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7. SPAGHETTI

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222,615 Aufrufe • vor 1 Jahr •via X (Twitter)

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Anya Rossi• Live Now

Private livecam show

38 Kommentare

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COWBOY CARTER TOUR SETLIST #CowboyCarterTour 1. AMERICAN REQUIEM

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2. BLACKBIRD

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3. THE NATIONAL ANTHEM X FREEDOM

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4. YA YA

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5. WHY DON’T YOU LOVE MASHUP W YAYA

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INTERLUDE

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6. AMERICA HAS A PROBLEM

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BLUE DANCING TO AHAP!!!!

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8. FORMATION

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9. MY HOUSE

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10. DIVA

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11. INTERLUDE

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12. ALLIGATOR TEARS

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13. JUST FOR FUN

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14. PROTECTOR W RUMI AND BLUE 😭

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15. FLAMENCO

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INTERLUDE

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16. DESERT EAGLE (couldn’t find videos i’m sorry) 17. RIVERDANCE

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18. II HANDS II HEAVEN

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19. SWEET HONEY BUCKIN

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20. PURE HONEY

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INTERLUDE

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21. JOLENE

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22. DADDY LESSONS

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23. BODYGUARD

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24. II MOST WANTED

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25. CUFF IT

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26. TYRANT ON A MECHANICAL BULL

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27. THIQUE

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28. LEVIS JEANS

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INTERLUDE

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29. DAUGHTER

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INTERLUDE

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30. I’M THAT GIRL

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31. COZY

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32. ALIEN SUPERSTAR

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DANCERS INTERLUDE

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DEJA VU W BLUE

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Bud Spencer (Carlo Pedersoli) e Terence Hill (Mario Girotti) non sono solo una coppia di attori: sono un fenomeno del cinema popolare che ha fatto impazzire l’Italia e mezzo mondo negli anni ’70. Insieme hanno girato 18 film, di cui 16 come protagonisti assoluti, passando dai western spaghetti alle commedie d’azione più divertenti della storia. Il loro segreto? Botte comiche, amicizia fraterna e un’alchimia perfetta che ha riempito le sale come pochi altri. I NUMERI DA RECORD IN ITALIA • Lo chiamavano Trinità… (1970) → 8.742.787 spettatori (vicecampione d’incassi della stagione con oltre 3 miliardi di lire). • …continuavano a chiamarlo Trinità (1971) → 14.554.172 spettatori (4° film italiano più visto di SEMPRE, campione assoluto 1971-72 con oltre 6 miliardi di lire). • …altrimenti ci arrabbiamo! (1974) → oltre 11.246.906 spettatori (maggior incasso dell’anno con circa 6,4 miliardi di lire). • Porgi l’altra guancia (1974) → 7.918.397 spettatori. In totale, 7 loro film entrano nella classifica dei 50 più visti nella storia del cinema italiano. Entro il 1975 la coppia aveva già incassato oltre 30 miliardi di lire solo in Italia (circa 50 milioni di dollari dell’epoca). Successo internazionale da urlo In Germania …continuavano a chiamarlo Trinità ha fatto 12.267.000 spettatori (7° film di sempre) e il duo ha totalizzato decine di milioni di ingressi. In Francia hanno superato i 30 milioni di biglietti e in Spagna i 26 milioni in pochi film. I loro titoli hanno conquistato anche America Latina, Asia e mezza Europa: ovunque arrivavano, le sale si riempivano. Milioni di persone in tutto il mondo hanno riso e tifato per “Bambino” e “Trinità”. I loro film non erano solo botte e risate: erano spettacolo popolare puro. Hanno battuto kolossal americani e italiani dell’epoca, hanno creato un genere (il “comedy-western” all’italiana) e sono ancora oggi cult in TV. Ricordate il record di audience? …continuavano a chiamarlo Trinità in prima serata ha sfiorato 15 milioni di telespettatori negli anni ’80! Bud e Terence hanno dimostrato che con umorismo, amicizia e un pugno ben assestato si può conquistare il mondo senza budget hollywoodiani. Oggi, a distanza di decenni, i loro film continuano a far ridere intere generazioni.

