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40 pc nugget. Small fry, 8 dipping sauces , large coke

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919,329 views • 7 months ago •via X (Twitter)

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We’ve had a $7500 rental quote turn into an $18,000 invoice. 5 day rental of a Fecon FTX 150 was quoted at $7500. We run the machine for a week and clear about 4 acres. Yuck, definitely not worth the $7500 price. We’re on a large job charging $2k per acre. We thought this machine could do 3 acres a day. It cannot, so we return it knowing we just took a small loss on the rental. Invoice comes… $18k. What!? They charged $1200 for drop off and another $1200 for pick up. Never mentioned that. They tell us “oh your limit was 40 hours, you put 73 hours on it”. Didn’t say a word about it. Also, another $1100 for a small dent. It’s a forestry machine. It had dents on it when it arrived. (Good thing I record everything in 4k) None of this was ever mentioned by the rental rep. $18k to clear 4 acres is a non viable rental product. Just the rental price alone is far beyond the highest prices anyone charges. I’ll never rent anything from CompanyWrench ever again. Terrible service, terrible policies, and the 36 acre job is now a complete loss. Live and learn. Renting is very risky and they’ll invoice 2x to 3x what your quote was.

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You don’t need hours in the gym to transform your health. Your cells don’t care about clock time — they respond to intense stimuli. A powerful new study shows that just 30 minutes of high-intensity activity per week can slash your risk of lifestyle diseases and premature death by 40–50%. That’s roughly 4 minutes a day! These short bursts drive peak oxygen uptake, trigger new brain cell formation, and stabilize blood sugar for up to 48 hours. If you have time to scroll, you have time to save your life. Your Action Step Today: Start with a simple 4-minute Tabata: 20 seconds all-out effort (jump squats, fast stairs, or brisk cycling), 10 seconds rest. Repeat 8 times. Push hard enough that you can’t sing. (check with your doctor first) Small, consistent steps create real power. Reference: Just Minutes of Intense Exercise Could Slash Disease Risk by 50%. SciTechDaily. Published May 29, 2026. Accessed June 2, 2026. #HIITWorkout #QuickWorkout #MicroWorkout ‌

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🚨 NOBODY TAKES THIS SERIOUSLY UNTIL IT’S TOO LATE Everyone remembers COVID crash. At first, nobody took COVID seriously. Then within weeks, the entire world shut down. Now investors are watching another virus story closely: Hantavirus. And the reason is simple: THE FATALITY RATE. COVID changed the world with roughly a 1% fatality rate. Some hantavirus strains have reported numbers closer to 40%. 1% → global shutdowns. 40% → imagine the market reaction if panic starts spreading inside a major city. Travel and tourism would probably get hit first: → Airlines → Hotels → Cruise companies → Tourism ETFs like JETS and PEJ Investors still remember 2020. And this situation becomes even more dangerous because of the incubation period. In some cases, symptoms can take weeks to appear. Which means people could already be: → Traveling → Flying → Working → Moving across countries before the scale becomes fully visible. That’s where fear enters the market. And once fear appears, investors immediately start pricing in worst-case scenarios. What happens if workers stop showing up? → Factories → Ports → Logistics centers → Transportation networks Supply chains freeze. Then the issue is no longer inflation. The issue becomes: → Shortages → Delayed deliveries → Slowing global trade And unlike COVID, there’s still major uncertainty around vaccines and large-scale treatment options for hantavirus outbreaks. That uncertainty alone can create massive volatility. Because when confidence disappears, money rotates fast: → Cash → Gold → Defensive sectors Risk gets sold first. → Tech → Small caps → Crypto Most people think crashes begin with charts. In reality, they begin with fear. That’s why I’m watching this situation very closely right now. When the next move becomes clear, I’ll post it here first. Follow and turn notifications on..

