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A standout interval block in recent Tamil cinema ⚡😂🔥 What an execution Sivakumar Murugesan 💥👏 Music, cuts, sound effects, visuals and screen presence – everything synced PERFECT 💯 Bala saravanan actor 😂👌💥 #ThaaiKizhavi #Vishwaroopam

60,581 次观看 • 5 个月前 •via X (Twitter)

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Anna voda Records Ellam Solli Mudichitiyaa , Ippo Enga Aalu Record Solluren 🙏🏻💥 Kettuko 👇🏻👇🏻👇🏻👇🏻👇🏻 INDIA'S OG SUPERSTAR..🥵💥💥 The GODFATHER OF INDIAN CINEMA..💯🔥🔥 Records Created by #Rajinikanth as an Indian Actor, as a South Indian, and as a Tamil Actor — He is a True RECORD Creator..💪💥💥 👇👇👇 • The Only Non-Telugu Indian actor with three (3) - ₹100Cr+ Films from the Telugu version alone.. • The Only Non-Kannada Indian actor with Seven (7) - ₹20Cr+ Grossed Movies in Karnataka.. • The Only Non-Telugu Indian actor with Fourtheen (14) - ₹10Cr+ Grossed Movies in the Telugu states.. • The First Non-Malayalam actor to cross the ₹10Cr mark in Kerala.. • The First Non-Telugu actor to cross the ₹25Cr and ₹50Cr Gross mark in the Telugu states.. • The Only South Indian actor with three (3) - $20M+ grossers in Overseas markets.. • The First South Indian actor to cross ₹100, ₹150, ₹200, ₹250, and ₹300Cr Gross mark Globally.. • The Only South Indian actor with Six (6) - $3M+ Grossers in North America.. • The Only Tamil actor to deliver a ₹150Cr Opening-Day Gross.. • Holds the Record for the highest number of ₹100Cr+ Grossed Movies in Tamil Nadu (8 films).. (Note: Vijay also has 8 films.) • The First Tamil actor to cross ₹100, ₹200, ₹300, ₹400, ₹500, ₹600, and ₹700Cr worldwide.. • The First Tamil actor to hit the ₹50cr & ₹100Cr Gross mark in Tamil Nadu.. • The First Tamil actor to record ₹100Cr+ net from the Hindi version.. • The Only Tamil actor with eleven (11) - $1M+ films in North America.. • The First Tamil actor to hit the ₹10Cr+ Opening in the Hindi version.. • The Only Tamil actor with three (3) - ₹500Cr+ Global Grossers..

