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A snippet from his 30 minute #deep and #sloppy draining #20s #studentlife #gloryhole #wataa #bigdick #anon #selfcare #aussiedick #bwd #blowjob #boner #uncut #bj #deepthroat #sloppyhead

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Andrew Wilkinson owns 40+ businesses. He just showed me how he's using OpenClaw, Claude Code and AI agents to run latest business, start new ones, and automate everything. Here's what I learned: 1. In December 2025, something clicked. He started waking up at 3AM with a smile, sitting in terminal with 10 Claude Code tabs open. He hasn't stopped since. He calls it chasing the dragon. 2.He built a full SaaS product called Deep Personality. A 40-minute personality test that generates a 100-page report written like Robert Greene. $20 000 in revenue. Zero employees. The entire business runs on AI agents. 3. He has agents for support, marketing, and dev. When a support ticket comes in, the agent either handles it or sends it to the dev agent. If it's critical, the agent fixes the bug and merges the PR before he wakes up. Then it emails the customer back. 4. His marketing agent is connected to PostHog, manages Meta and Reddit ads, creates ad creative, runs multivariate tests, and sets budgets. He's about to give it a $100 k/month ad budget and see what happens. 5. He forgot his laptop on a trip to Arizona. He ran his entire business from the back of Ubers using OpenClaw. Nobody picked up that every single email was written by AI. 6. His take on vibe coding: the worst part about business is people. Between your vision and execution are 100 people you have to convince. Vibe coding removes all of them. For the first time he can do every part of building a product himself. 7. He was trying to build OpenClaw before OpenClaw existed. Now he uses a tool called Harbor, which is basically a GUI for managing multiple agents. You can see all your agents, their status, knowledge bases, and databases in one place. 8. He built a custom AI for his relationship. He and his girlfriend took 15 psychological tests, put the results into ChatGPT, and asked it to analyze their relationship. It nailed every fight they've ever had. That became the product idea for Deep Personality. 9. His honest take: he spends 50% of his time debugging, 30% improving the setup, and 20% being productive. It's a treadmill. But the 20% that works is so powerful he can't stop. 10. His prediction: we're 3-6 months from being able to hand basic businesses off to AI to run entirely. And pretty soon Anthropic and OpenAI are going to launch AI CEOs. This is an inside look at how a serious operator Andrew Wilkinson is using AI agents in the real world. The good, the bad, the debugging, all of it. Most people don't show you this. Episode is live on The Startup Ideas Podcast (SIP) 🧃 watch

GREG ISENBERG

144,005 просмотров • 3 месяцев назад

The 5-Minute Polymarket Sniper: Making $150,995 on "Boring" Bitcoin Fluctuations in a Week Profile Statistics: > Total Profit: $150,995.38 (Over the last week) > The Biggest Win: $20.3K > Total Forecasts: 155 > Account Created: June 2026 The Strategy: 5-Minute Scalping: Buying the Undervalued: He enters precision positions (both "Up" and "Down") when the share price is heavily discounted, usually catching entries between 37¢ and 52¢. Effectively, he buys probabilities that the market is mispricing in real-time. Mathematical Edge: Unlike high-frequency bots making 30,000 micro-bets, this sniper takes only 155 highly calculated positions. By maintaining an incredibly high win rate and compounding returns, he turned a compact sample size into a massive avalanche of profit. Zero Emotion: Pure execution of short-term volatility and momentum around exact key minutes. Top Deals from the Dashboard: > June 11 (8:30 PM): Bought "Up" at 49.7¢ ➔ Won $40,262.39 (+$20,262.45 / +101.31%) > June 11 (9:05 PM): The ultimate sniper shot. Bought "Down" at 45.0¢ ➔ Won $33,298.1 (+$18,298.14 / +121.99%) > June 11 (8:10 PM): Bought "Up" at 49.7¢ ➔ Won $24,132.28 (+$12,132.31 / +101.10%) > June 11 (9:50 PM): Deep discount entry. Bought "Up" at 37.4¢ ➔ Won $7,805.52 (+$4,889.75 / +167.70%) Why does this work? On ultra-short-term (5-minute) prediction windows, retail traders and algorithms constantly create order book inefficiencies by panic-selling or overreacting to minor Bitcoin ticks. This trader doesn't try to guess where BTC will be next month. He simply spots the momentary mispriced odds, locks in a stellar risk-to-reward ratio, and walks away with $4,000 to $20,000 in net profit in just 300 seconds Do you think he can continue to earn that much? I'll post his profile below 👇

