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🚨 A FORMER NASA ENGINEER CLAIMS HE’S DISCOVERED A “NEW FORCE” THAT CAN OVERCOME EARTH’S GRAVITY WITHOUT ANY PROPELLANT. Charles Buhler, who spent years leading NASA’s Electrostatics and Surface Physics Laboratory at Kennedy Space Center, says his private company Exodus Propulsion Technologies has found a way to generate thrust... using only electric fields. In vacuum chamber tests, their device reportedly produced enough force to counteract Earth’s gravity a claim that would completely rewrite the rules of propulsion. Why this matters: For over a century, every rocket we’ve ever launched has had to carry massive amounts of fuel. If this “New Force” is real, spacecraft could one day maneuver indefinitely without expelling mass potentially making deep space travel, satellite station-keeping, and even atmospheric flight dramatically cheaper and more efficient. The deeper implication is staggering: We may be looking at the first real breakthrough in propellantless propulsion since the invention of the rocket. If verified, this wouldn’t just change space travel it could reshape how we think about energy, momentum, and the fundamental laws of physics. Of course, extraordinary claims require extraordinary evidence. As of now, the work is still awaiting independent replication by outside laboratories. But if this holds up… What changes first space travel, energy production, or something we haven’t even imagined yet? Follow for more frontier physics and emerging technologies.show more

TheNewPhysics

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122,021 views • 4 months ago •via X (Twitter)

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When a spacecraft leaves Earth, it doesn’t just fire its engines and head straight to its destination. In many missions, especially those going beyond low Earth orbit, there’s a more subtle and elegant strategy at play, one that uses gravity itself as part of the navigation system. This is often called a gravity assist, or a slingshot maneuver. But in the case of missions like #Artemis II, what’s being used is a closely related idea known as a free-return trajectory. At first glance, it might sound simple: the spacecraft goes to the Moon, loops around it, and comes back. But the physics behind it is anything but simple. Instead of relying on continuous propulsion, the spacecraft follows a carefully calculated path through the gravitational field of the Earth–Moon system. It is launched with just the right speed and direction so that, as it approaches the Moon, the Moon’s gravity bends its trajectory. The spacecraft is effectively flung around the Moon, redirected onto a path that naturally brings it back toward Earth. No major engine burn is needed for the return. Small trajectory corrections may still be required, but gravity does the heavy lifting. That’s the key. This kind of trajectory is not just efficient, it’s also safe. If something goes wrong with the spacecraft’s engines or onboard systems, gravity itself ensures the return. It’s an inherent backup plan, built into the trajectory from the very beginning. The same fundamental idea appears in gravity assists used across the Solar System. When a spacecraft flies past a planet, it can gain or lose speed by exchanging momentum with that planet. From the spacecraft’s point of view, it’s as if it has been accelerated without using fuel. In reality, it has borrowed a tiny amount of orbital energy from the planet itself. That’s how missions like Voyager reached the outer planets, and how probes continue to explore regions far beyond what their onboard fuel alone would allow. But there’s an important distinction. An interplanetary gravity assist is typically used to change speed and direction, often increasing the spacecraft’s energy. A free-return trajectory, like the one used in Artemis II, is designed for something more specific: a path that naturally loops back to Earth without requiring additional propulsion. It’s less about gaining energy, and more about shaping a trajectory that guarantees a return. To understand why this works, it helps to stop thinking in straight lines. In space, motion follows curves defined by gravity. The spacecraft is constantly falling, first toward Earth, then toward the Moon, and then back toward Earth again. What looks like a loop is really a continuous free fall through a changing gravitational landscape. This way of navigating space reveals something deeper. We tend to think of engines as the drivers of motion, but once a spacecraft is on its way, gravity does most of the work. The art of spaceflight is not just about thrust. It’s about knowing when not to use it. #GoodLuck #Artemis NASA Artemis

When a spacecraft leaves Earth, it doesn’t just fire its engines and head straight to its destination. In many missions, especially those going beyond low Earth orbit, there’s a more subtle and elegant strategy at play, one that uses gravity itself as part of the navigation system. This is often called a gravity assist, or a slingshot maneuver. But in the case of missions like #Artemis II, what’s being used is a closely related idea known as a free-return trajectory. At first glance, it might sound simple: the spacecraft goes to the Moon, loops around it, and comes back. But the physics behind it is anything but simple. Instead of relying on continuous propulsion, the spacecraft follows a carefully calculated path through the gravitational field of the Earth–Moon system. It is launched with just the right speed and direction so that, as it approaches the Moon, the Moon’s gravity bends its trajectory. The spacecraft is effectively flung around the Moon, redirected onto a path that naturally brings it back toward Earth. No major engine burn is needed for the return. Small trajectory corrections may still be required, but gravity does the heavy lifting. That’s the key. This kind of trajectory is not just efficient, it’s also safe. If something goes wrong with the spacecraft’s engines or onboard systems, gravity itself ensures the return. It’s an inherent backup plan, built into the trajectory from the very beginning. The same fundamental idea appears in gravity assists used across the Solar System. When a spacecraft flies past a planet, it can gain or lose speed by exchanging momentum with that planet. From the spacecraft’s point of view, it’s as if it has been accelerated without using fuel. In reality, it has borrowed a tiny amount of orbital energy from the planet itself. That’s how missions like Voyager reached the outer planets, and how probes continue to explore regions far beyond what their onboard fuel alone would allow. But there’s an important distinction. An interplanetary gravity assist is typically used to change speed and direction, often increasing the spacecraft’s energy. A free-return trajectory, like the one used in Artemis II, is designed for something more specific: a path that naturally loops back to Earth without requiring additional propulsion. It’s less about gaining energy, and more about shaping a trajectory that guarantees a return. To understand why this works, it helps to stop thinking in straight lines. In space, motion follows curves defined by gravity. The spacecraft is constantly falling, first toward Earth, then toward the Moon, and then back toward Earth again. What looks like a loop is really a continuous free fall through a changing gravitational landscape. This way of navigating space reveals something deeper. We tend to think of engines as the drivers of motion, but once a spacecraft is on its way, gravity does most of the work. The art of spaceflight is not just about thrust. It’s about knowing when not to use it. #GoodLuck #Artemis NASA Artemis

