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3D Animator Gary Whitton gave Unreal Engine's new animations a "stop-motion treatment", making them look like they came from Spider-Verse animated movies. See more: #animation #3danimation #unrealengine5 #ue5 #unrealengine #spiderverse #stopmotion

80 LEVEL

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64,647 görüntüleme • 2 yıl önce •via X (Twitter)

Sanat #animation #3danimation #unrealengine5 #ue5 #unrealengine #spiderverse #stopmotion

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Check out this neat Spider-Verse-inspired FX created by Paulo Granados Villaverde for a 3D Spider-Man model using Substance 3D and Unreal Engine 5. See more: #3d #3dart #vfx #substance3d #substancedesigner #unrealengine5 #ue5 #spiderverse #spiderman

Check out this neat Spider-Verse-inspired FX created by Paulo Granados Villaverde for a 3D Spider-Man model using Substance 3D and Unreal Engine 5. See more: #3d #3dart #vfx #substance3d #substancedesigner #unrealengine5 #ue5 #spiderverse #spiderman

80 LEVEL

31,544 görüntüleme • 2 yıl önce

"OK, you need to calm down Unreal": Jason Hendrich showcased a series of fluid combat animations made in UE5 using Blueprints, Flipbook, and Keyframe. More info and tutorials: #unrealengine5 #ue5 #unrealengine #3danimation #animation #3dcg #gamedev

"OK, you need to calm down Unreal": Jason Hendrich showcased a series of fluid combat animations made in UE5 using Blueprints, Flipbook, and Keyframe. More info and tutorials: #unrealengine5 #ue5 #unrealengine #3danimation #animation #3dcg #gamedev

80 LEVEL

60,065 görüntüleme • 2 yıl önce

I noticed something weird about the ads that get 10M+ views. While most brands randomly animate everything hoping something works, viral ads follow a precise psychology pattern. Here's what I discovered: → They never animate text (protects cognitive load - Daniel Kahneman's research) → They focus motion on ONE primary element (leverages attention theory from William James) → They use specific timing that triggers dopamine release (based on BF Skinner's variable reward schedules) Most animated ads fail because they create visual chaos that overloads working memory. The brands crushing it with animated ads use Notch's Animated Ads feature, where they're giving away a master prompt system built on decades of behavioral psychology research from Stanford and MIT. No more guessing what motion will work. No more paying $5K for animations that flop. No more static ads getting buried in feeds. I'm giving away their complete Animated Ads Master Prompt guide that reveals the exact animation psychology. This is the same system top agencies use to create scroll-stopping animated creatives that convert. Want the viral animation playbook? Comment "NOTCH" + RT + Like I'll DM you the master prompt guide (Must be following so I can DM) Skip this and keep wondering why your animated ads don't work.

I noticed something weird about the ads that get 10M+ views. While most brands randomly animate everything hoping something works, viral ads follow a precise psychology pattern. Here's what I discovered: → They never animate text (protects cognitive load - Daniel Kahneman's research) → They focus motion on ONE primary element (leverages attention theory from William James) → They use specific timing that triggers dopamine release (based on BF Skinner's variable reward schedules) Most animated ads fail because they create visual chaos that overloads working memory. The brands crushing it with animated ads use Notch's Animated Ads feature, where they're giving away a master prompt system built on decades of behavioral psychology research from Stanford and MIT. No more guessing what motion will work. No more paying $5K for animations that flop. No more static ads getting buried in feeds. I'm giving away their complete Animated Ads Master Prompt guide that reveals the exact animation psychology. This is the same system top agencies use to create scroll-stopping animated creatives that convert. Want the viral animation playbook? Comment "NOTCH" + RT + Like I'll DM you the master prompt guide (Must be following so I can DM) Skip this and keep wondering why your animated ads don't work.

Samruddhi Mokal

105,433 görüntüleme • 10 ay önce

Just like The Weather Channel. Al Gore couldn’t predict the weather if his life depended on it, yet somehow they handed him a Nobel Prize and treated him like a prophet. For decades they’ve been selling fear, making predictions that never seem to materialize, and demanding more power, more control, and more money every step of the way. The climate panic industry has become a billion-dollar business. Stop blindly accepting what you’re told. Question everything. Look at the track record. The people pushing the loudest narratives are often the same people who benefit from them. Al Gore is a FRAUD.

Just like The Weather Channel. Al Gore couldn’t predict the weather if his life depended on it, yet somehow they handed him a Nobel Prize and treated him like a prophet. For decades they’ve been selling fear, making predictions that never seem to materialize, and demanding more power, more control, and more money every step of the way. The climate panic industry has become a billion-dollar business. Stop blindly accepting what you’re told. Question everything. Look at the track record. The people pushing the loudest narratives are often the same people who benefit from them. Al Gore is a FRAUD.