precipitevolissimevolmente

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잠미즈의 댄스 메들리🦈🦢🪩 #린 #지연 1. 린 - BANG BANG 00:00 2. 린 - 404 (New Era) 01:55 3. 린 - THAT'S A NO NO 07:38 4. 린 - TUNNEL VISION 11:02 5. 린 - 다시 만난 세계 18:50 (지연 등장🦢 19:27 ) 6. 린 X 지연 - FAKE LOVE 22:33 7. 린 X 지연 - THAT'S A NO NO 26:55 8. 린 X 지연 - White Soul Sneakers (스포?) 29:53 9. 린 X 지연 - SPAGHETTI 33:19 10. 린 - 헤비로테이션 (무반주) 34:26 11. 린 X 지연 - Black Mamba 35:33 12. 린 X 지연 - MY BAG 36:14 13. 린 X 지연 - like JENNIE x like Hayeon 39:19 14. 린 X 지연 - Illusion 38:55 15. 린 X 지연 - 손오공 43:52 16. 린 X 지연 - WA DA DA (와다다) 46:33 17. 린 X 지연 - LOVE DIVE 49:10 18. 린 X 지연 - ANTIFRAGILE 50:55 19. 지연 - Blue Flame (무반주) 52:25 18. 린 - BOSS 52:50 19. 린 X 지연 - Cameo Love 01:00:03

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There is a strategy for Claude Max users that will 3-5X productivity and vibe coding learning curve. Which most vibe coders don't utilize! Most people using Claude Code just sit and watch the terminal while their prompt cooks. That’s dead time. If you’re on Claude Max, you’re paying for parallel capacity you’re probably not using fully. And tokens get wasted. Here’s a methodology to fix that and boost the way you use Claude forever: The Setup & Workflow 1. Add the repos you’re actively working on to your workspace from your IDE 2. Click “new terminal” and open 3-4 terminal instances, each pointed at a different project 3. Toggle between them on the right side of your terminal panel 4. When one terminal is cooking a prompt, look at the others 5. Use the time Claude is working to prompt the next project 6. Continuously rotate and ship across 3-4 projects like this 7. Use your tokens effectively, build more, learn faster The Result You ship 3-4 projects simultaneously. You burn through your token allocation on actual output instead of letting it sit unused. You learn faster because you’re getting more reps in the same amount of time, too. As long as you work on different projects at the same time like this, it will only be a boost in productivity, with no chance for code to get spaghetti. In the video, you can see where to find add workspace, run new terminal, and change between terminals:
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There is a strategy for Claude Max users that will 3-5X productivity and vibe coding learning curve. Which most vibe coders don't utilize! Most people using Claude Code just sit and watch the terminal while their prompt cooks. That’s dead time. If you’re on Claude Max, you’re paying for parallel capacity you’re probably not using fully. And tokens get wasted. Here’s a methodology to fix that and boost the way you use Claude forever: The Setup & Workflow 1. Add the repos you’re actively working on to your workspace from your IDE 2. Click “new terminal” and open 3-4 terminal instances, each pointed at a different project 3. Toggle between them on the right side of your terminal panel 4. When one terminal is cooking a prompt, look at the others 5. Use the time Claude is working to prompt the next project 6. Continuously rotate and ship across 3-4 projects like this 7. Use your tokens effectively, build more, learn faster The Result You ship 3-4 projects simultaneously. You burn through your token allocation on actual output instead of letting it sit unused. You learn faster because you’re getting more reps in the same amount of time, too. As long as you work on different projects at the same time like this, it will only be a boost in productivity, with no chance for code to get spaghetti. In the video, you can see where to find add workspace, run new terminal, and change between terminals:

