Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

A new ‘depth compositing’ system was developed for Avatar that provides a pixel-perfect real-time composite in camera, that accurately positions live action and CG elements together, producing a very close approximation of the final shot while still on set. #WētāFX #VFX

Wētā FX

10,003 subscribers

94,195 görüntüleme • 3 yıl önce •via X (Twitter)

Bilim & Teknoloji Haberler & Politika Sanat #WētāFX #VFX

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Enjoy the VFX magic created by Image Engine VFX Studio for Netflix's Avatar: The Last Airbender live-action adaptation in a new breakdown reel showcasing how the world of Avatar was brought to life with CG. Watch it here: #AvatarTheLastAirbender #netflix #VFX

80 LEVEL

46,818 görüntüleme • 2 yıl önce

Water was such a critical aspect of Avatar that we rebuilt our entire simulation approach to enable a new level of realism and interaction above and below the surface. #WētāFX #Avatar #AvatarTheWayOfWater

Wētā FX

115,250 görüntüleme • 3 yıl önce

It's no secret that Michael Bay likes to shoot his films with as much practical effects as possible. In #Transformers (2007) there is a shot where Optimus Prime and Megatron crash through a building, this shot was done practically using a miniature at 1/4 scale by ILM. Doing this shot practically allowed them to get the randomness of the destruction without having to do expensive simulations. The CG robots were then added into the shot to merge the photographic plate with the CG elements. When doing live-action films, it is always a good idea to shoot physically as much as possible. This provides the VFX artists with real world reference to ground their work in and allows them to compliment the shot with CG elements. One of the reasons the original Transformers trilogy looks so good is because of the incredible blend of practical and digital effects. It is difficult to watch the film and spot what is real and what is CG. ILM VFX Supervisor Scott Farrar talks through how this scene was pulled off:

It's no secret that Michael Bay likes to shoot his films with as much practical effects as possible. In #Transformers (2007) there is a shot where Optimus Prime and Megatron crash through a building, this shot was done practically using a miniature at 1/4 scale by ILM. Doing this shot practically allowed them to get the randomness of the destruction without having to do expensive simulations. The CG robots were then added into the shot to merge the photographic plate with the CG elements. When doing live-action films, it is always a good idea to shoot physically as much as possible. This provides the VFX artists with real world reference to ground their work in and allows them to compliment the shot with CG elements. One of the reasons the original Transformers trilogy looks so good is because of the incredible blend of practical and digital effects. It is difficult to watch the film and spot what is real and what is CG. ILM VFX Supervisor Scott Farrar talks through how this scene was pulled off:

Rassoul Edji

513,295 görüntüleme • 1 yıl önce

A key shot in ‘THE PUNISHER: ONE LAST KILL’ that fans have mocked for being unfinished VFX was mostly an in-camera shot. The only VFX used in the shot was to swap out the stuntman’s face for Bernthal’s (Source:

A key shot in ‘THE PUNISHER: ONE LAST KILL’ that fans have mocked for being unfinished VFX was mostly an in-camera shot. The only VFX used in the shot was to swap out the stuntman’s face for Bernthal’s (Source:

DiscussingFish

520,007 görüntüleme • 2 ay önce

Here's a screengrab of the sections of the ML Deformer presentation in the State of Unreal stream that shows it in action. It shows an approximation to a full muscle sim that takes 1 minute per frame normally. Also does cloth approximation. Running live on PS5. #mldeformer #ue5

Here's a screengrab of the sections of the ML Deformer presentation in the State of Unreal stream that shows it in action. It shows an approximation to a full muscle sim that takes 1 minute per frame normally. Also does cloth approximation. Running live on PS5. #mldeformer #ue5

John van der Burg

82,246 görüntüleme • 3 yıl önce

Aang calmed a whole volcano without the Avatar state, using only AIR. Korra would have used the Avatar State and still lost to the volcano, killing everyone in that village. Again, Korra wasn’t an Avatar. She was only a manipulator of elements. That said, God punish Korra.

Dr. Olawale Ogunlana

3,224,674 görüntüleme • 1 yıl önce

The opening sequence of OCTOPUSSY has everything, action, humor, excitement, and uses all the elements of special effects trickery in the live action, model work, foreground miniatures and front projection. It was all shot in camera way before CGI and it's a scene I loved working on the most. 🎬📺 Octopussy ❤️🔥

The opening sequence of OCTOPUSSY has everything, action, humor, excitement, and uses all the elements of special effects trickery in the live action, model work, foreground miniatures and front projection. It was all shot in camera way before CGI and it's a scene I loved working on the most. 🎬📺 Octopussy ❤️🔥

BlueBriefing🎬🍿

20,678 görüntüleme • 1 ay önce

"When they talk about greatest of all-time, they very rarely put him (Kareem) in there – and what he did was special. He was 7'2" and he developed a shot that was virtually unstoppable." – Patrick Ewing on Kareem Abdul-Jabbar

"When they talk about greatest of all-time, they very rarely put him (Kareem) in there – and what he did was special. He was 7'2" and he developed a shot that was virtually unstoppable." – Patrick Ewing on Kareem Abdul-Jabbar

Dan Patrick Show

32,423 görüntüleme • 2 ay önce

⭕️ JUST IN: Iran’s Foreign Minister Abbas Araghchi said Tehran and Washington reached general agreement on a set of “guiding principles” that will serve as the basis for drafting a potential deal. He described the second round of indirect talks in Geneva as “more constructive” than the previous session, said new ideas were raised, and noted that “good progress” was made, while adding that bringing the two sides’ positions closer together will take time and that drafting the agreement will be more difficult.

