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A moderately explosive eruption from Kanlaon Volcano at 4:38pm today, lasting around two minutes based on seismic data. A dark grey ash plume shot about 2,000 metres above the crater before drifting southwest. Pyroclastic density currents then moved down the southern and southwestern upper slopes, reaching roughly 1 kilometre...

16,080 görüntüleme • 5 ay önce •via X (Twitter)

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AI video is remarkably good at imagining historical events. This is a one-shot video from Seedance 2 of Pompeii when Mt. Vesuvius erupted. Prompt is below, you can ask an LLM to rewrite it for any other event 👇 This is handheld documentary footage recorded on an early-2000s consumer DV camcorder from the streets of Pompeii at the moment Mount Vesuvius begins erupting. The footage feels like real, imperfect home video of ordinary people witnessing the beginning of a historic disaster. The recording shows a busy street in Pompeii during the daytime, with merchants, families, children, laborers, and townspeople moving through the city. In the distance, Mount Vesuvius is visible above the rooftops. At first, people are going about normal daily life, but then a strange plume of smoke and ash begins rising from the volcano. The crowd gradually notices it. Some people stop and stare, some point toward the mountain, and others begin shouting to one another in confusion. The camera moves through the street like someone in the crowd trying to capture what is happening. It shows frightened townspeople looking up at the sky, parents pulling children closer, merchants abandoning their stalls, and groups of people beginning to run as ash starts falling. The footage captures the shift from curiosity to fear as the eruption becomes impossible to ignore. There are natural cuts between wider views of the street, the mountain in the distance, and closer views of people reacting in panic. The handheld camera shows natural shake, drifting framing, sudden reactive movement, autofocus mistakes as the person filming swings between the crowd and the volcano, slight exposure problems from bright daylight and ash in the air, and the imperfect look of old DV footage. The movement should feel urgent and unplanned, like someone trying to document the disaster while also staying safe. Natural sound only: the noise of the street, footsteps on stone, people murmuring and then shouting, children crying, distant rumbling from the volcano, debris falling, and the panic of the crowd. No cinematic music added. The result must feel like authentic, raw footage of ordinary people in Pompeii experiencing the beginning of the eruption of Mount Vesuvius, captured on an old DV camcorder.”

Justine Moore

20,656 görüntüleme • 20 gün önce

A spectacular “Ring of Fire” just blazed across the Antarctic sky today, February 17, 2026 — the first solar eclipse of the year, and a rare annular one that turned the Sun into a blazing celestial halo. In this stunning alignment, the Moon slipped between Earth and the Sun but — because it was near the farther point in its elliptical orbit (close to apogee) — appeared slightly smaller than the Sun's disk. Instead of total darkness, a brilliant ring of sunlight encircled the Moon's dark silhouette, creating that iconic fiery annulus for up to about 2 minutes and 20 seconds at maximum.The path of true annularity carved a narrow corridor roughly 616 km (383 miles) wide and 4,282 km (2,661 miles) long across the icy expanse of Antarctica — one of the most remote and inhospitable places on Earth. Very few humans witnessed the full “Ring of Fire”: perhaps a handful at research stations like Concordia Station, where the peak hit around 19:47 local time (12:13 UTC / 7:13 a.m. EST), with the Sun about 96% obscured.Everywhere else in the vast southern regions, the eclipse appeared as a dramatic partial bite taken from the Sun. Partial phases were visible across:Much of southern Africa (including South Africa, Mozambique, Madagascar) The southern tips of Argentina and Chile Broad swaths of the Southern Ocean, Pacific, Atlantic, and Indian Oceans The event kicked off with the first partial shadows around 09:56 UTC, reached maximum at 12:13 UTC, and wrapped up by 14:27 UTC — a roughly 4.5-hour celestial dance viewed from half a hemisphere away.Astronomy enthusiasts and scientists alike marveled at the precision of orbital mechanics on display: the Moon's apparent size just shy of perfect coverage, the Sun's corona faintly visible around the edges in safe-filtered views, and the eerie dimming of daylight in partial zones.This remote spectacle kicks off what many are calling a golden age of eclipses — with a total solar eclipse coming up on August 12, 2026 (visible from Greenland, Iceland, and northern Spain), followed by more totals and annulars through 2028.A reminder of cosmic rhythm: even in the harshest, loneliest corners of our planet, the universe puts on a show of breathtaking beauty and perfect timing.(Sources: NASA eclipse resources, Wikipedia Solar Eclipse of February 17, 2026, EarthSky, and related astronomical reports.)

