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964 Fresh Daddy Seed with … 💦💦💦 Whether indoors or outdoors, whenever daddy has a load ready, daddy will cum 🍼 #thickdick #cumshot #daddydick #hugeboner #publiccum #risky #sperm #maleurges #batordad #exhib #publicboner 🔥🔥🔥 Would you lick those thick loads?
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Take those legs up high on sky or take some ride on the lap. Choice is your's daddy Anup is ready 🔥💦
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🚨 CHRISEAN CAN’T TAKE IT! Blueface Bonds With NeVeah’s Baby & The Tears START! 😭👀 NeVeah has officially given birth to her baby boy with Blueface, and the internet is already going CRAZY over Blueface stepping into daddy mode! 🍼💙 But things took an emotional turn when Chrisean Rock saw the love and affection Blueface was giving his newborn son — and she CRIED HARD. 😳😭 Now everybody is asking the obvious question: what was really behind those tears? 👀 Was Chrisean simply overwhelmed by seeing a beautiful father-and-son moment, or did watching Blueface build a new family with NeVeah hit a little too close to home? 🫣💔 We’re breaking down the birth, Chrisean’s emotional reaction, Blueface bonding with his new son, and why social media is about to have a FIELD DAY with this one! ☕🔥
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![The media is finally paying attention to the obsession that Meg has with Prince William and his family. "Meghan Markle shares a rare video of daughter Lilibet playing with a Jellycat after William revealed the British toy is 'his children's currency'"🔥 The article reports how Meg "has shared a new video of herself gardening with her daughter, who was sporting a brand loved by the Wales children. [...]" "The popular British toy brand, which is famous for selling cuddly toys with smiling faces, is also a firm favourite among the Prince and Princess of Wales's children and Princess Charlotte posed with a toy from the brand in a 2015 portrait."👌 Indeed, the first time the Wales introduce the brand jellycat in their family, it was in 2015 with the first ever baby portrait of Charlotte. However, Meg was not in the RF yet, and it is very clear she had no idea of its significance for the Wales😏 It was last May 2025, during the BP garden party, that William and Catherine met with the late Liz Hatton's family. Her brother Matteo, gifted the Royal couple with Jellycat plushies: a 'Tarte au citron' for Catherine and William, a collector's item Pickled Onion❤️ It was then that William revealed that he wasn't the only one who'd be delighted by the unique gifts. 'My children will love these, They are children's currency,' he said."🔥 This is when it became widely reported. So right on the dot, a month later today, William's stalker decided to release a video of herself and her "daughter" sporting the british toy brand with her daughter as the Wales did for Charlotte😵💫 Why would children raised in America by an american mother and a girl who has never been nor lived in the UK, play with British brand toys instead of American brand toys?🤡 EVERYTHING about Meg's "children" is always cosplayed from the Wales children🤔 It is very clear that Meghan suffers gravely from imposters syndrome and is obsessed with Prince William's life and his family because they are the Royal standard. She wants to FORCE a 'Royal British identity' in her american born and raised "children" that simply does not exist🔥 It is almost as if, somehow in her donkey head, she thinks that if she cosplays the Wales and their family successfully, Then the world will see Her and her family as "Real Royals" instead of the "Temu celebrity wannabe" they are seen as..🤷🏽♀️ To do so, Meg has cast herself as "Catherine", she has cast her daughter as "Princess Charlotte" Her son, cosplays either of "Princes George or Louis" and she has cast Harry as "William"🤡 And you can see it over and over again: Everything William and Catherine are reportedly doing as a couple, Meg announce she is doing it with Harry; If the Wales children are losing teeth, her children are also losing theirs that same week😂 If they love gardening, baking and the outdoors, she announces her children do as well; William says he enjoys a movie, meg says she enjoys the same movie too; William plays mario go Kart, Meg reference Mario go Kart and paint herself as Princess peach😂 Catherine cooks bolognese for William, Meg says she enjoys cooking it for Harry; William sports a bracelet made by Charlotte; Meg post a video wearing a similar bracelet made from lili; Charlotte plays with jellycat toys, Meg post a video of lili with jellycat toys..🥴 More to the point, the only dates that matter to her are William's birthday, his mother Diana's birthday, Catherine's and their children's birthdays as well as their engagements dates; Meg plans all her releases around those dates obsessively🤡 This is Pure Psychotic mental illness on display👌 Well and so, Harry will continue to be a very resentful and bitter manchild because he knows full well that even in his marriage, he is "William's spare"..☕️](https://image.24vids.com/tw-1937587516707574206/amplify_video_thumb/1937587463322546176/img/XSQ_I17R1J886_Ko.jpg)