Ridark

43,740 просмотров • 2 месяцев назад

The 5-Minute Polymarket Sniper: Making $189,861 on "Boring" Bitcoin Fluctuations.. Profile Statistics: > Total Profit: $189,861.72 > The Biggest Win: $13.3K > Total Predictions: 95,647 > Account Created: April 2026 > Name: 0x50f7 The Strategy: 5-Minute Scalping 1) Buying the Undervalued: He enters ultra-short positions (5-minute "Up or Down" BTC windows) when the market panics or misprices the odds of an outcome. Entries are caught at heavily discounted prices, ranging from 1¢ to 39¢ per share. 2) Mathematical Edge: Out of 95,000+ trades, he captures spreads and liquidity imbalances. Unlike standard traders trying to predict crypto prices a week in advance, he simply exploits real-time order book inefficiencies. 3) Zero Emotion: Pure short-term execution, buying heavily discounted probabilities just minutes before the candle closes. Top Deals from the Dashboard: > June 6 (12:45 AM - 12:50 AM ET): Bought "Down" at 1.1¢ -> Won $13,450.72 (+$13,301.35 / +8,904.95%) > July 11 (1:30 PM - 1:45 PM ET): Bought "Up" at 3¢ -> Won $9,000.00 (+$8,730.00 / +3,233.44%) > May 21 (1:45 PM - 1:50 PM ET): Ultimate sniper shot in "Up" at 1.1¢ -> Won $8,434.21 (+$8,345.23 / +9,378.67%) > April 22 (1:30 PM - 1:35 PM ET): Deep discount entry in "Down" at 1¢ ->Won $6,876.28 (+$6,807.52 / +9,900.00%) Why does this work? On ultra-short (5-minute) prediction windows, retail traders and basic algorithms constantly create order book inefficiencies by panic-selling or overreacting to minor Bitcoin ticks. The trader locks in absurd risk-to-reward ratios (1:50 to 1:100). The Secret Driver: AI Prompts for Edge Scanning Analyzing his trading style, manually tracking thousands of micro-events and instantly spotting mispriced odds is nearly impossible. It is highly likely that he was backed by specialized LLM prompts (similar to the News-to-Edge Scanner and Catalyst Chain Reactor): 1) Instant Catalyst Assessment: Prompts allow the AI to filter out real-time news noise and calculate mathematically sound probability models faster than the crowd. 2) Identifying Contrarian Angles: The algorithm flags precise moments where crowd sentiment strays too far from objective facts. When the AI flags an inefficiency, all the trader has to do is pull the trigger and walk away with up to +9,900% ROI in just 300 seconds. Do you think this is driven by custom AI scripts or pure market microstructure intuition?