Erika 

235,152 views • 6 months ago

🚨 SCIENTISTS MAY HAVE FOUND A REAL “LOOPHOLE” FOR WARP DRIVES. And for the first time, the math may not completely break physics. For decades, warp drives were considered impossible because they seemed to require massive amounts of “exotic negative energy” that doesn’t exist in usable quantities. But new theoretical models suggest there may be ways to reshape spacetime using far less exotic energy or in some versions, almost none at all. Why this matters: • A warp drive doesn’t actually move the ship faster than light • It compresses spacetime in front of the craft and expands it behind • The ship stays inside a stable bubble while the universe itself moves around it • Einstein’s speed limit remains intact the ship never locally exceeds c The deeper implication is mind-bending: If spacetime can be engineered like this, distance itself becomes programmable. Interstellar travel would stop being an impossible energy problem… and turn into a geometry problem. The universe may not be blocking faster-than-light travel. We may simply be too primitive to shape spacetime correctly yet. What happens when humanity learns to engineer gravity itself? Follow for more frontier physics and reality-bending breakthroughs.

🚨 SCIENTISTS MAY HAVE FOUND A REAL “LOOPHOLE” FOR WARP DRIVES. And for the first time, the math may not completely break physics. For decades, warp drives were considered impossible because they seemed to require massive amounts of “exotic negative energy” that doesn’t exist in usable quantities. But new theoretical models suggest there may be ways to reshape spacetime using far less exotic energy or in some versions, almost none at all. Why this matters: • A warp drive doesn’t actually move the ship faster than light • It compresses spacetime in front of the craft and expands it behind • The ship stays inside a stable bubble while the universe itself moves around it • Einstein’s speed limit remains intact the ship never locally exceeds c The deeper implication is mind-bending: If spacetime can be engineered like this, distance itself becomes programmable. Interstellar travel would stop being an impossible energy problem… and turn into a geometry problem. The universe may not be blocking faster-than-light travel. We may simply be too primitive to shape spacetime correctly yet. What happens when humanity learns to engineer gravity itself? Follow for more frontier physics and reality-bending breakthroughs.

TheNewPhysics

89,623 views • 4 months ago

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 views • 2 years ago

OPINION: ELON AND THE DAWN OF THE WARP AGE While the rest of the world is busy arguing about the present, Elon has been playing a multi-century game of chess. Most people remember his 2013 conference talk for the Hyperloop reveal, but the real bombshell was his take on the Alcubierre Drive. Proposed by theoretical physicist Miguel Alcubierre in 1994, the Alcubierre Drive is a speculative metric that allows a spacecraft to achieve apparent faster-than-light travel. Instead of a ship accelerating through space, which is limited by (the speed of light), the drive manipulates space itself. It works by contracting the fabric of space in front of the vessel and expanding it behind. Essentially, the ship sits in a "bubble" of flat spacetime, effectively "surfing" on a wave of warped reality. Elon did not just call warp drive science fiction; he broke down the physics of warping space so that space itself does the traveling. When you have a mind that views the speed of light not as a ceiling but as a technical challenge to be engineered around, the future starts looking a lot more like Star Trek and a lot less like a stagnant rock in the vacuum. Elon was a decade ahead of the curve. Back then, he noted that while SpaceX was focused on the immediate Mars roadmap, breakthroughs in warp theory were already bubbling at places like NASA. Fast forward to late 2025, and the vision is becoming reality. Former NASA Administrator Charles Bolden once admitted the goal was warp speed, and groundbreaking research even suggested we are finally moving toward manipulating spacetime without needing the impossible amounts of exotic matter we once feared. Source: Journal of Modern Physics, The Debrief, AllThingsD, Elon Musk