PR

41,224 次观看 • 9 个月前

#1yearofRetro 💙 The first Half of #Retro was filled with Elevative Artistry, Emotional Connect, Craftwise brilliance, One of the Career best performances of Suriya, Technical brilliance, Totally invested Engaging Screenplay and Perfect interval block.. More than anything the Politics of colonisation and the message at the end was so beautifully done!! Especially the Chapter - Love! It was a poetry on screens.. 1st 40 minutes and 20 minutes towards interval block nu this 1 hour was such a masterpiece work both in writing and direction!! That 15 minute Single shot Kanimaa Sequence was Pure Cinema!! I would definitely mention about this as one of the best sequences ever made in indian cinema..🔥 shreyaas krishna ‘s cinematography, Santhosh Narayanan ‘s absolutely mind blowing background score and songs, Make up, Costumes, Stunts னு Craftwise it was a stunner in every department! Though I didn’t like Loki- Vijay - Ani’s master on the whole, I’d still rate it as one of the best cinematic experience I had on theatres because of the performances of vijay, VjS and I loved so many moments all over the film from the Actor - Director - music director trio.. I feel retro is that for suriya 💙 எனக்கு Overall message ஆ, Scenes ஆ, Idea level ல 2nd Half பிடிச்சிருந்தாலும் ஏன் இவ்ளோ All over the place ஆ இருக்குனு தான் முதல் முறை பாக்கறப்போ தோணுச்சு.. அப்புறம் சமீபமா Our Stupid Reactions னு ஒரு American reaction channel சொல்லிதான் எனக்கு தெரிஞ்சது அதெல்லாம் Pulp Fiction, Gladiator னு இன்னும் பல Hollywood படங்களுக்கான Shoutout னு.. நான் அந்த படங்கள் எல்லாம் பாக்காததால எனக்கு என்ன சொல்ல வராங்க, ஏன் படம் எங்க எங்கயோ போயிக்கிட்டு இருக்குனு தோணிருச்சு 2nd Half ல.. But still, படம் 1st Half முடிஞ்சதும் நான் உடம்பெல்லாம் சிலிர்த்து போயி மதுரை Gopuram cinemas ல நின்னது எனக்கு இன்னும் ஞாபகம் இருக்கு.. And Suriya is one of the finest performers we’ve got in Tamil.. சில காலமா வாரணம் ஆயிரம் and NVOK Hangover அவரோட எல்லா Roles லயும் தெரியுதுனு சொல்லிட்டு இருந்த எனக்கு, “This is the performer Suriya I was waiting for!! This is what he’s capable of!!” னு தோண வெச்ச படம் #Retro தான்! I would rate this performance as one of his career best performances!! ஒவ்வொரு முறை சூர்யா கண்ணாடியை பார்க்கற காட்சிகள், முதல் முறை சிரிக்கிற ஒருத்தன் எந்த அளவுக்கு சிரிப்பான்னு காட்டினது, Kanima பாட்டுல கூட Character லயே இருந்தது.. முகத்துல சிரிப்பை காட்டாம, அதேநேரம் கொண்டாட்டமா ஆடறதெல்லாம் So tough to crack and convey to the audience.. Silhouette ல Introduce ஆகற Action Block முடிஞ்சதும் கல்யாண கோட்ல ஸ்டைலிஷா வந்து அமைதியா ஆரம்பிச்சு நக்கலா அந்த ரவுடிக கிட்ட பேசற தோரணையும் சரி.. சண்டைல கையை சொழட்டி அடிக்கற Swag உம் சரி.. அந்த கம்பி வெச்சு சண்டை போடற Stunts ல உள்ள Screen Presence லையும் சரி.. Actor ஆ சூர்யா யாரு, அவரோட Potential என்னனு காட்டறதுக்கு சமீபமா வந்த படங்கள்ல Perfect portfolio படம்னா அது Retro தான்..💯 The mirror scene where he tries to smile so hard and The interval scene where he smiles for the first time will go down as one of the best scenes in suriya’s career!! Conviction ஓட நடிக்கலனா இந்த சீனெல்லாம் “இங்க பாரேன்..சிரிப்பு வர்றதுக்கு இவ்ளோ கஷ்டப்படறாராம்” னு Fun content ஆகியிருக்கும்.. But he pulled it off so well!! I might have complaints with the products Suriya Sivakumar has given, but I would be the happiest person if I see something good happens for him!! Retro is one such good thing happened to him! Always thanking karthik subbaraj always for that! 💙

தோழர் ஆதி

113,036 次观看 • 4 个月前

The #Toxic album is out ❤️‍🔥 My God, what a journey this has been. A journey that I know I will never forget. Firstly, because in this journey I found my elder brother, my mirror voice, my Yash Bhai. Someone who made me feel so free & fearless as an artist. He let me explore things that were sometimes hard to even conceive, and yet through all that madness, he was there, guiding me, believing in every instinct and every crazy idea. Yash bhai♥️ This one is ours. And then my maverick director Geetu Mohandas 🌟 What do I even say about her? She is fearless, uncompromising, crazy and she has redefined boundaries for me. The way she sees cinema, the way she sees sound, silence, characters, emotions… it makes you want to forget everything you know and discover something new. I think that is what Toxic is. A lot of like-minded mad people somehow found each other and came together to make this film, to make this music, to build this world. And beneath all the scale, all the madness and everything you are going to witness, there is soul… I want to congratulate my brothers Ravi Basrur and Tanishk Bagchi ♥️ for being such incredible catalysts in the making of this album, for bringing their own madness and magic into this world. And I want to congratulate every single actor in this film for becoming a voice, a voice that I truly believe is going to travel, resonate, and take over the world. Most importantly ,all my lyric writers, you know there is no music without you. And to my team, who have lived the toxic madness with me and taken what was inside my head and my heart to places that sometimes I could only imagine in my dreams… thank you. I love you guys. The album is yours. And the madness has only begun. Like my brother said, this cinema is going to blow your mind. See you in cinemas on 26th August 💥 #TOXIC. 🖤 KVN Productions