Gunther Eagleman™

38,915 görüntüleme • 2 ay önce

The better humans have gotten at making plastic, the more challenging it has been to unmake it—especially the pieces too small to see. Long after plastic bottles and bags break down, they keep fragmenting into particles so tiny, conventional filtration can’t touch them. They drift through treatment plants and into waterways unimpeded. There, they enter the food chain, and ultimately the body, where they have been found in human organs and are increasingly linked to various diseases such as cancer. Enter nanobots. In a new study, researchers show that tiny magnetic machines made of cagelike materials can tumble through water, sweeping up nanoplastics via the same electrostatic attraction that makes a balloon cling to your hair. Learn more: News from Science

The better humans have gotten at making plastic, the more challenging it has been to unmake it—especially the pieces too small to see. Long after plastic bottles and bags break down, they keep fragmenting into particles so tiny, conventional filtration can’t touch them. They drift through treatment plants and into waterways unimpeded. There, they enter the food chain, and ultimately the body, where they have been found in human organs and are increasingly linked to various diseases such as cancer. Enter nanobots. In a new study, researchers show that tiny magnetic machines made of cagelike materials can tumble through water, sweeping up nanoplastics via the same electrostatic attraction that makes a balloon cling to your hair. Learn more: News from Science

Science Magazine

61,806 görüntüleme • 3 ay önce

Here’s a look at my AR keychain prototype !! 🥹🩷 You can swap out icons (for now only the ones i’ve animated… and u know there's is a lot!!), scan it trough filters (for now) and my animation shows up I actually started with a card format at first, but i wanted to spend more time on the designs, so i went with keychains for the first release, i didn’t want to make regular keychains either, and bringing AR together with my animations lets people actually "hold" them instead of them just living on my pc, it makes them feel alive and interactive, something i’ve wanted to try ever since the Nintendo 3ds AR cards 🥹 This is my 4th prototype gulp, and my 5th is already done Will be 3D, look and feel better, will be thinner, doesn’t need the rotating system anymore etc.. (i'm choosing between wood or acrylic for the final version) And in the future, i’m planning to design and make my own app (alrdy started :D) so it doesn’t rely on tiktok/instagram/snap filters, and the animations will be interactive too !! :D i’m also designing custom borders so you can use your keychain without a league border if u don't wanna look like a full on nerd, and i’m working on more AR formats beyond keychains :D More soon, i’m really excited 🥹🩷

Here’s a look at my AR keychain prototype !! 🥹🩷 You can swap out icons (for now only the ones i’ve animated… and u know there's is a lot!!), scan it trough filters (for now) and my animation shows up I actually started with a card format at first, but i wanted to spend more time on the designs, so i went with keychains for the first release, i didn’t want to make regular keychains either, and bringing AR together with my animations lets people actually "hold" them instead of them just living on my pc, it makes them feel alive and interactive, something i’ve wanted to try ever since the Nintendo 3ds AR cards 🥹 This is my 4th prototype gulp, and my 5th is already done Will be 3D, look and feel better, will be thinner, doesn’t need the rotating system anymore etc.. (i'm choosing between wood or acrylic for the final version) And in the future, i’m planning to design and make my own app (alrdy started :D) so it doesn’t rely on tiktok/instagram/snap filters, and the animations will be interactive too !! :D i’m also designing custom borders so you can use your keychain without a league border if u don't wanna look like a full on nerd, and i’m working on more AR formats beyond keychains :D More soon, i’m really excited 🥹🩷

Nayra 🎐┃twitch.tv/lxst_nayra

89,030 görüntüleme • 9 ay önce

THIS FREE BROWSER TOOL LETS YOU BUILD REAL-TIME DITHER ANIMATIONS AND EXPORT THEM AS VIDEO dither is everywhere right now (Spotify, websites, album covers) but every tool for making it is either a Photoshop plugin or some after effects rabbit hole. this one runs in your browser and gives you full control over the motion. what you can do: > choose from Bayer 4x4, 8x8, halftone, blue noise, crosshatch, diamond, spiral, and ASCII patterns > animate with speed, intensity, scale, and FPS controls > add text or 3D rotation with auto-spin and flatten > tune foreground, background, and accent colors or pick from palettes > post-processing effects layered on top > export as PNG, WebM, MP4, or embed HTML to drop on a site > save presets to reuse your favorite looks resolution presets go up to 1920x1080 for landscape and 1080x1920 for portrait, plus custom sizes. most generative art tools online are single-style gimmicks. this is a full-blown animation studio for one specific aesthetic, and it looks like a real product. link in replies 👇

