Sensitive content

This media may contain sensitive content.

正在加载视频...

视频加载失败

A Dream Pairing (2019) Natalia has been approached by Tushy for the performance of a lifetime. She's the anal queen but still hasn't shot with the undisputed anal king, Markus. There is a lot of pressure and expectations on the scene and they decide to meet up before the...

47,849 次观看 • 6 个月前 •via X (Twitter)

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

Christopher Nolan interviewing Michael Mann, Al Pacino and Robert De Niro on the iconic coffee shop meeting in Heat... Nolan: So for all three of you, I mean, one of the great and memorable scenes in the film - there are many - but the iconic coffee shop meeting that people were so struck by when the film came out, seeing two such great actors who had not acted in the same scene together before, together. There was such mythology around it at the time. I remember several friends of mine being convinced that you'd shot it on different days because there was no two-shot… (Michael Mann laughs) Nolan: Was it single camera? Was it two cameras? Did you have two cameras so you could shoot both close-ups at the same time? How did you approach that momentous event? Mann: It started with this consummate respect for the great artists that these two guys are. We talked about the scene and we analysed the scene… We didn't want to do the scene until we were at Cape Mandelini's. And then it was so ingrained that I knew that in all the little tiny organic details it would be different from take to take. So what I wanted to do was shoot with two cameras, two over the shoulders – I knew that there would be an organic unity to one take, and it would be a slightly different organic unity to another; because if you look at it very carefully, if Bob shifts his hand like this a little bit, right in the middle of dialogue, Al is doing something to counter it - because maybe he's shifting his positions so he can get closer to a weapon… Nolan: What do you remember about that shoot? Pacino: I do remember that Bob said – at first I wondered about it and then I thought how right he is – he said, “let’s not rehearse it.” Nolan: Because you love to rehearse. Pacino: Oh yeah. And Bob does too. De Niro: No, I do too at times, but this kind of scene we didn't have to. Pacino: But the thing is, what Bob said is so true about rehearsal – and that is that there is no sense in rehearsing if the people around you don't know how to rehearse. That is an important factor. Might as well not rehearse or rehearse very little. But it's true because it's a certain kind of thing and people either respond to it or they don't. And so, they could be great actors, of course, but they don't want to rehearse. I've had experiences like that… De Niro: Well, it was also that we were stationary. So, it wasn't we had to sort of rehearse blocking or anything and discover how our physical moves would be. We were kind of, there, though there were subtle moves in the scene itself, obviously. But anyway, and we started late and.... we didn't start till after lunch or dinner, which was really like one o'clock in the morning...I loved the scene and I wanted, you know, really wanted it to be as best as it could be. So I was a little unhappy that we started so late in the middle of the night... Mann: It was actually intentional... De Niro: I know, he wanted to tire us out. Nolan: But getting into a scene like that, that you know is going to be such a significant part of the film, huge expectation from both of you as you sit down to perform it. At the end of that night, did you know you had it? Did you feel it? Pacino: I never knew that. De Niro: You never know that. Mann: I knew we had it. Nolan: You knew. That's your job. Pacino: I'd like to do it again actually. Mann: (laughs) We’ll re-shoot it… We normally would rehearse scenes. That scene we talked about, we all as a group decided, you know, we wanted to just talk it through and save it for the event of shooting it, which was the only scene we probably did that with. But I tend to not want to rehearse things to the point where I feel like I wish I'd shot it. That's a disaster – I think things will be perfect once, and they'll never be perfect. They'll never be 100% twice. They'll only be 100% once. You want that happening in front of the camera. From a panel discussion following a special screening of Heat at the Samuel Goldwyn Theater on September 7, 2016.

Gangster Cinema Central

36,682 次观看 • 3 个月前

Former Massachusetts Migrant Shelter Director says Governor Maura Healey covered up illegal migrant sex trafficking 🚨 Maura Healey would personally come to the shelters and direct police and the shelters to cover up migrant crime, including rape and violence Nate Friedman “Do you believe Maura Healey should be prosecuted?” Migrant Shelter Director “I believe Maura Healey should go to jail for the rest of her life for the crimes that she's committed” “She's covered up rapes, she's covered up crime, she's covered up sex trafficking, she's covered up drug dealing. We're not even talking about the financial piece. At its capacity, I will tell you there were 550 people there, 150 rooms, 4 people to a room. Back a year ago, I would have 10 empty rooms, but the state would still get billed $180 a night for those 10 empty rooms. They would still get billed for the meals in those rooms too. So there is a tremendous amount of waste and or fraud” “A lot of Haitian men don't have a lot of respect for women, it seems like. So there's often a lot of physical violence. There's a lot of women on women violence in these shelters. So the police would come all the time. When I had reports of sex trafficking, they would come, drug dealing, they would come. A lot of prostitution in that parking lot. — If it was you, I'd arrest you. If it's them, I just let it go. Why? The governor wants this and the governor has come down and given us a mandate that we don't give the migrants a hard time and we don't arrest them”

Wall Street Apes

127,883 次观看 • 7 个月前