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Using GPT Image 2 as reference and Seedance Prompt : 15-Second Coca-Cola Commercial Storyboard Scene 1 (0–1s) Extreme macro shot of an ice-cold Coca-Cola glass bottle covered in condensation. A hand twists the cap open. Crisp fizz explosion, sparkling droplets flying through golden sunlight. Cinematic slow motion, shallow depth of field. Scene 2 (1–2s) Close-up of the Coca-Cola logo on the bottle. Water droplets glisten as sunlight reflects across the label. Tiny bubbles rise inside the bottle. Smooth push-in camera movement. Scene 3 (2–4s) Golden-hour rooftop party overlooking a city skyline. Diverse group of friends laugh, raise Coca-Cola bottles, and toast together. Warm sunlight, cinematic lens flares, energetic atmosphere. Scene 4 (4–5s) Slow-motion bottle clink. Coca-Cola splashes dramatically through the air. Macro droplets frozen in motion. Premium commercial look. Scene 5 (5–6s) Young skateboarder in a sunny urban park grabs a Coca-Cola from a cooler and takes a refreshing sip. Dynamic tracking shot. Scene 6 (6–7s) Happy family enjoying a beach picnic at sunset. They share a large Coca-Cola bottle while laughing together. Warm, emotional storytelling. Scene 7 (7–8s) Modern office team celebrates success. Coworkers cheer, high-five, and raise Coca-Cola cans. Bright natural lighting. Scene 8 (8–9s) Young couple on a tropical beach watching the sunset. They smile and sip Coca-Cola while waves roll behind them. Scene 9 (9–10s) Hero shot. Beautiful young woman holds a Coca-Cola bottle toward the camera with a confident smile. Golden sunlight creates a glowing rim light. Scene 10 (10–12s) 360-degree orbit around the woman as she takes a slow refreshing sip. Cooling mist, sparkling bubbles, and soft sunlight rays. Elegant text appears: "Taste the Feeling". Scene 11 (12–14s) Product beauty shot. Coca-Cola contour bottle rotates slowly against a rich red background. Floating ice cubes, rising bubbles, sparkling highlights. Scene 12 (14–15s) Final brand frame. Large Coca-Cola logo appears with subtle sparkle effects. Taglines fade in: "Open Happiness" and "Share a Coke". Premium commercial finish, uplifting music reaches its peak. Style: Ultra-realistic, photorealistic, 4K, 60fps, high-budget global advertising campaign, vibrant red-and-white branding, golden-hour lighting, dynamic camera movement, cinematic depth of field, realistic condensation, fizzy bubbles, premium color grading, masterpiece commercial quality.

Smiling Khan

12,198 views • 4 months ago

THAT $70 "RUN YOUR OWN LLMS" PI KIT CAN'T RUN A SINGLE LLM. IT'S A VISION CHIP WITH NO RAM. that clip sells a raspberry pi 5 in a slick case with an ai accelerator and the caption "your own llms." clean build, fun kit. the claim is where it breaks. the fine print: the popular $70 pi ai kit uses a hailo-8l, 13 tops. it's built for vision, object detection and image processing, and it has no memory of its own. so it cannot run large language models. full stop the board that actually can is a different one: the newer ai hat+ 2, hailo-10h, 40 tops, with 8gb of dedicated ram. that's $130, not $70 and even that runs only tiny models. llama 3.2 at 1b, qwen 2.5 at 1.5b, deepseek r1 at 1.5b. edge llms live in the 1-7b range, against cloud models at 500b to 2 trillion so the honest pitch: for $130 you can run a very small language model on a pi, slowly, as a fun learning project. that's real and it's cool. "your own llms" on a $70 vision kit is not. why this keeps happening: "ai kit" and a big "tops" number sell. tops sounds like intelligence. but tops measures vision-style math, not whether the chip has the memory to hold a language model. the spec that matters for llms is ram, and the cheap kit has none. the honest caveats, both ways: the $70 kit is genuinely great, just at vision. cameras, object detection, that's its job the $130 hat really does run small llms locally, which a pi couldn't do at all two years ago. that's progress "small" is the load-bearing word. don't expect gpt at home on a pi the takeaway: before you buy a kit because the caption says llm, check two numbers. not the tops. the ram, and the size of the model it can actually load. no 70-dollar miracle, no gpt in a pi case, no tops number that means what you think. save this before you buy the wrong kit for the word on the box.
0:17