Ridark

19,083 просмотров • 1 месяц назад

Andrew Wilkinson (Andrew Wilkinson) has been waking up at 4 a.m. because he can’t stop building with Anthropic’s Opus 4.5. He started vibe coding a couple of years ago, but it felt like the Palm Treo era of the smartphone—exciting, but not quite there. You could generate an app, but it would get stuck in bug loops or break the moment you pushed it further. Then he tried Opus 4.5 in Claude Code. It felt, he says, like having a “$100,000-a-month payroll of engineers” working for him 24/7. He’s built practical AI automations into every corner of his work and life, including: - A relationship counselor app called Deep Personality that consolidates 20 clinically validated personality tests into a 40-minute assessment, then generates a 45-page analysis. When both partners complete it, it maps compatibility and predicts conflicts—Wilkinson says it laid out every fight he and his girlfriend have. - A custom email client he built by handing Claude Code his Gmail credentials and describing his ideal workflow. It triages emails by priority and sender, handles quick replies via multiple choice, and walks him through complex emails question by question before drafting. - A personal stylist that texts him four outfit recommendations every morning. It checks the weather, pulls from a spreadsheet of his entire wardrobe (photos converted to CSV by Claude), generates four outfit options rendered as images with Nano Banana 2, and texts him what to wear down to the watch. - A Lindy agent that acts as an AI referee of sorts—it records his meetings and texts him if it detects psychological red flags like manipulation or gaslighting. The bar is high—he only gets a notification every few months—but when he does, it usually confirms a gut feeling he already had. Andrew is the cofounder of Tiny, the holding company that owns businesses like AeroPress and Dribbble. Earlier in his career, Andrew was a web designer, and he fits one of my predictions for 2026: Designers, who know how to create great experiences for users, are the unsung group most empowered by this AI moment. I had him on Every 📧's AI & I to talk about Opus 4.5, what he’s building with it, and how it’s changing the way he thinks about acquiring software businesses at Tiny. This is a must-watch for anyone who wants to put AI to work in their day-to-day life. Watch below! Timestamps: Introduction: 00:01:07 Why Opus 4.5 feels like the iPhone moment for vibe coding: 00:02:48 Why designers have a unique advantage with AI: 00:08:31 How Andrew built a custom email client with Claude Code: 00:14:10 An AI trained on your relationship that predicts your fights: 00:18:13 Using AI meeting notes to make your life better: 00:30:40 Don't inject your opinion into prompts: 00:35:11 Andrew's Claude Code tips and workflows: 00:40:21 Your personal stylist is a prompt away: 00:47:59 How AI is changing the way Andrew invests in software: 00:53:17

Dan Shipper 📧

154,567 просмотров • 7 месяцев назад

a deported Chinese dev at a Starbucks showed me his screen and said "you have 6 seconds" he was sitting in the corner. two phones. one laptop. hood up. looked like he hadn't slept in days. i sat down next to him because every other seat was taken. he saw my screen. Polymarket open. "you trade these BTC markets?" yeah. 5-minute binaries. he turned his laptop toward me. "you see how the result settles? every 5-minute BTC market resolves based on an oracle. the oracle reads the price from an API. but the oracle doesn't update instantly. there's a lag. 4 to 6 seconds" "in those 6 seconds the real BTC price already moved. but the market is still open. still accepting orders. priced on the old number" he pointed at his screen. two windows side by side. left: Binance BTC spot feed. right: Polymarket orderbook. 3,200 stars. decentralized oracle framework. he had it forked on his laptop. the entire oracle timing model was exposed in the source code. "right now BTC is at $100,240 on Binance. the oracle still shows $100,190. the market 'BTC above $100,200 at 3:05pm' is trading YES at 41 cents" "but i already know the answer is YES. because i see the real price. the oracle doesn't. for 6 seconds i'm trading against a blind counterparty" watched him buy YES at 41c. four seconds later the oracle updated. market resolved YES. payout $1. "59 cents in 4 seconds. this happens every 5 minutes. 288 times a day" asked how he found this. "i was an oracle engineer at Chainlink in Shanghai. got deported for visa issues. took the knowledge with me" "every oracle has a heartbeat interval. a deviation threshold. a propagation delay. i know exactly how long each one takes to update. because i built three of them" he closed his laptop. "the edge isn't in the market. it's in the infrastructure layer between the real price and the reported price. nobody looks there. because nobody understands how oracles work" finished his coffee. left. didn't get his name. didn't need it. flew home. opened Claude. "build an oracle latency exploitation engine for Polymarket BTC binaries. track real-time BTC spot price from Binance websocket feed. compare against Polymarket oracle update timestamps. detect windows where oracle lags behind spot by more than $30. enter the side that the real price already confirmed. target the 4-6 second blind window before each oracle heartbeat." the system was live by morning. named it DEEP SIGNAL. first fill hit before i finished coffee. > Binance websocket feed at 50ms intervals. > oracle heartbeat monitor. > propagation delay calculator. > spot-to-oracle divergence detector. > conviction gate at $30+ deviation. > order placement avg 47ms. $534K volume. 79% win rate. sharpe 3.64. drawdown -1.2%. +$11,681 in profit runs on: Claude $20. VPS $5. UMA protocol free. $25/month. copytrade setup here: went back to that Starbucks a week later. same corner. empty. but the oracle still lags. every 5 minutes. every day. 6 seconds is all you need when you can see what the oracle can't.

