8. The digital cut uses a different take from Jason Schwartzman during the Spot's origin speech.

7. During Spider-Man 2099's intro during the Vulture fight, the camera zooms out from Miguel's head in the theatrical cut. In the digital cut, the camera does a slow dolly zoom on Miguel instead

6. In Spider-Punk's introduction during the second Spot fight, Miles has text above his head that says "Hobie?" in the digital cut.

5. The interaction between Miles and Typeface has added text to Typeface's dialog with different fonts in the digital version.

4. When Miguel tries to stop Miles, Miles says "Sorry man, I'm going home" in the theatrical cut This line was removed in the digital version.

3. LYLA's selfie with Miguel during the Vulture fight replaces LYLA's point and pose from the theatrical cut

2. The sequence where Miles discovers he's in Earth-42 has no textboxes in the digital cut

1. Prowler Miles has extended braids and more facial outlines in the digital cut This sequence also plays the final song earlier than expected in the same cut

So, there are actually a lot of differences in the #SpiderManAcrossTheSpiderVerse cuts Here's a cut comparison 🧵 theatrical vs digital of Across The Spider-Verse (*will update as more are found)

9. When Spot uses the mini-collider, he says "Oh, what the heck?" and has a bit more added dialogue in one of the theatrical cuts. He says "which would not be good" in the digital cut, which has also removed some of the dialogue.

10. When Gwen says she won't see Miles again to Jess, a text box with "What?!" is present in one of the theatrical cuts. This box is removed in the digital cut.

11. Hobie Brown's introduction during the second Spot fight also has new lyrics in the digital cut!

12. When Ben Reilly attacks Miles, he says "This is called the sleeper hold, I'm using my bicep to constrict you!" in the theatrical cut. In the digital cut, he says "I've got you trapped in my well-defined musculature" (2nd Video)

13. When Gwen looks for Miles under the rubble after the Mumbattan Spot fight, she has some dialogue in the theatrical cut. The digital cut removes this dialogue

14. One of the theatrical cuts utilizes a different take from Oscar Isaac when Miguel talks about what he did to Miles. The digital cut uses a different take instead. (Thanks to @bradzeezy)

15. In one of the theatrical cuts during Miles' intro, there's a comment saying "I heard it was made from actual babies fr" during the baby powder apology. In the digital cut, it says "old spider-man didn't need baby powder". Also, different usernames!

16. When Captain Stacy arrests Gwen after the Vulture fight, she says "No, stop!" in one theatrical cut. In the digital cut, she says "Dad, stop!" instead

17. A different color palette is used during Gwen and Captain Stacy's reunion/apology between one theatrical cut and the digital cut.

18. When Miles saves civilians during the Mumbattan Alchemax collapse, the digital cut adds the iconic Spidey-Sense indicators before Miles punches the incoming debris. (Thanks to @Da_Meir_Yt)

19. In some of the shots during Miguel's explanation of canon events, Hobie's shading has been altered in the digital cut. *A little bit unsure if this only applies to *this* scene in particular (possibly could be more) (Thanks to @lou_pancake)

20. When Gwen gets kicked by Spot after Miles finds her during the Mumbattan fight, Spot says "Foot in your face!" in one theatrical cut. In the digital cut, he says "Whoopsie!" instead

21. During the Gayatri sequence in Pavitr's intro, one of the theatrical cuts has no audio cue when Inspector Singh interrupts. In the digital cut, there's this little audio cue on Singh's arrival (clip visual timings may be a bit off)

22. Before Gwen leaves her apartment right before the Vulture fight, she hears a warning about her and says "Oh great" before turning the police radio off in one theatrical cut. The digital cut removes this line as Gwen only turns it off.

23. During Miles' final swing, it pulls some dialogue of Miguel saying "Peter Parker would have lived" in one theatrical cut. In the digital cut, he adds more and says "YOUR Peter Parker would have lived."

24. When Peter brings Mayday back to their universe, MJ greets Peter with "Hey, hon" in the digital cut. One theatrical cut doesn't include this line.

25. Also when Miles discovers Earth-42, there's another audio cue when the Prowler symbol blinks on Aaron's chest in one theatrical cut. The digital cut doesn't have this audio cue. (Thanks to @MaxRebel3)

26. When Jeff says "¡Qué barbaridad!", one of the theatrical cuts and the digital cut use different takes from Bryan Tyree Henry.

27. During the Spider-Society intro sequence, one theatrical cut uses yellow textboxes when everyone starts making jokes. The digital cut uses blue chat bubbles instead

28. Gwen Stacy's intro adds some comic-stylized panels in the digital cut, replacing/delaying some shots from some theatrical cuts.

29. During Gwen's Spider-Woman suit-up, this shot starts at very different times between a theatrical cut and the digital cut.

30. When Gwen webs Captain Stacy to the police car before the Vulture fight, the assisting cop says "Yep, we've got our sign" in the digital cut. She says "We found her" instead in one theatrical cut.

Gonna end the thread here since there's bound to be more, but I haven't been able to find the other theatrical cuts. Hopefully, all this has been helpful for y'all! (@chrizmillr @philiplord @mlasker @octavio991 @shinypinkbottle @Powerkeni how'd I do?)

Okay this one’s actually worse. Like they removed the emotion

I don’t think this one is different

In theaters I got the 2nd clip on this tweet w/c has a more rendered Spider 42 and a clear flashback of the Tossed Bagel

Yeah I don’t dig this change. His acting is way better in the original, much more emotion.

whoa!!

A slight nod to his earlier, more emotional take.

I loved the original version better to theres more power in he's voice