Meta Alchemist

82,000 Aufrufe • vor 6 Monaten

Let’s walk through this absolute masterpiece of consistency from Canton’s finest and their favorite witnesses Matt McCabe says When he got to the front door, he sees Jen, Brian Albert, Nicole Albert, and Officer Mike Lank. Nicole says Oh no actually Lank came into the house FIRST, then Matt, and Lank politely asked to “come inside and talk to everyone.” Real Mayberry vibes. Then everyone just casually sits down for a little kitchen-table conference. Except LANK and GOODE had already been in the house talking to Nicole, Brian, and Jen from 6:40 to 7:00 AM. Jen says When Lank was inside the house, he separated and talked to Nicole… then Brian… then Matt, No kitchen table vibes Brian says he came downstairs and Lank was already inside, and Matt arrived “at the same time.” Lank says Actually, No, Matt entered the house after I came out. So according to Lank, Matt enters after he leaves. According to Brian, they arrived at the same time. According to Jen, Lank’s inside doing interviews. According to Nicole, Lank enters AFTER Matt. And then we get the cherry on top Officer Goode says that after Gallagher arrived, he and Lank had a “little pow-wow,” and THAT’S when they see Matt show up… and Lank “runs back inside” to get Matt’s statement. So… Lank ran “back inside,” even though Nicole says he’s already inside Brian says he’s inside Jen says he’s inside Lank says he just left Matt says he arrived to find Lank already inside Goode says Lank wasn’t inside at all until AFTER the pow-wow And somewhere in the middle of this Where’s Waldo Law Enforcement Edition, Matt, a WITNESS feels comfortable enough to ask TULLY if he can watch police dash-cam footage as prep for his testimony Like he’s reviewing film for CHS hockey practice. How does ANY good cop look at this spaghetti bowl of contradictions and NOT want to flip a table? This makes the department look incompetent Compromised, untrained, unserious and utterly incapable of maintaining a consistent narrative for 30 minutes of events. Good cops SHOULD be furious. Good cops SHOULD be embarrassed. Good cops SHOULD be the loudest ones demanding answers. Because when testimony looks THIS sloppy, THIS contradictory, and THIS choreographed… it doesn’t just make the witnesses look bad. It makes the entire department look like they couldn’t coordinate a lemonade stand on Oakdale Road. Tell us again how everything was totally normal at 34 Fairview that morning. We’re listening.
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Let’s walk through this absolute masterpiece of consistency from Canton’s finest and their favorite witnesses Matt McCabe says When he got to the front door, he sees Jen, Brian Albert, Nicole Albert, and Officer Mike Lank. Nicole says Oh no actually Lank came into the house FIRST, then Matt, and Lank politely asked to “come inside and talk to everyone.” Real Mayberry vibes. Then everyone just casually sits down for a little kitchen-table conference. Except LANK and GOODE had already been in the house talking to Nicole, Brian, and Jen from 6:40 to 7:00 AM. Jen says When Lank was inside the house, he separated and talked to Nicole… then Brian… then Matt, No kitchen table vibes Brian says he came downstairs and Lank was already inside, and Matt arrived “at the same time.” Lank says Actually, No, Matt entered the house after I came out. So according to Lank, Matt enters after he leaves. According to Brian, they arrived at the same time. According to Jen, Lank’s inside doing interviews. According to Nicole, Lank enters AFTER Matt. And then we get the cherry on top Officer Goode says that after Gallagher arrived, he and Lank had a “little pow-wow,” and THAT’S when they see Matt show up… and Lank “runs back inside” to get Matt’s statement. So… Lank ran “back inside,” even though Nicole says he’s already inside Brian says he’s inside Jen says he’s inside Lank says he just left Matt says he arrived to find Lank already inside Goode says Lank wasn’t inside at all until AFTER the pow-wow And somewhere in the middle of this Where’s Waldo Law Enforcement Edition, Matt, a WITNESS feels comfortable enough to ask TULLY if he can watch police dash-cam footage as prep for his testimony Like he’s reviewing film for CHS hockey practice. How does ANY good cop look at this spaghetti bowl of contradictions and NOT want to flip a table? This makes the department look incompetent Compromised, untrained, unserious and utterly incapable of maintaining a consistent narrative for 30 minutes of events. Good cops SHOULD be furious. Good cops SHOULD be embarrassed. Good cops SHOULD be the loudest ones demanding answers. Because when testimony looks THIS sloppy, THIS contradictory, and THIS choreographed… it doesn’t just make the witnesses look bad. It makes the entire department look like they couldn’t coordinate a lemonade stand on Oakdale Road. Tell us again how everything was totally normal at 34 Fairview that morning. We’re listening.

Dixie Normus

23,091 Aufrufe • vor 8 Monaten