![👽 Dr. Eric Davis: I Saw Photos of a Dead Gray Alien 👽 🇷🇺 🔥 It Appears the Soviets Retrieved a Tic Tac UFO and Four Deceased Grays 🔥 🇷🇺 "[The Soviets] did recover four bodies of humanoid aliens." ~Davis Josh Golembeske (Josh Golembeske): "In the movie 'Moment of Contact,' directed by James Fox, 'New Revelations of Alien Encounters,' you made an incredible statement. You swore on your own life and your kids' life that you saw photos and reports of crash retrievals and non-human intelligent bodies." (Watch that clip of Dr. Davis...here. ⬇️⬇️⬇️ ) ~ Josh Golembeske (Josh): "That's an incredible statement - that you saw in a SCIF. Then a year earlier, you in 2025, at the UAP-Disclosure-Fund briefing to Congress, mentioned four types of ET races. You said that you know they are Nordics, Grays, Insectoids, and Reptilians." ~ (Here's an edited transcript of that exchange.) Rep. Eric Burlison: "Can you comment on whatever species have been piloting these craft? Davis: "They're typically the multiple species people are familiar with. The Greys, the Nordics. A humanoid, because they have...a hand, and four limbs, and a torso, so..." Burlison: "Large? Small?" Davis: "Human size, human scale." Burlison: "How many are in a crew?" Davis: "Well, the group, well, the Greys I'm familiar with from investigating the crash at Corona, which is misnamed the crash at Roswell. It's not the crash at Roswell, it's the crash at Corona, New Mexico. Those were Greys, those were four-foot tall. And the Nordics are typically human-sized, probably...I've heard five, six-feet tall. And same with the people who mislabel Reptilian and Insectoid. They're roughly that height, too. I haven't heard anything about anything seven or eight feet or nine-foot tall, of that nature." Full transcript here: ~~~ Josh: "And you mentioned that you know the public has low credibility evidence on that, and then the classified programs is high credible evidence potentially of this." (Watch that clip here. ⬇️⬇️⬇️ ) ~ Josh: "My question for you is...and I'm not trying to push you to break your NDAs here, but I know you can't say much. But in those photos and reports, were those species involved in those photos and reports that you saw?" Dr. Eric Davis: "Just one of them. And there's a minimum of four, and that was my slip up for not clarifying that. There's a minimum of four. The best example of the number of, you know, I don't know if you would say species versus morphology. You have to look at Bob Emenegger's companion book to his 1974 television documentary, 'UFOs: Past, Present, and Future.' "He's got a section in the middle of the book showing graphics of the taxonomy of different UAP craft that have been observed and investigated by Project Blue Book. And then there's one with the taxonomy of 'NHIs' or 'aliens.' And that section on the taxonomy of the different NHIs/aliens or ufonauts, as Jacques Vallée calls 'em, is an excellent example of the variety of different type of UAP beings or crew members that have been reported and investigated and encountered. "So there's a minimum of four. And as I qualified at the May 1st, 2025 House Oversight Committee, I clarified that the Reptilians and Insectoids are not a species, per [say]. Well, they are. It's just that they morphologically resemble what they're [we're] familiar with on Earth." (I would push back and say that we don't know if they're multiple species. Hell, they could be avatars created by a single, ultra-advanced intelligence that uses a type of super-duper 3D printing to make/create four different types of beings, infused with AI. In other words, robots. Or, maybe they're four different types of ETs from four different planets? We just don't know. And yes, witnesses have reported seeing lots of different craft and beings, which Dr. James Lacatski has pointed out. Could be a clue. I'll try to find and post the Emenegger taxonomies in the replies, in the morning.) Davis: "So, for example, the Insectoid is going to represent a type of NHI species that resembles or looks like, you know, it's got the face and body morphology of an insect..." Josh: "A praying mantis." Davis: "...or a praying mantis, yeah. But that's not what they are. They're not a praying mantis, by any means. They're not an insect by any means. It's just that that's how they appear. And so, the same with the Reptilian. It doesn't mean that they're reptiles, it just means that they resemble an Earth-type reptile." (How does he know that they're not actual intelligent praying mantises or reptiles or something similar? What is he basing that on?) Davis: "Remember these things, we don't know that they even come from Earth. But that doesn't mean that's exactly what they are. I'm not aware (laughs) that we've got any deceased ones. I'm aware that we've recovered deceased Grays. And the Grays are like the little ones you saw near the end of, 'Close Encounters of Third Kind.' The little guys, diminutive bodies and really large heads." Josh: "Is that the one you saw in the photos, the Grays?" Davis: "Yeah. Yeah." (Great question, and that's new information. I thought he may have seen Reptilian or Mantis bodies but a few other folks thought he was talking about Grays. You were right.) Josh: "Oh, okay, that's fascinating. Okay. And I don't know how much information you can give about these photos. Was it some of the famous crash sites that we've heard about over the years? Is it Roswell, is it Kecksburg?" Davis: "Ah no, this was foreign