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A drysuit with a difference! Attached heavy neoprene boots, dump valve, internal C+B sheath under dry zip and kubi dry glove system! #latex #rubber #drysuit #fetishwear #bondage #sexy #heavy #sportswear #diver

12,066 görüntüleme • 1 yıl önce •via X (Twitter)

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rbrbill aka Bill Leytecks profil fotoğrafı
rbrbill aka Bill Leytecks1 yıl önce

It's tempting.

KRW profil fotoğrafı
KRW1 yıl önce

Do it Bill :) never have enough rubber! 😃

💚 Husk E 💚 - Photograp E 📷 VJ Pup E profil fotoğrafı
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 yıl önce

Those boots look great on that

KRW profil fotoğrafı
KRW1 yıl önce

Proper drysuit boots! Heavy too!

💚 Husk E 💚 - Photograp E 📷 VJ Pup E profil fotoğrafı
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 yıl önce

Perfect! Only needs a drysuit zipper to finish it really off

KRW profil fotoğrafı
KRW1 yıl önce

They are dry zips, plastic not brass

💚 Husk E 💚 - Photograp E 📷 VJ Pup E profil fotoğrafı
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 yıl önce

Oh really, never knew plastic ones existed! Interesting

PupYuno 🔜 Pawsome profil fotoğrafı
PupYuno 🔜 Pawsome1 yıl önce

Gorgeous work!

Ninja Biker profil fotoğrafı
Ninja Biker1 yıl önce

Sehr geil, wo hast du ihn produzieren lassen?

SmitizenPony profil fotoğrafı
SmitizenPony1 yıl önce

🔥🔥

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Foxtail grass might look like an innocent, fluffy weed, but it is one of the single most dangerous hazards a pet owner can face in their own backyard. ​As these grasses dry out, their seed heads break apart into sharp, arrow-like structures. Due to their barbed design, they move in only one direction: forward. If a dog walks through a patch, these seeds can easily embed themselves between paws, hitchhike into ears, or be inhaled up the nose. Once inside, they don't stop moving, often burrowing deep into tissue and causing severe infections, abscesses, or internal damage that requires emergency surgery. ​Beyond the devastating risk to pets, letting foxtails take over a lawn ruins the turf. They are highly invasive, opportunistic growers that crowd out desirable grasses, rapidly spreading thousands of seeds that can remain viable in the soil for years. ​How to Safely Eradicate Foxtails ​Manual Pulling (Early Stage): If the infestation is manageable, pull them out by the roots while they are still green and before the seed heads dry out. Wear heavy gloves and ensure the entire root structure is removed. ​Mowing with a Bag: Never use a side-discharge mower on dry foxtails, as this will only launch and scatter the seeds across the yard. If mowing, use a bagging attachment to collect and safely discard the debris. ​Targeted Vinegar Solutions: For localized patches where non-chemical options are preferred, a high-concentration horticultural vinegar (20% acetic acid) can kill the weed down to the root on a hot, sunny day. ​Dog-Friendly Turf Alternatives ​Replacing patchy areas with resilient, dog-safe grasses can prevent foxtails from taking hold in the future: ​Kentucky Bluegrass: A hardy, lush option that handles high foot traffic and recovers quickly from pet wear. ​Perennial Ryegrass: Known for fast germination, this grass creates a dense barrier that naturally competes against invasive weed seeds. ​Maximizing Lawn Health Safely ​To build a naturally weed-resistant lawn, boosting soil health is key. Insect frass (the organic waste/castings of cultivated insects) makes an excellent, 100% pet-safe fertilizer. Look for a high-quality, pure Mealworm Frass. It provides a gentle, slow-release balance of nutrients and contains chitin, which naturally stimulates the lawn's immune system to fight off fungal pathogens without posing any toxic risk to dogs or local wildlife.