OPINION: ELON AND THE DAWN OF THE WARP AGE While the rest of the world is busy arguing about the present, Elon has been playing a multi-century game of chess. Most people remember his 2013 conference talk for the Hyperloop reveal, but the real bombshell was his take on the Alcubierre Drive. Proposed by theoretical physicist Miguel Alcubierre in 1994, the Alcubierre Drive is a speculative metric that allows a spacecraft to achieve apparent faster-than-light travel. Instead of a ship accelerating through space, which is limited by (the speed of light), the drive manipulates space itself. It works by contracting the fabric of space in front of the vessel and expanding it behind. Essentially, the ship sits in a "bubble" of flat spacetime, effectively "surfing" on a wave of warped reality. Elon did not just call warp drive science fiction; he broke down the physics of warping space so that space itself does the traveling. When you have a mind that views the speed of light not as a ceiling but as a technical challenge to be engineered around, the future starts looking a lot more like Star Trek and a lot less like a stagnant rock in the vacuum. Elon was a decade ahead of the curve. Back then, he noted that while SpaceX was focused on the immediate Mars roadmap, breakthroughs in warp theory were already bubbling at places like NASA. Fast forward to late 2025, and the vision is becoming reality. Former NASA Administrator Charles Bolden once admitted the goal was warp speed, and groundbreaking research even suggested we are finally moving toward manipulating spacetime without needing the impossible amounts of exotic matter we once feared. Source: Journal of Modern Physics, The Debrief, AllThingsD, Elon Musk

Mario Nawfal

201,882 views • 9 months ago

During training, you visit many of the facilities that will eventually play a role in your mission. Kennedy Space Center’s Launch Complex 39A was one of them. This visit felt different. Standing at the base of the tower and looking up, I was reminded that this is the very place from which Neil Armstrong and his crewmates began their journey to the Moon. The facility has evolved over the decades and has been modernized for a new era of spaceflight, but it still carries the weight of its history. You can feel it. Then there is the elevator. Inside, there are only two buttons: Earth and Space. A simple design choice, perhaps, but one that feels remarkably profound when launch day finally arrives. What you see here is me at the top of the launch pad, with the Falcon 9 yet to make its way out. The rocket is transported to the pad horizontally and then raised to a vertical position before launch. Standing there, it was impossible not to imagine the events that would soon unfold. At this very time last year, all of this was happening in real time. Looking back now, it feels both distant and incredibly close. #shux #space #shubhanshushukla #india #axiom4

During training, you visit many of the facilities that will eventually play a role in your mission. Kennedy Space Center’s Launch Complex 39A was one of them. This visit felt different. Standing at the base of the tower and looking up, I was reminded that this is the very place from which Neil Armstrong and his crewmates began their journey to the Moon. The facility has evolved over the decades and has been modernized for a new era of spaceflight, but it still carries the weight of its history. You can feel it. Then there is the elevator. Inside, there are only two buttons: Earth and Space. A simple design choice, perhaps, but one that feels remarkably profound when launch day finally arrives. What you see here is me at the top of the launch pad, with the Falcon 9 yet to make its way out. The rocket is transported to the pad horizontally and then raised to a vertical position before launch. Standing there, it was impossible not to imagine the events that would soon unfold. At this very time last year, all of this was happening in real time. Looking back now, it feels both distant and incredibly close. #shux #space #shubhanshushukla #india #axiom4

Shubhanshu Shukla

13,600 views • 3 months ago

Clavicular is genuinely unreal in a way that’s hard to even explain without sounding insane, but if you’ve watched him, you get it instantly. There’s this overwhelming sense that he’s operating on a completely different frequency than everyone else. Every stream feels intentional without ever feeling calculated, like he’s just naturally in sync with the moment, the energy, and the people watching. He doesn’t need to force excitement or constantly fill space because his presence alone already fills the room. That kind of aura isn’t learned, it’s something you either have or you don’t, and he has it effortlessly.

Clavicular is genuinely unreal in a way that’s hard to even explain without sounding insane, but if you’ve watched him, you get it instantly. There’s this overwhelming sense that he’s operating on a completely different frequency than everyone else. Every stream feels intentional without ever feeling calculated, like he’s just naturally in sync with the moment, the energy, and the people watching. He doesn’t need to force excitement or constantly fill space because his presence alone already fills the room. That kind of aura isn’t learned, it’s something you either have or you don’t, and he has it effortlessly.

Kekzensky

282,385 views • 7 months ago

🚨 3I/ATLAS Critical Update 🚨 It’s happening again. 3I/ATLAS has changed its shape —Its new form looks nothing like any comet we’ve ever seen before. A rounded, glowing green light has now appeared, with no visible tail at all. The image, captured on November 10 by Ray’s Astrophotography, shows what looks more like a moving sphere of energy than a frozen ball of ice and dust. Even more astonishing — researchers have noticed that this object seems to have absorbed solar energy, releasing it in geometric patterns, and is resonating at 7.83 Hz, the same frequency as the Schumann resonance — Earth’s natural heartbeat. Could this really be a comet… or something far greater — an intelligent presence moving silently through deep space? 👀 #3IATLAS #spacemystery #interstellarobject

🚨 3I/ATLAS Critical Update 🚨 It’s happening again. 3I/ATLAS has changed its shape —Its new form looks nothing like any comet we’ve ever seen before. A rounded, glowing green light has now appeared, with no visible tail at all. The image, captured on November 10 by Ray’s Astrophotography, shows what looks more like a moving sphere of energy than a frozen ball of ice and dust. Even more astonishing — researchers have noticed that this object seems to have absorbed solar energy, releasing it in geometric patterns, and is resonating at 7.83 Hz, the same frequency as the Schumann resonance — Earth’s natural heartbeat. Could this really be a comet… or something far greater — an intelligent presence moving silently through deep space? 👀 #3IATLAS #spacemystery #interstellarobject

