, and pepper spray. Deputies arrested him for impersonating a police officer. A judge found he wasn't mentally competent to stand trial and ORDERED the state to place him into treatment on June 3. The South Carolina Office of Mental Health never followed through. Bubba sat in that jail for 181 days waiting for a spot. He passed away 51 days after a judge ordered them to get him help. In April, he write a letter to his father: "I've lost about 90 pounds so far. I'm starving to death in here; only two meals a day, that's it... you starve, and I also have to drink from my toilet and no mattress to sleep on, only a hard ground." "I’ve been abused by staff and assaulted by everyone on the unit; I had to go 28 days without a shower... no help for a white man" "The staff is very nasty to white inmates thanks to Troy Ellerbe and James Dixon." Then in May, Bubba did something that will haunt me. He wrote a letter to a CIRCUIT COURT JUDGE begging for help. The letter had a bad address. It was returned. It never arrived. Meanwhile, sources say the water to his sink was SHUT OFF. His cell floor and walls were covered in feces INCHES DEEP. He was alone. Never let out. Other inmates, who got a few hours out of their cells, told the news they watched Bubba drink toilet water. So they took an empty potato chip bag and filled it with water and pushed it through the food slot in his door!!!!! Most of it spilled before it ever reached him. On July 24th, jailers found him dead on the floor. 49 days later, the autopsy came back. Cause of death: profound dehydration due to DEPRIVATION OF WATER. Manner of death: HOMICIDE. The report also found bed sores on his HEELS, consistent with a man lying on a concrete floor for days at a time. Acute bronchial pneumonia. Profound weight loss. Physical evidence that he had been INGESTING TOILET WATER. He had lost so much weigh and was in such poor condition, his sister and aunt went to the funeral home to see him... they did not recognize his body. The sheriff fired the Black jail administrator 5 days after Bubba died, and refuses to say why. Bubba Blair sang to old folks in nursing homes. He took care of his daddy. He deserved so much better than dying of thirst on a concrete floor. Say his name. Gary "Bubba" Blair. WE DO NOT HAVE TO LIVE LIKE THIS!!!!!!!

Matt Van Swol

2,337,244 views • 13 days ago

While we were busy working on immediate short term, medium term and long term solutions to the recent flash flooding in some parts of Lagos, my attention was drawn to a simplistic suggestion by Mr. Gbadebo Rhodes-Vivour, an idea driven more by political correctness, cheap attention seeking, and the pursuit of relevance than by genuine problem-solving. Let me quickly highlight a few important considerations in addressing flood-related and other environmental challenges in a city of over 23 million people into the smallest state with just 3,577 square kilometers of land and 186km of coastline atlantic with residents from across the country, and each bringing different environmental and waste management practices. 1/16 Lagos is an aquatic city. Like Venice, Amsterdam/Rotterdam, Bangkok, and Jakarta, much of Lagos sits low and close to the sea. That means heavy rain + high tide can create short-term flooding, even when drains are working. 2/16 Lekki’s floods were a compound event: a fast, heavy downpour happened around the same time as a high tide. When the sea level is high, water can’t leave our drains as quickly. Streets then hold water for a few hours before it recedes. 3/16 For the purpose of enlightening you, this phenomenon is called “tide-locking.” Plainly: when the ocean or lagoon is high, it’s like trying to pour water uphill. Outfalls (where drains meet the lagoon) cannot empty fast, so water backs up. I hope you get that now!? 4/16 Different cities face different problems. Venice fights sea surges with movable gates; the Netherlands makes space for water on land and uses pumps; Bangkok stores stormwater in parks; Lagos’ main issue is heavy rain + high tide on very flat land. 5/16 The right solution to address these climate change-related flash flooding events in Lagos is a three-part approach which the state government is already implementing some: (1) Store water for a short time (water detention), (2) Move water through wider, clear channels, (3) Control backflow with one-way valves and, where needed, pumps. This refines the masterplan to address current climate realities. 6/16 What’s already in motion (2023–2025): maintenance of ~579 km of secondary collectors (693 sites) and ~309 km of primary channels; EFAG rapid-response teams have cleared ~444 km of drains; enforcement has restored 40.3 km of encroached channels; 218 new channels have been awarded for construction, adding ~1,500 km when completed; pumps are now being integrated where topography requires them; and early-warning measures include daily forecasts and water-level monitoring. 7/16 Why water detention matters: it is temporary storage—holding rainwater on a plot, in an estate lake, or a designed basin for a few hours so trunk drains aren’t overwhelmed. It is essentially “queueing” runoff so everything doesn’t arrive at once. 8/16 Why one-way “flap gates” help: they are valves at outfalls that let stormwater discharge to the lagoon but stop high tide from pushing water back into the system. 9/16 When gravity is not enough, we add pumps. In very low areas this creates a ‘polder-style’ cell: water collects in a controlled basin and is pumped out when tide permits. A first installation to address flooding on Lagos Island is undergoing testing at Ilubirin and will be commissioned soon. 10/16 Near-term actions (0–6 months): • Intensify silt and trash clearance at known choke points, especially Ajiran/Agungi. • Install debris screens on key culverts so bottles and plastics don’t block inlets. • Pilot estate lakes and on-plot detention to create spare storage capacity for intense rain events.

While we were busy working on immediate short term, medium term and long term solutions to the recent flash flooding in some parts of Lagos, my attention was drawn to a simplistic suggestion by Mr. Gbadebo Rhodes-Vivour, an idea driven more by political correctness, cheap attention seeking, and the pursuit of relevance than by genuine problem-solving. Let me quickly highlight a few important considerations in addressing flood-related and other environmental challenges in a city of over 23 million people into the smallest state with just 3,577 square kilometers of land and 186km of coastline atlantic with residents from across the country, and each bringing different environmental and waste management practices. 1/16 Lagos is an aquatic city. Like Venice, Amsterdam/Rotterdam, Bangkok, and Jakarta, much of Lagos sits low and close to the sea. That means heavy rain + high tide can create short-term flooding, even when drains are working. 2/16 Lekki’s floods were a compound event: a fast, heavy downpour happened around the same time as a high tide. When the sea level is high, water can’t leave our drains as quickly. Streets then hold water for a few hours before it recedes. 3/16 For the purpose of enlightening you, this phenomenon is called “tide-locking.” Plainly: when the ocean or lagoon is high, it’s like trying to pour water uphill. Outfalls (where drains meet the lagoon) cannot empty fast, so water backs up. I hope you get that now!? 4/16 Different cities face different problems. Venice fights sea surges with movable gates; the Netherlands makes space for water on land and uses pumps; Bangkok stores stormwater in parks; Lagos’ main issue is heavy rain + high tide on very flat land. 5/16 The right solution to address these climate change-related flash flooding events in Lagos is a three-part approach which the state government is already implementing some: (1) Store water for a short time (water detention), (2) Move water through wider, clear channels, (3) Control backflow with one-way valves and, where needed, pumps. This refines the masterplan to address current climate realities. 6/16 What’s already in motion (2023–2025): maintenance of ~579 km of secondary collectors (693 sites) and ~309 km of primary channels; EFAG rapid-response teams have cleared ~444 km of drains; enforcement has restored 40.3 km of encroached channels; 218 new channels have been awarded for construction, adding ~1,500 km when completed; pumps are now being integrated where topography requires them; and early-warning measures include daily forecasts and water-level monitoring. 7/16 Why water detention matters: it is temporary storage—holding rainwater on a plot, in an estate lake, or a designed basin for a few hours so trunk drains aren’t overwhelmed. It is essentially “queueing” runoff so everything doesn’t arrive at once. 8/16 Why one-way “flap gates” help: they are valves at outfalls that let stormwater discharge to the lagoon but stop high tide from pushing water back into the system. 9/16 When gravity is not enough, we add pumps. In very low areas this creates a ‘polder-style’ cell: water collects in a controlled basin and is pumped out when tide permits. A first installation to address flooding on Lagos Island is undergoing testing at Ilubirin and will be commissioned soon. 10/16 Near-term actions (0–6 months): • Intensify silt and trash clearance at known choke points, especially Ajiran/Agungi. • Install debris screens on key culverts so bottles and plastics don’t block inlets. • Pilot estate lakes and on-plot detention to create spare storage capacity for intense rain events.

Tokunbo Wahab

335,417 views • 1 year ago

🚨 JUSTIN BIEBER’S “YUMMY” VIDEO JUST BLEW WIDE OPEN AFTER THE EPSTEIN FILES - AND IT’S DARK AS HELL This woman lays it all out on camera, frame by frame - and once she says it, you cannot unsee it. She starts with the rollout. Justin Bieber promoted Yummy using baby photos, the words “yummy” and “pizza,” and imagery that now hits very differently - especially since “yummy” appears hundreds of times in the Epstein files, a detail almost nobody talked about at the time. Then she walks through the video itself: Justin enters through a kitchen, like he’s being served, led to a table of old, wealthy elites. Young people are positioned as entertainment, not equals. Paparazzi are filming inside the party, which she says implies this isn’t hidden - it’s normalized, documented, and protected. On the table: A sandwich guarded by bread, topped with a red cherry/olive on red sticks - later replaced by black olives with black sticks as the food turns darker and more grotesque. A pink drink in front of him that visually resembles pizza. Then pink goo with circus peanuts appears during the lyric “you ain’t never running low on supply.” She asks it plainly: what do the pink stuff and the peanuts represent? Adults rotate in and out, taking turns sitting with him. A cat sits at the center of the table, which she says symbolizes him as the entertainer. Hands reach in, consume the food, wash it down with water and pink drinks. Justin looks increasingly out of it - not participating, being consumed. When the lyric “lost control of myself, I’m compromised” hits, Puff Daddy appears - a moment she says is impossible to ignore. She stresses the word “compromised” isn’t poetic - it’s the exact language of leverage and control. Girls dressed in white crawl out from under the table. Clothes come off. A white party unfolds. After it’s over, a red outfit is left draped on a chair, like something that can’t be put back. She points out a man eating cake who resembles a major record label executive, surrounded by more pink drinks. Then comes the image that stops people cold: a baby pig placed on the table - not a full pig, a baby. Justin’s plate shows cake, peas, and cherries, which she says symbolize innocence being consumed. She reminds viewers that young Justin was later used again to promote Yummy - the word written on a cake, holding a single cherry. She notes Justin reportedly had mental breakdowns during and after this era - after, not before. When Ellen later asks what the song is about, he says his intimate life - then awkwardly sips tea. She ends by saying this is alleged, for entertainment purposes only - but asks the question everyone’s now asking: If this was ‘just a music video’… why does it look like a warning no one was supposed to decode?

🚨 JUSTIN BIEBER’S “YUMMY” VIDEO JUST BLEW WIDE OPEN AFTER THE EPSTEIN FILES - AND IT’S DARK AS HELL This woman lays it all out on camera, frame by frame - and once she says it, you cannot unsee it. She starts with the rollout. Justin Bieber promoted Yummy using baby photos, the words “yummy” and “pizza,” and imagery that now hits very differently - especially since “yummy” appears hundreds of times in the Epstein files, a detail almost nobody talked about at the time. Then she walks through the video itself: Justin enters through a kitchen, like he’s being served, led to a table of old, wealthy elites. Young people are positioned as entertainment, not equals. Paparazzi are filming inside the party, which she says implies this isn’t hidden - it’s normalized, documented, and protected. On the table: A sandwich guarded by bread, topped with a red cherry/olive on red sticks - later replaced by black olives with black sticks as the food turns darker and more grotesque. A pink drink in front of him that visually resembles pizza. Then pink goo with circus peanuts appears during the lyric “you ain’t never running low on supply.” She asks it plainly: what do the pink stuff and the peanuts represent? Adults rotate in and out, taking turns sitting with him. A cat sits at the center of the table, which she says symbolizes him as the entertainer. Hands reach in, consume the food, wash it down with water and pink drinks. Justin looks increasingly out of it - not participating, being consumed. When the lyric “lost control of myself, I’m compromised” hits, Puff Daddy appears - a moment she says is impossible to ignore. She stresses the word “compromised” isn’t poetic - it’s the exact language of leverage and control. Girls dressed in white crawl out from under the table. Clothes come off. A white party unfolds. After it’s over, a red outfit is left draped on a chair, like something that can’t be put back. She points out a man eating cake who resembles a major record label executive, surrounded by more pink drinks. Then comes the image that stops people cold: a baby pig placed on the table - not a full pig, a baby. Justin’s plate shows cake, peas, and cherries, which she says symbolize innocence being consumed. She reminds viewers that young Justin was later used again to promote Yummy - the word written on a cake, holding a single cherry. She notes Justin reportedly had mental breakdowns during and after this era - after, not before. When Ellen later asks what the song is about, he says his intimate life - then awkwardly sips tea. She ends by saying this is alleged, for entertainment purposes only - but asks the question everyone’s now asking: If this was ‘just a music video’… why does it look like a warning no one was supposed to decode?

HustleBitch

348,996 views • 7 months ago

omg...Seedance 2.5 can do real POV physics now one prompt on Fish Creative.. bookmark this 👇 Prompt: SEEDANCE 2.5 | TEXT TO VIDEO | SINGLE CONTINUOUS TAKE | 22s | 1080x1920 | 9:16 | 30fps | 1080p SCENE AND LOCATION A hidden volcanic spring canyon deep in a Pacific Northwest pine forest on a bright summer day. A narrow, deep gorge with steep, very high walls of dark gray basalt made of vertical hexagonal columns, streaked with tan and rust tones and covered in patches of bright green moss, ferns and small shrubs. At the bottom is a crystal-clear natural spring pool. The shallow edges glow bright turquoise and aqua, fading to deep sapphire blue in the center. The water is so transparent that the bottom is fully visible: honeycomb-patterned volcanic rock, mossy boulders, and two long pale submerged logs lying diagonally across the bottom. Two white waterfalls pour into the pool: a thin one at the far back of the canyon and a larger one spilling from the right-hand cliff wall, making white foam where it hits the water. Tall dark-green conifer and pine trees line the canyon rim. Above is a vivid clear blue sky with a few small white clouds. Hard, bright midday sunlight with strong contrast, and sun sparkles on the water. THE JUMPER A young man seen only from his own first-person view. Tanned bare feet and lightly hairy shins, and loose navy-blue swim shorts with a large mustard-yellow hibiscus flower pattern and white drawstrings. No shirt, no shoes, no gloves. His hands and forearms appear naturally in frame when he moves them. CAMERA AND REALISM First-person POV from a GoPro strapped to his forehead. It looks like real action-cam footage, not a cinematic camera. 16mm-equivalent ultra-wide lens with slight barrel distortion, and saturated but natural color. Use real action-cam behavior throughout: small head bob and micro-jitter from breathing and body weight, rolling-shutter wobble on fast moves, quick auto-exposure shifts between bright sky and the shaded canyon, a small sun flare on upward tilts, light sensor noise in the shadows, and wind buffeting that shakes the frame during the fall. The cliff is about 35 meters high. Gravity, body motion and water physics are fully realistic. 0-2s | THE EDGE (real time) POV looking straight down from the top of the basalt cliff. His bare feet stand on the rough, dark rock ledge at the bottom of frame, with the shorts visible at the lower edge. Both hands hover forward at the sides of frame. The turquoise pool, the submerged logs and the waterfalls are far, far below. His toes curl over the edge and small grit crumbles off. His right hand tosses a pink-and-white striped inflatable tube out over the drop; it tumbles down and lands as a tiny speck on the water far below. Wind, distant waterfall roar, upbeat chill electronic music starts. 2-4s | THE COUNTDOWN (real time) A quick nervous tilt down at the drop, a sharp exhale, then two fast steps back from the edge, with the ledge bouncing in frame. Young male voice, hyped: "Three, two, one!" 4-7s | THE TAKEOFF (natural slow motion, about 50% speed) Two running steps forward, then his last foot pushes off the ledge in slow motion. Rock grit kicks up and floats in the sunlight, the cliff edge slides away beneath his feet, his arms swing forward and out wide, and the whole turquoise canyon opens up below. The slow motion looks like a real high-frame-rate action-cam clip, not a frozen hang. Deep bass swell, stretched wind. 7-13s | THE FALL (real time, fast and continuous) The speed ramps smoothly back to normal and the stomach drops. 7-9s: The frame dips and wobbles, his arms flail slightly for balance at the edges of frame, and his feet kick at the bottom of frame. A loud yell: "Woooooo!" 9-11s: The basalt column wall, moss and ferns streak upward past the lens, and the right-side waterfall rushes by with spray catching the sun. Wind roars louder and the frame shakes from air buffeting. 11-13s: The glowing turquoise water rushes up and fills the frame, and the pink tube and submerged logs grow fast. His arms snap tight to his body and his legs lock straight for a feet-first pencil dive. The music builds to the drop. 13-14s | IMPACT A hard feet-first hit into the water and a white explosion of bubbles swallows the lens. Loud plunge splash, deep impact whoosh, and the music goes heavily muffled underwater. 14-17s | UNDERWATER (short, energetic, real time) A violent swirl of silver bubbles clears to reveal crystal-clear blue water, bright sun shafts cutting down from the surface, the pale submerged logs and honeycomb volcanic rock bottom below, and small fish darting away. His hands push into frame for one strong breaststroke pull, then fast kicks straight up toward the bright glowing surface, with bubbles streaming past the lens. No slow sinking. 17-19s | SURFACE BREAK The camera bursts through the surface, water droplets sliding across the lens, and bright sunlight floods in. The music snaps back to full clarity on the beat drop. His hand grabs the pink-and-white tube floating right beside him. 19-22s | THE REWARD POV bobbing on the turquoise water holding the tube, then a sharp tilt up revealing the towering basalt cliff, the tiny ledge he jumped from far above, the pine trees on the rim and the vivid blue sky, with the waterfall splashing on the right. Same voice, out of breath and triumphant: "Yeah, dude! That was insane!" Faint distant cheering. Music plays clean to the final frame. AUDIO Continuous upbeat chill electronic track: a bass swell on takeoff, a fast build through the fall, muffled underwater, then a clean drop on surfacing. Real ambient layers: wind that grows with speed, fabric flapping, heavy breathing, waterfall roar, splash, bubbles. Dialogue clear over the music. KEEP One continuous take, first-person only. The same shorts, feet and hands throughout, and the same canyon layout with two waterfalls, turquoise pool and submerged logs. The slow motion lasts only 3 seconds at takeoff. The fall is fast, real time and builds speed without pausing. Every beat is quick and punchy. AVOID Extra slow motion beyond the takeoff, hovering or floating mid-air, smooth cinematic gimbal movement, cuts to third person, showing the jumper's face, extra people, distorted hands or extra fingers, morphing cliffs, changing water color, text, subtitles, watermarks.