✨️Serenitee♡Sam✨️

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Valerie Anne Smith

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Volkstaat

131,889 görüntüleme • 8 ay önce

A quiet, solidly mounted anvil does make a meaningful difference in the quality of blacksmithing work. When an anvil rattles due to poor bolting, base imperfections, or instability, it absorbs and dissipates much of the hammer’s energy through vibration and movement rather than transferring it efficiently into the hot metal. This leads to less effective deformation with each blow, requiring more strikes before the workpiece cools, which can result in incomplete shaping, uneven grain flow, surface defects, or even cracks from rushed or insufficient hammering. Precision also suffers because vibrations make it harder to land accurate, controlled blows, especially during detailed operations like drawing tapers, punching, or fullering. The smith tires more quickly, leading to greater inconsistency across pieces or production runs, while the excessive bounce accelerates wear on both the anvil face and tools. In contrast, a quiet anvil—firmly bolted to a heavy stand, timber base, or concrete with a flat contact surface—returns nearly all impact energy to the metal. Forging feels crisp and “dead,” allowing cleaner, faster, and more predictable shaping with better metallurgical results, such as improved grain refinement and fewer internal flaws. Modern smiths often add rubber pads or reinforced mounts specifically to achieve this stability, making it one of the highest-return upgrades for consistent, high-quality manufacture.

🚫👁️Drinks on Saturday🇺🇸

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Rob Benson

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This AI video is a Masterpiece 👏 Seedance 2.5 Prompt: 30-second ultra-realistic documentary slice-of-life video, early-2000s consumer DV camcorder aesthetic. A young Italian peasant woman in her early 20s, sun-weathered olive skin with freckles, dark brown wavy hair loosely tied with a faded scarf, worn off-white linen blouse, earth-brown patched wool skirt, faded floral apron and muddy leather boots. Rural Tuscany in the late 1800s. Golden wheat fields, olive trees, stone farmhouse, cypress trees, stone walls, chickens, donkey and old stone well. No modern objects or machinery. [0–6s] Handheld camera follows her naturally along a dirt path through golden wheat fields. She carries a woven basket on her hip and brushes her free hand across the wheat. Wind moves the stalks and her loose hair. [6–12s] She reaches a wooden fence, sets down the basket and feeds scraps to several chickens gathered around her boots. The camera stays close and imperfect, briefly adjusting focus as she moves. [12–18s] She continues toward an old stone well. She lowers a wooden bucket on a rope, pulls it up with effort, then drinks fresh water from a small ladle. Water runs down her chin and she wipes it away with her sleeve. [18–24s] A donkey approaches. She smiles softly, pats its muzzle, then picks a small wildflower from the field and tucks it behind her ear. She lifts the basket and walks toward the farmhouse. [24–30s] Near the heavy wooden doorway, she notices the person filming. She gives a tired but warm smile and a small wave, then opens the door. She looks back once before stepping inside. The camera remains outside as the door slowly closes. STYLE: photorealistic historical documentary, authentic 1800s Tuscany, early-2000s consumer DV look, handheld shake, imperfect framing, autofocus hunting, slight exposure pumping, faded colors, soft contrast, mild digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. One continuous fluid shot, no cuts, no captions, no music. AUDIO: natural ambience only -wind through wheat, birds, chickens, footsteps on dry earth, rope and wooden bucket creaking, water splashing, donkey sounds, distant countryside atmosphere and the wooden door closing.

