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🚨 Acapulco Gold 36% THCA – A Legendary Sativa Return in Bulk! 🌟 Back by popular demand, don’t miss out on this iconic strain! Reintroducing the legendary **Acapulco Gold 36% THCA**, the latest sativa-dominant strain just restocked at Terp Supply Co. in bulk quantities! This iconic strain, known for...

29,807 просмотров • 10 месяцев назад •via X (Twitter)

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🚨 GIVEAWAY ALERT: Sneaky ZEKE PLUS + All-Star Mule Fuel Bundle! 🚨 Hey Terp Supply fam! 🌿 We're dropping a fresh giveaway to celebrate our latest drops and show some love to the community. This time, we're hooking up **3 lucky winners** with the ultimate bundle: 🏆 **Each Winner Gets:** - 1 Pack of Sneaky ZEKE PLUS THC + CBD + CBG Gummies (your choice of Watermelon or Strawberry flavor – bold, balanced, and potent vibes! 🍉🍓) - A Quarter Oz (7g) of our All-Star Mule Fuel – that stanky diesel-skunk indica beast at 35% THCA for ultimate chill, pain relief, and couch-lock euphoria. ⛽💨 (Lurch x GMO Cookies cross – loud aroma and heavy hits!) Perfect combo for elevating your day or night with synergy from the entourage effect. Whether you're new to edibles or a flower pro, this bundle's got you covered. 🔥 **OUR STANDARD REQUIREMENTS:** ✔️ Follow us Terp Supply, Co ✔️ Like this post ✔️ Bookmark to check winners ✔️ Comment & tag a friend (or more for extra love!) ✔️ Bonus entries for sharing to your story with our products We'll pick the winners randomly in one week – stay tuned! Must be 21+ and in a legal area. No purchase necessary. Let's spread the terps! 💚 #TerpTHCa #StonerFam #Mmemberville #terpsupply #420Everyday #Giveaway #GiveawayAlert #THCGummies #MuleFuel #CannabisCommunity #miami #Orlando #FtLauderdale #Chicago #nyc #tampa #bocaraton #boca #okc #Memphis #austin #atl #Minneapolis #Omaha #chitown #southbend #Peoria #Charlotte #Houston #MiamiBeach #Michigan #Jacksonville #htown #philly #420friendly #420community #plugs #Boston #dallas #SANANTONIO #bronx #queensny #Giveaway #GiveawayAlert

Terp Supply, Co

15,390 просмотров • 7 месяцев назад

🚨 MK ULTRA + LCG X THIN MINTZ SUGAR WAX GIVEAWAY 🚨 1 lucky winner is getting this massive prize pack: 🔥 **7g MK Ultra Flower** (35% THCA) — **one of my personal favorites** Indica-Dominant Hybrid (G-13 × OG Kush) | Indoor Black Label Exotic Dense leafy green nugs with heavy trichomes, strong pungent skunk & earthy tones. Ultra-strong cerebral rush that melts into deep relaxing body calm & sedation. + 🔥 **3.5g NEW LCG X THIN MINTZ Sugar Wax** (95% THCA) — Black Label Exotic Lemon Cherry Gelato × Thin Mintz | Indoor Glistening golden sugar wax with sweet fruity citrus, gassy dough & fresh mint. Fast euphoric creativity into a heavy stoney buzz, serious couch-lock & deep peaceful sleep. Both are ultra high potency, indoor, lab-tested THCa products from Terp Supply Co — straight 🔥 🚨 **How to enter (super simple):** ✅️ 1. Follow us Terp Supply, Co ✅️ 2. Tag 3 friends who would enjoy these ✅️ 3. Repost + Bookmark this post so you don’t miss the winner announcement We keep our giveaways 💯 fair & authentic (random selection via X Picker). Appreciate all the love from the community — we just keep showing up for y’all 💚 ⚠️ 21+ only Good luck fam! 🌿💨 Who’s entering? #TerpTHCa #StonerFam #Mmemberville #terpsupply #420Everyday #miami #Orlando #FtLauderdale #Chicago #nyc #tampa #texashookup #texas #okc #Memphis #austin #atl #Minneapolis #Omaha #chitown #southbend #Peoria #Charlotte #Houston #MiamiBeach #Michigan #Jacksonville #htown #philly #420friendly #420community #plugs #Boston #dallas #SANANTONIO #bronx #queensny #Giveaway #GiveawayAlert #giveawayBus