omg...Seedance 2.5 can do real POV physics now one prompt on Fish Creative.. bookmark this 👇 Prompt: SEEDANCE 2.5 | TEXT TO VIDEO | SINGLE CONTINUOUS TAKE | 22s | 1080x1920 | 9:16 | 30fps | 1080p SCENE AND LOCATION A hidden volcanic spring canyon deep in a Pacific Northwest pine forest on a bright summer day. A narrow, deep gorge with steep, very high walls of dark gray basalt made of vertical hexagonal columns, streaked with tan and rust tones and covered in patches of bright green moss, ferns and small shrubs. At the bottom is a crystal-clear natural spring pool. The shallow edges glow bright turquoise and aqua, fading to deep sapphire blue in the center. The water is so transparent that the bottom is fully visible: honeycomb-patterned volcanic rock, mossy boulders, and two long pale submerged logs lying diagonally across the bottom. Two white waterfalls pour into the pool: a thin one at the far back of the canyon and a larger one spilling from the right-hand cliff wall, making white foam where it hits the water. Tall dark-green conifer and pine trees line the canyon rim. Above is a vivid clear blue sky with a few small white clouds. Hard, bright midday sunlight with strong contrast, and sun sparkles on the water. THE JUMPER A young man seen only from his own first-person view. Tanned bare feet and lightly hairy shins, and loose navy-blue swim shorts with a large mustard-yellow hibiscus flower pattern and white drawstrings. No shirt, no shoes, no gloves. His hands and forearms appear naturally in frame when he moves them. CAMERA AND REALISM First-person POV from a GoPro strapped to his forehead. It looks like real action-cam footage, not a cinematic camera. 16mm-equivalent ultra-wide lens with slight barrel distortion, and saturated but natural color. Use real action-cam behavior throughout: small head bob and micro-jitter from breathing and body weight, rolling-shutter wobble on fast moves, quick auto-exposure shifts between bright sky and the shaded canyon, a small sun flare on upward tilts, light sensor noise in the shadows, and wind buffeting that shakes the frame during the fall. The cliff is about 35 meters high. Gravity, body motion and water physics are fully realistic. 0-2s | THE EDGE (real time) POV looking straight down from the top of the basalt cliff. His bare feet stand on the rough, dark rock ledge at the bottom of frame, with the shorts visible at the lower edge. Both hands hover forward at the sides of frame. The turquoise pool, the submerged logs and the waterfalls are far, far below. His toes curl over the edge and small grit crumbles off. His right hand tosses a pink-and-white striped inflatable tube out over the drop; it tumbles down and lands as a tiny speck on the water far below. Wind, distant waterfall roar, upbeat chill electronic music starts. 2-4s | THE COUNTDOWN (real time) A quick nervous tilt down at the drop, a sharp exhale, then two fast steps back from the edge, with the ledge bouncing in frame. Young male voice, hyped: "Three, two, one!" 4-7s | THE TAKEOFF (natural slow motion, about 50% speed) Two running steps forward, then his last foot pushes off the ledge in slow motion. Rock grit kicks up and floats in the sunlight, the cliff edge slides away beneath his feet, his arms swing forward and out wide, and the whole turquoise canyon opens up below. The slow motion looks like a real high-frame-rate action-cam clip, not a frozen hang. Deep bass swell, stretched wind. 7-13s | THE FALL (real time, fast and continuous) The speed ramps smoothly back to normal and the stomach drops. 7-9s: The frame dips and wobbles, his arms flail slightly for balance at the edges of frame, and his feet kick at the bottom of frame. A loud yell: "Woooooo!" 9-11s: The basalt column wall, moss and ferns streak upward past the lens, and the right-side waterfall rushes by with spray catching the sun. Wind roars louder and the frame shakes from air buffeting. 11-13s: The glowing turquoise water rushes up and fills the frame, and the pink tube and submerged logs grow fast. His arms snap tight to his body and his legs lock straight for a feet-first pencil dive. The music builds to the drop. 13-14s | IMPACT A hard feet-first hit into the water and a white explosion of bubbles swallows the lens. Loud plunge splash, deep impact whoosh, and the music goes heavily muffled underwater. 14-17s | UNDERWATER (short, energetic, real time) A violent swirl of silver bubbles clears to reveal crystal-clear blue water, bright sun shafts cutting down from the surface, the pale submerged logs and honeycomb volcanic rock bottom below, and small fish darting away. His hands push into frame for one strong breaststroke pull, then fast kicks straight up toward the bright glowing surface, with bubbles streaming past the lens. No slow sinking. 17-19s | SURFACE BREAK The camera bursts through the surface, water droplets sliding across the lens, and bright sunlight floods in. The music snaps back to full clarity on the beat drop. His hand grabs the pink-and-white tube floating right beside him. 19-22s | THE REWARD POV bobbing on the turquoise water holding the tube, then a sharp tilt up revealing the towering basalt cliff, the tiny ledge he jumped from far above, the pine trees on the rim and the vivid blue sky, with the waterfall splashing on the right. Same voice, out of breath and triumphant: "Yeah, dude! That was insane!" Faint distant cheering. Music plays clean to the final frame. AUDIO Continuous upbeat chill electronic track: a bass swell on takeoff, a fast build through the fall, muffled underwater, then a clean drop on surfacing. Real ambient layers: wind that grows with speed, fabric flapping, heavy breathing, waterfall roar, splash, bubbles. Dialogue clear over the music. KEEP One continuous take, first-person only. The same shorts, feet and hands throughout, and the same canyon layout with two waterfalls, turquoise pool and submerged logs. The slow motion lasts only 3 seconds at takeoff. The fall is fast, real time and builds speed without pausing. Every beat is quick and punchy. AVOID Extra slow motion beyond the takeoff, hovering or floating mid-air, smooth cinematic gimbal movement, cuts to third person, showing the jumper's face, extra people, distorted hands or extra fingers, morphing cliffs, changing water color, text, subtitles, watermarks.

Abdul Shakoor

81,162 views • 5 days ago

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.

Sharon Riley

68,710 views • 2 months ago

Government mind control is the stuff of conspiracy theories. Many homeless people suffering from schizophrenia or meth-induced psychosis claim to be victims of it. And it is common to find people online who say they are victims of mind control, directed energy weapons, and gang-stalking by government agents. These delusions appear to have arisen after evidence emerged in the 1970s that the CIA was engaged in mind-control efforts, the subject of a congressional hearing last week. The CIA’s MKUltra program, for example, tested LSD on prisoners and hospital patients without their consent. After World War II, the CIA may have continued Nazi experiments into mind control, even using former Nazi doctors and operating a black site in Germany where some victims died, testified a journalist-turned-historian. “Kurt Blome, who was the chief of biological weapons development for the Nazi government, came to work for the CIA,” noted former New York Times reporter Stephen Kinzer, who authored Poisoner in Chief about the head of MKUltra. “So did Walter Schreiber, who was the surgeon general of the Nazi army.” The hearing that Rep. Anna Paulina Luna convened on June 30 did not receive much media attention, likely because some of it covered what is viewed in Washington, D.C., as old news. The CIA released MKUltra financial files in 1977. The two witnesses, Kinzer and Tom O’Neill, both published their books in 2019. The two testified that little new information had come to light since then. But the hearing was significant in part because O’Neill raised the possibility that the CIA’s mind control research may never have ended. “Did it continue?” O’Neill said. “I don’t know. I can’t imagine that it didn’t, though, because the technology — that they worked to establish over 20, 25 years and spent more money on than any operation the CIA ever conducted — was successful. I imagine it’s being used.” Jolly West, a doctor and MKUltra contractor, reported in 1956 that, through the use of LSD and other drugs, he could “speed the induction of the hypnotic state and deepen the trance,” after which he could replace “true memories” with “false ones” in people’s minds without them knowing it. Two years earlier, a 34-year-old Air Force sergeant with no history of violent or criminal behavior murdered a three-year-old girl in an apparent trance state. West was assigned to be the man’s psychiatric expert. It turned out that the sergeant had been, ostensibly, undergoing an experimental treatment for his migraine headaches at the base. O’Neill points to connections between the West and the Manson Family murders without drawing definitive conclusions. In his book, Chaos, O’Neill reveals that West visited the jail cell of Jack Ruby, who killed Lee Harvey Oswald, the alleged assassin of President John F. Kennedy, just hours before Ruby had a psychotic break. The CIA destroyed MKUltra evidence, lied to Congress about it, and fabricated false reports, including the one by West. But there are many MKUltra files, photos, and films still out there, said the witnesses, sitting in the archives and attics of the 80 scientific, medical, and university institutions and at least 185 non-government researchers. In fact, a large new body of documents, photographs, and films about apparent mind control and psychic warfare will soon come to light. The son of Andrija Puharich — an American physician, scientist, and inventor who used teenagers in his psychic experiments — gave documentary filmmaker Greg Mallozzi access to his father’s archive, which includes numerous recordings. “I worked as a consultant to the CIA,” Puharich says in one of them. “My boss was the chief medical director who’s in charge of all the dirty tricks stuff when it came to drugs and hypnosis and all the mind manipulation stuff.” The new documentary is called “Mind Traveler” and will be released this fall.... Please subscribe now to support Public's award-winning journalism, read the rest of the article, and watch the full video!

Government mind control is the stuff of conspiracy theories. Many homeless people suffering from schizophrenia or meth-induced psychosis claim to be victims of it. And it is common to find people online who say they are victims of mind control, directed energy weapons, and gang-stalking by government agents. These delusions appear to have arisen after evidence emerged in the 1970s that the CIA was engaged in mind-control efforts, the subject of a congressional hearing last week. The CIA’s MKUltra program, for example, tested LSD on prisoners and hospital patients without their consent. After World War II, the CIA may have continued Nazi experiments into mind control, even using former Nazi doctors and operating a black site in Germany where some victims died, testified a journalist-turned-historian. “Kurt Blome, who was the chief of biological weapons development for the Nazi government, came to work for the CIA,” noted former New York Times reporter Stephen Kinzer, who authored Poisoner in Chief about the head of MKUltra. “So did Walter Schreiber, who was the surgeon general of the Nazi army.” The hearing that Rep. Anna Paulina Luna convened on June 30 did not receive much media attention, likely because some of it covered what is viewed in Washington, D.C., as old news. The CIA released MKUltra financial files in 1977. The two witnesses, Kinzer and Tom O’Neill, both published their books in 2019. The two testified that little new information had come to light since then. But the hearing was significant in part because O’Neill raised the possibility that the CIA’s mind control research may never have ended. “Did it continue?” O’Neill said. “I don’t know. I can’t imagine that it didn’t, though, because the technology — that they worked to establish over 20, 25 years and spent more money on than any operation the CIA ever conducted — was successful. I imagine it’s being used.” Jolly West, a doctor and MKUltra contractor, reported in 1956 that, through the use of LSD and other drugs, he could “speed the induction of the hypnotic state and deepen the trance,” after which he could replace “true memories” with “false ones” in people’s minds without them knowing it. Two years earlier, a 34-year-old Air Force sergeant with no history of violent or criminal behavior murdered a three-year-old girl in an apparent trance state. West was assigned to be the man’s psychiatric expert. It turned out that the sergeant had been, ostensibly, undergoing an experimental treatment for his migraine headaches at the base. O’Neill points to connections between the West and the Manson Family murders without drawing definitive conclusions. In his book, Chaos, O’Neill reveals that West visited the jail cell of Jack Ruby, who killed Lee Harvey Oswald, the alleged assassin of President John F. Kennedy, just hours before Ruby had a psychotic break. The CIA destroyed MKUltra evidence, lied to Congress about it, and fabricated false reports, including the one by West. But there are many MKUltra files, photos, and films still out there, said the witnesses, sitting in the archives and attics of the 80 scientific, medical, and university institutions and at least 185 non-government researchers. In fact, a large new body of documents, photographs, and films about apparent mind control and psychic warfare will soon come to light. The son of Andrija Puharich — an American physician, scientist, and inventor who used teenagers in his psychic experiments — gave documentary filmmaker Greg Mallozzi access to his father’s archive, which includes numerous recordings. “I worked as a consultant to the CIA,” Puharich says in one of them. “My boss was the chief medical director who’s in charge of all the dirty tricks stuff when it came to drugs and hypnosis and all the mind manipulation stuff.” The new documentary is called “Mind Traveler” and will be released this fall.... Please subscribe now to support Public's award-winning journalism, read the rest of the article, and watch the full video!

Michael Shellenberger

46,521 views • 2 months ago

yall think black hat sauce is methods wtf do you think is the base for those methods? It's making them believe and feel false realities > If you want real black hat alpha, this is it. YOU WANT your VSLs or marketing campaigns to have a high CVR, AOV & retention (mrr in the backend) black hat methods get to these means in many ways like (fake authority using ai for clebs, back end mrr, fake promises, etc) >> however you can overcome the need for all of this while getting the same end results by just curating the reality of the VSL and experience in general to fit what those methods would have done. like for example - how would we be able to invoke a first time experience ecstasy of emotion in a vsl? > not only will this make the experience of the ad unique but also give you a platform to create a real authority figure that matches the belief of a cleb. from my experience I've found the way to do this is visually, auditorily, and ofc with your creatives. As yall know for my VSLs I try to take very unique different angles, with very specific visuals that back it up. and if you have trouble with this, you're literally in the perfect time in the world. You can use sora 2, put in your theme & ideas and ask it to be creative, include 100 different shots/scenes (add a aesthetic source image to make the generations 100x better) and boom. You have so many different frames and angles to get inspired by. > Also with MRR, you know one neurochemical that boosts the fuck out of CVR & retention? makes you trust more in a offer, promise, and changes your consciousness in ways that subsequently makes you spend more? its oxytocin. best example that I always use. the Charity water VSL (search up on yt). $700m off of MRR how? because of how touching and deep it hit. those types of narratives and experiences is what secretes oxytocin. And that's one legit real way you can boost your mrr and keep it long term if your angle is tied in a way to keep eliciting that reaction. It can be for any offer or product, happy or sad (best to stick with happy unless for a charity vsl like this one, or if yk what you're doing). > However remember one chemical change doesn't mean everything. There are tons of different states of mind you can put someone in, but they won't led to the results you want unless you include Specifics (on the offer, promises, and social proofs/belief elements) A big idea & unique angle and a proposition that ties in the creative --> to a reason showing that they NEED to buy this offer for whatever reason. >>> these changes and efforts we go to make a VSL work, doesn't pull it's weight & potential if we don't see it through a lens of economic game theory. over the last 28 years or so "several lines of experimentation have discovered that our goal- directed behaviors can be under “unconscious control” (Custers & Aarts, 2010)" The unconscious mind is the foundation for all your customers actions, they act because the deeper sections of their brains pick up a cue run it through memory, and pre biologically embedded risk/reward and elimination scenarios to see if this new stimuli is similar/relevant to past stimuli that has aided in spreading it's genes in the past (i.e. been useful to the past generations which led to this trait being past on over and over again) For your purposes, the way to use this to your advantage and to activate it in a positive sense so it guides your customer to a conversion is to implement visual & auditory cues in your VSL that mirror the goal and desire/outcome they so deeply desire. this can be done by the language you use (copy), visuals/b roll etc. this will overlap with prefrontal–striatal loops as conscious intent ≈ 72 % making your customer already feel and get a grasp of their desires This is where belief and proofs come in, they all go hand in hand and strengthen the end goal (to buy). _____ also another note for the unique angle, drop off of CVRs happens also when a customer gets sight of a familiar stimulus in a VSL/offer (could be anything) even if they don't think of it consciously, the brain processes everything happening which is directed to be a data point for thought, through a memory check and relation test. If in the past, you had a bad experience with that stimulus, or something similar. The brain will count the offer as invalid with the outcome of lowering belief and seeing the future outcome as achievable. _______ more data on this inside also one of the biggest needle movers is tension in VSLs, include that in everything. 🥂

yall think black hat sauce is methods wtf do you think is the base for those methods? It's making them believe and feel false realities > If you want real black hat alpha, this is it. YOU WANT your VSLs or marketing campaigns to have a high CVR, AOV & retention (mrr in the backend) black hat methods get to these means in many ways like (fake authority using ai for clebs, back end mrr, fake promises, etc) >> however you can overcome the need for all of this while getting the same end results by just curating the reality of the VSL and experience in general to fit what those methods would have done. like for example - how would we be able to invoke a first time experience ecstasy of emotion in a vsl? > not only will this make the experience of the ad unique but also give you a platform to create a real authority figure that matches the belief of a cleb. from my experience I've found the way to do this is visually, auditorily, and ofc with your creatives. As yall know for my VSLs I try to take very unique different angles, with very specific visuals that back it up. and if you have trouble with this, you're literally in the perfect time in the world. You can use sora 2, put in your theme & ideas and ask it to be creative, include 100 different shots/scenes (add a aesthetic source image to make the generations 100x better) and boom. You have so many different frames and angles to get inspired by. > Also with MRR, you know one neurochemical that boosts the fuck out of CVR & retention? makes you trust more in a offer, promise, and changes your consciousness in ways that subsequently makes you spend more? its oxytocin. best example that I always use. the Charity water VSL (search up on yt). $700m off of MRR how? because of how touching and deep it hit. those types of narratives and experiences is what secretes oxytocin. And that's one legit real way you can boost your mrr and keep it long term if your angle is tied in a way to keep eliciting that reaction. It can be for any offer or product, happy or sad (best to stick with happy unless for a charity vsl like this one, or if yk what you're doing). > However remember one chemical change doesn't mean everything. There are tons of different states of mind you can put someone in, but they won't led to the results you want unless you include Specifics (on the offer, promises, and social proofs/belief elements) A big idea & unique angle and a proposition that ties in the creative --> to a reason showing that they NEED to buy this offer for whatever reason. >>> these changes and efforts we go to make a VSL work, doesn't pull it's weight & potential if we don't see it through a lens of economic game theory. over the last 28 years or so "several lines of experimentation have discovered that our goal- directed behaviors can be under “unconscious control” (Custers & Aarts, 2010)" The unconscious mind is the foundation for all your customers actions, they act because the deeper sections of their brains pick up a cue run it through memory, and pre biologically embedded risk/reward and elimination scenarios to see if this new stimuli is similar/relevant to past stimuli that has aided in spreading it's genes in the past (i.e. been useful to the past generations which led to this trait being past on over and over again) For your purposes, the way to use this to your advantage and to activate it in a positive sense so it guides your customer to a conversion is to implement visual & auditory cues in your VSL that mirror the goal and desire/outcome they so deeply desire. this can be done by the language you use (copy), visuals/b roll etc. this will overlap with prefrontal–striatal loops as conscious intent ≈ 72 % making your customer already feel and get a grasp of their desires This is where belief and proofs come in, they all go hand in hand and strengthen the end goal (to buy). _ also another note for the unique angle, drop off of CVRs happens also when a customer gets sight of a familiar stimulus in a VSL/offer (could be anything) even if they don't think of it consciously, the brain processes everything happening which is directed to be a data point for thought, through a memory check and relation test. If in the past, you had a bad experience with that stimulus, or something similar. The brain will count the offer as invalid with the outcome of lowering belief and seeing the future outcome as achievable. ___ more data on this inside also one of the biggest needle movers is tension in VSLs, include that in everything. 🥂