Hanako

32,632 просмотров • 4 месяцев назад

I have a story about addiction from a different perspective. A story where recovery was not possible. I have one sibling. An older brother. Everyone loved him. It was easy to love him. He died 10 years ago. It was a horrible death that took him 20 years to accomplish, dragging everyone who loved him along the way. He was an amazing musician. He didn't read music. No lessons. Hand him any instrument, and he can play it. He had a big heart. He was easily the funniest person I've ever known. And he is the only other human being who speaks fluent movie-script-quotes with precision and skill. But alcohol took over in his mid-20s. Bam Margera is just 2 years younger than my brother. He reminds me of my brother *so* much. Everything Bam and his family went through with his addiction is what my brother and family went through. My brother left high school because he was a gifted songwriter and musician. Bam left because he was a gifted skater. My brother was really into editing and producing films, and so is Bam. When Ryan Dunn died, and Bam went off the deep end, I was watching my brother do the same thing every time a strong emotion hit him, and he simply didn't know what to do with it. My brother was so beautiful on the outside, yet unrecognizable at the end. I can not tell you how many times my brother would go missing. Hundreds of times. He would sometimes go missing for up to a week. Then we'd get a call from the police or a hospital. Usually, the hospital would be first because he'd be near death. Then they would keep him on a 5150 at a mental health facility. Then he would come home. One time, he chased me with a knife in his hand, screaming he was going to kill me as I was running out of my parents' home on a cordless phone dialing 911. I found a fifth of vodka in his room and poured it down the drain. He went looking for it 20 minutes later, and it was empty...and I told him I poured it out. When I was 24 years old, I landed my first job that came with an office. My name was outside of it. I was stoked. I worked my ass off to get there. But there was no happiness at that time in my life. I remember my father calling me at work, sitting in that office, to say he was coming to pick me up because he knew where my brother, who had been missing for 4 days, was. The credit card he stole from my mother showed he was at a little oceanfront motel 10 minutes away. And I remember thinking to myself on the way over there...I have to open the motel room door. I can't let my dad see him hanging. It will destroy his life. I told my dad to wait about 10 feet to my left, and I opened the door, and there was my brother fashioning a sheet into a noose. Another time he went missing, and they found him on the roof of a building with the inside of his arms slashed from elbow to wrist, just lying in a pool of blood. Dark shit. Both of the insides of his arms were mutilated from being sliced open so many times. At least 30, if not more. He stopped wearing short-sleeved shirts in public about 10 years before he died. He got to the point of seizures when he withdrew and had alcohol-related dementia for the last 3 years of his life, which would come and go. Then one day, after 2 decades, he called my parents and said something was wrong. My parents went over to his place, ended up calling 911, the ambulance got there, and he started walking outside with assistance from paramedics and collapsed. In front of my parents. He was rushed to the hospital. I had not seen my brother for the last 9 years of his life. He disowned me. Because he felt he had to. He killed my dog when he got drunk 9 years before he died. No one knows if he meant to or not, he was so wasted. He couldn't face me after that. So he disowned me. And a piece of my heart died the day he did it. I talked to my parents right before they left to see what was wrong that day. The last thing I said to my dad was, "Do not let him die without me having an opportunity to say goodbye." My dad called me from the er 2 hours later and said, "You should come over now. He won't know you're here." When I got there, I was shocked at what I saw. He wasn't the right color. He was in a coma. Severe internal bleeding. On life support. It was jarring even after seeing him in a much similar state hundreds of times for such a long time. He was taken to the ICU 3 hours later, where they would transfuse blood by the bag damn near constantly, and it just shot out of his nose. It was bloody. A lot of blood. After about 6 hours, I told my parents to go home and get some rest. I would stay with him. And I talked to him like he was right there. Like one of the hundreds of pillow-fort slumber parties we had as kids. Like no time had passed, and his addiction never existed. I showed him pictures of my life over the past decade on my phone...just like he was there. But he wasn't there. And after 3 hours and extensive talks with several doctors and specialists, I had to make the decision to remove his life support. After my parents returned and said goodbye, I told them to wait out in the hall until he passed because I could not allow them to have the memory of him dying, and I returned to my brother's side, and said what I needed to say, bawling my heart out. I told them to turn off the machines, and I held him in my arms as he died. It took just over 7 minutes. And I just held him. I had Nine Inch Nails playing for him. One of his favorites thanks to Pretty Hate Machine. He was a fan for life after that. He was my best friend. But he was also someone I had to protect myself from if he was intoxicated. This is the end that usually becomes a reality for addicts and their families. Then there's someone like Bam Margera. He went to the same place my brother went to in his head. And he came back. Bam is one of the greatest comebacks ever and a story of recovery worth knowing. I see YouTube shorts of Bam skating again every day, and I'm so moved that I just sit here and cry. You can see his personality is back. You have no idea how rare that is. Their personality shows very little while they're in their addiction. Recovery stories are incredibly personal to so many people, including those who have gone through addiction with an addict because they love them so much...they'd see anything they had to see and endure anything they have to endure just to be there with them at their lowest point. Addicts are not monsters. The stuff they use to numb the pain they do not understand is the real monster. And when you put enough of that into a human being, they do things they would *never* do without it. People are not pure. We are more complex than that. We are good and bad. Light and dark. Right and wrong. Chaotic and serene. You will find that the answer to every question you have about life is usually "both" for a reason. Because one can not exist without the other. With recovery stories like Hunter Biden's and Bam Margera's out in the ether, more people will be less ignorant as to how this disease plays out, and that will do nothing but good for so many families struggling with this issue. Addiction isn't just for the addict. Addiction is for everyone who loves them, as well. It's just a different perspective of hell. So listen to recovery stories with renewed respect because most addicts end up the way it ended for the only sibling I'll ever have.