THAT $70 "RUN YOUR OWN LLMS" PI KIT CAN'T RUN A SINGLE LLM. IT'S A VISION CHIP WITH NO RAM. that clip sells a raspberry pi 5 in a slick case with an ai accelerator and the caption "your own llms." clean build, fun kit. the claim is where it breaks. the fine print: the popular $70 pi ai kit uses a hailo-8l, 13 tops. it's built for vision, object detection and image processing, and it has no memory of its own. so it cannot run large language models. full stop the board that actually can is a different one: the newer ai hat+ 2, hailo-10h, 40 tops, with 8gb of dedicated ram. that's $130, not $70 and even that runs only tiny models. llama 3.2 at 1b, qwen 2.5 at 1.5b, deepseek r1 at 1.5b. edge llms live in the 1-7b range, against cloud models at 500b to 2 trillion so the honest pitch: for $130 you can run a very small language model on a pi, slowly, as a fun learning project. that's real and it's cool. "your own llms" on a $70 vision kit is not. why this keeps happening: "ai kit" and a big "tops" number sell. tops sounds like intelligence. but tops measures vision-style math, not whether the chip has the memory to hold a language model. the spec that matters for llms is ram, and the cheap kit has none. the honest caveats, both ways: the $70 kit is genuinely great, just at vision. cameras, object detection, that's its job the $130 hat really does run small llms locally, which a pi couldn't do at all two years ago. that's progress "small" is the load-bearing word. don't expect gpt at home on a pi the takeaway: before you buy a kit because the caption says llm, check two numbers. not the tops. the ram, and the size of the model it can actually load. no 70-dollar miracle, no gpt in a pi case, no tops number that means what you think. save this before you buy the wrong kit for the word on the box.