Black Hole

11,992 görüntüleme • 5 ay önce

Watch this 17-second clip carefully. What you are about to see is not what it claims to be. For over 25 years I’ve worked as a specialist forensic analyst, both within the intelligence world as well as private security sector. So I’m going to show you how forensic analysis really works to uncover the truth about what we see put in front of us. TRT World, Turkish state media, released this video claiming it shows an Israeli airstrike on a residential building in Al Zaitoun, Gaza on January 5, 2025. The dramatic footage with emotional Arabic overlay text was designed to generate instant outrage. While obvious Pallywood often uses fake blood and staged injuries, this one is more sophisticated. It relies on perfect timing and internal preparation. Here is the second-by-second breakdown: Seconds 0 to 1: The camera is already perfectly framed on the building. White smoke begins venting from multiple windows simultaneously. At around the one-second mark, a bright red dot appears on an upper window for a fraction of a second right before the blast. This is the trigger light that lights up the instant before an explosive charge is detonated. It also acts as a marker for the cameraman. No incoming missile, no external impact flash. Seconds 1 to 2: A massive dark smoke plume erupts violently outward and upward. Debris is ejected. When a real missile strikes a building, you typically see large flames from the missile’s fuel and the force ripping apart major sections of concrete, producing large chunks of debris. Here, we see no significant flames and only small debris mixed with heavy dust, exactly what you would expect from a small internal explosive device designed mainly to blow out windows and create a dramatic smoke plume. The explosion originates from inside the building and expands symmetrically. Seconds 2 to 4: The smoke cloud balloons dramatically. The cameraman, already positioned and recording, smoothly tilts up to capture the most cinematic part of the plume. Seconds 4 to 6: The camera tilts down to street level. A girl in bright pink walks across the dusty area almost casually, not showing the expected panic. Seconds 6 to 9: Civilians appear relatively composed. Then the man in the red hoodie runs in, stops dramatically, and points upward while shouting in a theatrical manner. Seconds 9 to 17: People mill about with surprising calm as dust swirls. The camera work remains composed enough to capture the drama while TRT World adds the emotional propaganda text. This was not an airstrike. It was a carefully timed internal detonation, triggered from within (signaled by the red dot), filmed by someone who knew exactly when it would happen. The internal multi-window venting, perfect camera placement, and staged reactions all confirm it was manufactured for propaganda. If you value the truth and appreciate such detailed analyses, please share. Real tragedy does not need this level of staging. The information war continues.

Mor Edge Insight

66,939 görüntüleme • 1 ay önce

I will never forget the first time I walked into St Peter's Basilica... None of it is painted. Everything overhead that appears to be a fresco is a mosaic: millions of small glass tiles, cut and set into place by hand. Michelangelo pierced the drum with sixteen windows, and beneath them runs a band of text, black on gold: TU ES PETRUS ET SUPER HANC PETRAM AEDIFICABO ECCLESIAM MEAM. "You are Peter, and upon this rock I will build my church." From the floor it reads like an ordinary inscription but each of those letters is two metres tall... Above the windows the dome divides into sixteen segments, and within them six tiers of figures rise in rings: the popes buried in the basilica, then Christ, the Virgin Mary, St John the Baptist and the Apostles, then angels carrying the instruments of the Passion, then the faces of cherubim and seraphim. Above all of them, a blue sky scattered with gold stars, and at the summit, in the lantern, God the Father. The man who designed it, Giuseppe Cesari, was a painter. Between 1603 and 1612 he produced sixty-five life-size cartoons setting out the whole scheme, and every one of them was then translated into glass by mosaicists. The reason is actually pretty unglamorous. The basilica was damp, and candle smoke and incense from centuries of liturgy were eating the pictures alive. So the Vatican began converting the building into glass, dome by dome, and from the end of the 1600s the painted altarpieces too, one at a time. By the basilica's own reckoning, around ten thousand square metres of mosaic. The workshop that did all of this is still open: twelve artists work in the Vatican Mosaic Studio today, cutting tesserae by hand in nearly 28,000 shades and fixing them with a linseed-oil stucco whose recipe has been in use for four centuries. Earlier this year its director, Paolo Di Buono, described the work: "We have the idea that we are working for something that is almost eternal."

James Lucas

71,981 görüntüleme • 12 gün önce