Vishal Mishra

84,828 次观看 • 1 个月前

Special thanks to KV Reina | InterLink Labs Mira Full Video 🔥 What unfolded on the 19th of April at Vijayawada was not merely an event—it was a landmark celebration of vision, scale, and collective excellence 🚀✨, hosted with distinction by Mahesh Magnus, Global Leader and Core Ambassador of Interlink. This grand occasion, marking the First Ambassador Anniversary of Interlink 🎉, stands as a historic milestone—an indelible chapter now inscribed in the legacy of the network 📖🌍. What began as a strategically envisioned gathering of 500–600 Interlinkers transformed into an extraordinary congregation of 800+ attendees 👥🔥, far surpassing expectations and establishing a new benchmark for scale and engagement. The magnitude of participation reflects the accelerating momentum and deep-rooted trust within the Interlink ecosystem 🌐. The event commenced on a culturally profound and auspicious note 🪔💃, with the ceremonial lamp lighting followed by a traditional dance performance—an elegant tribute to our heritage, reaffirming that while we advance towards a decentralised future, our cultural foundations remain unwavering. The unveiling of Version 5.0 updates ⚡📊 marked a significant progression in the Interlink journey, delivered with clarity and conviction. The recognition of high-performing ambassadors 🏆👏 added a moment of prestige and inspiration, while the interactive Q&A session 🎤💬 fostered transparency, engagement, and deeper understanding. A defining highlight of this gathering was the remarkable presence of numerous first-time attendees 🙌, whose enthusiasm and positive reception elevated the overall energy of the event ⚡. The atmosphere was charged with purpose, optimism, and a unified vision 🤝✨. With over 800 individuals carrying forward the knowledge, insights, and strategic direction imparted during this event 📈🌍, the impact is poised to extend far beyond this moment—creating a powerful ripple effect across the broader ecosystem. The 19th of April will be remembered as a defining milestone in Interlink’s journey 📅✨—a day where leadership, execution, and community strength converged to create something truly exceptional. This was not just an event. This was a statement of intent. 💯🔥 India has delivered with distinction 🇮🇳✨—and this is only the beginning. #Interlink #ITLG #ITL #ITLX #AmbassadorAnniversary #GlobalMilestone #InterlinkNetwork #IndiaLeads #Web3Movement 🚀

Mahesh Magnus InterLink Mafia DON 🚩

21,686 次观看 • 5 个月前

#BattleOfGalwan| Teaser Review 🔥🇮🇳 The teaser hits hard right from the opening dialogue: “Jawaano yaad rahe, zakham lage toh medal samajhna… aur maut dikhe toh salaam karna aur kehna – aaj nahi, fir kabhi.” This one line alone defines the spirit of a true soldier — fearless, disciplined, and larger than life. Goosebumps guaranteed. Then comes the entry — powerful, impactful, and absolutely whistle-worthy. The entry shot of SK is pure cinema 🔥 No over-the-top gimmicks, no loud buildup — just raw screen presence that commands attention. This is how you introduce a character that’s meant to shake theatres. Salman Khan in Army look is a different beast altogether. The uniform sits perfectly on him, but more than that, it’s the intensity in his eyes that tells the story. He isn’t playing a role — he is in character. Silent rage, controlled aggression, and emotional depth all packed into a few frames. The film is inspired by the India–China conflict of 2020, and the teaser smartly keeps things focused, restrained, and dignified. No unnecessary exposition, no sensationalism — just the emotion, the tension, and the resolve. The collaboration of Himesh Reshammiya & Salman Khan once again proves why this duo is lethal. The BGM and music elevate every frame — patriotic without being loud, intense without being noisy. The sound design alone adds massive weight to the teaser. Whenever Salman Khan steps into intense, content-driven roles, history has shown what happens at the box office — Bajrangi Bhaijaan, Sultan, and now Battle of Galwan — these films don’t just perform, they create havoc. And then comes the Baap of all dialogues 🔥🔥 “Maut se kya darrna… usse toh aana hai.” This line isn’t just a punch — it’s a soldier’s mindset, a sentiment that hits straight in the heart. Shot at real locations, the teaser looks raw, grounded, and brutally authentic. You can feel the cold, the tension, and the reality in every frame — nothing feels artificial. So many teasers and trailers come and go… but Bhai ki sirf ek jhalak hi kaafi hoti hai to create a box office storm 💥 This teaser doesn’t shout — it roars. #SalmanKhan𓃵 #SalmanKhanBirthday #SalmanKhan60 Salman Khan

Amit Bhatia

22,500 次观看 • 9 个月前

#BREAKING: Legendary #Maddow: “John Williams’ Imperial March from The Empire Strikes Back…is iconic, instant American pop culture shorthand for you’re looking at tyranny, you’re looking at a despot flexing his power to intimidate innocent people. We viscerally know that’s what you’re looking at when you hear that sound, but in that video that I just showed, the reason the visuals aren’t from any of the Star Wars movies…is because this video, this TikTok was shot by a local guy who lives in Washington DC and this is his recording of him playing The Imperial March from The Empire Strikes Back out loud on his iPhone as Trump’s deployment of the National Guard, has armed troops in uniform patrolling his neighborhood. He did not get in the way of the National Guard patrol, he did not try to block what this National Guard patrol was doing, he just played the iconic song from the Empire Strikes Back on his phone as he walked around after them, conveying satirically, and through music, exactly what this National Guard deployment is. When he did that, a National Guardsman summoned the DC Police to arrest him for it, and they put him in handcuffs for having played that song, but now, he just got paid. He’s just received a $50,000 payment as a settlement for the cops handcuffing him, essentially as punishment for him playing the song from the Empire Strikes Back. His lawsuit against the National Guard is still pending, so there may yet be MORE to come…In an interview with WaPo today…he notes that he does still go out and do this, only now, he doesn’t just do it with his iPhone, now he does it LOUDER, with a portable speaker…”😂😳