THIS FREE BROWSER TOOL LETS YOU BUILD REAL-TIME DITHER ANIMATIONS AND EXPORT THEM AS VIDEO dither is everywhere right now (Spotify, websites, album covers) but every tool for making it is either a Photoshop plugin or some after effects rabbit hole. this one runs in your browser and gives you full control over the motion. what you can do: > choose from Bayer 4x4, 8x8, halftone, blue noise, crosshatch, diamond, spiral, and ASCII patterns > animate with speed, intensity, scale, and FPS controls > add text or 3D rotation with auto-spin and flatten > tune foreground, background, and accent colors or pick from palettes > post-processing effects layered on top > export as PNG, WebM, MP4, or embed HTML to drop on a site > save presets to reuse your favorite looks resolution presets go up to 1920x1080 for landscape and 1080x1920 for portrait, plus custom sizes. most generative art tools online are single-style gimmicks. this is a full-blown animation studio for one specific aesthetic, and it looks like a real product. link in replies 👇

Creators Toolbox

28,982 görüntüleme • 4 ay önce

Look at how American children live! I filmed this on my way home from New York City after attending the World Falun Dafa Day parade a few days ago. I happened to get stuck behind a school bus, which kept stopping and delayed me quite a bit — but it also gave me a chance to closely observe the happy lives of these children. As you can see, the school bus drops each child off right at their home. Sometimes two houses are only five or ten meters apart, yet the bus still stops separately for each family. It doesn’t try to save time by dropping the children somewhere in between and making them walk home on their own. Around the 10-second mark in the video, you can see a small child get off the bus and cross the street to go home. That’s why in the United States, whenever a school bus stops, not only must all the cars behind it stop, but even the cars coming from the opposite direction must stop as well — all to ensure children can cross the road safely. I filmed both of these clips from inside my car. I was quite amazed that day, but I hadn’t had time to share them until now. Today I finally wanted to show everyone. This is what a society built for people looks like! And compare American children's lives with those of Chinese children! A follower of my Chinese language account 曾錚 says that a lot of Chinese middle and high-school students are just like prisoners, and their parents are only allowed to visit them at school once a month!

Look at how American children live! I filmed this on my way home from New York City after attending the World Falun Dafa Day parade a few days ago. I happened to get stuck behind a school bus, which kept stopping and delayed me quite a bit — but it also gave me a chance to closely observe the happy lives of these children. As you can see, the school bus drops each child off right at their home. Sometimes two houses are only five or ten meters apart, yet the bus still stops separately for each family. It doesn’t try to save time by dropping the children somewhere in between and making them walk home on their own. Around the 10-second mark in the video, you can see a small child get off the bus and cross the street to go home. That’s why in the United States, whenever a school bus stops, not only must all the cars behind it stop, but even the cars coming from the opposite direction must stop as well — all to ensure children can cross the road safely. I filmed both of these clips from inside my car. I was quite amazed that day, but I hadn’t had time to share them until now. Today I finally wanted to show everyone. This is what a society built for people looks like! And compare American children's lives with those of Chinese children! A follower of my Chinese language account 曾錚 says that a lot of Chinese middle and high-school students are just like prisoners, and their parents are only allowed to visit them at school once a month!

Inconvenient Truths — Jennifer Zeng Reports

17,740 görüntüleme • 2 ay önce

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:

eris ⁷

40,703 görüntüleme • 3 ay önce

this effect is all over tiktok right now and nobody's explaining how to actually do it properly... the 3d balloon character thing. where someone turns into a shiny inflatable version of themselves that still moves and talks. looks pretty smooth in feeds. the workflow is stupid simple once you see it. step 1: take any photo. drop it into an image gen tool (nano banana pro). prompt it with something like "make the person in the photo a plastic blow up balloon character with a shiny surface. keep the face details as 3d balloon details including the person in the background. don't change background" that's it for the image. don't overcomplicate the prompt. shorter = more consistent results. (learned this after wasting like 2 hours trying to get "perfect" prompts that kept giving me garbage) step 2: take that balloon image + your original video and drop both into kling motion control. prompt: "turn the motion and detailed mouth movement of the video to the setting of the image" that's literally it. kling maps the motion from the real video onto the balloon character. mouth moves. head turns. expressions transfer. the whole thing renders in a few minutes. the result looks like a $500 custom animation and costs you maybe $0.30 in kling credits. people are getting 500k+ views with these because the scroll-stop factor is insane. nobody expects to see a shiny inflatable version of someone giving a real speech or doing a product review. the play here is obvious btw. run this for client content (mix with the hook and real body, check the results yourself) or use it on your own faceless channels as a hook pattern before the algo catches up...