RetroChainer

11,100 views • 2 months ago

Facial reconstruction of a 4,000-year-old man from Bulanovo, Orenburg Bulanovo is a moundless site attributed to the Sintashta culture, though it also shows elements of Abashevo burial traditions. In burials 4 (the reconstructed specimen), 8, and 9, items of the Seima–Turbino type were discovered. The Bulanovo craniological series includes four male and three female skulls, along with one juvenile and two children. Its polymorphism was noted in a preliminary publication [Khokhlov, Kitov 2009d: 5–7]. The series comprises dolichocranic skulls (burials 5 and 6/1), mesocranic (burials 6/2, 11, 14), and brachycranic (burials 4, 8, 9). Some individuals show a well-profiled face in the horizontal plane and a moderately to strongly projecting nose (6/1, 6/2, 14), exhibiting a typical Caucasoid morphology. By contrast, the brachycranic skulls from burials 4, 8, and 9, those associated with Seima–Turbino artifacts, display a distinctive appearance. These, as well as the female skull from burial 11, have a noticeably reduced horizontal facial profile and less prominent nasal bones compared to the rest of the series. According to anthropologist Alexander Khokhlov, the male and female subsets of the series appear to show slightly different tendencies in variability: the male sample aligns more closely with northeastern forest-related complexes, while the female sample leans toward European steppe complexes. Skulls with moderately profiled or even flattened faces are not unusual in the Potapovka–Sintashta series. Some specimens, while fitting within the general Europoid range, exhibit specific traits and proportions that bring them closer to East Asian complexes. One example is the skull from burial 3, kurgan 5 of the Grachevka II cemetery (Samara region). This specimen is massive, dolichocranial, with a low vault, sloping and narrow forehead, pronounced naso-malar profiling, moderate zygomaxillary projection, low simotic height and index, and a moderately projecting nose. The nasal bones are roof-shaped, the supraorbital arches sit high above the orbits, and the mastoid processes are very small. This combination of traits cannot be considered fully Europoid and is likely of mixed origin, though identifying the precise Eurasian components is difficult. Notably, Seima-type imports were also found at Grachevka II. A similar pattern is observed in the skull from Skvortsovka (5/3/1) in the Cis-Urals, roughly contemporary with Sintashta, which likewise shows certain East Asian features. The skull from burial 4 resembles the sublaponoid cranial type. It has a small cranial length (175 mm), a very large cranial breadth (151 mm), a broad bizygomatic width of about 140 mm, and a very large mandibular width of 120 mm. This specimen also shows morphological similarities to the individual from the Rostovka burial. The Rostovka DNA demonstrates a highly diverse autosomal profiles, including individuals rich in ANE ancestry, Altai_N, some with Steppe_MLBA, and outliers with Yakutia_LNBA, likely reflecting the complex and heterogeneous nature of the Seima–Turbino metallurgical horizon.
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Facial reconstruction of a 4,000-year-old man from Bulanovo, Orenburg Bulanovo is a moundless site attributed to the Sintashta culture, though it also shows elements of Abashevo burial traditions. In burials 4 (the reconstructed specimen), 8, and 9, items of the Seima–Turbino type were discovered. The Bulanovo craniological series includes four male and three female skulls, along with one juvenile and two children. Its polymorphism was noted in a preliminary publication [Khokhlov, Kitov 2009d: 5–7]. The series comprises dolichocranic skulls (burials 5 and 6/1), mesocranic (burials 6/2, 11, 14), and brachycranic (burials 4, 8, 9). Some individuals show a well-profiled face in the horizontal plane and a moderately to strongly projecting nose (6/1, 6/2, 14), exhibiting a typical Caucasoid morphology. By contrast, the brachycranic skulls from burials 4, 8, and 9, those associated with Seima–Turbino artifacts, display a distinctive appearance. These, as well as the female skull from burial 11, have a noticeably reduced horizontal facial profile and less prominent nasal bones compared to the rest of the series. According to anthropologist Alexander Khokhlov, the male and female subsets of the series appear to show slightly different tendencies in variability: the male sample aligns more closely with northeastern forest-related complexes, while the female sample leans toward European steppe complexes. Skulls with moderately profiled or even flattened faces are not unusual in the Potapovka–Sintashta series. Some specimens, while fitting within the general Europoid range, exhibit specific traits and proportions that bring them closer to East Asian complexes. One example is the skull from burial 3, kurgan 5 of the Grachevka II cemetery (Samara region). This specimen is massive, dolichocranial, with a low vault, sloping and narrow forehead, pronounced naso-malar profiling, moderate zygomaxillary projection, low simotic height and index, and a moderately projecting nose. The nasal bones are roof-shaped, the supraorbital arches sit high above the orbits, and the mastoid processes are very small. This combination of traits cannot be considered fully Europoid and is likely of mixed origin, though identifying the precise Eurasian components is difficult. Notably, Seima-type imports were also found at Grachevka II. A similar pattern is observed in the skull from Skvortsovka (5/3/1) in the Cis-Urals, roughly contemporary with Sintashta, which likewise shows certain East Asian features. The skull from burial 4 resembles the sublaponoid cranial type. It has a small cranial length (175 mm), a very large cranial breadth (151 mm), a broad bizygomatic width of about 140 mm, and a very large mandibular width of 120 mm. This specimen also shows morphological similarities to the individual from the Rostovka burial. The Rostovka DNA demonstrates a highly diverse autosomal profiles, including individuals rich in ANE ancestry, Altai_N, some with Steppe_MLBA, and outliers with Yakutia_LNBA, likely reflecting the complex and heterogeneous nature of the Seima–Turbino metallurgical horizon.