Emoluments Clause

16,750 次观看 • 2 个月前

I was the biggest skeptic of AI video editing. Until recently. So I asked one of the most talented creators I know (Anthony Dupont-Cinko) to break down exactly how AI can support the entire video process. The guy cooked. Here are the high-level notes: The tl;dr Right now AI mostly solves two genres. The video essay and the tutorial. Both have a straightforward outline, a script you stick to, and a one-shot record that AI can chop against. Other formats still lean heavily on craft. Easy Mode: research and ideas without losing your voice The gist: Use AI to find opportunities and pull source material from tools and team discourse. You still decide what is worth saying. Don't outsource final sign-off. Pro tips: - Marketplace is huge. Type YouTube and you will see VidIQ, TubeBuddy, and a pile of others. If your company shows a “request” button, go bug the admin. Do not wait on the queue. - Hook Ahrefs into Claude (and Notion) and ask something like: use the Ahrefs connector to find AI content opportunities this week, and tell me if videos already sit in the top five. - Tribal Knowledge is the other half. It is a skill that scrapes every connector he has (Slack, Notion, meetings) and surfaces real conversations around a topic so the idea comes from work talk. - Turn that into a personalized daily brief for the kind of content you make. Anthony built a content planning app with Codex. Every day it drops a brief, proposes video topics, and lets him queue the ones he likes. Notion is the shared backend so the org can see the same database without living in his app. Even on Opus, a daily brief runs about 8 cents. Hard Mode: script and first edit with AI assistants The gist: AI helps you outline and cut. You keep the words, the takes, and the judgment. Editing is not just the blade button. It is taste. If you are an editor, you have an advantage. If you have vision but not technical chops, you can still leverage these tools. Pro tips: - Create the outline as a human. Anthony still believes you should not let AI one-shot structure. His format is three columns: dialogue, visuals (what is on screen while you talk), and sound effects. - Then use the Scriptwriter skill. Point it at a topic (he demoed “what is an MCP”) and it interviews you through the whole creative process so you speak like yourself. Short-form or long. You can ramble, go out of order, contradict yourself. It sorts after. - Beat by beat it spits your words back as bullets. You react raw in the moment. Those reactions become the real script. It also prompts visuals and SFX while you talk (day-to-night, crickets, rooster) so creativity stays in the loop. Hooks are hard. You can ask it to interview you into a better hook without handing it the whole voice. *Film it yourself* - Split editing into phases. Baseline “radio cut” (dialogue paced). Then VFX / archival / B-roll. Then audio (dialogue mix, SFX, music). - Codex + Final Cut: pointed it at the footage and the script, asked for a baseline cut. First pass had half-second gaps of silence. One follow-up (“every clip is consistently half a second off”) and it produced a fluid cut with no awkward pauses, dropped straight into Final Cut. Cost: two prompts burned a big chunk of a 5-hour context window (100% down to 14%), but against weekly Codex usage (decks, research, more content) he still had about 53% left. - Codex in Final Cut won the radio cut. Descript was faster on the clock and worse on taste cleanup. God Mode: polish stack plus a measurement loop Definition: hand off the laborious extras (B-roll, motion, music, reporting). Keep the taste calls. Close the loop so you know if the work is working. Pro tips: - B-roll / archival / VFX: Anthony spun an “archival finder” agent. He gave it a vibe (internety, clicky, fun) and a reference (simple, warm, approachable using shows, TV, movies). It came back with taste. - It also downloaded clips, filed them, dropped them on the timeline, and added a paper texture background he had asked it to design. All via the Final Cut connector plus computer use. - Motion graphics: Remotion (free, open source) plus an agent. Dump everything in your head. Ask for a plan and structure first. He asked for an Apple liquid glass ultra-clean feel. Plan, approve, tweaks, then it popped into the Final Cut timeline in about 9 minutes 10 seconds. That used to be a brief to a VFX designer (timing, seconds, design, wait for turnaround). - Music and SFX: Epidemic Sound via MCP (Artlist and free-sound options exist too). Same pattern: send the URL if you need to install, give it a creator reference (he used Zoe), iterate because you are picky about music. It dropped tracks into the timeline and used Epidemic’s crop/trim so the music was cut for the edit. Mix sat under vocals instead of overpowering them. Not just music. Mouse-click SFX timed to B-roll. Full episode:

Alex Lieberman

22,512 次观看 • 8 天前