this effect is all over tiktok right now and nobody's explaining how to actually do it properly... the 3d balloon character thing. where someone turns into a shiny inflatable version of themselves that still moves and talks. looks pretty smooth in feeds. the workflow is stupid simple once you see it. step 1: take any photo. drop it into an image gen tool (nano banana pro). prompt it with something like "make the person in the photo a plastic blow up balloon character with a shiny surface. keep the face details as 3d balloon details including the person in the background. don't change background" that's it for the image. don't overcomplicate the prompt. shorter = more consistent results. (learned this after wasting like 2 hours trying to get "perfect" prompts that kept giving me garbage) step 2: take that balloon image + your original video and drop both into kling motion control. prompt: "turn the motion and detailed mouth movement of the video to the setting of the image" that's literally it. kling maps the motion from the real video onto the balloon character. mouth moves. head turns. expressions transfer. the whole thing renders in a few minutes. the result looks like a $500 custom animation and costs you maybe $0.30 in kling credits. people are getting 500k+ views with these because the scroll-stop factor is insane. nobody expects to see a shiny inflatable version of someone giving a real speech or doing a product review. the play here is obvious btw. run this for client content (mix with the hook and real body, check the results yourself) or use it on your own faceless channels as a hook pattern before the algo catches up...

KNOX

25,773 görüntüleme • 6 ay önce

look what a single consumer GPU just built. gave Qwen3.5-35B-A3B one prompt: build a cloud GPU marketplace with pricing cards, deploy templates, and a benchmark leaderboard. it planned the layout, wrote the animations, populated the data, and served it. one shot. one HTML file. then i told it to iterate. split the hero, add a floating GPU with neural network animation. glassmorphism on the cards. done. done. done. three rounds, no confusion, no regressions. 4-bit quantized. 19.7 GB. single RTX 3090. full coding agent claude code harness running on localhost. no API calls leaving my machine. no subscription. no rate limits. earlier today i pointed it at my own production website. it curled the HTML, found every broken link, and told me "pretty shell, empty core. would not recommend." then built a better version from scratch. local inference stops being a demo when you actually steer it. the models are there. they understand intent. but you have to meet them halfway with good prompts, clear context, and real project structure. that's the skill gap now. not the models. the steering. more experiments coming. i genuinely cannot stop playing with this thing.

look what a single consumer GPU just built. gave Qwen3.5-35B-A3B one prompt: build a cloud GPU marketplace with pricing cards, deploy templates, and a benchmark leaderboard. it planned the layout, wrote the animations, populated the data, and served it. one shot. one HTML file. then i told it to iterate. split the hero, add a floating GPU with neural network animation. glassmorphism on the cards. done. done. done. three rounds, no confusion, no regressions. 4-bit quantized. 19.7 GB. single RTX 3090. full coding agent claude code harness running on localhost. no API calls leaving my machine. no subscription. no rate limits. earlier today i pointed it at my own production website. it curled the HTML, found every broken link, and told me "pretty shell, empty core. would not recommend." then built a better version from scratch. local inference stops being a demo when you actually steer it. the models are there. they understand intent. but you have to meet them halfway with good prompts, clear context, and real project structure. that's the skill gap now. not the models. the steering. more experiments coming. i genuinely cannot stop playing with this thing.

Sudo su

37,201 görüntüleme • 5 ay önce

Day 23 of how I vibe code my game engine in Cursor: Unit Sprites Like I mentioned in my buildings post: units hit the same wall once the animation steps outside the sprite’s inner silhouette. That’s where the pain starts: pixel bleeding, halos, and PBR maps becoming impossible to mask properly because they must follow the whole sprite. I almost gave in and embraced the demon lords: 3D → 2.5D. But then I had an idea: What if every PBR map (normal/emission/etc) could inherit the exact same animation as the diffuse sprite? If the motion matches 1:1, we get the full 2.5D look without breaking the animation, and we can run it at whatever framerate we want. So I built a prototype and… it actually works. (check the vid) Pretty neat, right? Next step: streamline it in-engine and scale it to all 6 hex movement directions without turning it into a manual nightmare. Also investigating the remaining white aura issue — I might regenerate diffuse + normal + emission in a 2×3 grid on both white + black backgrounds and extract cleaner alpha. After that: compositing layered units (ex: tank + turret). More pain ahead. But it’s the fun kind!

Day 23 of how I vibe code my game engine in Cursor: Unit Sprites Like I mentioned in my buildings post: units hit the same wall once the animation steps outside the sprite’s inner silhouette. That’s where the pain starts: pixel bleeding, halos, and PBR maps becoming impossible to mask properly because they must follow the whole sprite. I almost gave in and embraced the demon lords: 3D → 2.5D. But then I had an idea: What if every PBR map (normal/emission/etc) could inherit the exact same animation as the diffuse sprite? If the motion matches 1:1, we get the full 2.5D look without breaking the animation, and we can run it at whatever framerate we want. So I built a prototype and… it actually works. (check the vid) Pretty neat, right? Next step: streamline it in-engine and scale it to all 6 hex movement directions without turning it into a manual nightmare. Also investigating the remaining white aura issue — I might regenerate diffuse + normal + emission in a 2×3 grid on both white + black backgrounds and extract cleaner alpha. After that: compositing layered units (ex: tank + turret). More pain ahead. But it’s the fun kind!