Saul Goodman

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[Generation Overview & Visual Style] Task Type: Text to Video with Multimodal References (30-Second Continuous Action Sequence) Genre: Realistic High-Intensity Hand-to-Hand Combat / Cinematic Action Live-Action Format: 30s continuous cinematic scene, 16:9 widescreen, 24fps, cinematic live-action (真人实拍). Visual Style: Shot on 24mm, 35mm, and 50mm lenses with shallow depth of field. Sunny mid-September afternoon lighting, warm natural golden sunlight streaming through large classroom windows, dust motes dancing in sunbeams. Visceral, bone-crunching physical impact choreography, reckless intensity with grounded human biomechanics (no wirework, no super-powers, no slow-motion, no floating physics). === REFERENCE ROLES & STRICT BINDINGS === - Image : Exclusively defines PROTAGONIST A CHAse — 100% exact facial structure, eye shape, nose, skin tone, facial proportions, black cap with low ponytail coming out the back, and specific attire from Image. Identity must strictly remain constant across every frame without distortion or facial morphing. - image2 : Exclusively defines FEMALE OPPONENT B (First attacker) — exact face, hair, and uniform style. - David Carbon : Exclusively defines FEMALE OPPONENT C (Second attacker with wooden chair) — exact face, hair, and uniform style. - joe p : Exclusively defines FEMALE OPPONENT D (Third attacker sprinting in) — exact face, hair, and uniform style. - Image5 : Exclusively defines FEMALE OPPONENT E (Fourth attacker with beverage bottle) — exact face, hair, and uniform style. - (Additional opponent F follows the realistic school delinquent aesthetic; distinct facial identity from all others). - Background: Japanese high school classroom setting. Rowed wooden school desks and chairs, green chalkboard with faint erased chalk marks at the front, sunny window wall on the side. === AUDIO TRACKS & DIALOGUE DELIVERY (NO BGM) === Music: Strictly NO background music, NO BGM, NO soundtrack. Dialogue: - 0.0s–1.8s: Opponent B (image2), Japanese, female — cold, arrogant, slow and deliberate, enunciating each syllable distinctly and clearly: {조. 센. 진.} - 1.8s–3.5s: Protagonist A (Image), Korean, female — cold, suppressed murderous fury, dragging and trailing the final syllables with venom: {뭐라고 지꺼리는거야.. 씨..이발..} Foley / Diegetic Audio: === STAGED 30-SECOND CHOREOGRAPHY TIMELINE === 0.00–2.80s: [50mm Over-the-Shoulder Medium-Close] A (Image) stands facing away, black cap and low ponytail resting over her collar. B (image2) sneers, walks up, and places her right hand heavily onto A's left shoulder, enunciating: {조. 센. 진.}. A tilts her head down, muttering in a low, dragged venomous tone: {뭐라고 지꺼리는거야.. 씨..이발..}. Six background female students freeze in shock and back away toward the corners. 2.80–4.20s: [Intimate Handheld Close-up] While B's hand rests on A's shoulder, A suddenly pivots clockwise; her right forearm violently smashes across B's jaw and cheekbone with explosive hip rotation. Impact point is sharp and brutal. B's head violently snaps aside, her balance shattered. A immediately recovers without pausing or posing, stepping forward aggressively. 4.20–5.90s: [24mm High Wide-Angle Track Down] B crashes backward into a large teacher's lab desk, splintering the wooden frame; textbooks, notebooks, and chalk boxes cascade across the floor. Nearby students scatter in panic. B collapses amidst the debris and remains down for the rest of the scene. 5.90–8.20s: [Rapid Whip Pan to Screen Right] C (David Carbon) grabs a solid wooden school chair and swings it horizontally toward A's head. A ducks slightly, letting the chair miss her cap brim, then drives a ruthless left side-kick into C's solar plexus. C crashes into the cracked plaster wall; dust cascades down as C slumps unconscious against the baseboard. 8.20–9.70s: [35mm Lateral Medium] A recovers her stance, eyes scanning toward the classroom door. Two students sprint out the exit. B and C remain down among the broken furniture. Camera orbits smoothly around A as she acquires the next incoming threat. 9.70–12.50s: [Tracking Medium Shot] D (joe p) sprints from the rear, throwing a hard right punch. A slips underneath the blow, wedges her shoulder into D's torso, wraps her arms around the hip, and leverages D's momentum to execute a brutal hip throw. D flips completely and slams into joined study desks, collapsing the wooden structures and scattering papers. D stays down. 12.50–15.50s: [Close Handheld Dynamic Tracking] E (Image5) lunges from the side, swinging a glass drink bottle overhead. A pivots and raises her left forearm, intercepting E's wrist; liquid bursts from the bottle, soaking A's left sleeve. A hooks E's elbow, drives a short forearm strike to E's face, and shoves her back violently. E tumbles hard over a reading bench, the glass bottle rolling away on the floorboards (never returning to hand). 15.50–16.80s: [Medium Transition] A shakes the excess drink from her wet sleeve and flips her loosened ponytail behind her shoulder. E groans in the broken bench. Behind A, final opponent F steps forward with heavy posture. 16.80–20.10s: [50mm Tight Combat Orbit] F throws a ferocious combination of straight punches and elbows. A parries cleanly, absorbing impacts with forearms, and returns a devastating short palm strike to F's sternum followed by a heavy shoulder barge. F stumbles backward, bleeding slightly from the corner of the mouth. 20.10–23.60s: [Tight Medium Two-Shot] F swings wildly. A ducks low, locks F's wrist across her shoulder, hammers an elbow into F's ribs, and drives an open-palm strike under F's chin. F slips on scattered notebooks and overturns a chair, clinging to A's shoulder to stay upright. A relentlessly presses forward. 23.60–26.90s: [Low-Angle Frontal Take-Down] F makes a final desperate rush. A steps offline, wrenches F's collar downward, and slams a short, vicious downward elbow strike into the nape of F's neck while tripping F's lead leg. F crashes face-first onto the wooden floorboards and goes limp. 26.90–30.00s: [24mm Steady Wide Establishing Pull] A stands isolated amidst the demolished classroom. B, C, D, E, and F lie defeated in their precise crash locations amidst overturned desks, scattered papers, and shattered chalk. A takes a deep breath, checks her soaked sleeve, brushes her ponytail back, and coldly scans the room under the warm afternoon sunlight. Slow camera push-in on A's calm, intense expression into the final frame. === STRICT CONSTRAINTS & NEGATIVES === - No subtitles, captions, or on-screen text. - No background music or synth score. - Strictly adhere to Image for Protagonist A's identity and wardrobe. - Strictly adhere to image2, David Carbon, joe p, Image5 for opponents B, C, D, E. - No magical CGI, no slow motion, no bullet-time ramps, no floating wirework. - Destruction and fallen bodies must maintain absolute spatial continuity across shots. - Keep blood to a minimal trace on F's lip only. - Live-action realism throughout (真人实拍).

