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A rare divine sight at Arulmigu Alangara Valli Sametha Pathaleswarar Temple, where even an owl pauses in silent reverence before Sri Pathaleswarar and Mata Mahalakshmi. 🦉🙏

17,028 views • 2 months ago •via X (Twitter)

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🚨 EXCLUSIVE — Tucker's War on Truth now disputes the central Jewish connection to Jerusalem. Tucker Carlson claimed the Kotel, or Western Wall, is merely "believed by some to be a remnant of the Second Temple." It's an odious myth designed to separate Jews from the holiest site in Judaism — and its origins are recent, peddled by the godfather of Palestinian terrorism, Yasser Arafat. And it is a breathtaking level of denialism, precisely because it is so mendacious. There is overwhelming historical and archeological evidence that the Kotel survived from the Second Temple. Simply put, no one serious or credible doubts that the Kotel (Western Wall or Wailing Wall) in what is now the Old City of Jerusalem is the retaining wall of the Temple Mount complex from the time of the Second Temple. Yet Tucker labels it as nothing more than a "claim." Even a century ago, Muslim leaders in Jerusalem in 1925 said its "sanctity" was "beyond dispute" because of it had survived from the Temple. It is only recently that some Palestinians have decided to become, for lack of a better term, Temple Truthers. In 2015, for example, the Grand Mufti of Jerusalem Muhammad Ahmad Hussein bizarrely claimed that there was never any Jewish holy site at the Temple Mount. Hussein, though, was merely echoing Yasser Arafat, who rejected the 2000 Camp David proposal for a Palestinian state on the grounds that there had never been a Jewish holy site at the Temple Mount. Fast forward 15 years later, and the Grand Mufti declared that the site was an "Islamic mosque since the world was created." It's an odd claim given that Islam only dates back to the 7th Century. So why do we know that Temple Truthers are unequivocally wrong? Evidence. Staggering amounts of evidence, in fact. For starters, the Kotel matches the description of famous 1st century historian Josephus — with whom Tucker is quite familiar, having discussed his work during previous interviews. Josephus detailed Herod's expansion from that era, including the exact type of retaining wall matching the Kotel. He even listed measurements for the stones used — which also match the measurements of the stones at the Kotel. Then there's the texture and style of the stones comprising the Kotel. They match the stones from the Herodian era found elsewhere in Jerusalem — which stopped being used shortly afterwards, following the Roman destruction of the city. Most important, though, is what has been found in archeological excavations. Archeologists have unearthed more than three dozens of mikva'ot, or ritual Jewish baths, just outside the perimeter of the Temple Mount complex. Jewish pilgrims, in accordance with Jewish law, would ritually cleanse themselves in mikva'ot before entering the Temple Mount. There are many more such examples of archeological evidence, but here's one more. Two stones were uncovered with inscriptions that match those described by Josephus as having been placed just outside the Temple. In short, the evidence confirming that the Kotel or Western Wall has survived from the Second Temple era is incontrovertible. So much so, in fact, that Temple Truthers are on a par with Flat Earthers. Tucker Carlson, of course, knows better. But facts don't matter to him, just his singular, obsessive mission: To divide Jews from Christians, which requires him to remove Jews from their own history. That's why Tucker promotes the dangerous lie that the Jews of today aren't descended from the Jews of the Bible. And now he's trying to take from the Jews not just their history, but also the one surviving portion of the holiest site that ever existed in Jewish history. Even if that means Tucker has to ignore mountains of evidence in order to embrace a provably false Palestinian fiction.