intelligence collected so this is a foreign crash, and that's classified, so I can't get into that. But the photos I saw came from the site of a foreign crash retrieval during the Cold War." (if you look up the end of the Cold War between the Soviet Union and the U.S., it will tell you that it ended in December of 1991 when the Soviet Union dissolved and ceased to exist. That date and timeframe will be important in a second.) Josh: "Got it. And like, how does that work, exactly, Dr. Davis? Because you're such a highly-credible person. And for you to say I saw photos of crash retrievals and ET bodies, is disclosure on some level to me and to some people. But you can't cross the line to saying more. Like, how does that work from a national-security situation? Like, who draws that line, you know?" Davis: "Well, this isn't a disclosure of American information. It's involving intelligence collection on a foreign adversary. So...you have to kind of walk a fine line here. That's all you can do. Now, whether the government agency that owns that intelligence is willing to disclose it? It's hard to say because there's a lot of sources and methods that are buried inside that intelligence, and that makes it very hard for them to want to reveal because the sources and methods are still being used today." (Okay. So which country was it, and when did the crash take place? And what type of craft? Let's go back to Davis in, "The Age of Disclosure.") Dr. Eric Davis: "We have seen highly-credible, U.S. government intelligence on the Soviet recovery of a crashed UAP in 1989." (Two years before the end of the Cold War with the Soviets, so the timeframe fits.) Davis: "They recovered a Tic Tac-shaped UAP that was twice as big as the Tic Tac that was encountered by the USS Nimitz Carrier Strike Group, and they did recover four bodies of humanoid aliens. The Soviet scientists took apart the recovered craft and discovered a very advanced directed energy weapon." (It certainly looks like this case fits what Davis said to Josh. Davis also said this in 2024 at the SOL conference.) Dr. Eric Davis: "Russia is one that had some crash retrievals, and that's been released when the Soviet Union fell, KGB opened up the files, George Knapp went there, other people went there, found the Thread 3 documents. And I had independent - and I can't get into this because it's still super classified - but through the AAWSAP program, I had a connection in with a three-letter agency that collected, not from the KGB open records, they collected it from their own asset. "And the asset was filtering out actual, legitimate documents, photos, reports, technical and operational and executive-summary type. " (Photos of four Grays? Again, this seems to fit with what he was talking about to James Fox, Josh, and elsewhere.) Davis: "There is enough evidence that I saw in a classified setting that convinced me that they have it. At least one crash retrieval, yeah. I can't say that and go back to the 40s, 50s or 60s or 70s. I know...it was at the end of the 80s was the one I was exposed to. So, they have had something and they've got hardware, but I don't see that they've been any successful with it."](https://image.24vids.com/tw-2080949500215230603/amplify_video_thumb/2080949295340216320/img/e7unBP7eaIs1zY89.jpg)
![HYBE and Min Hee-jin NewJeans Controversy from the Perspective of a 20-Year Entertainment Industry Expert | Kim Yoon-ji, Senior Researcher at the Overseas Economic Research Institute of the Export-Import Bank of Korea #1 [Investment Insight] 증시각도기TV HYBE has shown a somewhat immature side throughout this process. The essence of the issue has become less important. Hello, viewers and investors of Stock TV. Recently, there has been a lot of societal concern about the entertainment industry. Last year, it did well, but the question remains about how it will fare this year. We’re joined by Kim Yoon-ji, Senior Researcher at the Korea Eximbank Overseas Economic Research Institute, to discuss this. Welcome. Today, I brought a drink because this topic is not easy to discuss soberly. The situation between HYBE, Min Hee-jin, and NewJeans has escalated, and unfortunately, it’s no longer just management fighting but the artists have joined the fray. I’ve heard from someone in the industry that the close relationship between a producer and an artist is inevitable. In the past, there have been similar cases where producers and artists were tightly knit. Now, something similar has happened with Min Hee-jin and HYBE. Most people outside the industry don’t know the exact terms of the contract between Min Hee-jin and HYBE. As my own son works in the entertainment field, I’m well aware of how important it is to work with a good producer. For a company like HYBE, which has invested tens or even hundreds of billions of won, it’s unthinkable that they would allow NewJeans to separate and go independent after establishing their position. Many in the industry agree that this doesn’t make sense. To the general public, NewJeans might seem like the underdogs, and people might feel they should be allowed to leave. But from the perspective of the entertainment industry, which requires substantial capital to grow, the relationship between investors and artists is key. You can’t discuss this industry without acknowledging the role of investors. This case