⭕️ JUST IN: Iran’s Foreign Minister Abbas Araghchi said Tehran and Washington reached general agreement on a set of “guiding principles” that will serve as the basis for drafting a potential deal. He described the second round of indirect talks in Geneva as “more constructive” than the previous session, said new ideas were raised, and noted that “good progress” was made, while adding that bringing the two sides’ positions closer together will take time and that drafting the agreement will be more difficult.

Drop Site

14,926 görüntüleme • 5 ay önce

#ProjectHailMary built two versions of Grace’s set to portray zero gravity elements. “We’ve never seen that before” and it was very “disorienting for Grace waking up and there’s a chair on the wall.”

#ProjectHailMary built two versions of Grace’s set to portray zero gravity elements. “We’ve never seen that before” and it was very “disorienting for Grace waking up and there’s a chair on the wall.”

Brandon Davis

15,812 görüntüleme • 4 ay önce

Crazy scene from Marco Polo, combining animation, live-action, and CG. This was a few years before Madhouse (who animated Marco Polo) would use CG in the Golgo 13 film; there are only a few instances of CG in anime before this that I can even think of.

Crazy scene from Marco Polo, combining animation, live-action, and CG. This was a few years before Madhouse (who animated Marco Polo) would use CG in the Golgo 13 film; there are only a few instances of CG in anime before this that I can even think of.

John with a Blog

16,803 görüntüleme • 7 ay önce

A new milestone for real-time accurate 3D spatial computing! Introducing ⚡️Fast-FoundationStereo⚡️, a real-time zero-shot stereo depth estimation model that accelerates the original FoundationStereo by >10x with comparable quality. Details in threads 🧵 (1/N)

A new milestone for real-time accurate 3D spatial computing! Introducing ⚡️Fast-FoundationStereo⚡️, a real-time zero-shot stereo depth estimation model that accelerates the original FoundationStereo by >10x with comparable quality. Details in threads 🧵 (1/N)

Bowen Wen

77,140 görüntüleme • 7 ay önce

“The first time I saw like in a trailer that the two of us were in a shot together I felt invisible and I understood. I was like very dangerous to share the screen with this woman. Very dangerous.” Pedro Pascal and Vanessa Kirby’s interview for ROMY in Paris.

“The first time I saw like in a trailer that the two of us were in a shot together I felt invisible and I understood. I was like very dangerous to share the screen with this woman. Very dangerous.” Pedro Pascal and Vanessa Kirby’s interview for ROMY in Paris.

Vanessa Kirby News

32,427 görüntüleme • 1 yıl önce

Belief in the Resurrection of Jesus was very early! There is no way it was a legend that developed later on.

Belief in the Resurrection of Jesus was very early! There is no way it was a legend that developed later on.

InspiringPhilosophy - Michael Jones

15,173 görüntüleme • 5 gün önce

New work: Visual brand refresh and website design for Paradigm Paradigm is an investment firm that focuses on research at the frontier. The refreshed identity ties together rich visual tapestries of impossible shapes, a node system that represents the inkling of a new idea, and a typeface system rooted in deep research and exploration. ▷

adam ho

33,490 görüntüleme • 1 yıl önce

The Moana live action remake is a shot for shot remake of the animated version. Same lines. Same dialogue. Same songs. Same story. But worse. Less funny. Doesn’t look as good. And they’re calling it a live action remake but basically everything is still CGI. Is it even a live action remake at that point?

The Moana live action remake is a shot for shot remake of the animated version. Same lines. Same dialogue. Same songs. Same story. But worse. Less funny. Doesn’t look as good. And they’re calling it a live action remake but basically everything is still CGI. Is it even a live action remake at that point?

Lauren Chen

20,742 görüntüleme • 29 gün önce

v.5.2.0 Update Information: Play Analysis & Real-Time Advice Features Added 📊 A new feature that analyzes your in-match performance and allows you to compare your playstyle with recent opponents and top-division players has been added! We’ve also introduced a real-time advice system that provides tips based on your inputs during the match. #eFootball

v.5.2.0 Update Information: Play Analysis & Real-Time Advice Features Added 📊 A new feature that analyzes your in-match performance and allows you to compare your playstyle with recent opponents and top-division players has been added! We’ve also introduced a real-time advice system that provides tips based on your inputs during the match. #eFootball

eFootball

49,256 görüntüleme • 8 ay önce

Final Fantasy XVI action-oriented combat was great, and didn’t take away from the fact that it was still a Final Fantasy game🚀 Whatever issues there are, aren’t combat-related, and more exploration and depth-related😎

Final Fantasy XVI action-oriented combat was great, and didn’t take away from the fact that it was still a Final Fantasy game🚀 Whatever issues there are, aren’t combat-related, and more exploration and depth-related😎

Rino🚀

46,771 görüntüleme • 1 yıl önce

Avatar beta was way more fun that I expected, there's a surprising amount of depth in the game and it felt great to pilot. Excited for what's to come

Diaphone

68,890 görüntüleme • 8 ay önce

Reminder that the legendary road runner chase in Kung Fu Hustle was basically live-action Looney Tunes physics. Stephen Chow spent hours on wires using his own blue socks as a VFX reference while his crew spun him on a rotating disc. Practical effects win every time.

Reminder that the legendary road runner chase in Kung Fu Hustle was basically live-action Looney Tunes physics. Stephen Chow spent hours on wires using his own blue socks as a VFX reference while his crew spun him on a rotating disc. Practical effects win every time.

𝐌𝐜𝐂𝐨𝐲 🪐

946,116 görüntüleme • 1 gün önce