Ancestral Whispers

33,500 views • 10 months ago

Seedance 2.0 on ImagineArt ======================== Prompt: CAMERA: Modern smartphone-style handheld selfie POV, first-person vlog. SEOYUN always holds the camera. Natural hand shake, imperfect framing, quick reframes, occasional face cropping. The camera device is never visible. LOOK: Clean modern digital video, sharp and vibrant, natural skin tones, bright even exposure. Full-frame image filling the entire screen edge to edge, standard flat rectangular frame. No black borders, no rounded corners, no letterboxing, no vignette, no lens distortion, no fisheye, no frame overlay, no retro or tape effect. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: SEOYUN, Korean female idol in her early 20s. Long straight jet-black hair with soft face-framing strands, dewy fair skin, large dark brown eyes, natural coral-pink lips, gentle sweet smile. Slim figure. Wearing a futuristic white K-pop stage outfit: an asymmetric white halter-neck crop top with one iridescent holographic sequin panel and a thin silver sparkly shoulder strap, a white pleated mini skirt with holographic sequin pleats and decorative silver zippers, a wide white belt with a large rhinestone buckle, long white gloves, white thigh-high boots, a delicate rhinestone choker necklace, and sparkly drop earrings. Stage glam makeup. SETTING: Backstage hallway of a music show studio with dressing room doors. One dressing room door has a clean printed name plate reading exactly "SEOYUN" in bold uppercase Latin letters. Snack table with an open bowl of small individual snacks, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "얘들아, 우리 지금 무대 뒤에 있어!" 2. Whip pan down the corridor. "이 복도 진짜 길다!" 3. Stops at her dressing room, points at the name plate that clearly reads "SEOYUN". "이거 나야!" 4. Close-up of the name plate, the text "SEOYUN" sharp and clearly legible in bold uppercase letters as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "나 오늘 어때?" 6. At the snack table, picks up one small snack piece from the bowl with her fingers and pops it into her mouth. "이건 못 참지." 7. Mid-bite, PA announcement interrupts. She laughs: "잠깐만—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "이제 무대 가야 돼—무대 끝나고 보자!" ======================== Made with #ImagineArt
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Seedance 2.0 on ImagineArt ======================== Prompt: CAMERA: Modern smartphone-style handheld selfie POV, first-person vlog. SEOYUN always holds the camera. Natural hand shake, imperfect framing, quick reframes, occasional face cropping. The camera device is never visible. LOOK: Clean modern digital video, sharp and vibrant, natural skin tones, bright even exposure. Full-frame image filling the entire screen edge to edge, standard flat rectangular frame. No black borders, no rounded corners, no letterboxing, no vignette, no lens distortion, no fisheye, no frame overlay, no retro or tape effect. STYLE: Bright, playful K-pop idol vlog. Genuine smiles, eye contact, candid energy, quick handheld shots with backstage excitement. CHARACTER: SEOYUN, Korean female idol in her early 20s. Long straight jet-black hair with soft face-framing strands, dewy fair skin, large dark brown eyes, natural coral-pink lips, gentle sweet smile. Slim figure. Wearing a futuristic white K-pop stage outfit: an asymmetric white halter-neck crop top with one iridescent holographic sequin panel and a thin silver sparkly shoulder strap, a white pleated mini skirt with holographic sequin pleats and decorative silver zippers, a wide white belt with a large rhinestone buckle, long white gloves, white thigh-high boots, a delicate rhinestone choker necklace, and sparkly drop earrings. Stage glam makeup. SETTING: Backstage hallway of a music show studio with dressing room doors. One dressing room door has a clean printed name plate reading exactly "SEOYUN" in bold uppercase Latin letters. Snack table with an open bowl of small individual snacks, overhead PA speaker, and blurred staff passing by. SEQUENCE: 1. Selfie: peeks into the hallway. "얘들아, 우리 지금 무대 뒤에 있어!" 2. Whip pan down the corridor. "이 복도 진짜 길다!" 3. Stops at her dressing room, points at the name plate that clearly reads "SEOYUN". "이거 나야!" 4. Close-up of the name plate, the text "SEOYUN" sharp and clearly legible in bold uppercase letters as she taps it. Ambient audio only. 5. Quick outfit check with a spin near a mirror. "나 오늘 어때?" 6. At the snack table, picks up one small snack piece from the bowl with her fingers and pops it into her mouth. "이건 못 참지." 7. Mid-bite, PA announcement interrupts. She laughs: "잠깐만—" 8. Selfie ending: hears the countdown, waves, makes a hand heart, then runs toward the stage. "이제 무대 가야 돼—무대 끝나고 보자!" ======================== Made with #ImagineArt

TSUBAKI

14,717 views • 2 months ago