is different from situations where individual members leave, as seen in the past with groups that had Chinese members. This isn’t about a single member leaving; it’s more about the fact that, in this industry, the producers are as important as the artists themselves. From the beginning, NewJeans has been marketed as Min Hee-jin’s girl group, so the idea of them continuing without her feels different. We need to approach this from a different angle. That said, it doesn’t mean HYBE should completely cut ties. Many people have different initial thoughts about the situation, but the core issue here is the importance of the relationship between producers and the company, especially when substantial investment is involved. From my perspective, the fundamental question is: what exactly was attempted? I still find this unclear. In any company, it's common to hear people say, "I want to quit, I can't work with this boss, I'm leaving tomorrow." We all talk about this with friends or colleagues. Sometimes, we even ask others to let us know if there’s a good opportunity elsewhere. But actually submitting a resignation is a whole different issue. But in the new premise, I still wonder what exactly they were trying to do. What exactly was attempted? We always talk about it at work, right? "I'm going to quit. I can't work with that boss anymore. I'm leaving tomorrow." We always have those conversations. We talk about it with our friends, with team members, and even ask friends outside of work to let us know if they hear of any good positions. But actually submitting a resignation is a whole different issue, isn't it? Looking at how the situation first unfolded, it seems like HYBE was the one to bring things to light. They shared a lot with the press, and Min Hee-jin, the CEO, responded with a strong counterstatement. HYBE was saying, "Min Hee-jin is trying to do this and that," but CEO Min was like, "What else have I done apart from that message on KakaoTalk?" The court also judged that they weren't sure what actions had actually been attempted. To me, this seems like the fact of the matter. Clearly, HYBE's relationship with CEO Min Hee-jin might not be good. There could have been friction about how a subsidiary operates so independently from the parent company. There were likely various issues internally, but they should have been resolved within the company without making the problems visible externally. The fact that they let it spill outside before resolving it was a huge mistake on HYBE's part, revealing weaknesses in their management abilities. In my view, this has greatly devalued HYBE, becoming a powerful force that has dragged down their valuation. Throughout this process, HYBE displayed a level of immaturity, and the core of the issue became less important. The real concern for investors now is whether the company can effectively handle issues like these. Once this problem is resolved, can the remaining HYBE groups continue to grow securely? This business is all about reputation. HYBE is now seen as a company that ousts female CEOs simply because she didn't follow their orders. That perception leaves a lasting impression on people's minds, damaging the company's future operations. From an investor's perspective, two major incidents have happened in quick succession. The first was the boost in value during 2020 when HYBE sold a huge number of albums during COVID-19, creating the sense that the entertainment industry was Korea's next big sector. But then, this recent issue with Min Hee-jin, alongside BLACKPINK's contract situation, has put a serious damper on things. BLACKPINK didn't renew their contract as a group, and though they claim to continue working together in some capacity, it's not the same as before. YG Entertainment's profitability has plummeted, revealing how dependent they were on BLACKPINK. This has left investors wondering whether the entertainment business is just a limited-time, seven-year affair. If BLACKPINK had carried on smoothly into the next generation, it would have seemed like a sustainable business, and investors would have continued to trust in the long-term future of Korean entertainment. But now, we're seeing the cracks in that perception. It’s become a question of how to invest in a business with a lifespan of only seven years, when even the manufacturing industry lasts longer than that. The BLACKPINK incident and the NewJeans situation have both severely harmed investor confidence. HYBE's struggles with its artists are analogous to a manufacturing company facing a revolt from its workers. When investors look at this instability, they start questioning whether the business is even viable. The concept of sustainability has been seriously undermined, and the fact that the seven-year contract issue has been a long-standing concern doesn’t make it any easier to deal with. What used to reassure investors was the belief that when a seven-year contract ended, the company would already have the next seven years planned out, ready to sustain their business. That faith in the big entertainment companies has been shaken. Achieving the kind of success that BTS or BLACKPINK did is incredibly difficult, and passing the baton to the next generation is no simple task. Even though investors had faith that YG would produce another BLACKPINK-level group, now