Nicole Minét

408,300 просмотров • 2 месяцев назад

We’re building a latency Football bot for Polymarket. Target: operational before the World Cup. Save this. The principle: pro sports feeds (Sportradar, Opta) deliver pitch events in ~200-500ms. The Polymarket orderbook takes longer to reprice thin liquidity, market makers pulling quotes while they reassess. That window is the edge. Yesterday, first live test on Bayern vs Real (Champions League QF). 86th minute, Camavinga gets his second yellow. Pipeline receives the event from Sportradar 280ms after the card. “Bayern advances” market was at ~0.55. Model recomputes to ~0.68 post-red and fires a $500 order. Partial fill as expected: ~$180 caught around 0.55-0.57, the rest slipped to 0.63. Average 0.59. Market stabilized at 0.67 a few seconds later. Unrealized +$30. +6% in seconds. It’s a test. But the loop worked end to end detection, decision, fill, before the book caught up. What we learned: network latency is part of the problem. The real bottleneck is orderbook depth. We’re competing with sharp bots, not retail on their couch. And “next goal” markets have better spreads than qualification markets. Pivoting there. What we’re building before June: fill routing across 12 venues via Jito atomic bundles. Low-signal event modeling (dangerous fouls, injuries, tactical shifts). UMA oracle hedging. Node co-location near Sportradar servers. Why the World Cup matters. 104 matches in 39 days. $2.5B+ in projected prediction market volume. Deep liquidity means bigger positions fill cleanly. Thin liquidity in group stages means wider spreads. Both environments leave serious money on the table. 56 days to ship. We’re on it.