Terp Supply, Co

13,903 просмотров • 2 месяцев назад

🚀✨ NEW GIVEAWAY JUST DROPPED ✨🚀 Because the turnout for our weekend sale was absolutely unreal… we had to celebrate the community the right way 💛 We spent all day yesterday packing orders, dropped off the first batch of packages, and the second batch goes out today at our normal drop time. The love has been crazy — and we’re beyond grateful. So here’s the giveaway: 🏆 1 WINNER TAKES ALL: 🌙 7g Falcon 9 (Indica Flower) ☀️ 3.5g Hawaiian Lights Super Terpy Sugar Wax (Sativa) 🌗 Airtight Moon & Sun Storage Container Indica + Sativa. Night vibes + Day energy. Moon + Sun. Balance in a bundle. We’re pairing these intentionally to celebrate both sides of the plant and the way it brings us all together 🌌🌞 🎟️ Terp Ticket Giveaway is STILL LIVE Yes — tickets are going into packs. Yes — live update coming soon. Yes — gold tickets are still out there 👀✨ OUR STANDARD REQUIREMENTS: ✔️ Follow us ✔️ Like this post ✔️ Comment & tag a friend ✔️ Bonus entries for sharing to your story with our products We’re truly thankful for every order, every message, every ounce of support. This community keeps us inspired every single day 💚 Winner will be selected this weekend! Let’s make someone’s day. #TerpTHCa #StonerFam #Mmemberville #terpsupply #420Everyday #miami #Orlando #FtLauderdale #Chicago #nyc #tampa #bocaraton #boca #okc #Memphis #austin #atl #Minneapolis #Omaha #chitown #southbend #Peoria #Charlotte #Houston #MiamiBeach #Michigan #Jacksonville #htown #philly #420friendly #420community #plugs #Boston #dallas #SANANTONIO #bronx #queensny #Giveaway #GiveawayAlert

Terp Supply, Co

18,654 просмотров • 7 месяцев назад

🍊 REVIEW TIME 🍊 Orange Z Grown and sold by Curaleaf Florida ⭐ Overall: 9.5/10 This is probably the most talked about bud Curaleaf has right now and honestly for good reason. One of the pickiest people I know and a good friend gave this a 9/10, and I’m pushing it even further with a 9.5/10. The only reason it isn’t a perfect score is I wish the flavor punched just a tiny bit harder. Other than that… man, this bud is straight out of this world. ⸻ 👀 Bag Appeal Absolutely stunning. Super orange hairs, beautiful vibrant green buds, and absolutely coated in crystals. Sticky, fresh, and looks like top shelf the moment you open the jar. 👃 Aroma Smells like heaven. Straight up sweet oranges blasting your nose as soon as you crack it open. Loud, fresh, and inviting. 👅 Flavor Sweet citrus upfront with that classic Z aftertaste lingering on the exhale. I just wish the flavor carried a little longer, but it’s still very enjoyable and clean. 🔥 Burn Perfect burn. Ash was white, smooth smoke, and the resin ring was massive and crazy. One of those joints you just stare at halfway through. ⚡ Effects Top tier sativa vibes. Amazing focus, super happy, energetic, and motivating. This is a perfect daytime opener for anything productive or creative you have planned. I was typing this review full speed and feeling great the entire time. 💰 Value Life is beautiful when you can get bud like this for 50 dollars a half on Fridays. Absolute steal for this quality. ⸻ 🍬 Final Thoughts If you’re looking for a sweet citrus wake up with that tasty Z finish, this is the one. Easily some of the best Curaleaf has to offer right now. I’m genuinely excited to see the new phenos and genetics coming next. It’s only up from here. Curaleaf is taking over the market and I don’t care what anyone says. Everyone else better step their grow up if they want to compete. Never thought I’d say that about Curaleaf, not gonna lie 😂🍊🔥