Astronomy Vibes

594,129 views • 10 months ago

A very good morning. Welcome to The Council Benji This marks the third Skull in a little run. The first went to a fund I've never met. The second: through Eli Scheinman to a new collector/foundation who has been quietly entering the space in a very significant way across a number of collections whom I’ve never spoken to. Their new entrance enabled a wedding and start of a new married life for Conviction. In my very first conversation with him, we spoke about curses and commitments to the people we love. Since meeting got to talk through each step on that path, from letting go, what is imbued in the ring and ceremony of it all, a proposal, and on the way to the most important of the steps in pursuit of a blessed life. It is easy to get a little cynical on the over-leveraged exit stories that spring up from time to time, so it is a treat to watch one go towards a celebration that’s been building up in his life since the Skull was first acquired. And now: this. The third Skull and the first I can really write about as a shared story across both source and destination. An exit and an entrance. The exit: The Skulls of Luci were awarded as gifts 4 years ago. But before I'd minted Birth of Luci or painted the other 49, the first person in this space I showed the sketch of The Blueprint Skull to was actually Casey💎, when he was working at SuperRare . Casey was the very first person who onboarded me to NFTs, helping me navigate the early days of whatever it meant to even mint something. I explained the idea of gifting one to each person who bid in my first auctions. Though most of the Skulls went to the bidders, Casey's didn't. He didn't ask for one. I didn't tell him I'd give him one. But he helped me take my first steps here, and it's hard to imagine any of this making sense, or unfolding the way it has, without him. Since then, we've broken bread across continents, seen quite a lot of chortling margarita consumption, watched the rise and fall of a lot around us, weathered inter-Council dramas. He brought Laura El into The Monument Game, played as a Player, wore a Mask. Most of the vibe that started all of this, the wild west of it, feels faded in the broader space at times. But every Skull has a story and a person who helped us get here. Casey will always be the one who was there before any metric muddled the reason to care. The entrance: Last fall, Benji came over for a studio visit. We walked through Luci, the works, structure, and dream, as anyone who visits does. But we mostly talked about being a father and having a father. We discussed the very idea of "collection" stripped of accumulation, value, or signal, located more in the act or ceremony of it. What it was to grow up with a curious father who studied the edges of each thing he saw to know the next layer beneath why anyone might look or ignore it. That to pass this on is to pass on questioning, more than it is to pass on any kind of answer. The process of collecting can be perceived as an individual act of hoarding. For some it is maybe. But at its best, it's a way to bind through shared questioning, to bond in cooperation and competition with friends and family, it is the swapped story and meme of it all, and each object gathered along the way carries some shared memory that can, often does, and with intent: should; drift out of the object entirely. All in the psalm, always has been. The studio visit came and went. Soon after, a package arrived in the mail with two of the softest stuffed animals added to my daughter's own collection, now among her favorites. The Skull is a bonus to that, in the scheme of shared memory. For Rachel and I, while we are heads down making a body of work that unsettles us and excites us but demands unknown time to accomplish, it means a great deal to have this kind of support from long term people in the quiet process of making work we want to leave behind ourselves. Enormously grateful to Casey for the many years of support and friendship, to Benny for being a true patron, and to Benji for entering the arena for what I'm working on next. Welcome.

A very good morning. Welcome to The Council Benji This marks the third Skull in a little run. The first went to a fund I've never met. The second: through Eli Scheinman to a new collector/foundation who has been quietly entering the space in a very significant way across a number of collections whom I’ve never spoken to. Their new entrance enabled a wedding and start of a new married life for Conviction. In my very first conversation with him, we spoke about curses and commitments to the people we love. Since meeting got to talk through each step on that path, from letting go, what is imbued in the ring and ceremony of it all, a proposal, and on the way to the most important of the steps in pursuit of a blessed life. It is easy to get a little cynical on the over-leveraged exit stories that spring up from time to time, so it is a treat to watch one go towards a celebration that’s been building up in his life since the Skull was first acquired. And now: this. The third Skull and the first I can really write about as a shared story across both source and destination. An exit and an entrance. The exit: The Skulls of Luci were awarded as gifts 4 years ago. But before I'd minted Birth of Luci or painted the other 49, the first person in this space I showed the sketch of The Blueprint Skull to was actually Casey💎, when he was working at SuperRare . Casey was the very first person who onboarded me to NFTs, helping me navigate the early days of whatever it meant to even mint something. I explained the idea of gifting one to each person who bid in my first auctions. Though most of the Skulls went to the bidders, Casey's didn't. He didn't ask for one. I didn't tell him I'd give him one. But he helped me take my first steps here, and it's hard to imagine any of this making sense, or unfolding the way it has, without him. Since then, we've broken bread across continents, seen quite a lot of chortling margarita consumption, watched the rise and fall of a lot around us, weathered inter-Council dramas. He brought Laura El into The Monument Game, played as a Player, wore a Mask. Most of the vibe that started all of this, the wild west of it, feels faded in the broader space at times. But every Skull has a story and a person who helped us get here. Casey will always be the one who was there before any metric muddled the reason to care. The entrance: Last fall, Benji came over for a studio visit. We walked through Luci, the works, structure, and dream, as anyone who visits does. But we mostly talked about being a father and having a father. We discussed the very idea of "collection" stripped of accumulation, value, or signal, located more in the act or ceremony of it. What it was to grow up with a curious father who studied the edges of each thing he saw to know the next layer beneath why anyone might look or ignore it. That to pass this on is to pass on questioning, more than it is to pass on any kind of answer. The process of collecting can be perceived as an individual act of hoarding. For some it is maybe. But at its best, it's a way to bind through shared questioning, to bond in cooperation and competition with friends and family, it is the swapped story and meme of it all, and each object gathered along the way carries some shared memory that can, often does, and with intent: should; drift out of the object entirely. All in the psalm, always has been. The studio visit came and went. Soon after, a package arrived in the mail with two of the softest stuffed animals added to my daughter's own collection, now among her favorites. The Skull is a bonus to that, in the scheme of shared memory. For Rachel and I, while we are heads down making a body of work that unsettles us and excites us but demands unknown time to accomplish, it means a great deal to have this kind of support from long term people in the quiet process of making work we want to leave behind ourselves. Enormously grateful to Casey for the many years of support and friendship, to Benny for being a true patron, and to Benji for entering the arena for what I'm working on next. Welcome.