PolyArbiter

938,080 просмотров • 4 месяцев назад

just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.

el.cine

12,990 просмотров • 3 месяцев назад

In 2009, we tried to throw our very first DatPiff Live concert at the Masonic Temple in Brooklyn. On paper, it looked solid. Styles P, Red Café, JR Writer. In reality? Total disaster. We had no idea how to properly market a show or handle the logistics that come with running one. On top of that, the venue was way out of the mix. It was the perfect storm for things to go wrong, and they did. But we learned. In 2010, we ran it back. This time at SOB’s in SoHo, arguably the hottest, most intimate venue in NYC at the time. The approach was different. Instead of stacking the bill with just popular New York names, we built the lineup around artists whose mixtapes we had recently released. XV was the headliner. He was buzzing heavy, and we were dropping his new mixtape at midnight that same night, so the synergy made perfect sense. The supporting cast was strong too: Cory Gunz, Los, Masspike Miles, DJ Woogie, DJ Killatouch. And then there was Mac Miller. K.I.D.S. had dropped about a month earlier. Mac had never performed in New York City before. We knew he was hot online, but we had no idea what that would translate to in real life. We didn’t know how many fans would show up for him. Big mistake. That night quickly became a Mac Miller show first, DatPiff Live second. I’m not exaggerating when I say 90% of the crowd was there for him. He went on third to last, and the second he touched that stage, the place exploded. The room was shaking. He did a 30-minute set, and if I could go back, I would’ve given him an hour to run the entire mixtape front to back. He absolutely bodied it. I remember looking around at everyone backstage, we were all in shock. Like, “what just happened?” His manager at the time, Artie Pitt from Rostrum, great dude, was in tears after the set. He looked at me and said, “I’m just so proud of him, man. He made it. This just solidified what I already knew, the kid’s a star.” He was right. None of us could’ve predicted just how far Mac would go, but in that moment, we all knew something had shifted. He had arrived. As for the rest of the night… after Mac’s set, about half the crowd left. Masspike Miles went on to a nearly empty floor. The remaining fans were holding out for XV, who closed the show to about 40–50% capacity. To his credit, he still delivered a great performance, finishing right around midnight as his mixtape officially dropped. The next day, the blogs and media coverage labeled it “Mac Miller’s show at SOB’s.” DatPiff barely got mentioned. The other artists barely got mentioned. And honestly? Rightfully so. Deep down, we all knew that was the night. The night Mac Miller went from a buzzing mixtape kid out of Pittsburgh to a future global touring superstar. It’s a night I’ll never forget. And I guarantee anyone who was in that building won’t either. If you were there, drop a comment 🙌 #macmiller

DatPiff

87,763 просмотров • 6 месяцев назад

“Ben Roberts-Smith: John Howard says no one is above the law. ‘I urge every Australian to respect the rule of law, the criminal justice system, and the accused’s right to a presumption of innocence.’ •••••••••••••• John Howard saying this really grinds my gears. He was the politician who sent Australian soldiers off to Iraq and Afghanistan for reasons that essentially turned out to be a pack of lies. Where was Howard when politicians were turning a blind eye to people being injured by the vaccine. Why wasn’t he calling for them to be held to account for their lies. Why doesn’t he hand himself in for sending our troops off to wars that had nothing to do with Australia and causing the unnecessary deaths of Australian soldiers. I strongly urge you to watch the longer version of this clip from around the 18:30 minute mark. The link is attached in comments. Curt Weldon is a former Republican Congressman and Vice Chair of the Armed Services Committee. He had access to the workings of the Intelligence agencies. Needless to say when he called out their corruption he was framed and lost office. Essentially the CIA knew that Bin Laden was in Iran and had cut a deal to ensure they had plausible deniability of his whereabouts. Weldon alleges the CIA were cutting deals for their own profit. If you consider the Iran contra affair this is entirely plausible. The whole shtick about going into Afghanistan to get Bin Laden was a lie, as was the chemical weapons of mass destruction lie. Our soldiers were being used as pawns so that higher powers could protect their interests in the Middle East (oil, money, territory) It also lends weight to General Wesley Clarkes claim about a premeditated plan to overthrow seven countries in the Middle East. If anyone should be on trial it should be our intelligence agencies who are in my view the most dangerous bureaucrats of all, along with gullible politicians like Howard who just repeat deep state propaganda with no scrutiny whatsoever or consideration for the lives of people impacted by their decisions.