that trust is faltering. However, I do think people are now looking at contracts a bit differently. In the past, when a group disbanded, the members would scatter. But now, groups like BLACKPINK continue to work together even while pursuing solo projects. This shows that they understand the importance of sticking together, and I thought that this might help extend the longevity of these groups. But in reality, very few cases of disbanded groups have seen much success with individual members pursuing separate careers. There aren’t many examples where groups have stayed active for long, especially when individual members run into personal issues. Take Big Bang, for instance—they’ve been around for a while, but their personal scandals have made it hard for the group to recover fully. In the entertainment business, it’s rare for groups to last more than seven years, and age is also a factor. Once a group surpasses the seven-year mark, the members tend to be quite a bit older. With BTS, they need to show a fresh side if they’re to keep running strong. One of the most disheartening things mentioned by the members was that they didn’t feel respected. This ties into a larger issue in our society, as we're seeing with the national discussion around workplace bullying. If we think about how BTS achieved success, it's clear why this is such a serious issue. Back when BTS rose to fame, they shared how they weren’t from one of the top three agencies and positioned themselves as underdogs who worked hard to gain recognition. This resonated with many young people who felt that if you work hard enough, you can succeed, even without the backing of a major company. This message gave hope to many, not only in Korea but also globally. BTS’s fan base, especially in the U.S., includes many people who identify as outsiders, those who don’t feel they belong to the mainstream—whether in terms of race, culture, or social standing. For them, BTS was a source of inspiration, showing that you can still succeed even if you start from the margins. With NewJeans, though there’s talk about Min Hee-jin, the allegations of bullying within the company are hitting a sensitive nerve for fans. It’s unfortunate that the company allowed things to reach a point where such accusations were made. Even if the situation was mostly an internal conflict among the adults in charge, they should have handled it better to avoid involving the artists. In the past, we've seen similar issues, like with Big Bang’s various scandals, which were almost at the level of criminal activity. The current situation with NewJeans might not be as severe, but bullying and exclusion are still serious concerns. Ultimately, experiences like these can serve as valuable lessons for the entertainment industry. This situation has highlighted that the entertainment business is fundamentally about human relationships. From the artists to the products they create, everything revolves around people. The moment someone’s feelings are hurt or relationships are damaged, the entire business can collapse. The entertainment business is all about personal connections, something I've always believed. Recently, I heard about Naver Webtoon’s global success, and it's fascinating to think about how it has outgrown Kakao Webtoon, despite being a later player. Many factors contributed to this success, but someone mentioned that webtoons are also a "personal connection" business. Webtoon creators are tough to manage—they're artists, after all, and keeping them on schedule, especially with weekly deadlines, is a challenging task. CEO Kim Joong has managed to nurture relationships with these creators, making personal connections the backbone of the business. In the entertainment industry, particularly with idols, you can't overlook the importance of personal relationships. The key skill for managing this industry is the ability to connect deeply with both the creators and the artists. HYBE, for instance, doesn’t just need skilled managers who are good with finance or operations. What they truly need are people who can foster those personal relationships, especially when they’re dealing with artists as young as 13 or 15. It’s about ensuring that these young talents feel understood and cared for, so they can be inspired to do their best work. Managing young artists is tricky because their idea of success might be completely different from what adults think. A 13-year-old might not care about owning multiple houses—they might just want to spend time with their family or have the freedom to eat out whenever they want. The manager’s job is to tap into what motivates them and help them thrive in a way that’s meaningful to them. This kind of nurturing is not easy to scale. When a company grows too big, it’s challenging to maintain those close relationships. That's why multi-label approaches, like those seen in large entertainment agencies, are supposed to help. But if personal connections within those labels break down, the whole system can fall apart. This business model seems uniquely suited to Korea. It’s hard to imagine it working the same way in Japan, where there's a more hierarchical, command-driven structure. Japan's entertainment industry often depends on strong, central producers who direct everything. In contrast, Korean idols often rise through collective effort