Krma

37,202 views • 11 months ago

Hi everyone! Just rolled out access for NoSpoon Studios to the first 110 folks or so. Huge thanks to Karan and Amit at Luma - thanks to them, I have a few more people that had commented getting complimentary beta access soon as well :). These videos are created with a single agent that does everything from concept to completion (including editing the video together). Therer are longer options too, but for the sake of cost and this demo, you'll be working with 20s max generations. The entire agent was built to only run Ray2 as the video model. My stack is this custom agent of mine (using OAI) > Ray2 for the video > Replit for the app for now. In the meantime, for those with access: here's a video tutorial on how to use the site. I'm quite exhausted, but here's the gist: 1. Sign up (and remember your password lol). Beta testers got free credits, but these are a bit limited - rolling out to a few more peeps but have to budget and need to expand my current code (which means redeploying - so expect more of you to have 2 free credits and access tmr! I have to find out the max I can allot with budget). 2. Just hit "generate short video" without anything in the prompt box and the agent will start immediately with the logline. Be very patient, wait about 6-8 minutes, and it will continue to output all of the scenes and processing - it's very important you do not refresh or navigate away from that tab at this time. You'll see your final video generated and displayed at the bottom of your screen once complete, along with a watermark (paid users don't have a watermark). You can also access your loglines and videos in your history tab, too :). You must refresh the page only after your generation in order to generate a new video - otherwise you'll lose your generation (annoying I know). 3. You can also input your own custom prompt! Control the story this way. Single words work great even, like "thriller" or "spy thriller set in greece" or even "black and white film noir" etc etc. It's not as great with animated styles yet for consistency, just a heads up. 4. I'm exhausted, I'm sure there's a lot I'm missing. But welcome to the NoSpoon Studios soft beta! More soon! Feel free to share your generations if you are already in. I'll see you all tomorrow night :) <3 Thanks everyone! More soon.

Hi everyone! Just rolled out access for NoSpoon Studios to the first 110 folks or so. Huge thanks to Karan and Amit at Luma - thanks to them, I have a few more people that had commented getting complimentary beta access soon as well :). These videos are created with a single agent that does everything from concept to completion (including editing the video together). Therer are longer options too, but for the sake of cost and this demo, you'll be working with 20s max generations. The entire agent was built to only run Ray2 as the video model. My stack is this custom agent of mine (using OAI) > Ray2 for the video > Replit for the app for now. In the meantime, for those with access: here's a video tutorial on how to use the site. I'm quite exhausted, but here's the gist: 1. Sign up (and remember your password lol). Beta testers got free credits, but these are a bit limited - rolling out to a few more peeps but have to budget and need to expand my current code (which means redeploying - so expect more of you to have 2 free credits and access tmr! I have to find out the max I can allot with budget). 2. Just hit "generate short video" without anything in the prompt box and the agent will start immediately with the logline. Be very patient, wait about 6-8 minutes, and it will continue to output all of the scenes and processing - it's very important you do not refresh or navigate away from that tab at this time. You'll see your final video generated and displayed at the bottom of your screen once complete, along with a watermark (paid users don't have a watermark). You can also access your loglines and videos in your history tab, too :). You must refresh the page only after your generation in order to generate a new video - otherwise you'll lose your generation (annoying I know). 3. You can also input your own custom prompt! Control the story this way. Single words work great even, like "thriller" or "spy thriller set in greece" or even "black and white film noir" etc etc. It's not as great with animated styles yet for consistency, just a heads up. 4. I'm exhausted, I'm sure there's a lot I'm missing. But welcome to the NoSpoon Studios soft beta! More soon! Feel free to share your generations if you are already in. I'll see you all tomorrow night :) <3 Thanks everyone! More soon.

Kiri

15,517 views • 1 year ago

//The Wire//2300Z July 29, 2026// //ROUTINE// //BLUF: WAR IN MIDDLE EAST EXPANDS TO AFRICA AS DRONE ATTACK REPORTED IN EGYPT. IRAN CONDUCTS MORE MISSILE STRIKES ON AMERICAN BASES IN MIDDLE EAST, UNITED STATES BEGINS RESPONSE THIS EVENING. CYBERATTACK TARGETS MINNESOTA WATER SUPPLY.// -----BEGIN TEARLINE----- -International Events- Middle East: Overnight Iran conducted missile and drone attacks throughout the region, targeting American positions. Muwaffaq al Salti was hit again, along with the American base in Erbil. After this series of attacks, the White House has indicated that the US will be retaliating soon, and as of this report American airstrikes have resumed within Iran. Egypt: This morning, explosions were reported onboard a floating natural gas storage/processing platform in Damietta Port. An American-registered Floating Storage and Regassification Unit (FSRU) was reportedly struck by at least one munition, which resulted in several follow-on explosions. Separately, another tanker vessel was reportedly struck in the same general area. As of this afternoon firefighting boats were still cooling the superstructure and most of the topside equipment onboard the two vessels. Analyst Comment: Egyptian authorities have stated that these explosions were an industrial accident, however a video taken by a crew member onboard the vessel that was struck confirms that the incident was a drone attack. Regardless, nobody has claimed this as a targeting effort yet, and if this was Iran, it would be the longest-range attack they have conducted so far during the war. As a result, it's possible (or even likely) that these drones were launched from somewhere closer than Iran. Lebanon is the only wild guess that makes sense, as it's a straight shot across the water to the target. -HomeFront- USA: Yesterday evening American Airlines announced a nationwide ground stop of all of their aircraft due to an IT outage. The FAA implemented the emergency action due to an unspecified loss of connectivity between American Airlines aircraft and ground control systems. Mass delays were reported nationwide while the outage was being fixed, and after several hours systems were restored. Minnesota: This afternoon a large scale cyberattack was reported targeting water treatment and processing systems throughout the state. The cyberattack was only disclosed to the public this morning, but initially took place on July 26/27. The immediate impact of this cyberattack resulted in power outages and the control of automated water management systems being affected. As of this afternoon, the towns of Braham, Maple Plain, Plymouth, and south St. Paul have all reported being impacted by the cyberattack, with many districts throughout the state remaining under a boil-water advisory. -----END TEARLINE----- Analyst Comments: CENTCOM and the media are calling Iran's actions last night a "surprise attack", but in reality it was no different than all of the other attacks conducted so far. CENTCOM has stated that all missiles were intercepted, but locals on the ground have provided photos of large fires and smoke plumes being emitted from American bases. Nevertheless, theses attacks probably pushed the decision to be made regarding a return to strikes, in some form. The war officially expanding to now include Egypt is very likely to complicate the situation further...this one war involving Iran has now technically spread to a total of three continents: Asia, Europe, and now northern Africa. Of course, one or two drone strikes does not equal a large scale operation, but back in 1942 Doolittle's Raid didn't either. It was meant to send a message, much like the extremely long-range attack that was carried out in Egypt today. Egypt certainly received that message lout and clear, but it is questionable as to if the significance of this small attack was understood by the United States. Though the usual tit-for-tat cycle has been disrupted somewhat over the past week, at a more strategic level all indications are in place pointing toward a continuation of what's been ongoing since the ceasefire was broken: Tit-for-tat strikes continuing that stay below the level of all-out war, but also resulting in no diplomatic solution for the time being. All the while the war slowly creeps outside the bounds of the region, and the message becomes more clear: From the Nile Delta to Mumbai...nowhere is safe from the impact of war. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

//The Wire//2300Z July 29, 2026// //ROUTINE// //BLUF: WAR IN MIDDLE EAST EXPANDS TO AFRICA AS DRONE ATTACK REPORTED IN EGYPT. IRAN CONDUCTS MORE MISSILE STRIKES ON AMERICAN BASES IN MIDDLE EAST, UNITED STATES BEGINS RESPONSE THIS EVENING. CYBERATTACK TARGETS MINNESOTA WATER SUPPLY.// -----BEGIN TEARLINE----- -International Events- Middle East: Overnight Iran conducted missile and drone attacks throughout the region, targeting American positions. Muwaffaq al Salti was hit again, along with the American base in Erbil. After this series of attacks, the White House has indicated that the US will be retaliating soon, and as of this report American airstrikes have resumed within Iran. Egypt: This morning, explosions were reported onboard a floating natural gas storage/processing platform in Damietta Port. An American-registered Floating Storage and Regassification Unit (FSRU) was reportedly struck by at least one munition, which resulted in several follow-on explosions. Separately, another tanker vessel was reportedly struck in the same general area. As of this afternoon firefighting boats were still cooling the superstructure and most of the topside equipment onboard the two vessels. Analyst Comment: Egyptian authorities have stated that these explosions were an industrial accident, however a video taken by a crew member onboard the vessel that was struck confirms that the incident was a drone attack. Regardless, nobody has claimed this as a targeting effort yet, and if this was Iran, it would be the longest-range attack they have conducted so far during the war. As a result, it's possible (or even likely) that these drones were launched from somewhere closer than Iran. Lebanon is the only wild guess that makes sense, as it's a straight shot across the water to the target. -HomeFront- USA: Yesterday evening American Airlines announced a nationwide ground stop of all of their aircraft due to an IT outage. The FAA implemented the emergency action due to an unspecified loss of connectivity between American Airlines aircraft and ground control systems. Mass delays were reported nationwide while the outage was being fixed, and after several hours systems were restored. Minnesota: This afternoon a large scale cyberattack was reported targeting water treatment and processing systems throughout the state. The cyberattack was only disclosed to the public this morning, but initially took place on July 26/27. The immediate impact of this cyberattack resulted in power outages and the control of automated water management systems being affected. As of this afternoon, the towns of Braham, Maple Plain, Plymouth, and south St. Paul have all reported being impacted by the cyberattack, with many districts throughout the state remaining under a boil-water advisory. -----END TEARLINE----- Analyst Comments: CENTCOM and the media are calling Iran's actions last night a "surprise attack", but in reality it was no different than all of the other attacks conducted so far. CENTCOM has stated that all missiles were intercepted, but locals on the ground have provided photos of large fires and smoke plumes being emitted from American bases. Nevertheless, theses attacks probably pushed the decision to be made regarding a return to strikes, in some form. The war officially expanding to now include Egypt is very likely to complicate the situation further...this one war involving Iran has now technically spread to a total of three continents: Asia, Europe, and now northern Africa. Of course, one or two drone strikes does not equal a large scale operation, but back in 1942 Doolittle's Raid didn't either. It was meant to send a message, much like the extremely long-range attack that was carried out in Egypt today. Egypt certainly received that message lout and clear, but it is questionable as to if the significance of this small attack was understood by the United States. Though the usual tit-for-tat cycle has been disrupted somewhat over the past week, at a more strategic level all indications are in place pointing toward a continuation of what's been ongoing since the ceasefire was broken: Tit-for-tat strikes continuing that stay below the level of all-out war, but also resulting in no diplomatic solution for the time being. All the while the war slowly creeps outside the bounds of the region, and the message becomes more clear: From the Nile Delta to Mumbai...nowhere is safe from the impact of war. Analyst: S2A1 Research: NomadNet: 5fa68c88be727a0e1a250a75e5e79269 Disclaimer: No LLMs were used in the writing of this report. //END REPORT//

S2 Underground

14,937 views • 2 months ago

THE OCCULT ROOTS, ELITE, INTELLIGENCE AGENCIES and INSTITUTIONS PLAN to ALTER MAN & CONTROL SOCIETY. It was all engineered. From symbolism, to intelligence agencies Mk Ultra programs, to transhumanism, and transgenderism, and where the elite get their pedophi*e beliefs from. This is going to explain the foundation and plan for society and layout a huge piece of the puzzle to help you understand where it all came from and how it started. Many of these occult rooted wealthy socialists knew exactly how they were going to literally bring in their New World Order before most of the methods or techniques even existed, and the crazy part is that it's happening today, exactly like they said it was. The last part of their plan, before it is complete was the sexual revolution, and what do we see happening all around us today with transgenderism, transhumanism, and pedophil*a with children? The plan was to revolutionize Western civilization through counterculture, and a sexual revolution to make the West more amenable to a future of socialist technocracy. They knew if they wanted to win they had to play the long game. These people were thinking generations ahead. This is called the Fabian Society model-the slow burn of implemented ideas to transform society. Their symbol is a literal wolf in sheep's clothing/skin. The Fabian Socialist Technocrats talked about this in the 1920s & 1930s. Like Bertrand Russel, a British philosopher who was one of the very first people who openly lived in a pan/poly relationship before anyone else, who basically helped plan the sexual revolution as well as many others. Herbert George Wells (H.G. Wells), the father of science fiction also wrote a bunch of mainline geopolitical books like "The Open Conspiracy," and "The New World Order." In these books he describes how they would revolutionize Western civilization through counterculture and sexual revolution to a socialist technocracy. These books were literally telling you their plans. The concept of technocracy has roots in ancient ideas like Plato's philosopher kings, and it gained traction during the Industrial Revolution and the Great Depression. Technocracy emphasizes the use of technical expertise in decision making often prioritizing scientific evidence and data over political considerations or public opinion. Sounds good in some aspects but it doesn't work overall. So, as counterculture, this sexual revolution, and darker occult practices, like Satanism and Paganism, etc., started to rise up, elites and governments started to catch on to these beliefs and practices and big money went into funding the creation of some institutions, non-profits and other programs along with projects in intelligence agencies in the U.S. and others. This overall takeover of the West and society was both calculated and non-intentional in a way. But from big names involved, The Esalen Institute was born. A non-profit in Big Sur, California that focuses on humanistic alternative education. The Institute played a key role in the Human Potential Movement beginning in the 1960s. The Esalen Institute was founded by Michael Murphy and Dick Price in 1962. It is basically the "think tank" of counterculture and the sexual revolution, promoted by very wealthy and influential people. Their intention was to support alternative methods for exploring human conscientiousness, promoting that everything is divine. One major thing you must understand that the roots of many of the people in Esalen were all into Satanic occult type belief systems and paganistic practices, like from the teachings of Anton LaVey and Aliester Crowley, who both were heavily involved in Satanism and also into pedophil*a and transhumanistic beliefs. Crowley was also a part of British Intelligence/MI5, and heavy into altering the mind with drugs and substances to make contact and change conscientiousness and to be like their own god. Other notable figures of Esalen was Timothy Leary, a psychologist who is also known for his advocacy of psychedelic experiences, a prominent figure of the counterculture movement and heavily into Aliester Crowley's sex revolution beliefs. All these sexual beliefs are associated transhumanism, transgenderism, and pedophil*a. Which is no coincidence why you see the heavy push for this on our society and on our children today. Another very prominent name and usual suspect is David Rockefeller who heavily promoted and funded the Esalen Institution and any others like it and donated millions of dollars to them every single year from the 1970s to around 2004. Rockefeller wasn't the only one and this is just one piece of this overall plan to destroy the West and society itself to bring in this new world. Let's move on. Now we will connect how Mk-Ultra was literally beyond the WW2 German connection and operation paperclip and set up from an arm of these foundations and writings of some of these people who laid the ground work and sparked these ideas into a reality, to be used on Western society and to literally alter man's mind and his actual physical appearance. Bring in the green agenda and convince man that man is the problem. A White Paper was written in the 1970s called, "Changing the Images of Man," put out by the Tavistock Institution. In this key paper they talked about reengineering all of Western civilization's thoughts. Not just about the environment, but also about man himself. The Tavistock Institution of human relations is a British non-profit reaserch and consulting organization, specialising in the study of group behavior. They also have sister companies in China and Germany, and it was established in 1947. They explained about how they needed to convince man that man is the problem. This is exactly where all of your counterculture, sexual revolution, depopulation, antinatalist, transgenderism, transhumanism, pedophil*a, etc., beliefs stem from. You are the problem but you can change yourself. Feb 4, 1932, A Brave New World, and then, A Brave New World Revisited was written. Huxley wrote that this is not fiction, this is a plan of things to come. The 2nd chapter is literally all about child sexual abuse material. This is where all this stuff came about and into our society. Huxley heavily believed in Aliester Crowley's belief systems and partied with Crowley, even attending orgies together. Huxley took Crowley's book, "The Drug Diaries to a government study level in a sense. Which was originally what Crowley was working with to contact entities and perform ritualistic ceremonies and involved with sexual activities with children. Tavistock was basically the British Mk Ultra from the studies originally from Aliester who was also a British intelligence agent with MI5. These drug studies and mind control studies at Tavistock led to the idea that you can engineer and change a human being, not just in his mind, but an entire change of physiology and biology of a person. Hence Transgenderism and Transhumanism, etc. Like how they're literally giving kids drugs and surgeries to "change" their genders today. In 1969 Dr. Holger Hyden who worked on mind control through drugs and medication, etc., was invited to a mind control conference in San Francisco that the Rockefellers sponsored by the CIA's, "Voice of America. Dr. Hyden's papers were about drugs and chemicals actually changing gender in men and women in the future. And look where we are now. The CIA made alliances with the French post modernists and deconstructionists who were a part of Congress for Cultural Freedom. The CIA also had and still does have members who studied and agreed with these same belief systems and started to study mind control after Huxley's brave new world which sparked their interest because of Crowley's actual experimentation actually using drugs to alter conscientiousness and for control or engineering one's mind and the results and studies from the Tavistock and their research. Which all stems back to his Satanic and sexual beliefs. Now we examine the CIA Mk Ultra with Hollywood and it's Mk Ultra program to induce, steer, and mold behavior throughout the population through, sex, drugs, and rock and roll. This was all apart of the mind control program on a grand scale relating to propaganda and drugs. Most A-list celebrities back then were also working or were active intelligence agents who also had DoD badges including Marylyn Monroe, to access the famous Air force location named Laurel Canyon where many operations stemmed from when it came to manipulating the public with music, t.v. and with any other type of influence. Many were recruited to do spy work for intelligence agencies. This was basically them working out their big plan, their agenda, which still happens today with the huge push with the occult and Satanic worship, sexual deviancy, transgenderism, transhumanism, you name it. They even have after school Satan groups in schools for kids starting as young as in kindergarten. This is also why you see the gigantic push for pedophil*a and trying to be able to give children consent and be sexualized, while horrific laws are being passed to reduce penalties for child predators. This is the type of "Brave New World" they want. The last step before bringing in their New World is the sexual revolution aspect which includes transgenderism, pedophil*a, transhumanism, Satanism, the green agenda, and depopulation. But the sexual revolution is the most important and last step. The fall of Rome also occurred when this type of sexual activity occurred as well. Something to really take into consideration and compare it to where we are now. Every single one of these ideologies and beliefs all stem from these wealthy elite individuals, institutions and belief systems that they all planned decades ago and it's literally happening right in front of us. There is so much more to this but this gives you an introduction or a starting point to connect the dots of where it all came from during the past century, which directly is impacting our lives and society. They are now experiencing heavy pushback. We're onto them and their ultimate plan. They gave us the roadmap. It's up to you to understand it and up to all of us to stop it.