CHAse

151,348 görüntüleme • 1 ay önce

⚠️⚡️🧲💨🎤💥⛓️‍💥❤️🧠🧐🔊🥾💺⛺️ EMP- Electromagnetic Pulsed power Google trends, autopsy summary, site set up, all video footage are consistent with the hypothesis that Charlie Kirk was assassinated via a hidden high-voltage electrical system activated by a rooftop RF antenna, which charged a capacitor bank under or near the stage. The initiation caused the audible microphone hum while Hunter was talking. When the hum faded to a flat tone, high-frequency microwave lasers from infrastructure and speaker equipment ionized thin lines of air into plasma channels—conductive paths that act as invisible wires—timed to guide the high-voltage dump into the targeted area at Charlie. The system discharged when Charlie gripped the corded microphone with both hands, closing the circuit through his body. The dump produced a rapid magnetic-field change, which induced current in the necklace and launched an internal thermoelastic shockwave that erupted from the left anterior neck. The body stayed flexed after spinal-cord transection because residual current in his tissues continued to fire motor nerves and muscle while it grounded through the return path: the modified chair with rubber grips removed, the raised platform, and the dirt that is now missing. The platform audio matches this electrical dump: a brief high-frequency snap that clips wired channels by induction and then cuts off, which is not the long gas tail of a chemical explosion or the delayed two-part arrival of a rifle from about 120- 140 yds away! Become a member of YouTube Baron Coleman podcast to get the good dirt! 𝕋𝕙𝕒𝕟𝕜 𝕐𝕠𝕦 ☺️ Buckley Carlson for supporting the hypothesis that is based on the physics of all the observational phenomenon. We must keep digging for the truth, & shed the pieces that no longer fit the puzzle. May God’s blessing be over all of us digging for truth! Diligent Denizen 🇺🇸 Ana Escobar Allison D. Rodriguez Destiny Rezendes The Artist known as Jess Keli Rabon @aleahfiles John Mappin Candace Owens Ian Carroll Jimmy Dore Julian Dorey Danny Jones Sam Parker 🇺🇸🧯 Stew Peters

Wtshesaid72

57,871 görüntüleme • 11 gün önce