and personal connection, like BTS did. Despite the challenges, I believe Korea’s entertainment sector has room for long-term growth. Many of today’s youth are drawn to this field because it allows them to express their talents and passions. If scandals like the one with NewJeans continue to arise, however, it might dissuade some young people from pursuing these dreams. When you look at what NewJeans members have said, there’s not much to disagree with. They simply want to keep doing what they’ve always done and follow their own creative paths. Ensuring they have the freedom to do so can lead to even greater success. These days, if you ask middle or elementary school students what they want to be when they grow up, many of them will say they want to become idols or YouTubers. They believe that with enough effort, they can make it. The entertainment industry needs to be able to channel that passion and potential into something positive. If Min Hee-jin were to leave HYBE, it’s clear that many companies would be eager to work with her. She mentioned once that “everyone is crazy about money,” and I think that’s why there would be a long line of people wanting to meet with her if she decided to move on. Right now, for example, there are people in the entertainment industry, like CJ, who may not have fully established themselves, or even private investors, just waiting for an opportunity. Many of them are keeping an eye on Min Hee-jin leaving HYBE. This was evident during the recent Tokyo performance, where her creativity was on full display. It was incomparable. That’s why this situation is even more unfortunate. Some people say, "If it wasn’t for the money, how could that group have been created?" But I believe there are people who could have made it happen with or without money. That’s the crucial difference in this case. While I'm not an expert, I was touched by the process of recreating a hit song from a legendary Japanese female singer from the '80s. It felt like a major event. It was amazing because I had never seen anything like it before. Even though I wasn’t familiar with the original song, just seeing it was enough to draw in so much attention and make it feel like a historic moment. That’s what talent is—turning something simple, like a cover song, into a major event. I remember thinking, "How do the Japanese people feel about this?" because the crowd's reaction was incredible. The enthusiasm was surprising, and I wondered what they were thinking while watching it. This is the true power of Korean culture—it’s not just about promoting our own culture but also deeply resonating with others. The entertainment industry’s core business is making audiences happy and even obsessed. Min Hee-jin is undeniably a top-tier artist in this field. If she were to leave HYBE, there would be countless opportunities for her. But if HYBE mishandles this situation, it won’t just be about losing one person—it could destabilize everything. They really need to handle this carefully. As for stocks and investments, that's up to everyone’s individual decisions. We're just having a casual chat here about the entertainment industry. As someone with a child in the business and another who's analyzed the industry, we’re just relaxing with a casual discussion. So, let’s pour a drink and enjoy this conversation. Watch the full video:](https://image.24vids.com/tw-1842046662933610609/amplify_video_thumb/1842042079117246465/img/At1wmSEbkseQtgQZ.jpg)
![🔥👽 This is REALLY good! 👽🔥 "In my view, there absolutely is an adversarial actor in our world. There is a human-engagement program underway. I don't think it's the rainbow that everyone kind of hopes that it is." ~Reed (IMO, Reed Summers is an unsung, VERY important voice in this community, and what he says in this clip, currently, resonates with me in a big way. Take the time to read or watch. Then we have what Ross Coulthart says about the "deliberate lifting of consciousness" and "frequency," which is more on the side of love, light and space brothers. I don't see that right now, and none of my contacts have ever mentioned it. If it's there, maybe its hands are tied with how it can help us?) ~ "Genetic interventions, cultural influence, right? Social engineering. All of these could be at play in a subversive sense. NHI is operating in a strategic silence, in a state of non-disclosure. Intelligence indicates intent, intentful engagement indicates a program. And so what is their program? We talk about the Legacy-human program. What about the non-human program? ~Reed ~ Ross: "I've been told that the United States has developed quite advanced weaponry, particularly plasma-beam technology that might, in part, have been inspired by what they've seen or recovered from non-human technology. I think, also, just to add the concern of NHI with what humanity is doing. There's also a very deliberate lifting of consciousness. And I really am struck by what Chris (Bledsoe - Chris Bledsoe) says about the frequency. This is something that I'm getting from so many people. That the level of intensity of public reporting of their engagement with NHI, of a clear intent by NHI, to essentially give up on governments from ever disclosing. But to raise human consciousness and awareness. "And I think they're doing this, increasingly (laughs), through direct engagement with