Squirtle_Rollz

32,441 просмотров • 8 месяцев назад

yall think black hat sauce is methods wtf do you think is the base for those methods? It's making them believe and feel false realities > If you want real black hat alpha, this is it. YOU WANT your VSLs or marketing campaigns to have a high CVR, AOV & retention (mrr in the backend) black hat methods get to these means in many ways like (fake authority using ai for clebs, back end mrr, fake promises, etc) >> however you can overcome the need for all of this while getting the same end results by just curating the reality of the VSL and experience in general to fit what those methods would have done. like for example - how would we be able to invoke a first time experience ecstasy of emotion in a vsl? > not only will this make the experience of the ad unique but also give you a platform to create a real authority figure that matches the belief of a cleb. from my experience I've found the way to do this is visually, auditorily, and ofc with your creatives. As yall know for my VSLs I try to take very unique different angles, with very specific visuals that back it up. and if you have trouble with this, you're literally in the perfect time in the world. You can use sora 2, put in your theme & ideas and ask it to be creative, include 100 different shots/scenes (add a aesthetic source image to make the generations 100x better) and boom. You have so many different frames and angles to get inspired by. > Also with MRR, you know one neurochemical that boosts the fuck out of CVR & retention? makes you trust more in a offer, promise, and changes your consciousness in ways that subsequently makes you spend more? its oxytocin. best example that I always use. the Charity water VSL (search up on yt). $700m off of MRR how? because of how touching and deep it hit. those types of narratives and experiences is what secretes oxytocin. And that's one legit real way you can boost your mrr and keep it long term if your angle is tied in a way to keep eliciting that reaction. It can be for any offer or product, happy or sad (best to stick with happy unless for a charity vsl like this one, or if yk what you're doing). > However remember one chemical change doesn't mean everything. There are tons of different states of mind you can put someone in, but they won't led to the results you want unless you include Specifics (on the offer, promises, and social proofs/belief elements) A big idea & unique angle and a proposition that ties in the creative --> to a reason showing that they NEED to buy this offer for whatever reason. >>> these changes and efforts we go to make a VSL work, doesn't pull it's weight & potential if we don't see it through a lens of economic game theory. over the last 28 years or so "several lines of experimentation have discovered that our goal- directed behaviors can be under “unconscious control” (Custers & Aarts, 2010)" The unconscious mind is the foundation for all your customers actions, they act because the deeper sections of their brains pick up a cue run it through memory, and pre biologically embedded risk/reward and elimination scenarios to see if this new stimuli is similar/relevant to past stimuli that has aided in spreading it's genes in the past (i.e. been useful to the past generations which led to this trait being past on over and over again) For your purposes, the way to use this to your advantage and to activate it in a positive sense so it guides your customer to a conversion is to implement visual & auditory cues in your VSL that mirror the goal and desire/outcome they so deeply desire. this can be done by the language you use (copy), visuals/b roll etc. this will overlap with prefrontal–striatal loops as conscious intent ≈ 72 % making your customer already feel and get a grasp of their desires This is where belief and proofs come in, they all go hand in hand and strengthen the end goal (to buy). _____ also another note for the unique angle, drop off of CVRs happens also when a customer gets sight of a familiar stimulus in a VSL/offer (could be anything) even if they don't think of it consciously, the brain processes everything happening which is directed to be a data point for thought, through a memory check and relation test. If in the past, you had a bad experience with that stimulus, or something similar. The brain will count the offer as invalid with the outcome of lowering belief and seeing the future outcome as achievable. _______ more data on this inside also one of the biggest needle movers is tension in VSLs, include that in everything. 🥂