Sam Spratt

20,786 views • 5 months ago

This is not what we Ukrainians would want to see from our windows in winter. It would be better if the voices and laughter of children making snowmen or playing snowballs echoed from the courtyards of residential areas. One could step out onto the balcony and watch that very scene while sipping a warm tea or coffee, rather than the sights we see now. You cannot distract yourself from thoughts of the war for long; it continues, and everything around us tries to remind us of that. Over the years, the brain tries to pretend it has adapted to everything happening around it - to what the ears hear and the eyes see, to the various situations that occur here every day. But sanity is always on guard, and an inner voice says without words: this is not a normal life for a human being; if only everything could return to the way it was before. But is it even possible to return to the life we had, carrying such an experience on our shoulders? … Now, in the "points of warmth," you can see beds. You might ask: are these for overnight stays? The beds are intended for people who need assistance in the event of an emergency or for medical reasons, as well as for temporary rest if a person is in need of it… but people are still forced to return to their apartments.

This is not what we Ukrainians would want to see from our windows in winter. It would be better if the voices and laughter of children making snowmen or playing snowballs echoed from the courtyards of residential areas. One could step out onto the balcony and watch that very scene while sipping a warm tea or coffee, rather than the sights we see now. You cannot distract yourself from thoughts of the war for long; it continues, and everything around us tries to remind us of that. Over the years, the brain tries to pretend it has adapted to everything happening around it - to what the ears hear and the eyes see, to the various situations that occur here every day. But sanity is always on guard, and an inner voice says without words: this is not a normal life for a human being; if only everything could return to the way it was before. But is it even possible to return to the life we had, carrying such an experience on our shoulders? … Now, in the "points of warmth," you can see beds. You might ask: are these for overnight stays? The beds are intended for people who need assistance in the event of an emergency or for medical reasons, as well as for temporary rest if a person is in need of it… but people are still forced to return to their apartments.

Katerina Horbunova

78,835 views • 8 months ago

🚨 What If Your Entire Life… Is Just Code? In 2003, philosopher Nick Bostrom published a paper with a question so unsettling that it still echoes through science and philosophy today: What if our entire universe is actually a computer simulation? At first it sounds like science fiction. But the idea is surprisingly logical when you think about the direction technology is heading. Look at how far we have already come. Just a few decades ago, computers could barely display simple graphics. Today, video games create entire worlds filled with cities, forests, weather, and characters that react to our actions. Virtual reality can make our brains feel as if we are standing somewhere else entirely. Now imagine technology thousands—or even millions—of years in the future. A civilization that advanced might possess computers powerful enough to simulate entire planets… entire histories… even entire universes. Inside those simulations could exist conscious beings who believe their world is real. Beings just like us. Bostrom suggested something called “ancestor simulations.” The idea is simple but chilling. Advanced civilizations might run simulations of their past to study history or understand how their species evolved. These simulations would contain billions of simulated people living normal lives, completely unaware that their reality is artificial. If a single advanced civilization created thousands or millions of such simulations, then the number of simulated minds would become vastly greater than the number of real biological minds. And this leads to a disturbing possibility. Statistically speaking, a randomly existing mind would be far more likely to be inside a simulation than in the original reality. In other words… the odds might not be in our favor. Think about your daily life for a moment. The sky above you, the ground beneath your feet, every star in the night sky, every memory you have ever experienced—what if all of it is simply information being processed somewhere else? What if reality itself is being rendered like a giant cosmic video game? Some scientists have even wondered whether strange features of the universe could hint at something deeper. Why do the laws of physics follow precise mathematical rules? Why does the universe appear almost perfectly tuned for life? And why does space and time seem to have limits at the smallest measurable scales? To some thinkers, these questions sound eerily similar to the rules of a programmed system. Of course, none of this proves we live inside a simulation. Many scientists remain skeptical, arguing that simulating an entire universe would require unimaginable amounts of energy and computing power. Others point out that the idea may be impossible to test. But the mystery remains. If advanced civilizations somewhere in the cosmos eventually develop the ability to simulate conscious beings—and if they choose to run these simulations—then billions or trillions of simulated worlds could exist. And in a universe filled with simulations, the most unsettling question of all appears: How do we know ours is the original one? Right now, you are reading these words, feeling the world around you, believing this moment is real. But somewhere, far beyond our understanding, there might be a machine quietly running the code of an entire universe… including you.