individuals. I've got many friends and colleagues and people I've interviewed - witnesses - who've had incredible experiences. I've just been recording for a TV show, something that we're doing here in Australia, where people are inviting or summoning the phenomenon. And there seems to be an interest in the phenomenon engaging with humans much, much more overtly. And I do think that stems from a concern about us primitive monkeys playing with matches." (Were they concerned when this abduction-like event allegedly happened to Jim Semivan and his wife? Semivan: "I had a hole in the back of my neck, and my wife...unexplained bleeding for 17 days." Source: Engaging The Phenomenon's interview with Jim ~ Jim Garrison: "But Reid, speak to us about this interplay between malevolence and benevolence." Reed: "Sure, well, and you described, Jim, the first part of my life in which I was focused primarily on supporting my father, Marshall (Vian Summers and The Allies of Humanity), who had direct encounters with NHI, communications with NHI." (Was Marshall really in contact with extraterrestrial intelligence, known as The Allies of Humanity? I don't know. But a lot of what he has said rings true to me. Doesn't mean it's true. Read one transcript I did in 2021: “It’s Probably Not Human” – Elizondo, Blumenthal & The Allies Of Humanity ~ Reed: "And my family felt the full force and impact of what that was like, as well as what comes with it ("it" being his dad's alleged contact with ET intelligence). Which is, what might be called the hitchhiker effect, the anomalous effects that attend those who have been selected by the phenomenon without their understanding or knowing why." (Add another few names to the list of people who have now said they experienced the hitchhiker effect: Jay Stratton, George Knapp, Kelleher, Davis, Bigelow, Brandon Fugal, Thomas Winterton, Semivan, and more. That includes poltergeist-like events, shadow people, orbs, etc.) Reed: ""But my later work is really about assessing intent with a structured framework. I think we need to step back from belief systems, hopeful or fearful interpretations, and lay out the spectrum of possibilities, right? From curiosity on the left, salvation and assistance, even further on the left, to transaction, integration on the right, or even something more hostile. And in the end, intent is all about human outcomes. We can't know their consciousness. The project, in my mind right now, is not, let's set out to understand what they're like, who they are, how they think, how they cognate. That's impossible, in my perspective. But we can assess the real human outcomes that stem from the hazard and the risk and the possible threat of a non-human factor acting upon. Like a forcing, an environmental or evolutionary-forcing upon humanity at a historically-unprecedented time." (From what I have seen, whatever this is, has, overall, NOT helped humanity. If that's happening, it's going on behind the scenes. I know some experiencers report having their lives changed in a positive way, and some say they have been healed of illnesses. But others say their lives have been ruined and they've been hurt, intentionally or not, by coming in close contact with the phenomenon. Also, various people have come down with several auto-immune diseases after close contact, and some of that was detailed in the must-read book, "Skinwalkers at the Pentagon." jakebarber also mentioned that. Is it multiple intelligences with multiple intents, or one intelligence mixing in some positive outcomes as a propaganda effort? We don't know.) Reed: "And there are significant signals and indicators in the history of the phenomenon that give very good anchors for assessing intent, and for going from possibilities to probabilities and ultimately making a starting assessment, which informs the research pathway, which is the other part of my work in supporting the human institute, devising an intelligent, scientific research and investigatory citizen-led effort to uncover the phenomenon, to disclose it, to interrogate its activity, lest we just be interrogated, unknowingly, ourselves. So, a lot of good work to do there." (Interrogate the activity of the phenomenon. I really like that approach. Let's not assume anything.) Reed: "But, in my view, when you look at all that the sensor data has given us, technologically, when you corroborate that with the geographic, circumstantial [and] temporal aspects of how the phenomena appears, who it manifests to, and the considerable problem it presents to the international community and to national laws and frameworks that govern territorial sovereignty, these incursions into sensitive sites and the potential, programmatic engagement with civilians in the form of physical NHI-initiated contact - abductions - it builds a picture. It bounds those possibilities into a zone of probabilities. "And whether it's a transactional presence, whether it's an integrative or one that wants to integrate with humanity, or ultimately replace humanity, I think there are multiple possibilities at play and multiple intents at play. Although, I don't think it's the rainbow that everyone kind of hopes that it is. It's not, everything the Universe has to offer is gonna come all at once, now, and function harmoniously in our skies and oceans. No. The hostile intent