THE OCCULT ROOTS, ELITE, INTELLIGENCE AGENCIES and INSTITUTIONS PLAN to ALTER MAN & CONTROL SOCIETY. It was all engineered. From symbolism, to intelligence agencies Mk Ultra programs, to transhumanism, and transgenderism, and where the elite get their pedophie beliefs from. This is going to explain the foundation and plan for society and layout a huge piece of the puzzle to help you understand where it all came from and how it started. Many of these occult rooted wealthy socialists knew exactly how they were going to literally bring in their New World Order before most of the methods or techniques even existed, and the crazy part is that it's happening today, exactly like they said it was. The last part of their plan, before it is complete was the sexual revolution, and what do we see happening all around us today with transgenderism, transhumanism, and pedophila with children? The plan was to revolutionize Western civilization through counterculture, and a sexual revolution to make the West more amenable to a future of socialist technocracy. They knew if they wanted to win they had to play the long game. These people were thinking generations ahead. This is called the Fabian Society model-the slow burn of implemented ideas to transform society. Their symbol is a literal wolf in sheep's clothing/skin. The Fabian Socialist Technocrats talked about this in the 1920s & 1930s. Like Bertrand Russel, a British philosopher who was one of the very first people who openly lived in a pan/poly relationship before anyone else, who basically helped plan the sexual revolution as well as many others. Herbert George Wells (H.G. Wells), the father of science fiction also wrote a bunch of mainline geopolitical books like "The Open Conspiracy," and "The New World Order." In these books he describes how they would revolutionize Western civilization through counterculture and sexual revolution to a socialist technocracy. These books were literally telling you their plans. The concept of technocracy has roots in ancient ideas like Plato's philosopher kings, and it gained traction during the Industrial Revolution and the Great Depression. Technocracy emphasizes the use of technical expertise in decision making often prioritizing scientific evidence and data over political considerations or public opinion. Sounds good in some aspects but it doesn't work overall. So, as counterculture, this sexual revolution, and darker occult practices, like Satanism and Paganism, etc., started to rise up, elites and governments started to catch on to these beliefs and practices and big money went into funding the creation of some institutions, non-profits and other programs along with projects in intelligence agencies in the U.S. and others. This overall takeover of the West and society was both calculated and non-intentional in a way. But from big names involved, The Esalen Institute was born. A non-profit in Big Sur, California that focuses on humanistic alternative education. The Institute played a key role in the Human Potential Movement beginning in the 1960s. The Esalen Institute was founded by Michael Murphy and Dick Price in 1962. It is basically the "think tank" of counterculture and the sexual revolution, promoted by very wealthy and influential people. Their intention was to support alternative methods for exploring human conscientiousness, promoting that everything is divine. One major thing you must understand that the roots of many of the people in Esalen were all into Satanic occult type belief systems and paganistic practices, like from the teachings of Anton LaVey and Aliester Crowley, who both were heavily involved in Satanism and also into pedophila and transhumanistic beliefs. Crowley was also a part of British Intelligence/MI5, and heavy into altering the mind with drugs and substances to make contact and change conscientiousness and to be like their own god. Other notable figures of Esalen was Timothy Leary, a psychologist who is also known for his advocacy of psychedelic experiences, a prominent figure of the counterculture movement and heavily into Aliester Crowley's sex revolution beliefs. All these sexual beliefs are associated transhumanism, transgenderism, and pedophila. Which is no coincidence why you see the heavy push for this on our society and on our children today. Another very prominent name and usual suspect is David Rockefeller who heavily promoted and funded the Esalen Institution and any others like it and donated millions of dollars to them every single year from the 1970s to around 2004. Rockefeller wasn't the only one and this is just one piece of this overall plan to destroy the West and society itself to bring in this new world. Let's move on. Now we will connect how Mk-Ultra was literally beyond the WW2 German connection and operation paperclip and set up from an arm of these foundations and writings of some of these people who laid the ground work and sparked these ideas into a reality, to be used on Western society and to literally alter man's mind and his actual physical appearance. Bring in the green agenda and convince man that man is the problem. A White Paper was written in the 1970s called, "Changing the Images of Man," put out by the Tavistock Institution. In this key paper they talked about reengineering all of Western civilization's thoughts. Not just about the environment, but also about man himself. The Tavistock Institution of human relations is a British non-profit reaserch and consulting organization, specialising in the study of group behavior. They also have sister companies in China and Germany, and it was established in 1947. They explained about how they needed to convince man that man is the problem. This is exactly where all of your counterculture, sexual revolution, depopulation, antinatalist, transgenderism, transhumanism, pedophila, etc., beliefs stem from. You are the problem but you can change yourself. Feb 4, 1932, A Brave New World, and then, A Brave New World Revisited was written. Huxley wrote that this is not fiction, this is a plan of things to come. The 2nd chapter is literally all about child sexual abuse material. This is where all this stuff came about and into our society. Huxley heavily believed in Aliester Crowley's belief systems and partied with Crowley, even attending orgies together. Huxley took Crowley's book, "The Drug Diaries to a government study level in a sense. Which was originally what Crowley was working with to contact entities and perform ritualistic ceremonies and involved with sexual activities with children. Tavistock was basically the British Mk Ultra from the studies originally from Aliester who was also a British intelligence agent with MI5. These drug studies and mind control studies at Tavistock led to the idea that you can engineer and change a human being, not just in his mind, but an entire change of physiology and biology of a person. Hence Transgenderism and Transhumanism, etc. Like how they're literally giving kids drugs and surgeries to "change" their genders today. In 1969 Dr. Holger Hyden who worked on mind control through drugs and medication, etc., was invited to a mind control conference in San Francisco that the Rockefellers sponsored by the CIA's, "Voice of America. Dr. Hyden's papers were about drugs and chemicals actually changing gender in men and women in the future. And look where we are now. The CIA made alliances with the French post modernists and deconstructionists who were a part of Congress for Cultural Freedom. The CIA also had and still does have members who studied and agreed with these same belief systems and started to study mind control after Huxley's brave new world which sparked their interest because of Crowley's actual experimentation actually using drugs to alter conscientiousness and for control or engineering one's mind and the results and studies from the Tavistock and their research. Which all stems back to his Satanic and sexual beliefs. Now we examine the CIA Mk Ultra with Hollywood and it's Mk Ultra program to induce, steer, and mold behavior throughout the population through, sex, drugs, and rock and roll. This was all apart of the mind control program on a grand scale relating to propaganda and drugs. Most A-list celebrities back then were also working or were active intelligence agents who also had DoD badges including Marylyn Monroe, to access the famous Air force location named Laurel Canyon where many operations stemmed from when it came to manipulating the public with music, t.v. and with any other type of influence. Many were recruited to do spy work for intelligence agencies. This was basically them working out their big plan, their agenda, which still happens today with the huge push with the occult and Satanic worship, sexual deviancy, transgenderism, transhumanism, you name it. They even have after school Satan groups in schools for kids starting as young as in kindergarten. This is also why you see the gigantic push for pedophila and trying to be able to give children consent and be sexualized, while horrific laws are being passed to reduce penalties for child predators. This is the type of "Brave New World" they want. The last step before bringing in their New World is the sexual revolution aspect which includes transgenderism, pedophil*a, transhumanism, Satanism, the green agenda, and depopulation. But the sexual revolution is the most important and last step. The fall of Rome also occurred when this type of sexual activity occurred as well. Something to really take into consideration and compare it to where we are now. Every single one of these ideologies and beliefs all stem from these wealthy elite individuals, institutions and belief systems that they all planned decades ago and it's literally happening right in front of us. There is so much more to this but this gives you an introduction or a starting point to connect the dots of where it all came from during the past century, which directly is impacting our lives and society. They are now experiencing heavy pushback. We're onto them and their ultimate plan. They gave us the roadmap. It's up to you to understand it and up to all of us to stop it.

The SCIF

85,521 views • 1 year ago

The Outer Banks, North Carolina, feel gloriously endless. Drive south long enough and the land gets strangely thin. Atlantic Ocean on one side. Pamlico Sound on the other. In places, there isn’t much between them besides dunes, marsh grass and Highway 12 running toward the horizon. More than 100 miles of barrier islands stretch along this part of North Carolina, and Cape Hatteras National Seashore protects roughly 70 miles of coastline. The islands themselves are always changing. Wind moves sand. Waves reshape beaches. Storms wash over dunes and sometimes cut new inlets through them. People living here have spent centuries adjusting to a coastline that refuses to stay put. Cape Hatteras Lighthouse is a good example. The black-and-white tower has stood since 1870. By the late 20th century, erosion had brought the Atlantic dangerously close, so in 1999 engineers moved the nearly 200-foot lighthouse about 2,900 feet inland. The move took 23 days. The waters around Cape Hatteras have caused trouble for ships for centuries too. Known as the Graveyard of the Atlantic, this stretch of coast is filled with shoals, strong currents and rough weather. More than 1,000 vessels are estimated to have been lost near Cape Hatteras alone. Lighthouses went up along the coast, followed by Life-Saving Service stations where crews watched for ships in trouble and headed into the surf when they spotted one. A different kind of history happened farther north. In 1900, Wilbur and Orville Wright arrived looking for a place to experiment with flight. The steady wind, open sand and isolation around Kitty Hawk and Kill Devil Hills made the area a good fit. On December 17, 1903, their first powered flight lasted 12 seconds. Three more followed that day. The open ground around Wright Brothers National Memorial is worth paying attention to. The wind and empty space were a big part of why the brothers chose this place. Farther south is Jockey’s Ridge, the tallest natural sand dune system on the East Coast. Highway 12 continues through Rodanthe, Waves, Salvo, Avon and Buxton, with long stretches where the houses disappear and the dunes take over again. Eventually you reach Hatteras, where the road stops at the water. From there, the ferry carries you to Ocracoke. Ocracoke is also where Blackbeard was killed in 1718 after a fight with Royal Navy forces near the island. Today it’s much quieter. There’s a small village, miles of beach and no highway bringing you straight onto the island. You have to cross water to get there. That slower pace is part of the Outer Banks. You pass through a village, the houses thin out, and before long you’re driving with dunes on either side and barely anything ahead. The coastline has wrecked ships, moved beaches and forced people to relocate a lighthouse. The same steady winds also helped the Wright brothers get an airplane off the ground. Cape Hatteras became the country’s first national seashore in 1953, helping preserve a huge stretch of these islands from continuous development. You notice that from the road. The Wright Brothers site, Jockey’s Ridge, Cape Hatteras Lighthouse and Ocracoke are all worth stopping for, but I’d leave just as much time for the drive between them. That’s the part I’d remember most: long stretches of Highway 12 with dunes on both sides and hardly anything ahead. I write about places like this in my newsletter....the history and little details that give you another reason to go. If that sounds like your kind of travel, subscribe.

The Outer Banks, North Carolina, feel gloriously endless. Drive south long enough and the land gets strangely thin. Atlantic Ocean on one side. Pamlico Sound on the other. In places, there isn’t much between them besides dunes, marsh grass and Highway 12 running toward the horizon. More than 100 miles of barrier islands stretch along this part of North Carolina, and Cape Hatteras National Seashore protects roughly 70 miles of coastline. The islands themselves are always changing. Wind moves sand. Waves reshape beaches. Storms wash over dunes and sometimes cut new inlets through them. People living here have spent centuries adjusting to a coastline that refuses to stay put. Cape Hatteras Lighthouse is a good example. The black-and-white tower has stood since 1870. By the late 20th century, erosion had brought the Atlantic dangerously close, so in 1999 engineers moved the nearly 200-foot lighthouse about 2,900 feet inland. The move took 23 days. The waters around Cape Hatteras have caused trouble for ships for centuries too. Known as the Graveyard of the Atlantic, this stretch of coast is filled with shoals, strong currents and rough weather. More than 1,000 vessels are estimated to have been lost near Cape Hatteras alone. Lighthouses went up along the coast, followed by Life-Saving Service stations where crews watched for ships in trouble and headed into the surf when they spotted one. A different kind of history happened farther north. In 1900, Wilbur and Orville Wright arrived looking for a place to experiment with flight. The steady wind, open sand and isolation around Kitty Hawk and Kill Devil Hills made the area a good fit. On December 17, 1903, their first powered flight lasted 12 seconds. Three more followed that day. The open ground around Wright Brothers National Memorial is worth paying attention to. The wind and empty space were a big part of why the brothers chose this place. Farther south is Jockey’s Ridge, the tallest natural sand dune system on the East Coast. Highway 12 continues through Rodanthe, Waves, Salvo, Avon and Buxton, with long stretches where the houses disappear and the dunes take over again. Eventually you reach Hatteras, where the road stops at the water. From there, the ferry carries you to Ocracoke. Ocracoke is also where Blackbeard was killed in 1718 after a fight with Royal Navy forces near the island. Today it’s much quieter. There’s a small village, miles of beach and no highway bringing you straight onto the island. You have to cross water to get there. That slower pace is part of the Outer Banks. You pass through a village, the houses thin out, and before long you’re driving with dunes on either side and barely anything ahead. The coastline has wrecked ships, moved beaches and forced people to relocate a lighthouse. The same steady winds also helped the Wright brothers get an airplane off the ground. Cape Hatteras became the country’s first national seashore in 1953, helping preserve a huge stretch of these islands from continuous development. You notice that from the road. The Wright Brothers site, Jockey’s Ridge, Cape Hatteras Lighthouse and Ocracoke are all worth stopping for, but I’d leave just as much time for the drive between them. That’s the part I’d remember most: long stretches of Highway 12 with dunes on both sides and hardly anything ahead. I write about places like this in my newsletter....the history and little details that give you another reason to go. If that sounds like your kind of travel, subscribe.

