Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

A giant classical Greek statue prop on a stadium stage during the opening ceremony of the 2026 Mediterranean Games in Taranto, Italy 🇮🇹 One of the most striking images of the opening ceremony of the Mediterranean Games in Taranto was the monumental figure inspired by Taras, the mythical founder...

61,666 Aufrufe • vor 6 Tagen •via X (Twitter)

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

Facial reconstruction of a Merethic Era Atmoran from Saarthal Founded by Ysgramor, Saarthal was the first city of the Atmorans, who would later be known as Nords. After their arrival, the Atmorans lived peacefully with the local Falmer. However, fearing that the Atmoran expansion would surpass their own, the Falmer destroyed the city, and only Ysgramor and his two sons escaped the carnage. The destruction of the city was later avenged when Ysgramor returned with his famed warriors, the Five Hundred Companions. Several expeditions have been carried out by archaeologists from the College of Winterhold to study the ancient ruins of Saarthal. During these excavations, several cranial series were uncovered. Anthropologists from the College of Winterhold have noted increased hypermorphy in the ancient Atmorans relative to their modern Nord descendants, including larger brow ridges, much larger teeth, very wide bigonial and bicondylar widths, wider and taller faces, a more archaic low orbital shape, more defined upper facial relief, slightly wider nasal apertures, and slightly weaker chin protrusion. The skulls were predominantly dolichocephalic and very thick, but interestingly had relatively small mastoid processes. Later morphogenetic processes, including admixture with the Mer, and environmental factors such as a more agriculture-based lifestyle, played a role in the gracilization of the Atmorans. Among modern cranial series, the Nords of the Pale, Winterhold, and northern Eastmarch cluster closest to the Atmorans of Saarthal, along with some cranial series from Colovia. The reconstructed man, about 40 years old, stood around 190 cm tall and was massively built. He was found in the lower layers of Saarthal along with some Ancient Nord gear, including a full set of ancient Nord armor, an ancient Nord sword and an ancient Nord amulet with a One-Handed enchantment. Postcranial data shows magicka-related trauma, which was likely the cause of his demise.

Ancestral Whispers

181,381 Aufrufe • vor 5 Monaten

🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨

Unearthed 🏺

12,740 Aufrufe • vor 6 Monaten

Ancient Theatre of Taormina (Teatro antico di Taormina), an ancient Greek Theatre in Taormina, Sicily, Italy. It was initially built by Greeks in 3rd Century BC, before being rebuilt and enlarged by the Romans. While known as an amphitheatre, the site is actually an ancient theatre, not the gladiatorial arena of the type normally meant by the term. As well as being a major draw for tourists to the city, today the theatre continues to be used for concerts, plays and other events. Ancient Greeks inhabited Sicily from 750 BC, establishing many significant settlements on the island to make use of Sicily’s fertile soil and advantageous trading location. Around the 3rd Century BC, at the time of Hiero II, Greeks dug directly into the hard rock of Mount Taro to construct a theatre, removing around 100,00 cubic metres of rock. Large columns would have been hauled up the mountain by slaves to encircle the stage. Greek Theatre, was designed to accommodate dramatic or musical performances and so included an orchestra at the lowest levels of the theatre and a large scene where actors or dancers would perform. The cavea or auditorium steps and seats, were designed so all 5400 spectators could hear wherever they sat. Later, under Roman rule, the theatre was rebuilt, probably around the time of Hadrian or Trajan. It was remodelled in the 3rd Century AD, with the orchestra turned into an arena and stage removed. Theatre had a diameter of 107m and could hold around 10,000 spectators. It become one of oldest theatres in Magna Graeca to have curved cavea, rather than the older trapezoidal design. The cavea were divided into 9 sections. On either side of the skene was a basilica. Taormina’s theatre became part of the natural landscape; the light and splendid Calabrian coastal scenery providing a natural backdrop to performances. Remains of another Hellenistic building have been found under the Roman cavea. After Punic Wars, Romans annexed Sicily, forcing out Carthaginians. While Sicily remained largely Greek culturally, the Roman settlers expanded the theatre and shifted its function to reflect Roman entertainment; gladiatorial games. Romans expanded the orchestra, as well as adding columns, statues and covers. During Middle Ages, the grand Corinthian style columns were removed to adorn palaces and places of worship, including the Cathedral. Today, over 2 millennia later, the Taormina Amphitheatre remains a social space for watching performances. Today, theatre is used as a venue for the annual arts festival Taormina Arte, other entertainment offered includes theatre, concerts, symphonies, operas, ballets and the David di Donatell awards have all been held within the ancient auditorium. The modern seating has had a mixed response, but allows this fantastic site that has weathered the ravages of time to continue functioning as was originally intended. Be aware the site is not very accessible for those who cannot climb easily. However, those who visit are rewarded with spectacular views of Mount Etna. 🎥© pioandreaperi (IG) #archaeohistories

Archaeo - Histories

20,515 Aufrufe • vor 1 Jahr

Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

Archaeo - Histories

196,549 Aufrufe • vor 2 Jahren

Facial reconstructions of the Hasanlu Lovers The people of Iron Age Hasanlu were genetically a mixture of Zagrosians, Upper Mesopotamians, and Proto-Armenics. Hasanlu is an archaeological site of an ancient city located in northwest Iran, in the province of West Azerbaijan, just south of Lake Urmia. The settlement was likely associated with the Mannaeans, a Hurro-Urartian people with a possible Indo-European substrate related to the Armenic branch. The site is most famous for its catastrophic destruction. At the end of the 9th century BC, Hasanlu was violently sacked and burned, preserving a single moment in time, much like Pompeii. Buildings, artifacts, and even human remains were sealed beneath layers of ash and collapsed debris. The attackers were most likely the Urartians. Excavations uncovered the remains of more than 285 people, many of them slain in battle or executed afterward. Several bodies showed signs of mutilation, while the positioning of others revealed desperate attempts to escape. Among the thousands of objects discovered in situ were weapons, ornaments, and household items, all abandoned in the chaos. This destruction layer, known as Hasanlu IVb, stands as one of the most important archaeological contexts of the early Iron Age Near East. Following the devastation, the city’s High Mound was repurposed as the site of a Urartian fortress. One of the most poignant discoveries is the burial of two individuals known as the “Hasanlu Lovers.” The two men - one around 20 years old, the other about 32 - died side by side in a collapsed structure. Both perished of asphyxiation as the building filled with smoke and ash during the conflagration. They were found lying close together, their arms entwined and their faces turned toward one another in their final moments.

Ancestral Whispers

93,216 Aufrufe • vor 10 Monaten