🚨 What If Your Entire Life… Is Just Code? In 2003, philosopher Nick Bostrom published a paper with a question so unsettling that it still echoes through science and philosophy today: What if our entire universe is actually a computer simulation? At first it sounds like science fiction. But the idea is surprisingly logical when you think about the direction technology is heading. Look at how far we have already come. Just a few decades ago, computers could barely display simple graphics. Today, video games create entire worlds filled with cities, forests, weather, and characters that react to our actions. Virtual reality can make our brains feel as if we are standing somewhere else entirely. Now imagine technology thousands—or even millions—of years in the future. A civilization that advanced might possess computers powerful enough to simulate entire planets… entire histories… even entire universes. Inside those simulations could exist conscious beings who believe their world is real. Beings just like us. Bostrom suggested something called “ancestor simulations.” The idea is simple but chilling. Advanced civilizations might run simulations of their past to study history or understand how their species evolved. These simulations would contain billions of simulated people living normal lives, completely unaware that their reality is artificial. If a single advanced civilization created thousands or millions of such simulations, then the number of simulated minds would become vastly greater than the number of real biological minds. And this leads to a disturbing possibility. Statistically speaking, a randomly existing mind would be far more likely to be inside a simulation than in the original reality. In other words… the odds might not be in our favor. Think about your daily life for a moment. The sky above you, the ground beneath your feet, every star in the night sky, every memory you have ever experienced—what if all of it is simply information being processed somewhere else? What if reality itself is being rendered like a giant cosmic video game? Some scientists have even wondered whether strange features of the universe could hint at something deeper. Why do the laws of physics follow precise mathematical rules? Why does the universe appear almost perfectly tuned for life? And why does space and time seem to have limits at the smallest measurable scales? To some thinkers, these questions sound eerily similar to the rules of a programmed system. Of course, none of this proves we live inside a simulation. Many scientists remain skeptical, arguing that simulating an entire universe would require unimaginable amounts of energy and computing power. Others point out that the idea may be impossible to test. But the mystery remains. If advanced civilizations somewhere in the cosmos eventually develop the ability to simulate conscious beings—and if they choose to run these simulations—then billions or trillions of simulated worlds could exist. And in a universe filled with simulations, the most unsettling question of all appears: How do we know ours is the original one? Right now, you are reading these words, feeling the world around you, believing this moment is real. But somewhere, far beyond our understanding, there might be a machine quietly running the code of an entire universe… including you.

Astronomy Vibes

12,290 views • 6 months ago

Space objects such as meteoroids and asteroids move across the solar system and can collide with both Earth and the Moon. However, the Moon shows far more visible impact marks on its surface. One main reason is that Earth has a thick atmosphere that protects the planet. When many meteoroids enter Earth’s atmosphere, they burn up due to friction before they can reach the ground. This process creates the bright streaks of light we call shooting stars. The Moon, however, has almost no atmosphere, so incoming space rocks are not slowed down or burned up. They travel directly to the lunar surface and strike it at very high speed. Each collision creates an impact crater, throwing dust and rocks outward from the impact point. Over billions of years, thousands of these impacts have covered the Moon with craters. Unlike Earth, the Moon also has no wind, water, or weather to erase these craters, so they remain visible for millions or even billions of years. This is why the Moon looks heavily cratered when we observe it from Earth through telescopes.

Space objects such as meteoroids and asteroids move across the solar system and can collide with both Earth and the Moon. However, the Moon shows far more visible impact marks on its surface. One main reason is that Earth has a thick atmosphere that protects the planet. When many meteoroids enter Earth’s atmosphere, they burn up due to friction before they can reach the ground. This process creates the bright streaks of light we call shooting stars. The Moon, however, has almost no atmosphere, so incoming space rocks are not slowed down or burned up. They travel directly to the lunar surface and strike it at very high speed. Each collision creates an impact crater, throwing dust and rocks outward from the impact point. Over billions of years, thousands of these impacts have covered the Moon with craters. Unlike Earth, the Moon also has no wind, water, or weather to erase these craters, so they remain visible for millions or even billions of years. This is why the Moon looks heavily cratered when we observe it from Earth through telescopes.