The Timeless Traveler 🇺🇸

45,020 views • 1 month ago

WE MUST HOLD THE ELITE ACCOUNTABLE. Using children to blackmail world leaders is only one layer of this child trafficking and abuse epidemic, like with Epstein and Diddy, but there is a completely other layer and side which has been happening for centuries, that is a crucial component to understanding what and why these elite traffick and abuse children, and is still happening to this day. It is a powerful tool that is so effective, that even our own intelligence agencies are still involved and using multiple forms of these techniques to this day along with Hollywood and numerous elite families around the world. It's all about power, pleasure, control, and worship. This also goes hand in hand with the religious worship and ritualistic practices of Satanism or with Luciferians where child sacrifice is the largest and most effective form of worship. One aspect that is crucial to understand the big picture is the connection between many elite families, SRA (Satanic Ritual Abuse) of children, trafficking, and our own governments intelligence agencies involvement with Project Mk Ultra and how everything is connected. SRA is happening behind closed doors all around the world and is nothing new. As a matter of fact, SRA is a very common occurrence in elite Satanic families and is usually a generational form of control and is passed down generation after generation. SRA is also part of a religion, a control mechanism of these horrific practices which are a crucial component for their rituals and offerings for their god. The innocence and purity of a child is what their after and is needed to complete these rituals to summon and please these demonic spirits. In Satanic practices there are many rituals which are practiced out of pure belief systems that have been around for centuries dating back to the Canaanites and the worship of Baal and Moloch through ritualistic child sacrifice. Animals are also used, but humans, especially children, are the highest form of worship. Satanic Ritual Abuse is also used in Sex Magick ceremonies which stem from many of Aliester Crowley's teachings, who was also a pedophi*e, which are used to summon spirits and open gateways or portals to whatever entity they are communicating with to receive power, knowledge, or "gifts." This is what they believe and why they do it. NASA and the Collins Elite with NASA's own Jack Parsons, which is one of the godfathers of rocketry was heavily into "Thelema," which is Crowley's teachings and was also an open Satanist. These rituals are done because they are part of these Satanic beliefs and religions to get something. To satisfy one's sick desires and receive whatever it is which they seek. Otherwise these people to this day would not be doing this. This is said to be how many of people received information or knowledge from using these Satanic rituals to contact entities, and would receive information or gifts. Jack Parsons was said to have obtained the knowledge to build rockets from these methods. No rocket programs existed back then. Another famous ritual performed was the "Babylonian Workings," which you can research on your own time. It's very interesting to say the least. Performing this abuse is part of literally creating a version of a modern day slave. Breaking down one's ego and reprogramming one's brain through trauma and putting it back together to the abusers desired target personality. This is what is known as multiple personality disorder or dissociative disorder. During WW2 the Germans heavily studied mind control and learned this through their own experiments. After the war, the German scientists were transferred to the U.S. through Operation Paperclip. Many of these scientists went into intelligence and mind control operations in the CIA, which created the infamous project known as MK Ultra. Using drugs, electricity, SRA, trauma, torture, and many other horrific, abusive techniques, they learned how to shatter the mind and reprogram it to their desire. Many of the people they experimented on were children. During the Church hearings in the 1970s there were hearings about these programs which the CIA admitted that THOUSANDS of children, mainly orphans were taken or abducted and used in these experiments. Another known example is the CIA and the "Finders Cult." A literal Satanic cult within the CIA kidnapping children and Satanically ritualistically abusing them and experimenting with mind control. Which they then got completely away with. To this day the CIA continues to be involved with the trafficking and sexual abuse of children. There are articles and cases all over which you can research. Many turned out to become sex slaves, assassins and many never made it. The people running these programs were mainly Satanists themselves and many are still in our government today. We have been infiltrated for a very long time. Heavily infiltrated for a very long time. These techniques have been going on for decades and used on celebrities throughout Hollywood since the beginning. This is where you get all the sex slaves and weird behavior because they were all required to go through these forms of control to get where they are today. You aren't blackmailed, or compromised in order to be controlled, you don't climb the ladder of fame. Period. The ones at the top and who control the world are Satanists and children are needed to complete their rituals in order to get what they want and to complete these ceremonies. All of this goes hand in hand. Many involved with Epstein or Diddy all come from wealth or have some relation to the ones at the top. This is the whole other side of the blackmail issue with children to control our world leaders and politicians. This is the side that nobody wants to talk about but is one of the most important aspects to understanding the entire big picture and the many layers of truth. Many were abused themselves as they were growing up, then become like their abusers when they grow up and the cycle continues. Some get out. Many don't. We must hold everyone of these people trafficking and abusing children accountable. From the very bottom street level, all the way to the elite at the top. The blackmail and this horrific Satanic abuse needs to be completely eradicated in order for the world to heal and move forward. There are no coincidences. Everything is connected. Save the children. Full 2 hour video on my Rumble. Link will be in comments.

Sensitive content

WE MUST HOLD THE ELITE ACCOUNTABLE. Using children to blackmail world leaders is only one layer of this child trafficking and abuse epidemic, like with Epstein and Diddy, but there is a completely other layer and side which has been happening for centuries, that is a crucial component to understanding what and why these elite traffick and abuse children, and is still happening to this day. It is a powerful tool that is so effective, that even our own intelligence agencies are still involved and using multiple forms of these techniques to this day along with Hollywood and numerous elite families around the world. It's all about power, pleasure, control, and worship. This also goes hand in hand with the religious worship and ritualistic practices of Satanism or with Luciferians where child sacrifice is the largest and most effective form of worship. One aspect that is crucial to understand the big picture is the connection between many elite families, SRA (Satanic Ritual Abuse) of children, trafficking, and our own governments intelligence agencies involvement with Project Mk Ultra and how everything is connected. SRA is happening behind closed doors all around the world and is nothing new. As a matter of fact, SRA is a very common occurrence in elite Satanic families and is usually a generational form of control and is passed down generation after generation. SRA is also part of a religion, a control mechanism of these horrific practices which are a crucial component for their rituals and offerings for their god. The innocence and purity of a child is what their after and is needed to complete these rituals to summon and please these demonic spirits. In Satanic practices there are many rituals which are practiced out of pure belief systems that have been around for centuries dating back to the Canaanites and the worship of Baal and Moloch through ritualistic child sacrifice. Animals are also used, but humans, especially children, are the highest form of worship. Satanic Ritual Abuse is also used in Sex Magick ceremonies which stem from many of Aliester Crowley's teachings, who was also a pedophi*e, which are used to summon spirits and open gateways or portals to whatever entity they are communicating with to receive power, knowledge, or "gifts." This is what they believe and why they do it. NASA and the Collins Elite with NASA's own Jack Parsons, which is one of the godfathers of rocketry was heavily into "Thelema," which is Crowley's teachings and was also an open Satanist. These rituals are done because they are part of these Satanic beliefs and religions to get something. To satisfy one's sick desires and receive whatever it is which they seek. Otherwise these people to this day would not be doing this. This is said to be how many of people received information or knowledge from using these Satanic rituals to contact entities, and would receive information or gifts. Jack Parsons was said to have obtained the knowledge to build rockets from these methods. No rocket programs existed back then. Another famous ritual performed was the "Babylonian Workings," which you can research on your own time. It's very interesting to say the least. Performing this abuse is part of literally creating a version of a modern day slave. Breaking down one's ego and reprogramming one's brain through trauma and putting it back together to the abusers desired target personality. This is what is known as multiple personality disorder or dissociative disorder. During WW2 the Germans heavily studied mind control and learned this through their own experiments. After the war, the German scientists were transferred to the U.S. through Operation Paperclip. Many of these scientists went into intelligence and mind control operations in the CIA, which created the infamous project known as MK Ultra. Using drugs, electricity, SRA, trauma, torture, and many other horrific, abusive techniques, they learned how to shatter the mind and reprogram it to their desire. Many of the people they experimented on were children. During the Church hearings in the 1970s there were hearings about these programs which the CIA admitted that THOUSANDS of children, mainly orphans were taken or abducted and used in these experiments. Another known example is the CIA and the "Finders Cult." A literal Satanic cult within the CIA kidnapping children and Satanically ritualistically abusing them and experimenting with mind control. Which they then got completely away with. To this day the CIA continues to be involved with the trafficking and sexual abuse of children. There are articles and cases all over which you can research. Many turned out to become sex slaves, assassins and many never made it. The people running these programs were mainly Satanists themselves and many are still in our government today. We have been infiltrated for a very long time. Heavily infiltrated for a very long time. These techniques have been going on for decades and used on celebrities throughout Hollywood since the beginning. This is where you get all the sex slaves and weird behavior because they were all required to go through these forms of control to get where they are today. You aren't blackmailed, or compromised in order to be controlled, you don't climb the ladder of fame. Period. The ones at the top and who control the world are Satanists and children are needed to complete their rituals in order to get what they want and to complete these ceremonies. All of this goes hand in hand. Many involved with Epstein or Diddy all come from wealth or have some relation to the ones at the top. This is the whole other side of the blackmail issue with children to control our world leaders and politicians. This is the side that nobody wants to talk about but is one of the most important aspects to understanding the entire big picture and the many layers of truth. Many were abused themselves as they were growing up, then become like their abusers when they grow up and the cycle continues. Some get out. Many don't. We must hold everyone of these people trafficking and abusing children accountable. From the very bottom street level, all the way to the elite at the top. The blackmail and this horrific Satanic abuse needs to be completely eradicated in order for the world to heal and move forward. There are no coincidences. Everything is connected. Save the children. Full 2 hour video on my Rumble. Link will be in comments.

The SCIF

51,713 views • 1 year ago

🛸❓New UFO Footage from 1952? ❓🛸 (Yesterday, Dump #6 brought us film of alleged UFOs shot in 1952. That footage was first released in 1956. The clip starts with a stabilized version from 2021 and an interview with the guy who shot it.) "The film falls far short of showing what I saw with the naked eye. Like two saucers, one inverted over the other. It appeared to me to be about the size of B-29s at 10,000 feet. They had a metallic appearance. They seemed to be made of some kind of polished metal." ~Newhouse, Navy Chief Photographer ~ (Dump #6 brought us the 1952 film shot near Tremonton, Utah, by Delbert C. Newhouse. UFOs? Birds? We'll never know. But what we DO know is that footage was first released in 1956 and stabilized in 2021. An on-camera interview with Newhouse is included below. I think you'll appreciate this "documentary" clip from, "Unidentified Flying Objects: The True Story of Flying Saucers," released in 1956. It includes an interview with Newhouse and another witness, baseball manager, Nicholas Mariana. In 1950, Mariana shot alleged UFO footage over Great Falls, Montana. Both films are shown. This movie features a few real people, but mostly actors playing the roles of various people involved in the UFO story back in the 1950s, and includes coverage of Kenneth Arnold's sighting in 1947 and The Invasion of Washington in 1952. Make sure you follow Eyes on Cinema on YT. FANTASTIC channel!) ~~~ Delbert C. Newhouse: "I was driving on U.S. Highway 30 South with my wife and our son Delbert, and our daughter Anne. We were on our way from Washington, D.C. to Portland, Oregon on vacation, before reporting to my new duty station at the Aviation Supply Depot, Naval Supply Center, Oakland, California. "About seven miles after we passed through Tremonton, Utah, my wife noticed a group of objects in the sky, which she could not identify. I pulled over to the side of the road, stopped, got out, looked up, and saw the objects. "There were about 12 of them in a rough formation, proceeding in a westerly direction. They were like nothing I'd ever seen before, although I've logged some 2000 hours in the air. They were identical in appearance." Q: "How would you describe these objects?" Newhouse: "Like two saucers, one inverted over the other. I had no means of judging the altitude. It appeared to me to be about the size of B-29s at 10,000 feet." Q: "Did you photograph them immediately?" Newhouse: "I watched the objects for a few moments before getting my camera out of the suitcase. Then I lost more time getting film out of the second suitcase and loading the camera. When I first saw the objects, they were almost overhead. By the time I had the camera ready to go, they had moved to a considerably greater distance." Q: "What kind of a camera did you use?" Newhouse: "A 16-millimeter Bell & Howell, Filmo Auto Load Master with the three-lens turret. I selected a three-inch lens, and set it on f/8 and focused at infinity." Q: "Did you think of using slow motion?" Newhouse: "No, the camera was set on 16 frames per second, and in the excitement of the moment, I didn't think to shoot at a greater rate, although that would have improved the coverage. I centered the viewfinder on the objects and made the first shot. "Then I decided if the sky were darker, the objects would show better. So I stopped the lens down to f/16 and continued photographing. This proved to be a mistake, as the quality of the film would have been better had I left it at f/8." Q: "Did these objects remain together in a group at all times?" Newhouse: "No. Toward the end, one object reversed its course and proceeded away from the rest of the group. I held the camera still and allowed this single object to pass through the field of view, picking it up again later in its course." Q: "Did this single object return to the rest of the group?" Newhouse: "No, I allowed it to pass through the field of view of the camera two or three times, and then it disappeared." Q: "In what direction?" Newhouse: "Over the eastern horizon." Q: "What did you do then?" Newhouse: "I turned, swinging the camera, just in time to see the rest of the group disappear over the western horizon." Q: "What was the weather?" Newhouse: "The weather was bright and cloudless." Q: "Visibility good?" Newhouse: "The visibility was excellent." Q: "How does this film you shot compare with what you saw with your naked eye? You have studied the film?" Newhouse: "Yes, I've studied it. I'm very disappointed. The film falls far short of showing what I saw with the naked eye, due to the delay in getting the camera started and my error in exposure. If I'd had this camera in the seat beside me, loaded and ready to go, there'd be no need for questions. The Air Force would have the answer." Q: "What is your full name, please? Newhouse: "Delbert Clement Newhouse." Q: "And you are on active duty with the Navy?" Newhouse: "Yes, sir, I am." Q: "What is your official Navy rank?" Newhouse: "My title is chief photographer and a commissioned warrant officer, United States Navy." Q: "How long have you been in the service?" Newhouse: "21 years." Q: "Now, is there anything you can add to the description of these objects?" Newhouse: "They had a bright, silvery color." Q: "Can you describe some particular detail?" Newhouse: "They had a metallic appearance. They seemed to be made of some kind of polished metal." ~~~ Major Dewey Fournet, played by Floyd Burton: "We got the analysis of the Newhouse film from Air Materiel Command." Q: "What does it show?" "Fournet": "Not birds, not balloons, not aircraft, not faked. With a telephoto lens used, weather balloons within five miles distance could have been determined on the film. At a greater distance than five miles, they could not attain the speeds calculated. Within a five-mile range, an aircraft of 40-foot wingspan could have been clearly determined. In excess of five miles, the speeds of the objects are greater than aircraft could achieve, except in a straight-line speed run. No bird is sufficiently reflective as to cause the film to react as strongly as it has done." Q: "If they're not birds, not balloons or aircraft, and the film isn't faked. What can these things be?" "Fournet": "The official conclusion is: Unknowns." (Who was Fournet?) From CUFOS dot org... "I wrote to Fournet long after his final retirement from service in 1955 (he was always the epitome of the helpful gentleman) and he told me that he was assigned a desk alongside other officers involved in 'technical analysis of air materials' of foreign countries. 'I was given one of the least demanding areas of coverage initially. After three months, the UFO coverage was added…. In the spring of 1952, with the horrendous UFO 1952 ‘flap’ beginning, I was relieved of my regular assignment in technical intelligence and moved to the current intelligence branch on nothing but UFO coverage. The reason for the move was to put me in the mainstream of USAF intelligence communication because there was some fear that the growing volume of UFO reporting traffic could possibly mask a Soviet air attack on the US.'" ~~~ (There are four different narrators for this "documentary" and they all represent news-style personalities, not real people.) Narrator: "The Newhouse film was only the overture. A few minutes before 1:00 a.m. July 20th, 1952, the curtain on the first act of the Washington drama went up. The unknowns moved in for the first time over the national capital." (Link to full excerpt is in the replies, along with a link to the full film, which is between 80-90 minutes, long, depending on which one you see. I'm linking to the 90-minute version.)

