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A film cannot be made without a script. An actor will not have a job without a writer... and yet, a writer may not even get paid 5% of what an actor does. Its time to change this! #SWA #Screenwriters #writersrights #contract #mbc #featurefilms #filmwriters #script #anjumrajabali

Комментарии: 10

Фото профиля SWA India Org
SWA India Org2 лет назад

@15_preeti #sujoyghosh @AbbasTyrewalas @AnjumRajabali @satysingh @PuneetVuneet @rajshekharis #akshatghildhial

Фото профиля Ranvir Shorey
Ranvir Shorey2 лет назад

In solidarity. ✊🏽

Фото профиля Shreya
Shreya2 лет назад

@RanvirShorey In today's Bollywood, writers should be paid much more. Bollywood needs good fresh scripts.

Фото профиля Manish Gupta
Manish Gupta2 лет назад

Absolutely true, we need to take a united stand to make things change.

Фото профиля Jagrut Vasavada
Jagrut Vasavada2 лет назад

@RanvirShorey I strongly believe that SWA (Screen Writers Association) needs to take proactive measures to streamline the business of writing. There's still a prevalent issue of most of producers taking advantage of writers, still they exploit writers in terms of wages, benefits, and credits.

Фото профиля Pawan Gogna
Pawan Gogna2 лет назад

👍

Фото профиля Ashoke Gupta
Ashoke Gupta2 лет назад

Agreed.

Фото профиля Kalki
Kalki2 лет назад

@RanvirShorey Sir , your opinion about Mohanlal as ab actor, his recent court room emotional drama running successfully in theatre

Фото профиля Jagrut Vasavada
Jagrut Vasavada2 лет назад

If the SWA can facilitate communication to establish agrmnts wth CBFC/IMPPA mandating dat d writer's consent is essntal fr film/series registration alng wth producer,it wl rflct d essence ofevry script.Ths move wudsignificantly diminish d widespread disappointments fcd by writers

Фото профиля Krushna
Krushna2 лет назад

@RanvirShorey I totally agree.

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Eric Rohmer on the difference in how Scriptwriters are treated in France and America: "Interviewer: American script-writers are very much the servants of the directors. Perhaps more than in France. Professionally it’s very difficult to get intothe system because the producers have their stable of script-writers. Rohmer: In France, a young author can succeed more easily in doing a film based on his own subject than on someone else’s. If you come saying, “I want to adapt such and such a thing,” or, “I’m working with a script writer,” you won’t be taken so seriously. Whereas, in the United States, according to what I’m told anyway, if a new director wants to make a film based on his own subject, he can’t. Nestor Almendros, my cameraman, told me about the case of Benton, who did 'Kramer vs. Kramer' (1979). He told me that Benton had succeeded in making the film only because his own subjects had been filmed before by others. Or, inversely, you won’t get to make a film if you don’t have a known script-writer; whereas, in France you can very well get along without a script-writer. In France, at present, I believe that there is not a script-writer who carries really great weight, in whom producers can have confidence. And then, in France, the production system is a little different. What counts more and more are the Commissions (of advance on receipts, television, etc.) and the Distributors. Those are the great powers. Beneath, there are the directors and the producers on more or less the same footing." (Eric Rohmer's interview with Robert Hammond and Jean-Pierre Pagliano, 1982)

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