Joel Mowbray

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💔💔💔😡😡😡😡😡😡😡 HOW MANY MORE TIMES DO WE HAVE TO SEE THIS BEFORE SOMETHING FINALLY CHANGES??? 😡😡😡 This evening in Clonmel, people sat in their cars, helpless, horrified, watching a horse collapse on a public road, a trap/sulky still attached. An animal pushed beyond its limits, then dragged back up and forced to keep going as if its suffering meant nothing. This isn’t just neglect. This is cruelty, in plain sight, in modern Ireland. And yet it keeps happening. 😡 This happened at the roundabout at the Bulmers Factory, Clonmel, Tipperary 💔💔😡😡 We are angry. We are heartbroken. We are ashamed that in a country that claims to value animal welfare, this is still allowed to continue on our roads. Laws mean nothing without enforcement. Words mean nothing without action. To those in power: how many videos, how many witnesses, how many broken or dead animals will it take before you act? We are calling for: A dedicated An Garda Síochána Animal Crime Unit with real authority and resources. Immediate enforcement of existing animal welfare laws A clear, enforceable ban on the use of horses in these conditions on public roads This is not tradition. This is not culture. This is suffering 😡 We will not stay silent. We will not look away. And we will not stop demanding change until this cruelty ends. Enough is enough! 😡😡😡😡😡😡 Dept of Agriculture, Food and the Marine Garda Info

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. Today, on the sacred 7th of May 2026, our film Krishnavataram The Movie arrives before the world with the divine blessings of Lord Jagannath. This is not merely the release of a motion picture; it feels like the unfolding of a prayer woven through cinema, music, silence, devotion, and emotion. Hardik Gajjar Films (The Director) and his entire team have created a deeply sensitive and spiritually moving experience that reveals Lord Krishna not only as the Supreme Divine, but as the eternal embodiment of love itself. The film delicately touches those unseen emotional shades of Krishna where compassion becomes music, silence becomes दर्शन, and love becomes the very breath of existence. It feels as though Krishna, while leaving this world, left fragments of His own heart behind for humanity to discover through devotion. The legendary Prakash Kapadia has written dialogues with extraordinary philosophical depth and emotional intensity. His words do not merely describe Krishna, they unveil Him layer by layer, allowing the audience to experience the tenderness, pain, divinity, playfulness, sacrifice, and cosmic love that exist within His consciousness. There are moments in the film where the dialogues feel less like writing and more like timeless revelations flowing from another realm. Irshad Kamil ji also has penned great songs which create magic on the screen. And then comes the soul of the film — its music. The music composed by Prasad S is not something one simply listens to; it slowly dissolves into the listener’s inner being like sacred incense lingering in the air of an ancient temple long after the lamps have faded. His compositions possess an extraordinary spiritual fragrance, where every note carries longing, surrender, stillness, devotion, and grace. There is a rare emotional purity in his music that touches the deepest corners of the heart without demanding attention — it simply enters silently and stays forever. Prasad’s understanding of emotion through sound is profoundly exceptional. He has not composed mere melodies for this film; he has sculpted states of consciousness. The background score breathes with Krishna’s compassion, smiles with His leelas, and weeps with His separation. Certain musical passages continue to echo within the soul long after the scene has ended, like a distant flute still calling from the banks of Vrindavan. His music possesses that rare divine quality where silence itself begins to sing. What touches me even more deeply is his humility. Prasad said to me that I was one of the driving forces behind the music of Krishnavataram, but the truth is, he himself is one of those divinely chosen souls blessed with rare sensitivity, grace, and sincerity. Despite his immense talent, he remains extraordinarily grounded, soft-spoken, and pure-hearted, someone who never claims success as his own alone, but lovingly shares its light with every co-artist who walks beside him. Perhaps that quiet humility, more than even his brilliance, is what makes him truly special to me. I feel very fortunate to have lent my voice and written lyrical expressions for the background score of this sacred cinematic journey. May Krishnavataram & its music awaken devotion, love, and inner stillness in every heart it touches. Because Krishna was not loved merely for being God, Krishna was loved because He understood the language of the human soul. SO REQUESTING EVERYONE TO GO TO THE NEARBY THEATRES AND WATCH THE MOVIE “KRISHNAVATARAM” AND WITNESS THE MAGNIFICENCE OF LORD KRISHNA !! prasad sashte Dr. Sajan Raj Kurup Harsh Sanghavi poonam shroff Raam Mori पंकज त्रिपाठी Shefali Vaidya. 🇮🇳 Dr. S. Jaishankar Benjamin Netanyahu - בנימין נתניהו

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