🛸❓New UFO Footage from 1952? ❓🛸 (Yesterday, Dump #6 brought us film of alleged UFOs shot in 1952. That footage was first released in 1956. The clip starts with a stabilized version from 2021 and an interview with the guy who shot it.) "The film falls far short of showing what I saw with the naked eye. Like two saucers, one inverted over the other. It appeared to me to be about the size of B-29s at 10,000 feet. They had a metallic appearance. They seemed to be made of some kind of polished metal." ~Newhouse, Navy Chief Photographer ~ (Dump #6 brought us the 1952 film shot near Tremonton, Utah, by Delbert C. Newhouse. UFOs? Birds? We'll never know. But what we DO know is that footage was first released in 1956 and stabilized in 2021. An on-camera interview with Newhouse is included below. I think you'll appreciate this "documentary" clip from, "Unidentified Flying Objects: The True Story of Flying Saucers," released in 1956. It includes an interview with Newhouse and another witness, baseball manager, Nicholas Mariana. In 1950, Mariana shot alleged UFO footage over Great Falls, Montana. Both films are shown. This movie features a few real people, but mostly actors playing the roles of various people involved in the UFO story back in the 1950s, and includes coverage of Kenneth Arnold's sighting in 1947 and The Invasion of Washington in 1952. Make sure you follow Eyes on Cinema on YT. FANTASTIC channel!) ~ Delbert C. Newhouse: "I was driving on U.S. Highway 30 South with my wife and our son Delbert, and our daughter Anne. We were on our way from Washington, D.C. to Portland, Oregon on vacation, before reporting to my new duty station at the Aviation Supply Depot, Naval Supply Center, Oakland, California. "About seven miles after we passed through Tremonton, Utah, my wife noticed a group of objects in the sky, which she could not identify. I pulled over to the side of the road, stopped, got out, looked up, and saw the objects. "There were about 12 of them in a rough formation, proceeding in a westerly direction. They were like nothing I'd ever seen before, although I've logged some 2000 hours in the air. They were identical in appearance." Q: "How would you describe these objects?" Newhouse: "Like two saucers, one inverted over the other. I had no means of judging the altitude. It appeared to me to be about the size of B-29s at 10,000 feet." Q: "Did you photograph them immediately?" Newhouse: "I watched the objects for a few moments before getting my camera out of the suitcase. Then I lost more time getting film out of the second suitcase and loading the camera. When I first saw the objects, they were almost overhead. By the time I had the camera ready to go, they had moved to a considerably greater distance." Q: "What kind of a camera did you use?" Newhouse: "A 16-millimeter Bell & Howell, Filmo Auto Load Master with the three-lens turret. I selected a three-inch lens, and set it on f/8 and focused at infinity." Q: "Did you think of using slow motion?" Newhouse: "No, the camera was set on 16 frames per second, and in the excitement of the moment, I didn't think to shoot at a greater rate, although that would have improved the coverage. I centered the viewfinder on the objects and made the first shot. "Then I decided if the sky were darker, the objects would show better. So I stopped the lens down to f/16 and continued photographing. This proved to be a mistake, as the quality of the film would have been better had I left it at f/8." Q: "Did these objects remain together in a group at all times?" Newhouse: "No. Toward the end, one object reversed its course and proceeded away from the rest of the group. I held the camera still and allowed this single object to pass through the field of view, picking it up again later in its course." Q: "Did this single object return to the rest of the group?" Newhouse: "No, I allowed it to pass through the field of view of the camera two or three times, and then it disappeared." Q: "In what direction?" Newhouse: "Over the eastern horizon." Q: "What did you do then?" Newhouse: "I turned, swinging the camera, just in time to see the rest of the group disappear over the western horizon." Q: "What was the weather?" Newhouse: "The weather was bright and cloudless." Q: "Visibility good?" Newhouse: "The visibility was excellent." Q: "How does this film you shot compare with what you saw with your naked eye? You have studied the film?" Newhouse: "Yes, I've studied it. I'm very disappointed. The film falls far short of showing what I saw with the naked eye, due to the delay in getting the camera started and my error in exposure. If I'd had this camera in the seat beside me, loaded and ready to go, there'd be no need for questions. The Air Force would have the answer." Q: "What is your full name, please? Newhouse: "Delbert Clement Newhouse." Q: "And you are on active duty with the Navy?" Newhouse: "Yes, sir, I am." Q: "What is your official Navy rank?" Newhouse: "My title is chief photographer and a commissioned warrant officer, United States Navy." Q: "How long have you been in the service?" Newhouse: "21 years." Q: "Now, is there anything you can add to the description of these objects?" Newhouse: "They had a bright, silvery color." Q: "Can you describe some particular detail?" Newhouse: "They had a metallic appearance. They seemed to be made of some kind of polished metal." ~ Major Dewey Fournet, played by Floyd Burton: "We got the analysis of the Newhouse film from Air Materiel Command." Q: "What does it show?" "Fournet": "Not birds, not balloons, not aircraft, not faked. With a telephoto lens used, weather balloons within five miles distance could have been determined on the film. At a greater distance than five miles, they could not attain the speeds calculated. Within a five-mile range, an aircraft of 40-foot wingspan could have been clearly determined. In excess of five miles, the speeds of the objects are greater than aircraft could achieve, except in a straight-line speed run. No bird is sufficiently reflective as to cause the film to react as strongly as it has done." Q: "If they're not birds, not balloons or aircraft, and the film isn't faked. What can these things be?" "Fournet": "The official conclusion is: Unknowns." (Who was Fournet?) From CUFOS dot org... "I wrote to Fournet long after his final retirement from service in 1955 (he was always the epitome of the helpful gentleman) and he told me that he was assigned a desk alongside other officers involved in 'technical analysis of air materials' of foreign countries. 'I was given one of the least demanding areas of coverage initially. After three months, the UFO coverage was added…. In the spring of 1952, with the horrendous UFO 1952 ‘flap’ beginning, I was relieved of my regular assignment in technical intelligence and moved to the current intelligence branch on nothing but UFO coverage. The reason for the move was to put me in the mainstream of USAF intelligence communication because there was some fear that the growing volume of UFO reporting traffic could possibly mask a Soviet air attack on the US.'" ~~~ (There are four different narrators for this "documentary" and they all represent news-style personalities, not real people.) Narrator: "The Newhouse film was only the overture. A few minutes before 1:00 a.m. July 20th, 1952, the curtain on the first act of the Washington drama went up. The unknowns moved in for the first time over the national capital." (Link to full excerpt is in the replies, along with a link to the full film, which is between 80-90 minutes, long, depending on which one you see. I'm linking to the 90-minute version.)

Joe Murgia

13,095 views • 12 days ago

A wild bobcat. Cold, open water. A body that was never built for this. This is an animal that can kill a deer. The water was about to beat it anyway. Watch the video first. Then read on. What happens in the final seconds is the reason I can't stop thinking about it. . Some clips you watch. Some clips you feel in your chest for an hour afterward. This is the second kind, and I want to explain exactly why, because once you understand what you are actually looking at, you will never watch it the same way again. This is a long one. Every section ends with something that makes the next one worth it. Stay with me. . 01 // THE COLDEST MATH IN THE WILD Let's start with something nobody tells you about water. Water is a thief. It pulls heat out of a living body up to 25 times faster than air at the same temperature. Not a little faster. Twenty-five times. It is the reason a cold day is uncomfortable and a cold swim is an emergency. Now put that math on an animal wearing a fur coat. Fur works because of what is trapped inside it: air. Thousands of tiny pockets of warm air held against the skin. The air is the insulation. The hair is just the scaffolding that holds it in place. Soak that coat and the air is gone. What was a winter jacket becomes a wet towel wrapped around the body. It is heavy. It drags. It bleeds heat at the exact moment the animal can least afford to lose it. And swimming is not free. A cat does not swim the way an otter swims. Otters are engineered for it: dense waterproof fur, webbed feet, a body shaped like a torpedo. A bobcat is engineered for something completely different. Every stroke burns fuel it does not have, while every second in the water drains the fuel it already has. That is the trap. Heat goes out. Energy goes out. Nothing comes in. In humans, the first minute in cold water triggers what physiologists call the cold shock response: a gasp reflex, a spike in heart rate, panicked breathing. Then comes the slow part, where muscles and nerves cool down and stop doing what you tell them. Animals do not get an exemption from physics. Bodies are bodies. Survival experts who study cold water use a simple frame for humans, the 1-10-1 rule. One minute to get your breathing under control after the initial shock. Ten minutes of meaningful muscle function before your limbs start refusing orders. About an hour before hypothermia becomes the real threat to life. Now shrink the body. A smaller body has more surface area for its mass, which means it sheds heat faster. Those human numbers are a generous best case. For a 20-pound animal, the clock runs quicker. So when you see a wild animal in water it did not choose, you are not looking at a swimmer. You are looking at a countdown. Here is the part that should bother you: the animal does not know it is a countdown. It only knows that it has to keep moving, and that stopping is not an option, and that there is nothing solid anywhere. Hold that thought. Because the next thing I am going to tell you is why this particular animal is the last one you would expect to be in that position. . 02 // THE "BIG HOUSE CAT" LIE Somewhere along the way, someone decided a bobcat is basically a large housecat with attitude. Somebody was wrong. Let's do the numbers. A typical house cat weighs 8 to 10 pounds. Most adult bobcats land somewhere between 15 and 30 pounds, with big males pushing past that. That is two to three times the mass, and none of it is soft. It is wire and spring: long hind legs built to launch, shoulders built to hold, claws that retract and reset like a trap. By widely cited estimates, a bobcat can cover roughly 10 feet in a single leap. That is not a pounce. That is a projectile. It hunts the way the best hunters do: by being patient past the point where patience seems reasonable. It picks a spot. It goes still. It waits, sometimes for a very long time, until the world arranges itself into a single clean opportunity. Then it ends the situation in a second. Rabbits and hares are the staple. Mice, voles, squirrels, birds. But here is the detail that changes how people talk about them: bobcats have been documented taking down deer, animals much larger than themselves, particularly in harsh winters when deer are weakened. Think about what that means. This is a creature that routinely wins fights against animals that outweigh it. It has ear tufts that scientists still argue about. It has a ruff of fur around the face like a lion in miniature. It has a stubby tail, four to seven inches long, that gave the animal its name. It has a spotted coat that is essentially camouflage for dappled light, and, useful fact, the spot pattern is different from one animal to the next, which is how researchers identify individuals on trail cameras. And it has a voice. Purrs, hisses, growls, and a night scream that has been mistaken for a human in distress by people who did not know what they were hearing. So this is who we are talking about. Not a pet. Not a pushover. One of the most efficient small predators on the continent. Which is what makes the situation in this video so strange. Because everything I just told you about strength, speed and pride goes quiet when the ground disappears. . 03 // THE ANIMAL YOU HAVE PROBABLY WALKED PAST Here is a fact that should feel a little unsettling. Bobcats are one of the most widespread wild cats in North America. Their range stretches across the lower 48 states, into southern Canada, and down into Mexico. Forests, swamps, deserts, mountains, the ragged edges of suburbs. They are adaptable in a way that very few predators are. And yet most people, including people who have lived their entire lives near them, have never seen one. That is not an accident. Bobcats are solitary, shy, and mostly active around dawn and dusk. They live in the margins. They move through your world at times you are not looking, and they have made avoiding you into an art form. A bobcat's entire survival strategy is to see you first and never be seen. Which means any video of one, let alone a close, unhurried, unguarded look at one, is rare. Wildlife photographers wait years for angles like this. Researchers set up cameras and come back to empty memory cards. Now think about what it takes for a wild bobcat and a human being to end up in the same small space, with the animal not running. The animal has to be in a situation where running is no longer possible. That should give you chills. Because it is not a heartwarming meeting. It is what happens when a very proud animal has run out of options. And what happens next is the part that does not add up, which is exactly where the next section starts. . 04 // THE PART THAT DOES NOT ADD UP Predators do not do calm. A wild animal's nervous system is a hair trigger. When something big and unfamiliar closes in, the body floods with adrenaline and cortisol, and the decision tree is short: fight, flee, or freeze. Every instinct it has been born with says a large, upright, two-legged creature is the most dangerous thing in the environment. So when a wild animal is calm around humans, there are only a few explanations, and none of them is "it decided to trust us." Sometimes the animal is habituated, meaning it has lived near people so long it has stopped treating them as a threat. Sometimes the animal is so depleted, cold, hurt or exhausted that its body has quietly shut down the option to fight. Biologists have a name for one version of this: tonic immobility, a kind of involuntary freeze in which an animal goes still and unresponsive when escape seems impossible. And sometimes it is a mix of all of it, in ways science is still working out. Here is the line I want you to remember, because it will save you from a lot of bad internet takes: Do not confuse calm with consent. Stillness is not friendship. A quiet animal is not a tame animal. And some of the most dramatic moments in wildlife rescue come not from the fight, but from the moment the body stops fighting and everyone has to figure out what that actually means. There is even a documented condition, capture myopathy, in which the sheer stress of being restrained can damage a wild animal's muscles and organs badly enough to kill it, sometimes hours or days after the event, with no visible wound at all. Handling stress is a real cause of death in wildlife work. That is why professionals move slowly, keep things dark and quiet, and treat every second of contact like it costs something. Which means that in a situation like this, the difference between a good outcome and a tragic one can be invisible to the naked eye. That is what makes the footage so tense to watch if you know what to look for. And I am going to tell you exactly what to look for. But not yet. First I need you to understand how unlikely it was that anyone was there at all. . 05 // NATURE HAS NO AUDIENCE Almost everything that happens in the wild happens unwatched. Think about that for a second. Billions of small emergencies, every single day. Animals slipping, trapped, lost, starving, stranded. A fawn separated from its mother. A bird with a broken wing. A predator that misjudged a jump by an inch. Almost none of it is ever witnessed by anyone. No camera. No rescuer. No witness. It simply happens, and then it stops, and the world continues as if nothing occurred. For a rescue to happen, a chain of things has to line up. Somebody has to be in the right place. Somebody has to be looking in the right direction. Somebody has to notice a small, wet, dark shape in a huge moving surface, and understand what it is. Somebody has to decide to act rather than say "huh" and keep going. And somebody has to actually know how to help without making it worse. Break any single link and the story ends before it starts. Every viral rescue video you have ever seen is a chain like that, where all the links happened to hold. I think that is why these clips hit differently than almost anything else online. They are not just proof that an animal survived. They are proof that the chain can hold. That in a world that mostly does not look, sometimes someone does. The cold math says this animal had little time. The odds say nobody should have been there. And yet. I keep circling that "and yet." . QUICK PAUSE Before we go deeper, a small experiment. Without scrolling back up, answer this in your head: how long was the animal in that water before anyone noticed? Got a number? Now hold it loosely. The truth about time in a moment like this is that it never feels like what it is. Seconds stretch. Minutes vanish. Nobody in a crisis has an accurate clock. Keep your number. We will come back to it. . 06 // WHY YOUR BRAIN CANNOT SCROLL PAST THIS Let's zoom out, because this is the part that fascinates me professionally. In 2012, two Wharton researchers, Jonah Berger and Katherine Milkman, studied thousands of New York Times articles to figure out what makes online content spread. Their finding was not what most people expected. Positivity helped, but what mattered even more was how much physical arousal a piece of content produced. Awe, anger and anxiety, all high-arousal emotions, made people share. Sadness, which is low-arousal, made people stop. Now look at a clip like this through that lens. It has anxiety: will the animal make it? It has awe: this is a wild predator, close enough to see the texture of its fur. It has relief, and something bigger than relief. Psychologist Jonathan Haidt has a word for that bigger thing: elevation. It is the warm, expanding feeling you get when you witness someone behaving with unexpected goodness. It is the emotion that makes people want to be better, to call their mother, to do something kind. It is exactly the kind of emotion that makes people hit share before they have even finished watching. And then there is the mechanism behind the hook itself. In 1994, the behavioral economist George Loewenstein described what he called the information gap theory of curiosity: curiosity is the discomfort of noticing a gap between what you know and what you want to know. The bigger the gap, and the closer you feel to closing it, the harder it is to look away. That is what I did in the first three lines of this post. I gave you a wild animal, a disaster, and an unanswered question. Your brain has been carrying that open loop ever since. You cannot un-notice it. You can only close it. That is not a trick. It is how attention has worked since the first campfire story. The only difference now is that the campfire fits in your pocket and never goes out. There is one more thing, and it may be the most important one. Animals do not perform. They cannot posture for a camera, hide their fear behind a joke, or spin the story afterward. Their reactions are uncut. In an internet made mostly of people curating themselves, a wild animal reacting honestly to a moment is about as authentic as content gets. And in a feed that is ninety percent outrage, ten percent ads, and the occasional argument about sandwiches, a clip that is about competence and kindness feels like finding cold water in a desert. So no, it is not weird that you cannot look away. It would be weirder if you could. . 07 // 15 BOBCAT FACTS THAT CHANGE HOW YOU SEE THE CLIP You now know what the water does and what the animal is. Here is the rest of the file, fast. 1. The scientific name is Lynx rufus. "Rufus" means reddish. The animal has been carrying a color-coded label for centuries. 2. It is the most common wild cat in North America, which makes how rarely people see one even more remarkable. 3. Bobcats are ambush hunters, not chasers. They win by patience, not by endurance. Long chases are not their thing, and long swims are definitely not their thing. 4. Yes, bobcats can swim, and they do it when they have to: crossing rivers, fleeing danger, following prey. But it is a tool of last resort, not a hobby. 5. Kittens are born in spring, usually in litters of two to four, and the mother raises them alone. Dad is not part of the picture. 6. A kitten's eyes open at around a week and a half old. It will stay with its mother for most of its first year before heading off to find a territory of its own. 7. Young bobcats leaving home can travel dozens of miles looking for a place to settle. That means young animals are the ones most likely to end up somewhere unfamiliar, in situations nothing in their short lives prepared them for. 8. Bobcats mark territory with scent, scrapes and scratched trees. Their world is written in a language we mostly cannot read. 9. When they cannot finish a meal, they often cover the leftovers with leaves, snow or debris and come back for it later. Forward planning, from a cat. 10. They climb trees and use them for escape and lookout. If a bobcat ever wanted to get out of a situation, vertical was its first idea. 11. Their ear tufts are still debated. Camouflage? Hearing? Communication? Nobody has a definitive answer, and I love that. 12. Bobcat and Canada lynx are cousins, not twins. Lynx have longer ear tufts, bigger paws for snow, and a fully black-tipped tail. A bobcat's tail is black only on top of the tip, like someone dipped a paintbrush and stopped halfway. 13. Coat color changes by region. Desert animals run pale and sandy. Northern animals run darker and grayer. Same species, different wardrobe. 14. A bobcat is not closely related to a cougar. It belongs to the Lynx genus. The cougar belongs to another. When people call it a "baby mountain lion," a biologist somewhere loses a year of their life. 15. In the wild, life is often short and hard. Many bobcats do not make it to ten years old. In captivity, they can live far longer. Which tells you what the wild costs, every single day, on top of everything else. Fifteen facts. One conclusion. Every one of these facts describes an animal built to survive. Which is exactly why watching one in trouble is so hard to forget. . 08 // SIX MYTHS ABOUT WILD CATS AND WATER Since we are here, let's clear up some things. MYTH 1: All cats hate water. FALSE. Tigers swim. Jaguars swim. Fishing cats literally dive for a living. The idea that cats are universally water-averse comes from house cats, and even that is a generalization. Plenty of wild cats are comfortable in water. It is not fear of water. It is that most cats do not choose it unless there is a reason. MYTH 2: If an animal can swim, it is safe in water. FALSE. Being able to swim and being able to survive in water are two different skills. Temperature, distance, current, exhaustion and time all matter. A strong swimmer can lose to cold long before it loses to drowning. MYTH 3: A tough predator does not need help. FALSE. Toughness is not immunity. Predators die of exposure, injury and exhaustion all the time. Being at the top of a food chain does not mean being at the top of every situation. MYTH 4: A calm wild animal is a friendly wild animal. FALSE. We covered this. Calm can mean cold, tired, hurt or in shock. It does not mean safe to touch. MYTH 5: Wild cats attack people constantly. FALSE. It is the opposite. Bobcats avoid people so well that many humans go a lifetime without seeing one. Encounters that end badly are extremely rare, and most involve an animal that is sick, cornered or handled. MYTH 6: Rescue is easy. FALSE. Rescue is the visible five percent. Underneath it are timing, knowledge, restraint, risk and an enormous amount of luck. Six myths. Not one of them survives contact with the footage. . 09 // THE SECOND HALF OF EVERY RESCUE Here is something the clips never show you. Getting the animal out is the first half of the story. The second half is quieter, slower, and matters just as much. When a wild animal ends up in professional hands, the priorities are almost the opposite of what your instincts tell you. Warmth, calm, darkness and silence come first. Then a medical check for injuries, dehydration and hypothermia. Then, if all goes well, recovery in a space where the animal sees as little of humans as possible. Yes, as little as possible. Good rehabilitators deliberately avoid cuddling, talking to, or bonding with wild patients, because an animal that gets comfortable around people is an animal that struggles to survive once it goes back out there. The goal is never a rescued pet. The goal is a released predator. And when it is possible, animals are often returned to the area where they were found, because that is the territory they know: the routes, the hiding places, the food, the neighbors. So the real happy ending of a wildlife rescue is not a hug. It is a door opening, and an animal walking through it without looking back. Hold on to that image. It will matter in a minute. . 10 // PLEASE DO NOT TRY THIS I am going to be blunt, because the comment section will not be. Every time a clip like this goes viral, thousands of people write some version of "I would have grabbed it too" or "I want to keep it." Please do not. A wild bobcat is not a pet. It is a wild predator with claws, teeth, and a nervous system built to treat contact as an attack. Even a small, exhausted, seemingly docile animal can injure a person badly in a fraction of a second. Bites and scratches from wildlife can carry infection. Rabies in bobcats is uncommon, but it is real, and that is not a gamble you take on a hunch. And as we covered, the danger runs both ways. The stress of being handled can hurt or kill a wild animal even when nobody meant it any harm. In many places it is also illegal to keep or transport wild animals without permits, which means the well-intentioned rescuer can end up in a legal mess and the animal can end up worse off. So what should you do if you ever find a wild animal in trouble? Keep your distance. Keep noise and movement low. Do not try to pick it up, feed it, or warm it up yourself. Call your local wildlife agency, animal control, or a licensed wildlife rehabilitator, and follow their instructions. They do this for a living. They know what the animal needs, and what it does not. Love wildlife the right way: at a distance, with respect, and through the phone number of someone qualified. The best rescue stories are the ones where the animal gets to go back to being wild. Which brings me to the ending. . 11 // HOW TO WATCH THIS VIDEO Here is my one request. Do not watch it on autopilot. Before you press play, decide what you think is going to happen. Make a prediction, honestly. Then watch, and see how wrong you were. Keep your eyes on the animal, not on the people. Watch the eyes. Watch the ears. Watch the moment the animal has to decide what it wants to do. Wildlife tells you everything if you know where to look, and it does not lie. Pay attention to the way the whole tone of the clip shifts as it goes on. The first seconds and the last seconds feel like two entirely different films. And carry these five questions with you while it plays: Why is a predator this strong not fighting? What does an animal like this actually feel in a moment like that? How many other animals never get this chance? What would you have done in that spot, honestly? And what is the very last thing the bobcat does? Only one of those has an answer you can see with your own eyes. And remember the door I mentioned, the one that opens and the animal that does not look back? Keep that picture in your head while you watch. See how close reality gets to it. And stay to the last frame. There is a reason I told you the ending matters. A second watch will show you things the first one hides. . 12 // THE THREE RULES EVERY WILDLIFE PROFESSIONAL LIVES BY If you spent a week with people who do this work for a living, you would hear the same three ideas over and over. Rule one: the animal comes before the story. Good professionals never put a camera ahead of the patient. The best footage in the world is worthless if it costs the animal something. Rule two: distance is a form of kindness. The closer you get, the more stress you add. The most respectful thing you can do for a wild animal is usually to do less, from farther away, and let it be what it is. Rule three: success means the animal does not need you anymore. Not gratitude. Not a bond. Not a photo with a cute caption. Success is independence. Notice how that flips the usual story. In most human stories, success is being needed. In wildlife, success is being forgotten. . 13 // IF YOU ONLY REMEMBER FIVE LINES Screenshot this if you want to. I would. 1. Water steals heat 25 times faster than air, and a wet coat stops working. 2. A bobcat is an ambush predator with the strength of an animal twice its size, and none of that helps when the ground disappears. 3. Do not confuse calm with consent. 4. Almost everything in nature happens unwatched. That is why the times someone looks matter so much. 5. The best ending to a wild rescue is an animal that walks away on its own. . 14 // THE REAL REASON I POSTED THIS We spend a lot of time online being told the world is getting worse. Sometimes it is. But there is another truth underneath, one that rarely trends: in a random moment, on an ordinary day, with no cameras and no audience and nothing to gain, someone looked, someone cared, and something wild got another chance. Remember the number you guessed earlier, the seconds or minutes in that water? It turns out it does not matter. What matters is that somebody noticed at all. That is the whole post. Not a miracle. Not a spectacle. Just a small, stubborn piece of evidence that the chain can hold. If it moved you even a little, that is not weakness. That is the part of you that still works. If this landed for you, here is what to do: Reply with one word for how you felt watching it. Just one. I read them. Repost it for the person in your life who says they do not care about animals. Watch what happens to their face. Bookmark this thread-that-is-not-a-thread for the next time your feed makes you tired of everything. And follow me if you want more clips that make you feel something real, plus the stories behind them, without the fluff. One last thing. You made it to the bottom of a very long post. That means something. It means you are the kind of person who stays for the ending. Now go back to the video, press play, and stay for the last frame. P.S. If you scrolled straight to the bottom to see how this ends: the video is attached to this post. The ending is in the video. Nothing I write can replace it, and I would not want it to. P.P.S. Drop your prediction in the replies before you press play: what does the bobcat do in the very last seconds? Then come back after and tell me how wrong, or how right, you were. I will pin my favorite.