The Astronomy Guy

17,500 views • 5 months ago

"Elon Musk is not an engineer." John Carmack: Elon is definitely an engineer. He is deeply involved with technical decisions at SpaceX and Tesla. He doesn’t write code or do CAD today, but he is perfectly capable of doing so. Robert Zubrin: When I met Elon it was apparent to me that although he had a scientific mind and he understood scientific principles, he did not know anything about rockets. Nothing. That was in 2001, by 2007 he knew everything about rockets – he really knew everything, in detail. You have to put some serious study in to know as much about rockets as he knows now. This doesn't come just from hanging out with people. Eric Berger: Elon is the chief engineer in name and reality. Josh Boehm: Elon is both the Chief Executive Officer and Chief Technology Officer of SpaceX, so of course he does more than just some very technical work. He is integrally involved in the actual design and engineering of the rocket, and at least touches every other aspect of the business. Elon is an engineer at heart, and that’s where and how he works best. Garrett Reisman: He’s obviously skilled at all different functions, but certainly what really drives him and where his passion really is, is his role as Chief Engineer. That’s the part of the job that really plays to his strengths. Tom Mueller: Elon and the Propulsion department are leading development of the SpaceX engines, particularly Raptor. Kevin Watson: Elon is brilliant. He’s involved in just about everything. He understands everything. If he asks you a question, you learn very quickly not to go give him a gut reaction. He wants answers that get down to the fundamental laws of physics. One thing he understands really well is the physics of the rockets. He understands that like nobody else. The stuff I have seen him do in his head is crazy. He can get in discussions about flying a satellite and whether we can make the right orbit and deliver Dragon at the same time and solve all these equations in real time. It’s amazing to watch the amount of knowledge he has accumulated over the years.

"Elon Musk is not an engineer." John Carmack: Elon is definitely an engineer. He is deeply involved with technical decisions at SpaceX and Tesla. He doesn’t write code or do CAD today, but he is perfectly capable of doing so. Robert Zubrin: When I met Elon it was apparent to me that although he had a scientific mind and he understood scientific principles, he did not know anything about rockets. Nothing. That was in 2001, by 2007 he knew everything about rockets – he really knew everything, in detail. You have to put some serious study in to know as much about rockets as he knows now. This doesn't come just from hanging out with people. Eric Berger: Elon is the chief engineer in name and reality. Josh Boehm: Elon is both the Chief Executive Officer and Chief Technology Officer of SpaceX, so of course he does more than just some very technical work. He is integrally involved in the actual design and engineering of the rocket, and at least touches every other aspect of the business. Elon is an engineer at heart, and that’s where and how he works best. Garrett Reisman: He’s obviously skilled at all different functions, but certainly what really drives him and where his passion really is, is his role as Chief Engineer. That’s the part of the job that really plays to his strengths. Tom Mueller: Elon and the Propulsion department are leading development of the SpaceX engines, particularly Raptor. Kevin Watson: Elon is brilliant. He’s involved in just about everything. He understands everything. If he asks you a question, you learn very quickly not to go give him a gut reaction. He wants answers that get down to the fundamental laws of physics. One thing he understands really well is the physics of the rockets. He understands that like nobody else. The stuff I have seen him do in his head is crazy. He can get in discussions about flying a satellite and whether we can make the right orbit and deliver Dragon at the same time and solve all these equations in real time. It’s amazing to watch the amount of knowledge he has accumulated over the years.

Yatharth Mann

612,475 views • 1 year ago

Good morning to everyone in Massachusetts who now sees that there is hope in our state. The Charlie Kirk Vigil at Boston Common last night brought together so many patriots, united in prayer, strength, and determination for change. Thank you to every single person who showed up. You reminded us that we are not alone. One of the most inspiring parts of the night was hearing from the young speakers who talked about the impact Charlie had on their lives and why they feel called to get involved. Their words were powerful and showed that the next generation is ready to carry this mission forward. But this is just the beginning. We need to take that same energy back to our towns, our schools, and our communities. Get involved, speak up, and be part of the movement for a better Massachusetts. This is exactly what Charlie would have wanted. Not just a moment of mourning, but a spark that ignites real action. Together, we can honor his legacy by standing up for our values and shaping the future of our state.

Good morning to everyone in Massachusetts who now sees that there is hope in our state. The Charlie Kirk Vigil at Boston Common last night brought together so many patriots, united in prayer, strength, and determination for change. Thank you to every single person who showed up. You reminded us that we are not alone. One of the most inspiring parts of the night was hearing from the young speakers who talked about the impact Charlie had on their lives and why they feel called to get involved. Their words were powerful and showed that the next generation is ready to carry this mission forward. But this is just the beginning. We need to take that same energy back to our towns, our schools, and our communities. Get involved, speak up, and be part of the movement for a better Massachusetts. This is exactly what Charlie would have wanted. Not just a moment of mourning, but a spark that ignites real action. Together, we can honor his legacy by standing up for our values and shaping the future of our state.

Chester Tam

31,347 views • 1 year ago

Dear Nigerians, "Patriotism means to stand by the country. It does not mean to stand by the president." ~Theodore Roosevelt On this national scale, if the mass number of Nigerians are suffering, their lives and properties in jeopardy, it is okay to speak up, call a spade a spade and stop this gov from leading us astray. Now more than ever, we must unite. We must unite against the ruiners of Nigeria before they bury what is left of her. Organization is the first primary weapon of the oppressed. This is the only weapon we are yet to explore, and we can not explore this until we unite. The oppressed Nigerians must organize to form a force against the ruiners of Nigeria and take back our country to have a system that is for the benefit of the Nigerian people and not a few in the position of power. President will come and go, only the people will remain. Don't give those in power today to play politics with your future. Let's unite, not necessary as one but as a team. A team with different skills, languages culture, religion and tradition, but one CAUSE regardless of our tribal differences to stand against the common enemy who have now shown to be a curse on our very own existence as an amazing people of this great nation. ~OIA✊🏿