will not tolerate a beneficial actor who themselves would have to arm themselves and militarily confront the hostile actor, which we do not see indications of." (My translation: If, there's a benevolent intelligence here that wants to help humanity break free from the chains of an alleged malevolent intelligence that may be using us, the benevolent force would need to somehow arm themselves in order to militarily take on this malevolent force, potentially, defeat them, and rescue us from a bad predicament. And we see no evidence of that.) Reed: "So, you know, we have analogs in our own human history to this, the natives of the new world. They looked out on the quay and they saw the ships, different flags, different vessels, and they assumed it's gotta be either the angels from the spirit realm - it has to comport to our belief system - or a variety of intentions, and we should work with and collaborate. And it may not be that way. "It's not about, it's all hostile or it's all beneficial or benevolent. In my mind, it's exo-systemic. It's an ecosystem arriving on our shores at a specific 20th-century moment in which we have detonated nuclear weapons, we have flashed the Universe with technology capability, and we have triggered an engagement event. This is really what this is. And a program to engage humanity over a longitudinal time period." (I think it was here and intersecting with us a long time before we first detonated our nukes.) Karla Turner: "We know from some of our own research that the abduction phenomenon has affected families going back four generations and that would be around the turn of the century (1900). In my husband's family, his grandmother had an encounter with a non-human entity that led her off into a swampy area where there was a period of missing before she was returned, when she was only five-years old. That was 1903. So if you think it's new and you think it's something the media has spread, you start looking into the cases and find out how far back it's goes in some of these families' generations. I know of an African American family in East Texas that has had it going on since the early 1900s and it's still going on today with that same family. Three to four generations is fairly typical." ~ Reed: "And so, we need to step back and really look at the human project of getting our act together to diplomatically engage now and in the future, to manage the NHI presence internationally, and coordinate responses, lest we divide and conquer ourselves over this issue. And that's where the reframing of disclosure as fundamentally belonging to the human species, being one that should, I think, be framed in first principles - to Karl Nell's point - with a naturalistic framework, a science-informed, data-driven framework. "And with that, we go out into the field and collect evidence on the phenomenon. We go out to where it is interacting with people. That's the key missing data set that would be necessary to inform decision makers." (We had that with AAWSAP and can have it again. Plus, the Vallée/AAWSAP Capella database of approximately 250,000 cases. Using AI and the best human minds on this planet, all of that may inform us of the intent of these alleged NHI actors.) Reed: "In my view, there absolutely is an adversarial actor in our world. There is a human-engagement program underway. And that's not the whole story, but if that is true, that should marshal our human response above all other possibilities, initially, because we may wake up in 30 years and find that we are not the human beings we used to be. Genetic interventions, cultural influence, right? Social engineering. All of these could be at play in a subversive sense." (If it's true, it should be the most important thing for human beings to address, ASAP. We need to find out now.) Reed: "And, you know, NHI is operating in a strategic silence, in a state of non-disclosure. They're operating covertly and selectively with military-defense organizations, internationally, which are already in competition." (I'd like to hear more about the claim that NHI are operating covertly and selectively with military-defense organizations. We've all heard those claims but is there evidence of that?) Reed: "And that, to me, is another one of a number of alarming signals that should just command us to take a cautionary response. And and we've gotta get out there and use the best of science, research and investigation to do reconnaissance - reconnai-science, as I call it, on behalf of the human interest, and not just national interests." Garrison: "Yeah, that's a profound way to put it, Reed. You know that we've triggered an interaction event." Reed: "And so, intelligence indicates intent, intentful engagement indicates a program. And so what is their program? We talk about the Legacy-human program. What about the non-human program? We do not query that nearly as much as we should. And in my view, disclosure. How do we get disclosure moving? If we recenter the controversy not on human actors, human governments, but on the non- human presence itself, that allows the human actors a way to rapidly and catastrophically disclose their involvements, which is what is keeping this back in part. Thank you."](https://image.24vids.com/tw-1981810728706404477/amplify_video_thumb/1981809725080588288/img/whyOa_20NT88rMwo.jpg)