Startracker 🔺

121,234 görüntüleme • 7 ay önce

The new argument they’re trying to push about Suwayda, the mountainous extension of the highly fertile Hawran region, is that it is supposedly an entirely barren area with no viable agriculture whatsoever. It is an amusing claim, considering that (1) much of the region’s population historically depended on agriculture (and many still do, despite declining rainfall in recent years having severely affected local farmers), and (2) large parts of the region look like what you see in the video below. Then I suddenly remembered that one of the first complaints surrounding the impasse between the new authorities in Damascus and the local authorities in Suwayda, well before the massacres, came from local farmers demanding a resolution so they could resume exporting their produce outside the province. I looked into it further and came across this report by Sham TV from February 2025: apparently, farmers in Suwayda were complaining that they had 17,000 tons (yes, you read that correctly!) of apples stored in cold storage facilities, with no clear way to sell or export them because of the ongoing impasse. So much for an entirely barren region, after all… 🤦‍♂️ P.S. There are many reasons why a landlocked region with a relatively small population like Suwayda may not be viable as an independent state. The absence of viable agriculture is simply not one of them.

The new argument they’re trying to push about Suwayda, the mountainous extension of the highly fertile Hawran region, is that it is supposedly an entirely barren area with no viable agriculture whatsoever. It is an amusing claim, considering that (1) much of the region’s population historically depended on agriculture (and many still do, despite declining rainfall in recent years having severely affected local farmers), and (2) large parts of the region look like what you see in the video below. Then I suddenly remembered that one of the first complaints surrounding the impasse between the new authorities in Damascus and the local authorities in Suwayda, well before the massacres, came from local farmers demanding a resolution so they could resume exporting their produce outside the province. I looked into it further and came across this report by Sham TV from February 2025: apparently, farmers in Suwayda were complaining that they had 17,000 tons (yes, you read that correctly!) of apples stored in cold storage facilities, with no clear way to sell or export them because of the ongoing impasse. So much for an entirely barren region, after all… 🤦‍♂️ P.S. There are many reasons why a landlocked region with a relatively small population like Suwayda may not be viable as an independent state. The absence of viable agriculture is simply not one of them.

T. 📚☕️

12,523 görüntüleme • 1 ay önce

🚨Don’t stop talking about Iran. New footage just came out from Kermanshah showing what really happened on January 8. You can hear it clearly. Non stop gunfire. It does not pause. It does not slow down. It sounds like a battlefield because it was a battlefield. The regime was at war with its own people. Forces of the Islamic Republic were firing relentlessly into the streets. Not warning shots. Not crowd control. Just constant shooting at civilians. And here is what the world needs to understand. In just two days the Islamic Republic slaughtered more than forty thousand Iranians. Forty thousand human beings in forty eight hours. This is not unrest. This is not clashes. This is mass killing. If you are outside Iran and still think this is just politics, wake up. A regime that opens fire like this and massacres tens of thousands in two days is not a normal government. It is a killing machine. Do not look away. Silence is exactly what they want.

🚨Don’t stop talking about Iran. New footage just came out from Kermanshah showing what really happened on January 8. You can hear it clearly. Non stop gunfire. It does not pause. It does not slow down. It sounds like a battlefield because it was a battlefield. The regime was at war with its own people. Forces of the Islamic Republic were firing relentlessly into the streets. Not warning shots. Not crowd control. Just constant shooting at civilians. And here is what the world needs to understand. In just two days the Islamic Republic slaughtered more than forty thousand Iranians. Forty thousand human beings in forty eight hours. This is not unrest. This is not clashes. This is mass killing. If you are outside Iran and still think this is just politics, wake up. A regime that opens fire like this and massacres tens of thousands in two days is not a normal government. It is a killing machine. Do not look away. Silence is exactly what they want.