Gerard Rennick

56,276 просмотров • 4 месяцев назад

MrBeast found four other lunatics online. Three college dropouts. One high school dropout. One guy who quit his job. They talked on Skype every day for 1000 days straight. 7am to 10pm. Then sleep. Then do it again. One of them became the biggest YouTuber on the planet. He spent 10 minutes explaining what they studied: Here's why having the right people accelerates everything. "Imagine working solo. 12 hours a day for a year. You make a mistake, you learn from it. You grind." "Now imagine four friends equally grinding on something similar." "Friend one makes a mistake on Friday. Teaches the other four. Friend two makes a mistake the next week. Teaches everyone." "You're all learning from each other's mistakes. Constantly studying 24/7. Downloading each other." "After a year, you're like 2 years ahead of the guy who was solo." They studied thumbnails obsessively. "We'd take a thousand thumbnails and see if there's a correlation between the brightness and how many views it got." "Something a lot of people forget: on phones, thumbnails are really small. People edit thumbnails full-blown on their computer. When you shrink it down, you can't see anything." Your title and thumbnail set expectations. Then you must exceed them. "At the very beginning of the video, to minimize drop off, you want to assure them that those expectations are being met." "If you're putting a million Orbeez in a pool, don't start the video with you shopping for your mom's birthday present." "Just say: this is 100 million Orbeez. We're going to fill this pool and this entire backyard with them." "Match the expectations. Then exceed them. Blow their mind. Be like: you're also getting even more." Anyone can clickbait. The difference is delivery. "We say we put 100 million Orbeez in the backyard. We put 100 million Orbeez in the backyard." Here's the algorithm truth no one wants to hear. "Anytime you say the word algorithm, just replace it with audience." "The algorithm didn't like that video? No. The audience didn't like that video." "If you're not retaining a viewer, would it make sense to promote it? Why would you promote a 10-minute video that people watch on average a minute and a half?" "Literally all the algorithm does is reflect what the people want. If you deny that, you just make terrible videos and are trying to find a scapegoat." His reinvestment strategy was relentless: "For the last eight or nine years, every dollar I've made, I just spent it the next month on content." "I just did that every single month. It just kept getting bigger and bigger. And here we are." Meanwhile, he lived in a $700/month duplex. Split with a roommate. $360 each. "Living your life chasing a nicer and nicer car and a bigger and bigger box to live in is kind of a dumb way to go about life." He only moved because someone broke in and stole everything. "I had to get a little nicer house for security reasons." On obsession: "Since I was 13, there probably hasn't been a single hour that's gone by that I've been awake where I haven't thought about YouTube." "I'm just focused on making the best videos possible, period." "I don't care about making money. I don't care about time. I just want to make the best videos on the planet." The effort is insane. "Sometimes we're filming for 3 or 4 days. 10 hours a day. 30, 40 hours of filming plus months of setup." "Most creators probably film for a couple hours and set up for a day." "We brainstorm video ideas relentlessly. Hours every day." "By always doing all those things, it just distinctively sets it so far apart that in my head it's like: why would you not watch it?" Viewers aren't stupid. "They can tell when you half-ass a video or if you really put in effort." "If they can tell you're putting in a lot of effort, they're going to be more likely to click on future videos." "Once you build that trust, they get to a point where it doesn't matter what you upload. They just know it's high effort. They're just conditioned to watch because you have a good track record." On why most creators burn out: "A lot of people aren't willing to put in 10-hour days because they don't like what they're doing." "If you don't enjoy it, you're going to burn out. You're doing this for years, not months." "I just had the blessing of finding what I loved at a young age." "To get to this level, it takes a decade. Most people don't find what they love till their young 20s. So they'd be where I'm at in their 30s." "I just lucked out and found it when I was really young." One insight changed everything: "Only 10% of the world speaks English. 90% of the world can't even watch your content." "When I realized that, I was like: wait a minute." "We started doing dubs like 6 months ago. It's crazy how viral some of these videos go. 51 million views in Spanish." "The guy who does my dubs is the same guy who dubs Spider-Man." Here's the math most creators get wrong: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos." "Takes way less effort." This 10 minute video will teach you more about content, obsession, and why most creators stay small than every course combined. Bookmark & give it 10 minutes today, no matter what.