Dear Nigerians, "Patriotism means to stand by the country. It does not mean to stand by the president." ~Theodore Roosevelt On this national scale, if the mass number of Nigerians are suffering, their lives and properties in jeopardy, it is okay to speak up, call a spade a spade and stop this gov from leading us astray. Now more than ever, we must unite. We must unite against the ruiners of Nigeria before they bury what is left of her. Organization is the first primary weapon of the oppressed. This is the only weapon we are yet to explore, and we can not explore this until we unite. The oppressed Nigerians must organize to form a force against the ruiners of Nigeria and take back our country to have a system that is for the benefit of the Nigerian people and not a few in the position of power. President will come and go, only the people will remain. Don't give those in power today to play politics with your future. Let's unite, not necessary as one but as a team. A team with different skills, languages culture, religion and tradition, but one CAUSE regardless of our tribal differences to stand against the common enemy who have now shown to be a curse on our very own existence as an amazing people of this great nation. ~OIA✊🏿

𝐎i𝐀

15,608 views • 1 year ago

This is the mechanical heart of every flight deck. At the core of this instrument is a high-speed mechanical gyroscope held within a series of gimbals. It relies on the physics of rigidity in space, meaning the spinning disc stays perfectly aligned with the Earth's horizon regardless of how the aircraft moves around it. When you see the outer casing tilt and dive, you are actually watching the plane move while the instrument stays perfectly still. For decades, this was the primary way pilots survived flying through thick cloud cover or at night. Without a visible horizon, the human brain can easily become disoriented, leading to a deadly condition called the graveyard spin. This device provides an objective visual reference that never fails, even if the entire electrical system of the plane goes dark. While modern airliners have transitioned to digital screens and solid-state sensors, these analog units remain critical. Many pilots still prefer them as a fail-safe backup because they operate on pure physics rather than software. It is a masterclass in engineering that remains just as relevant in the age of automation as it was eighty years ago. It is a timeless piece of safety technology. Would you trust a mechanical dial over a digital screen? Follow for more Technology updates Video: alternateb747

This is the mechanical heart of every flight deck. At the core of this instrument is a high-speed mechanical gyroscope held within a series of gimbals. It relies on the physics of rigidity in space, meaning the spinning disc stays perfectly aligned with the Earth's horizon regardless of how the aircraft moves around it. When you see the outer casing tilt and dive, you are actually watching the plane move while the instrument stays perfectly still. For decades, this was the primary way pilots survived flying through thick cloud cover or at night. Without a visible horizon, the human brain can easily become disoriented, leading to a deadly condition called the graveyard spin. This device provides an objective visual reference that never fails, even if the entire electrical system of the plane goes dark. While modern airliners have transitioned to digital screens and solid-state sensors, these analog units remain critical. Many pilots still prefer them as a fail-safe backup because they operate on pure physics rather than software. It is a masterclass in engineering that remains just as relevant in the age of automation as it was eighty years ago. It is a timeless piece of safety technology. Would you trust a mechanical dial over a digital screen? Follow for more Technology updates Video: alternateb747

Mechanical Knowledge

68,004 views • 6 months ago

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 views • 2 years ago

Today I saw a semi-truck completely flipped over. I bet a Tesla Semi won’t have this problem… No vehicle can eliminate every crash, and physics always wins. But this is exactly why I believe electric trucks equipped with technologies like FSD are the future. Every year, around 500,000 crashes in the U.S. involve large trucks. More than 5,000 people lose their lives, and over 160,000 are injured. Rollover crashes are especially dangerous for truck drivers because of the massive weight, high center of gravity, and the forces involved. Tesla designed the Semi with safety as the priority from day one. It has a low center of gravity bc the battery pack sits beneath the cab, helping improve stability. It also includes advanced cameras, automatic emergency braking, lane departure warnings, and other driver-assistance features that can help reduce the chances of serious crashes. Technology won’t prevent every single accident, but if we can use better engineering and smarter software to reduce even a small percentage of these crashes, that will save thousands of lives over time. I can’t wait for the day when seeing a flipped-over semi becomes much rarer than it is today bc of the Tesla Semi.

Today I saw a semi-truck completely flipped over. I bet a Tesla Semi won’t have this problem… No vehicle can eliminate every crash, and physics always wins. But this is exactly why I believe electric trucks equipped with technologies like FSD are the future. Every year, around 500,000 crashes in the U.S. involve large trucks. More than 5,000 people lose their lives, and over 160,000 are injured. Rollover crashes are especially dangerous for truck drivers because of the massive weight, high center of gravity, and the forces involved. Tesla designed the Semi with safety as the priority from day one. It has a low center of gravity bc the battery pack sits beneath the cab, helping improve stability. It also includes advanced cameras, automatic emergency braking, lane departure warnings, and other driver-assistance features that can help reduce the chances of serious crashes. Technology won’t prevent every single accident, but if we can use better engineering and smarter software to reduce even a small percentage of these crashes, that will save thousands of lives over time. I can’t wait for the day when seeing a flipped-over semi becomes much rarer than it is today bc of the Tesla Semi.

Teslaconomics

17,719 views • 3 months ago