✡︎𝐋𝐢𝐯𝐞𝐈𝐫𝐚𝐧𝐍𝐞𝐰𝐬🇮🇷🇮🇱

19,038 görüntüleme • 5 ay önce

Proud of myself... after almost 4 years of building and struggling to write a pitch deck I am happy with... I just got this feedback on our updated xSPECTAR ™ deck from two legendary industry experts with a long track record: "This is one of the most mature, visionary, and GTM-grounded pitch decks we’ve seen in immersive infrastructure. It doesn’t just pitch a product, it reframes the category." Then came this: "xSPECTAR isn’t positioned as metaverse play. It’s enterprise-grade 3D infrastructure, potentially solving the ownership + compliance + fidelity trifecta. You could do to Unreal Engine what AWS did to server racks." And the mic-drop: "They rent reach. You sell sovereignty." That’s the line every VC needs to hear. Later, one of them said: "The framework is fire: -Ovitz lens: Brand ownership that unbundles the 3D studio model -Thiel lens: UE5 + compliance isn’t a feature. It’s a monopoly wedge -Balaji lens: Certified agent network = decentralized GTM sovereignty -Hanania lens: You actually understand institutional buyers + friction" Humbled by this feedback, after bootstrapping through years of hard work, countless late nights, endless days and even more deck iterations, it feels surreal... Time to scale.... Time to go 🧬 Sending out 🔜 Bessemer Sapphire Ventures Battery Ventures a16z BITKRAFT Ventures Accel Index Ventures Atomico Griffin Gaming Partners Makers Fund Play Ventures Ninepoint Partners 1kx Cherry Ventures Earlybird La Famiglia Fabric Delphi Digital #Hashed Sfermion Shima Capital Mechanism Capital Chris Dixon Index Ventures Mike Maples, Jr Lightspeed Mythos Hiro Capital White Star Capital Arrington Capital Malika Cantor Gabby Dizon | YGG BORED david phelps Boardy Gagan Biyani 🏛 Jason Yeh Brendan Gahan Eric Jorgenson 📚 ☀️ Elad Gil Paul Graham Packy McCormick #startup #founders #immersive #UnrealEngine #infra #brandtech

DS 🪝🧬🟧🟦🍌🦍🧪

37,537 görüntüleme • 7 ay önce

THE FALL OF THE FORTRESS 💥 where war ends and a new king rises from the ashes of silence. I generate this through Seedance 2.0 on Yapper Prompt : “THE FALL OF THE FORTRESS” — 15s Ultra-Cinematic Hollywood AI Video Prompt Style: Hyper-realistic Hollywood action • IMAX scale • Unreal Engine 5 quality • cinematic VFX • realistic physics • ultra-detailed facial animation • volumetric smoke • dynamic lighting • smooth motion control • practical explosions mixed with CGI • grounded realism • no cartoon feeling • intense cinematic sound design --- 0:00 – 0:03 | THE ARRIVAL Extreme wide aerial shot above a gigantic ancient stone fortress built on a mountain cliff during a stormy sunset. Massive black military helicopters emerge from thick clouds while searchlights cut through the rain and smoke. The main hero stands at the open helicopter door wearing a dark tactical royal armor mixed with modern military gear — long black coat flowing violently in the wind, metallic shoulder armor, glowing insignia on chest, battle scars on face. Camera: cinematic drone orbit + stabilized helicopter tracking shot. Atmosphere: realistic wind physics, rotor wash moving dust and flags naturally, thunder flashes illuminating the fort. Audio: deep cinematic braams, helicopter blades, distant explosions. --- 0:03 – 0:07 | THE ATTACK The helicopters begin aggressive tactical assault on the fortress walls. Heavy machine guns fire realistic tracer rounds toward enemy towers while explosions erupt across stone barricades. The hero jumps from the helicopter using a tactical rope while explosions burst behind him in slow motion. Enemy soldiers fire desperately but the hero walks forward fearlessly through smoke and sparks. Camera transitions: slow-motion close-up of bullet casings falling handheld battlefield tracking shots cinematic whip-pans during explosions realistic motion blur and debris simulation VFX: ultra-realistic fire, smoke simulation, particle destruction, cinematic sparks, physically accurate lighting reflections on armor. --- 0:07 – 0:10 | THE SURRENDER The hero lands inside the fort courtyard. Enemy soldiers slowly stop firing. One by one, they kneel and throw down their weapons. Rain falls softly through burning smoke while the hero walks through the defeated army with absolute dominance. His boots echo on wet stone ground. Camera: low-angle hero shot with subtle shake for realism. Lighting: orange fire glow mixed with cold blue storm light creating dramatic contrast. Facial animation must feel emotionally real and photorealistic. --- 0:10 – 0:15 | THE NEW KING Massive throne room inside the fortress. Ancient royal hall with burning torches, shattered banners, cinematic dust particles floating through light beams. The hero slowly sits on the gigantic king’s throne. A royal crown is placed on his head while defeated enemies bow before him. Silence fills the hall. Extreme cinematic close-up on his eyes. Camera slowly pushes inward. He says in a deep powerful voice: “A new era begins from here.” Final shot: The throne hall darkens while golden light rises behind him like a rebirth. His cape moves slowly in the wind as the camera pulls back to reveal the conquered kingdom. --- Cinematic Technical Details Unreal Engine 5 photorealism IMAX cinematic framing realistic skin texture and micro-expressions perfect lip-sync smooth cinematic motion control practical war cinematography volumetric fog and smoke ray-traced lighting and reflections Hollywood-grade color grading physically accurate explosions and destruction zero fake animation feeling realistic crowd behavior and enemy reactions ultra-detailed environmental destruction epic Hans Zimmer–style cinematic soundtrack 24fps cinematic motion with natural shutter blur seamless transitions between scenes emotional realism + blockbuster scale