A wild bobcat. Cold, open water. A body that was never built for this. This is an animal that can kill a deer. The water was about to beat it anyway. Watch the video first. Then read on. What happens in the final seconds is the reason I can't stop thinking about it. . Some clips you watch. Some clips you feel in your chest for an hour afterward. This is the second kind, and I want to explain exactly why, because once you understand what you are actually looking at, you will never watch it the same way again. This is a long one. Every section ends with something that makes the next one worth it. Stay with me. . 01 // THE COLDEST MATH IN THE WILD Let's start with something nobody tells you about water. Water is a thief. It pulls heat out of a living body up to 25 times faster than air at the same temperature. Not a little faster. Twenty-five times. It is the reason a cold day is uncomfortable and a cold swim is an emergency. Now put that math on an animal wearing a fur coat. Fur works because of what is trapped inside it: air. Thousands of tiny pockets of warm air held against the skin. The air is the insulation. The hair is just the scaffolding that holds it in place. Soak that coat and the air is gone. What was a winter jacket becomes a wet towel wrapped around the body. It is heavy. It drags. It bleeds heat at the exact moment the animal can least afford to lose it. And swimming is not free. A cat does not swim the way an otter swims. Otters are engineered for it: dense waterproof fur, webbed feet, a body shaped like a torpedo. A bobcat is engineered for something completely different. Every stroke burns fuel it does not have, while every second in the water drains the fuel it already has. That is the trap. Heat goes out. Energy goes out. Nothing comes in. In humans, the first minute in cold water triggers what physiologists call the cold shock response: a gasp reflex, a spike in heart rate, panicked breathing. Then comes the slow part, where muscles and nerves cool down and stop doing what you tell them. Animals do not get an exemption from physics. Bodies are bodies. Survival experts who study cold water use a simple frame for humans, the 1-10-1 rule. One minute to get your breathing under control after the initial shock. Ten minutes of meaningful muscle function before your limbs start refusing orders. About an hour before hypothermia becomes the real threat to life. Now shrink the body. A smaller body has more surface area for its mass, which means it sheds heat faster. Those human numbers are a generous best case. For a 20-pound animal, the clock runs quicker. So when you see a wild animal in water it did not choose, you are not looking at a swimmer. You are looking at a countdown. Here is the part that should bother you: the animal does not know it is a countdown. It only knows that it has to keep moving, and that stopping is not an option, and that there is nothing solid anywhere. Hold that thought. Because the next thing I am going to tell you is why this particular animal is the last one you would expect to be in that position. . 02 // THE "BIG HOUSE CAT" LIE Somewhere along the way, someone decided a bobcat is basically a large housecat with attitude. Somebody was wrong. Let's do the numbers. A typical house cat weighs 8 to 10 pounds. Most adult bobcats land somewhere between 15 and 30 pounds, with big males pushing past that. That is two to three times the mass, and none of it is soft. It is wire and spring: long hind legs built to launch, shoulders built to hold, claws that retract and reset like a trap. By widely cited estimates, a bobcat can cover roughly 10 feet in a single leap. That is not a pounce. That is a projectile. It hunts the way the best hunters do: by being patient past the point where patience seems reasonable. It picks a spot. It goes still. It waits, sometimes for a very long time, until the world arranges itself into a single clean opportunity. Then it ends the situation in a second. Rabbits and hares are the staple. Mice, voles, squirrels, birds. But here is the detail that changes how people talk about them: bobcats have been documented taking down deer, animals much larger than themselves, particularly in harsh winters when deer are weakened. Think about what that means. This is a creature that routinely wins fights against animals that outweigh it. It has ear tufts that scientists still argue about. It has a ruff of fur around the face like a lion in miniature. It has a stubby tail, four to seven inches long, that gave the animal its name. It has a spotted coat that is essentially camouflage for dappled light, and, useful fact, the spot pattern is different from one animal to the next, which is how researchers identify individuals on trail cameras. And it has a voice. Purrs, hisses, growls, and a night scream that has been mistaken for a human in distress by people who did not know what they were hearing. So this is who we are talking about. Not a pet. Not a pushover. One of the most efficient small predators on the continent. Which is what makes the situation in this video so strange. Because everything I just told you about strength, speed and pride goes quiet when the ground disappears. . 03 // THE ANIMAL YOU HAVE PROBABLY WALKED PAST Here is a fact that should feel a little unsettling. Bobcats are one of the most widespread wild cats in North America. Their range stretches across the lower 48 states, into southern Canada, and down into Mexico. Forests, swamps, deserts, mountains, the ragged edges of suburbs. They are adaptable in a way that very few predators are. And yet most people, including people who have lived their entire lives near them, have never seen one. That is not an accident. Bobcats are solitary, shy, and mostly active around dawn and dusk. They live in the margins. They move through your world at times you are not looking, and they have made avoiding you into an art form. A bobcat's entire survival strategy is to see you first and never be seen. Which means any video of one, let alone a close, unhurried, unguarded look at one, is rare. Wildlife photographers wait years for angles like this. Researchers set up cameras and come back to empty memory cards. Now think about what it takes for a wild bobcat and a human being to end up in the same small space, with the animal not running. The animal has to be in a situation where running is no longer possible. That should give you chills. Because it is not a heartwarming meeting. It is what happens when a very proud animal has run out of options. And what happens next is the part that does not add up, which is exactly where the next section starts. . 04 // THE PART THAT DOES NOT ADD UP Predators do not do calm. A wild animal's nervous system is a hair trigger. When something big and unfamiliar closes in, the body floods with adrenaline and cortisol, and the decision tree is short: fight, flee, or freeze. Every instinct it has been born with says a large, upright, two-legged creature is the most dangerous thing in the environment. So when a wild animal is calm around humans, there are only a few explanations, and none of them is "it decided to trust us." Sometimes the animal is habituated, meaning it has lived near people so long it has stopped treating them as a threat. Sometimes the animal is so depleted, cold, hurt or exhausted that its body has quietly shut down the option to fight. Biologists have a name for one version of this: tonic immobility, a kind of involuntary freeze in which an animal goes still and unresponsive when escape seems impossible. And sometimes it is a mix of all of it, in ways science is still working out. Here is the line I want you to remember, because it will save you from a lot of bad internet takes: Do not confuse calm with consent. Stillness is not friendship. A quiet animal is not a tame animal. And some of the most dramatic moments in wildlife rescue come not from the fight, but from the moment the body stops fighting and everyone has to figure out what that actually means. There is even a documented condition, capture myopathy, in which the sheer stress of being restrained can damage a wild animal's muscles and organs badly enough to kill it, sometimes hours or days after the event, with no visible wound at all. Handling stress is a real cause of death in wildlife work. That is why professionals move slowly, keep things dark and quiet, and treat every second of contact like it costs something. Which means that in a situation like this, the difference between a good outcome and a tragic one can be invisible to the naked eye. That is what makes the footage so tense to watch if you know what to look for. And I am going to tell you exactly what to look for. But not yet. First I need you to understand how unlikely it was that anyone was there at all. . 05 // NATURE HAS NO AUDIENCE Almost everything that happens in the wild happens unwatched. Think about that for a second. Billions of small emergencies, every single day. Animals slipping, trapped, lost, starving, stranded. A fawn separated from its mother. A bird with a broken wing. A predator that misjudged a jump by an inch. Almost none of it is ever witnessed by anyone. No camera. No rescuer. No witness. It simply happens, and then it stops, and the world continues as if nothing occurred. For a rescue to happen, a chain of things has to line up. Somebody has to be in the right place. Somebody has to be looking in the right direction. Somebody has to notice a small, wet, dark shape in a huge moving surface, and understand what it is. Somebody has to decide to act rather than say "huh" and keep going. And somebody has to actually know how to help without making it worse. Break any single link and the story ends before it starts. Every viral rescue video you have ever seen is a chain like that, where all the links happened to hold. I think that is why these clips hit differently than almost anything else online. They are not just proof that an animal survived. They are proof that the chain can hold. That in a world that mostly does not look, sometimes someone does. The cold math says this animal had little time. The odds say nobody should have been there. And yet. I keep circling that "and yet." . QUICK PAUSE Before we go deeper, a small experiment. Without scrolling back up, answer this in your head: how long was the animal in that water before anyone noticed? Got a number? Now hold it loosely. The truth about time in a moment like this is that it never feels like what it is. Seconds stretch. Minutes vanish. Nobody in a crisis has an accurate clock. Keep your number. We will come back to it. . 06 // WHY YOUR BRAIN CANNOT SCROLL PAST THIS Let's zoom out, because this is the part that fascinates me professionally. In 2012, two Wharton researchers, Jonah Berger and Katherine Milkman, studied thousands of New York Times articles to figure out what makes online content spread. Their finding was not what most people expected. Positivity helped, but what mattered even more was how much physical arousal a piece of content produced. Awe, anger and anxiety, all high-arousal emotions, made people share. Sadness, which is low-arousal, made people stop. Now look at a clip like this through that lens. It has anxiety: will the animal make it? It has awe: this is a wild predator, close enough to see the texture of its fur. It has relief, and something bigger than relief. Psychologist Jonathan Haidt has a word for that bigger thing: elevation. It is the warm, expanding feeling you get when you witness someone behaving with unexpected goodness. It is the emotion that makes people want to be better, to call their mother, to do something kind. It is exactly the kind of emotion that makes people hit share before they have even finished watching. And then there is the mechanism behind the hook itself. In 1994, the behavioral economist George Loewenstein described what he called the information gap theory of curiosity: curiosity is the discomfort of noticing a gap between what you know and what you want to know. The bigger the gap, and the closer you feel to closing it, the harder it is to look away. That is what I did in the first three lines of this post. I gave you a wild animal, a disaster, and an unanswered question. Your brain has been carrying that open loop ever since. You cannot un-notice it. You can only close it. That is not a trick. It is how attention has worked since the first campfire story. The only difference now is that the campfire fits in your pocket and never goes out. There is one more thing, and it may be the most important one. Animals do not perform. They cannot posture for a camera, hide their fear behind a joke, or spin the story afterward. Their reactions are uncut. In an internet made mostly of people curating themselves, a wild animal reacting honestly to a moment is about as authentic as content gets. And in a feed that is ninety percent outrage, ten percent ads, and the occasional argument about sandwiches, a clip that is about competence and kindness feels like finding cold water in a desert. So no, it is not weird that you cannot look away. It would be weirder if you could. . 07 // 15 BOBCAT FACTS THAT CHANGE HOW YOU SEE THE CLIP You now know what the water does and what the animal is. Here is the rest of the file, fast. 1. The scientific name is Lynx rufus. "Rufus" means reddish. The animal has been carrying a color-coded label for centuries. 2. It is the most common wild cat in North America, which makes how rarely people see one even more remarkable. 3. Bobcats are ambush hunters, not chasers. They win by patience, not by endurance. Long chases are not their thing, and long swims are definitely not their thing. 4. Yes, bobcats can swim, and they do it when they have to: crossing rivers, fleeing danger, following prey. But it is a tool of last resort, not a hobby. 5. Kittens are born in spring, usually in litters of two to four, and the mother raises them alone. Dad is not part of the picture. 6. A kitten's eyes open at around a week and a half old. It will stay with its mother for most of its first year before heading off to find a territory of its own. 7. Young bobcats leaving home can travel dozens of miles looking for a place to settle. That means young animals are the ones most likely to end up somewhere unfamiliar, in situations nothing in their short lives prepared them for. 8. Bobcats mark territory with scent, scrapes and scratched trees. Their world is written in a language we mostly cannot read. 9. When they cannot finish a meal, they often cover the leftovers with leaves, snow or debris and come back for it later. Forward planning, from a cat. 10. They climb trees and use them for escape and lookout. If a bobcat ever wanted to get out of a situation, vertical was its first idea. 11. Their ear tufts are still debated. Camouflage? Hearing? Communication? Nobody has a definitive answer, and I love that. 12. Bobcat and Canada lynx are cousins, not twins. Lynx have longer ear tufts, bigger paws for snow, and a fully black-tipped tail. A bobcat's tail is black only on top of the tip, like someone dipped a paintbrush and stopped halfway. 13. Coat color changes by region. Desert animals run pale and sandy. Northern animals run darker and grayer. Same species, different wardrobe. 14. A bobcat is not closely related to a cougar. It belongs to the Lynx genus. The cougar belongs to another. When people call it a "baby mountain lion," a biologist somewhere loses a year of their life. 15. In the wild, life is often short and hard. Many bobcats do not make it to ten years old. In captivity, they can live far longer. Which tells you what the wild costs, every single day, on top of everything else. Fifteen facts. One conclusion. Every one of these facts describes an animal built to survive. Which is exactly why watching one in trouble is so hard to forget. . 08 // SIX MYTHS ABOUT WILD CATS AND WATER Since we are here, let's clear up some things. MYTH 1: All cats hate water. FALSE. Tigers swim. Jaguars swim. Fishing cats literally dive for a living. The idea that cats are universally water-averse comes from house cats, and even that is a generalization. Plenty of wild cats are comfortable in water. It is not fear of water. It is that most cats do not choose it unless there is a reason. MYTH 2: If an animal can swim, it is safe in water. FALSE. Being able to swim and being able to survive in water are two different skills. Temperature, distance, current, exhaustion and time all matter. A strong swimmer can lose to cold long before it loses to drowning. MYTH 3: A tough predator does not need help. FALSE. Toughness is not immunity. Predators die of exposure, injury and exhaustion all the time. Being at the top of a food chain does not mean being at the top of every situation. MYTH 4: A calm wild animal is a friendly wild animal. FALSE. We covered this. Calm can mean cold, tired, hurt or in shock. It does not mean safe to touch. MYTH 5: Wild cats attack people constantly. FALSE. It is the opposite. Bobcats avoid people so well that many humans go a lifetime without seeing one. Encounters that end badly are extremely rare, and most involve an animal that is sick, cornered or handled. MYTH 6: Rescue is easy. FALSE. Rescue is the visible five percent. Underneath it are timing, knowledge, restraint, risk and an enormous amount of luck. Six myths. Not one of them survives contact with the footage. . 09 // THE SECOND HALF OF EVERY RESCUE Here is something the clips never show you. Getting the animal out is the first half of the story. The second half is quieter, slower, and matters just as much. When a wild animal ends up in professional hands, the priorities are almost the opposite of what your instincts tell you. Warmth, calm, darkness and silence come first. Then a medical check for injuries, dehydration and hypothermia. Then, if all goes well, recovery in a space where the animal sees as little of humans as possible. Yes, as little as possible. Good rehabilitators deliberately avoid cuddling, talking to, or bonding with wild patients, because an animal that gets comfortable around people is an animal that struggles to survive once it goes back out there. The goal is never a rescued pet. The goal is a released predator. And when it is possible, animals are often returned to the area where they were found, because that is the territory they know: the routes, the hiding places, the food, the neighbors. So the real happy ending of a wildlife rescue is not a hug. It is a door opening, and an animal walking through it without looking back. Hold on to that image. It will matter in a minute. . 10 // PLEASE DO NOT TRY THIS I am going to be blunt, because the comment section will not be. Every time a clip like this goes viral, thousands of people write some version of "I would have grabbed it too" or "I want to keep it." Please do not. A wild bobcat is not a pet. It is a wild predator with claws, teeth, and a nervous system built to treat contact as an attack. Even a small, exhausted, seemingly docile animal can injure a person badly in a fraction of a second. Bites and scratches from wildlife can carry infection. Rabies in bobcats is uncommon, but it is real, and that is not a gamble you take on a hunch. And as we covered, the danger runs both ways. The stress of being handled can hurt or kill a wild animal even when nobody meant it any harm. In many places it is also illegal to keep or transport wild animals without permits, which means the well-intentioned rescuer can end up in a legal mess and the animal can end up worse off. So what should you do if you ever find a wild animal in trouble? Keep your distance. Keep noise and movement low. Do not try to pick it up, feed it, or warm it up yourself. Call your local wildlife agency, animal control, or a licensed wildlife rehabilitator, and follow their instructions. They do this for a living. They know what the animal needs, and what it does not. Love wildlife the right way: at a distance, with respect, and through the phone number of someone qualified. The best rescue stories are the ones where the animal gets to go back to being wild. Which brings me to the ending. . 11 // HOW TO WATCH THIS VIDEO Here is my one request. Do not watch it on autopilot. Before you press play, decide what you think is going to happen. Make a prediction, honestly. Then watch, and see how wrong you were. Keep your eyes on the animal, not on the people. Watch the eyes. Watch the ears. Watch the moment the animal has to decide what it wants to do. Wildlife tells you everything if you know where to look, and it does not lie. Pay attention to the way the whole tone of the clip shifts as it goes on. The first seconds and the last seconds feel like two entirely different films. And carry these five questions with you while it plays: Why is a predator this strong not fighting? What does an animal like this actually feel in a moment like that? How many other animals never get this chance? What would you have done in that spot, honestly? And what is the very last thing the bobcat does? Only one of those has an answer you can see with your own eyes. And remember the door I mentioned, the one that opens and the animal that does not look back? Keep that picture in your head while you watch. See how close reality gets to it. And stay to the last frame. There is a reason I told you the ending matters. A second watch will show you things the first one hides. . 12 // THE THREE RULES EVERY WILDLIFE PROFESSIONAL LIVES BY If you spent a week with people who do this work for a living, you would hear the same three ideas over and over. Rule one: the animal comes before the story. Good professionals never put a camera ahead of the patient. The best footage in the world is worthless if it costs the animal something. Rule two: distance is a form of kindness. The closer you get, the more stress you add. The most respectful thing you can do for a wild animal is usually to do less, from farther away, and let it be what it is. Rule three: success means the animal does not need you anymore. Not gratitude. Not a bond. Not a photo with a cute caption. Success is independence. Notice how that flips the usual story. In most human stories, success is being needed. In wildlife, success is being forgotten. . 13 // IF YOU ONLY REMEMBER FIVE LINES Screenshot this if you want to. I would. 1. Water steals heat 25 times faster than air, and a wet coat stops working. 2. A bobcat is an ambush predator with the strength of an animal twice its size, and none of that helps when the ground disappears. 3. Do not confuse calm with consent. 4. Almost everything in nature happens unwatched. That is why the times someone looks matter so much. 5. The best ending to a wild rescue is an animal that walks away on its own. . 14 // THE REAL REASON I POSTED THIS We spend a lot of time online being told the world is getting worse. Sometimes it is. But there is another truth underneath, one that rarely trends: in a random moment, on an ordinary day, with no cameras and no audience and nothing to gain, someone looked, someone cared, and something wild got another chance. Remember the number you guessed earlier, the seconds or minutes in that water? It turns out it does not matter. What matters is that somebody noticed at all. That is the whole post. Not a miracle. Not a spectacle. Just a small, stubborn piece of evidence that the chain can hold. If it moved you even a little, that is not weakness. That is the part of you that still works. If this landed for you, here is what to do: Reply with one word for how you felt watching it. Just one. I read them. Repost it for the person in your life who says they do not care about animals. Watch what happens to their face. Bookmark this thread-that-is-not-a-thread for the next time your feed makes you tired of everything. And follow me if you want more clips that make you feel something real, plus the stories behind them, without the fluff. One last thing. You made it to the bottom of a very long post. That means something. It means you are the kind of person who stays for the ending. Now go back to the video, press play, and stay for the last frame. P.S. If you scrolled straight to the bottom to see how this ends: the video is attached to this post. The ending is in the video. Nothing I write can replace it, and I would not want it to. P.P.S. Drop your prediction in the replies before you press play: what does the bobcat do in the very last seconds? Then come back after and tell me how wrong, or how right, you were. I will pin my favorite.