Jaynit

71,945 просмотров • 4 месяцев назад

🏴󠁧󠁢󠁥󠁮󠁧󠁿 THE MASK DROPS: JOURNALIST GOES TO PROVE MUSLIMS ARE "PEACEFUL" — MOB SHOWS UP TO KILL HER INSTEAD ☠️ The irony would be a chef’s kiss if it weren’t so deadly serious. A journalist waltzes into a Muslim enclave in England, cameras rolling, narrative pre-written — “look at these peaceful, law-abiding citizens, nothing to see here, you bigots.” The script writes itself. It’s the same one the legacy media has been running for two decades straight. And then reality intervenes. Within minutes, a gang of masked men swarm her. They don’t want an interview. They don’t want dialogue. They want her gone — and they make it abundantly clear she’s leaving in a body bag if she doesn’t comply. The live feed gets cut. The studio anchor is stammering apologies for the “language.” The journalist gets escorted out, tail between her legs, narrative in tatters. This isn’t an isolated incident. It’s the Birmingham pattern — and it keeps repeating: - Sky News reporter Becky Johnson, August 2024: surrounded by masked men on bikes, shouting profanities and “Free Palestine,” forced off-air mid-broadcast. A man with a knife chased the van and tried to slash the tires. A year later, when she returned to the same neighborhood, a man in a car mimed pulling a trigger at her head. - Christian preacher in Walsall, January 2023: mob of 20-30 Muslims formed a ring around him, threatened to cut his throat, beat him, and abduct him — for preaching that the Qur’an presents a false Jesus. Police response? Arrest the preacher for “blasphemy.” The mob walked free. A judge later threw out the charges, but the message was sent. Same neighborhoods, same script: white resident Gerry Moynihan admitted he stayed inside his own home that day because the "intelligence" was that the mobs were "looking for what they thought were the enemy — white people — and trying to find white people." The Narrative vs. The Footage The establishment gaslights the public with one hand while their own camera crews are fleeing for their lives on the other. The cognitive dissonance is staggering: View the table below. The 2030 Agenda crowd — the globalist technocrats pushing mass migration, open borders, and the dissolution of national identity — didn’t just break England. They lobotomized it. They convinced the ruling class that importing millions of people from cultures that view Western values as a disease to be eradicated would somehow produce... Sweden. Look how that turned out. The Real Two-Tier System When a white man says something offensive online, the full weight of the British state descends on him — dawn raids, criminal charges, career destruction. When a mob of masked men threatens to murder a female journalist on live television for the crime of standing on a street with a microphone, the system suddenly discovers its deep reservoir of “context” and “community tensions.” The journalist who went in expecting to film a puff piece about peaceful Muslims got the uncut director’s commentary instead. The mask didn’t just slip — it was ripped off and thrown at the camera. The lesson? You can gaslight a nation for twenty years with carefully edited news packages and diversity-committee-approved scripts. But you can’t edit the live feed fast enough when the truth charges at the lens on two wheels, masked up, screaming for blood. #TheMaskDrops #NarrativeVsReality #BirminghamExposed #TwoTierEverything #LiveFeedDoesntLie #2030AgendaWasteland #TheyCantEditFastEnough #PeacefulOnPaper can’t director’s didn’t Qur’an “ chef’s chef’s

Tony Seruga

15,908 просмотров • 2 месяцев назад