THE FALL OF THE FORTRESS 💥 where war ends and a new king rises from the ashes of silence. I generate this through Seedance 2.0 on Yapper Prompt : “THE FALL OF THE FORTRESS” — 15s Ultra-Cinematic Hollywood AI Video Prompt Style: Hyper-realistic Hollywood action • IMAX scale • Unreal Engine 5 quality • cinematic VFX • realistic physics • ultra-detailed facial animation • volumetric smoke • dynamic lighting • smooth motion control • practical explosions mixed with CGI • grounded realism • no cartoon feeling • intense cinematic sound design --- 0:00 – 0:03 | THE ARRIVAL Extreme wide aerial shot above a gigantic ancient stone fortress built on a mountain cliff during a stormy sunset. Massive black military helicopters emerge from thick clouds while searchlights cut through the rain and smoke. The main hero stands at the open helicopter door wearing a dark tactical royal armor mixed with modern military gear — long black coat flowing violently in the wind, metallic shoulder armor, glowing insignia on chest, battle scars on face. Camera: cinematic drone orbit + stabilized helicopter tracking shot. Atmosphere: realistic wind physics, rotor wash moving dust and flags naturally, thunder flashes illuminating the fort. Audio: deep cinematic braams, helicopter blades, distant explosions. --- 0:03 – 0:07 | THE ATTACK The helicopters begin aggressive tactical assault on the fortress walls. Heavy machine guns fire realistic tracer rounds toward enemy towers while explosions erupt across stone barricades. The hero jumps from the helicopter using a tactical rope while explosions burst behind him in slow motion. Enemy soldiers fire desperately but the hero walks forward fearlessly through smoke and sparks. Camera transitions: slow-motion close-up of bullet casings falling handheld battlefield tracking shots cinematic whip-pans during explosions realistic motion blur and debris simulation VFX: ultra-realistic fire, smoke simulation, particle destruction, cinematic sparks, physically accurate lighting reflections on armor. --- 0:07 – 0:10 | THE SURRENDER The hero lands inside the fort courtyard. Enemy soldiers slowly stop firing. One by one, they kneel and throw down their weapons. Rain falls softly through burning smoke while the hero walks through the defeated army with absolute dominance. His boots echo on wet stone ground. Camera: low-angle hero shot with subtle shake for realism. Lighting: orange fire glow mixed with cold blue storm light creating dramatic contrast. Facial animation must feel emotionally real and photorealistic. --- 0:10 – 0:15 | THE NEW KING Massive throne room inside the fortress. Ancient royal hall with burning torches, shattered banners, cinematic dust particles floating through light beams. The hero slowly sits on the gigantic king’s throne. A royal crown is placed on his head while defeated enemies bow before him. Silence fills the hall. Extreme cinematic close-up on his eyes. Camera slowly pushes inward. He says in a deep powerful voice: “A new era begins from here.” Final shot: The throne hall darkens while golden light rises behind him like a rebirth. His cape moves slowly in the wind as the camera pulls back to reveal the conquered kingdom. --- Cinematic Technical Details Unreal Engine 5 photorealism IMAX cinematic framing realistic skin texture and micro-expressions perfect lip-sync smooth cinematic motion control practical war cinematography volumetric fog and smoke ray-traced lighting and reflections Hollywood-grade color grading physically accurate explosions and destruction zero fake animation feeling realistic crowd behavior and enemy reactions ultra-detailed environmental destruction epic Hans Zimmer–style cinematic soundtrack 24fps cinematic motion with natural shutter blur seamless transitions between scenes emotional realism + blockbuster scale

Ai Arainz

13,777 görüntüleme • 3 ay önce

A king once cursed his mountain so that no human eye would ever see his roses again, neither by day nor by night. He forgot about the twilight... The Ladin people of the Dolomites have told this story for centuries: King Laurin ruled a hidden kingdom and kept a garden of red roses famous across the mountains. When his enemies came for him he put on a cap that made him invisible, but as he moved the roses swayed and gave away his position, and he was taken. Betrayed by his own garden, he laid a curse on it: never again, by day or by night, would anyone look upon it. But he did not think of dawn and dusk. The mountain in that story is the Catinaccio, further south. Its German name is Rosengarten. Rose garden. But the colour comes to all of them, including the peaks in this video. These are the Odle, standing over Val di Funes. Odles is Ladin for needles, which is exactly what they look like. These peaks are made of dolomite, a rock of calcium and magnesium carbonate. When the sun sits low, its light travels through far more atmosphere and loses the cool wavelengths, and the pale rock takes the warm ones and throws them back: pink, then red, then violet, then gone. The Ladin word for it is enrosadira, which means turning pink.