Earth Unveiled

58,188 views • 10 days ago

After Elon Musk reposted my Grok Bot guide, my friend Ryan used it to run his strip club. 7 days ago, he replaced his entire middle management with 8 Grok agents ($200/mo). Last week alone, he saved $10,000 in salaries and missed leads. Not because the club magically got better, but because he killed the middle layer that was eating his margin. Before that, the setup was classic and expensive. Back-of-house sat on 6 people: > 1 recruiter > 1 person on applications > 1 cashier > 2 shift managers > 1 person on after-close requests That layer cost about $8,400–$9,200 a week once you counted base pay, cuts, “bonuses,” and money that never made the report. The recruiter took $50–$150 per new girl. The cashier spent 1.5–2 hours closing a shift. On Friday the managers generated 80–120 messages on the schedule alone. The after-shift person held 10–15 requests in his head and lost 2–3 of them every week simply because someone did not answer in time. Ryan saw the formula fast. Those people almost never made hard decisions. They moved data. • An application came in → a person opened a chat. • A girl wrote “I can do Friday” → a person typed a row into a spreadsheet. • A client left a request → a person relayed it to a manager. • The manager opened the schedule → and texted the girl. • The shift ended → the cashier counted a stack and entered a number by hand. Every handoff leaked time and money. Applications. A live staffer used to review 40–60 incoming files a week. One file took 8–12 minutes. Total: 7–10 hours of raw review, plus another 3–4 hours on “send a reminder,” “send more,” “when can you work.” Out of 50 applications, 6–8 made it to a shift. Conversion was weak not because of the room, but because half the threads went cold for 24–48 hours. Scheduling. Friday looked like this: 12 people want on, 8 slots. 1 can start only after 21:00. 1 will not work after 00:00. 1 drops out with 40 minutes left. 1 wants a swap. A manager already promised the slot to a fifth person. One change created 5 new messages. One substitution cycle took 20–40 minutes. By the end of the night there were 3–5 holes in the grid. Money. That was the dirtiest part. By morning the count was off by $180–$400 on average. Sometimes $70. Sometimes $600. The explanations were always human: tips booked to the wrong place, a commission forgotten, a number rounded, an envelope put in the wrong pile, a shift closed from memory. The cashier was not an analyst. He was a loss point. After-shift requests. The old chain took 25–45 minutes: client → manager → spreadsheet → message to the girl → wait → reply to the client. Out of 12 requests, 2–3 died in transit. Not because of a refusal. Because of human lag. 7 days ago Ryan cut that layer and hung it on Grok. The application flow dropped into one funnel with statuses: NEW → REVIEW → APPROVED → SCHEDULED → ACTIVE → INACTIVE The bot sent the first packet itself, collected the fields, and closed the gaps. If data was missing → it asked. If there was silence for 48 hours → it nudged. Ryan no longer opened 50 chats. He opened one feed. He touched only REVIEW and exceptions by hand. First-pass review fell from 8–12 minutes per application to 30–90 seconds of control. In a week, 53 applications went through the funnel. 11 made it to a shift. That was no longer “we got lucky.” That was because no application rotted in a manager’s DMs. The schedule became a rule, not a group chat. A girl marked available slots. The system saw 8 seats, not “we’ll figure it out.” Overbook went to a waitlist. A drop with 40 minutes left no longer spawned a 5-chat mess: the slot jumped to the next person in line in 10–20 seconds. Friday noise fell from 80–120 messages to 10–15 exceptions. Shift manager as a job title became unnecessary. The register stopped being a notebook. Every operation was written immediately. Shift close produced one summary: - floor revenue - tips - commissions - payouts - adjustments - variance If the total did not match, the system did not say “error somewhere.” It pointed at the exact operation. Over 7 days, variance stayed in the $0–$25 range instead of the old $180–$400. The weekly difference was about $1,200–$2,500 on “it didn’t add up” alone. The client loop collapsed from 4 human nodes into 1 route. A request entered the bot. The bot pulled the standard fields, checked availability, pinged the girl, and after 2 confirmations closed both sides with a notification. Cycle time fell from 25–45 minutes to 2–4 minutes on a standard request. Burned requests for the week: 0. Before that, it was 2–3 lost checks every week. Ryan’s role got narrow and hard. The bot closed the rule. He closed the exception. Morning looked like a panel, not a meeting: > 3 new applications in NEW > 1 card in REVIEW > 2 shift cancellations > 1 operation for manual review > 47 automated messages already sent without him The only living parts left were him and the girls on the floor. Plus anyone who took an after-shift call. The middle layer: sourcing, screening, schedule, requests, counting → sat on a $200 subscription. In numbers, the week looked like this. Old model: > 6 people in the management loop > $8,400–$9,200 for that layer > 7–10 hours on applications > 80–120 messages on one heavy Friday > $180–$400 holes in the cash > 2–3 lost requests > 25–45 minutes per client cycle New model: > 1 person > $200 for the tool > 30–90 seconds of standard application control > 10–15 exceptions instead of a whole-floor chat storm > $0–$25 on the register > 0 lost standard requests > 2–4 minutes per standard cycle That is where the ~$10,000 in 7 days came from. Not “floor magic.” A removed human tax: - pay for 6 people - recruiter cuts - cash holes - burned requests - hours spent moving the same row from a chat into a spreadsheet In this system, those people were not the “soul of the club.” They were latency and leak. Every extra node added delay. Every live data handoff added error. Every notebook added a gap for rounding. Ryan removed the nodes. He left rules, statuses, a ledger, and one escalation point. So after 7 days the model already counted as a delta, not an experiment. $200 on top. About $10,000 in the plus. And the proof was short: the club ran. The middle-layer staff did not. Their job was done by the bot. bookmark this.

After Elon Musk reposted my Grok Bot guide, my friend Ryan used it to run his strip club. 7 days ago, he replaced his entire middle management with 8 Grok agents ($200/mo). Last week alone, he saved $10,000 in salaries and missed leads. Not because the club magically got better, but because he killed the middle layer that was eating his margin. Before that, the setup was classic and expensive. Back-of-house sat on 6 people: > 1 recruiter > 1 person on applications > 1 cashier > 2 shift managers > 1 person on after-close requests That layer cost about $8,400–$9,200 a week once you counted base pay, cuts, “bonuses,” and money that never made the report. The recruiter took $50–$150 per new girl. The cashier spent 1.5–2 hours closing a shift. On Friday the managers generated 80–120 messages on the schedule alone. The after-shift person held 10–15 requests in his head and lost 2–3 of them every week simply because someone did not answer in time. Ryan saw the formula fast. Those people almost never made hard decisions. They moved data. • An application came in → a person opened a chat. • A girl wrote “I can do Friday” → a person typed a row into a spreadsheet. • A client left a request → a person relayed it to a manager. • The manager opened the schedule → and texted the girl. • The shift ended → the cashier counted a stack and entered a number by hand. Every handoff leaked time and money. Applications. A live staffer used to review 40–60 incoming files a week. One file took 8–12 minutes. Total: 7–10 hours of raw review, plus another 3–4 hours on “send a reminder,” “send more,” “when can you work.” Out of 50 applications, 6–8 made it to a shift. Conversion was weak not because of the room, but because half the threads went cold for 24–48 hours. Scheduling. Friday looked like this: 12 people want on, 8 slots. 1 can start only after 21:00. 1 will not work after 00:00. 1 drops out with 40 minutes left. 1 wants a swap. A manager already promised the slot to a fifth person. One change created 5 new messages. One substitution cycle took 20–40 minutes. By the end of the night there were 3–5 holes in the grid. Money. That was the dirtiest part. By morning the count was off by $180–$400 on average. Sometimes $70. Sometimes $600. The explanations were always human: tips booked to the wrong place, a commission forgotten, a number rounded, an envelope put in the wrong pile, a shift closed from memory. The cashier was not an analyst. He was a loss point. After-shift requests. The old chain took 25–45 minutes: client → manager → spreadsheet → message to the girl → wait → reply to the client. Out of 12 requests, 2–3 died in transit. Not because of a refusal. Because of human lag. 7 days ago Ryan cut that layer and hung it on Grok. The application flow dropped into one funnel with statuses: NEW → REVIEW → APPROVED → SCHEDULED → ACTIVE → INACTIVE The bot sent the first packet itself, collected the fields, and closed the gaps. If data was missing → it asked. If there was silence for 48 hours → it nudged. Ryan no longer opened 50 chats. He opened one feed. He touched only REVIEW and exceptions by hand. First-pass review fell from 8–12 minutes per application to 30–90 seconds of control. In a week, 53 applications went through the funnel. 11 made it to a shift. That was no longer “we got lucky.” That was because no application rotted in a manager’s DMs. The schedule became a rule, not a group chat. A girl marked available slots. The system saw 8 seats, not “we’ll figure it out.” Overbook went to a waitlist. A drop with 40 minutes left no longer spawned a 5-chat mess: the slot jumped to the next person in line in 10–20 seconds. Friday noise fell from 80–120 messages to 10–15 exceptions. Shift manager as a job title became unnecessary. The register stopped being a notebook. Every operation was written immediately. Shift close produced one summary: - floor revenue - tips - commissions - payouts - adjustments - variance If the total did not match, the system did not say “error somewhere.” It pointed at the exact operation. Over 7 days, variance stayed in the $0–$25 range instead of the old $180–$400. The weekly difference was about $1,200–$2,500 on “it didn’t add up” alone. The client loop collapsed from 4 human nodes into 1 route. A request entered the bot. The bot pulled the standard fields, checked availability, pinged the girl, and after 2 confirmations closed both sides with a notification. Cycle time fell from 25–45 minutes to 2–4 minutes on a standard request. Burned requests for the week: 0. Before that, it was 2–3 lost checks every week. Ryan’s role got narrow and hard. The bot closed the rule. He closed the exception. Morning looked like a panel, not a meeting: > 3 new applications in NEW > 1 card in REVIEW > 2 shift cancellations > 1 operation for manual review > 47 automated messages already sent without him The only living parts left were him and the girls on the floor. Plus anyone who took an after-shift call. The middle layer: sourcing, screening, schedule, requests, counting → sat on a $200 subscription. In numbers, the week looked like this. Old model: > 6 people in the management loop > $8,400–$9,200 for that layer > 7–10 hours on applications > 80–120 messages on one heavy Friday > $180–$400 holes in the cash > 2–3 lost requests > 25–45 minutes per client cycle New model: > 1 person > $200 for the tool > 30–90 seconds of standard application control > 10–15 exceptions instead of a whole-floor chat storm > $0–$25 on the register > 0 lost standard requests > 2–4 minutes per standard cycle That is where the ~$10,000 in 7 days came from. Not “floor magic.” A removed human tax: - pay for 6 people - recruiter cuts - cash holes - burned requests - hours spent moving the same row from a chat into a spreadsheet In this system, those people were not the “soul of the club.” They were latency and leak. Every extra node added delay. Every live data handoff added error. Every notebook added a gap for rounding. Ryan removed the nodes. He left rules, statuses, a ledger, and one escalation point. So after 7 days the model already counted as a delta, not an experiment. $200 on top. About $10,000 in the plus. And the proof was short: the club ran. The middle-layer staff did not. Their job was done by the bot. bookmark this.

Ridark

188,835 views • 1 month ago