A king once cursed his mountain so that no human eye would ever see his roses again, neither by day nor by night. He forgot about the twilight... The Ladin people of the Dolomites have told this story for centuries: King Laurin ruled a hidden kingdom and kept a garden of red roses famous across the mountains. When his enemies came for him he put on a cap that made him invisible, but as he moved the roses swayed and gave away his position, and he was taken. Betrayed by his own garden, he laid a curse on it: never again, by day or by night, would anyone look upon it. But he did not think of dawn and dusk. The mountain in that story is the Catinaccio, further south. Its German name is Rosengarten. Rose garden. But the colour comes to all of them, including the peaks in this video. These are the Odle, standing over Val di Funes. Odles is Ladin for needles, which is exactly what they look like. These peaks are made of dolomite, a rock of calcium and magnesium carbonate. When the sun sits low, its light travels through far more atmosphere and loses the cool wavelengths, and the pale rock takes the warm ones and throws them back: pink, then red, then violet, then gone. The Ladin word for it is enrosadira, which means turning pink.

James Lucas

82,849 görüntüleme • 1 ay önce

Yesterday I was moving into a new apartment, and I had some help from a couple of guys who do moving work. I first noticed something when I went to pick them up at Home Depot. While talking to the older man, he received a call and answered, “Yes, commander, I’ll call you back.” I ignored it at first. Fast forward to when we got home and started loading and moving stuff. Another call came in from the same “commander,” this time on speaker. The moment I heard the voice, I knew something was wrong, and the man didn’t realize it. On the phone, they were asking him for $2,000, saying the girl he was supposed to marry next week was sick and needed money for treatment, even though she’s supposedly a military nurse according to her profile. I signaled him and muted the call. I told him to ask for the commander’s name, and he did. The guy said his name was “Marthin” and then “Martinez” 😂. I took the phone and said something, and the scammer immediately hung up when he heard my accent. A few minutes later, he called again, asking why the man had handed the phone to someone else and claiming it was against their “security rules.” I took the phone again and cursed him out. I told the man to block them, which he did. Then he showed me many more messages he’d been receiving. The man was already far gone into the scam. I’m glad I was able to stop him from being scammed. These people really work hard for their money, really hard. I told him it’s better to get a new phone line.

13.14 Shoot Your Gun 🫧

670,408 görüntüleme • 9 ay önce

🤣🤣🤣They came up with the "improving" narrative as an excuse to why she wasn't getting movie projects and would use that as an excuse after every single project. Charlotte said, hold my beer and gave a performance so exceptional, it made their excuses sound more stupid than it has always been. Imagine trying to claim that "lack experience" was why she wasn't getting any roles🤣🤣🤣 One thing they always seem to forget, is that Charlotte has had 5 years experience in acting. Although she was boycotted from having solo projects, she didn't fail to show her skills in those duo movies; SML 2022 MRLT 2023 Love Bully 2024 Petrichor 2024 Unconditional love 2025 Clairebell (guest) 2026 The Water series 2026 She has had 5 years of experience, playing DIFFERENT roles... Let's emphasis on that fact. All her roles have been different and she has never failed to perfect each of those roles and for 5 years MGI have been reusing the same lame excuses. They hate that she doesn't like to milk her fans and don't want them wasting money repeatedly by buying. I remember her wanting to do jobs where the fans wouldn't have to use money and that doesn't align with his plans because she's supposed to remain one of his best sellers, after all.

🤣🤣🤣They came up with the "improving" narrative as an excuse to why she wasn't getting movie projects and would use that as an excuse after every single project. Charlotte said, hold my beer and gave a performance so exceptional, it made their excuses sound more stupid than it has always been. Imagine trying to claim that "lack experience" was why she wasn't getting any roles🤣🤣🤣 One thing they always seem to forget, is that Charlotte has had 5 years experience in acting. Although she was boycotted from having solo projects, she didn't fail to show her skills in those duo movies; SML 2022 MRLT 2023 Love Bully 2024 Petrichor 2024 Unconditional love 2025 Clairebell (guest) 2026 The Water series 2026 She has had 5 years of experience, playing DIFFERENT roles... Let's emphasis on that fact. All her roles have been different and she has never failed to perfect each of those roles and for 5 years MGI have been reusing the same lame excuses. They hate that she doesn't like to milk her fans and don't want them wasting money repeatedly by buying. I remember her wanting to do jobs where the fans wouldn't have to use money and that doesn't align with his plans because she's supposed to remain one of his best sellers, after all.

Mr Jiggle Mc-butt

50,530 görüntüleme • 4 ay önce