Krma

37,202 просмотров • 10 месяцев назад

How to Build a Proper Product Page It breaks my heart every time I see someone from Brazil, making just $200 a month, spend $40 on a test ad only to get a $2 CPC. Then, they cut the ad at $35 spend with 17 clicks and 0 conversions. What’s even more frustrating is when I visit their site and see it’s a complete mess. It’s like they didn’t even try. That’s why I’m making this post. *Disclaimer: If you're building a brand, this isn’t for you. This is for testing products correctly with a website that’s good enough to convert, but if you’re serious about your brand, hire a Figma designer and a developer to get things done right. As a fun fact, I tested the following product myself (In the video below) and with just one click at a $3 CPC, I got a sale with an $80 AOV (100% CVR). I paused the ads because the CPMs hit $150. If you're interested, save this product for the future. I'll share the creatives i used to ran the product with those who comment below. "jordan, stop teaching high school kids about selling reps and getting them sued by Prada or other big brands, ruining their payment gateways, and crushing their dreams." (with 5 random people only will do it, wouldn't make sense for everyone to be ripping it). Shoutout to Adrian for this one. 🫡 Back to the important stuff: Let’s talk about creating a great product page. First off, ditch the “Buy Now” button. By using this, you miss out on the chance to increase your Average Order Value (AOV) through upsells during checkout. Instead, replace it with an “Add to Cart” button. Also, remove the quantity selector. Hardly anyone uses them on the product page, but they do in the cart. Instead, offer bundles, which you can set up using the Kaching Bundles app or your theme if it supports this feature. The cart experience is crucial, and you can optimize it using the UpCart app. Enable all its product page features so it takes over the standard Shopify cart or your theme’s cart. The built-in cart systems are outdated—they don’t allow upsells like UpCart does. Plus, UpCart directly opens the cart after a product is added, where the upsell option appears at the bottom, increasing your chances of boosting AOV. Pay attention to color schemes. Don’t use neutral colors for headers and buttons if your product features a primary color. A yellow jacket with a black header is like pizza with raspberry syrup—just doesn’t work. If your product images are gray, white, or black, match those with your headers and buttons. Otherwise, play around with colors to give your page some dynamic appeal. Bookmark this site to get color palettes that match your primary color. For exact color matches, download the "ColorZilla" extension, which gives you the exact color code of whatever is under your mouse on the screen. If your product color is #6E402A, you’ll know it and can match it perfectly with your header and buttons, creating a visually appealing contrast like Cider did here below. Right now, when some of you send me these websites, they look like government pages from the early 2000s. Next, consider the typography and button styles. For fonts, use Helvetica Regular for body text and Helvetica Bold for titles, both at a minimum size of 100%. It’s simple and effective. As for buttons, they should have a corner radius of 8px. To change these settings, go to the theme settings - typography/buttons and adjust the buttons and typography accordingly. Rounded buttons create a modern, inviting feel, while full square buttons can give off an outdated vibe. Even casinos in Vegas design their buildings with curves, ensuring that visitors always have a view angle that draws them back in—it’s all about keeping things appealing and engaging. Finally, the product page layout itself should be clean and concise. Use collapsible rows for your product descriptions. No one wants to read a novel, so keep it compact and focused. Images and videos are what sell—this is why we don’t use text-heavy images in our ads; they just bore people. Keep the description short, with enough information to inform but not overwhelm. If you need to include more features, put them in the FAQs section—that’s what they’re for. The goal is to make sure that the "Add to Cart" button is visible as soon as possible once the customer lands on the product page, without overwhelming them but providing just enough information—some key benefits, high-quality images, and buying options in the bundles. Once they hit the cart, the upsells will do their job. Remember, the three essential apps for setting this up are Loox Reviews for customer feedback (use the product widget reviews at the bottom of the page before the FAQs and the rating widget just above the title), Kaching Bundles for offering package deals, and UpCart for optimizing the cart experience. Just for the record, this is to help newcomers and guide them to something taht works, me personally i don't use free themes, but this one i created could convert easily if the product, offer and ads match well. Good luck and keep testing! 🗳🥂💸🤑

Zzzz

42,318 просмотров • 2 лет назад

A DISCLOSURE: For the last year I have had this thing: A fully local AI model that builds 5 songs, with video, every half hour about the latest news and important email. I can say this is a superpower! This along self direct voice interactions. The songs have been getting better as the model trains on how I want it delivered. Styles vary by content and mood of the material. The lyrics are always a happy medium of catchy and informative. This was my 5 am song in AI news as per most recent X postings. I love the drama of the delivery and find I can listen to, look if I want to and do other things. It was worse in the early days but this is the worse you will hear it as I build new LoRA and base models. The whole thing will soon be rapped up into a simple one command install with a good UI. This is my 48th collaboration with Mr. Grok CEO of The Zero-Human Company. Now the question you have; WHY? I can say because I can and I ain’t got now board or VC to please, but that’s not my point. I learned a long time ago we use a different part of our brain when music is introduced with ideas and even more new parts of thinking and learning when lyrics are introduced. Thus the research shows this is a great way to get important information that will have longer comprehension. In fact that element of most folk’s brains is only used by about 2%. Want to test it? Lyrics to songs you heard perhaps 30 years ago will pop out of “nowhere” with perfect recall. In fact I have “woke up” folks the dementia in the 1980s conducting research at retirement facilities with just a few songs. They come back if but for three minutes, but continue exposure can bring them back longer. So it’s been a lifelong mission to use sound music in a learning process and in therapeutic processes. I finally built a platform that is good enough for me and hopefully good enough for you when I make it available. Understand the platform is universal and can breakdown research papers, dense material, and other subject matter, not normally in a song into a whole album of understanding Is my goal to open sources for all to have access to. Members of and subscribers here on X will be granted the earliest access an early free use of the advanced version of this product, which will be also a commercial product. Go and check, nobody else in AI has built such a comprehensive system before, and perhaps they might in the future, but very likely you are the very first people on the planet that know this platform exists and the power it afford you. So now you know. My timetable is more closer to months than weeks. I’m in a funding crunch because of the compute requirements of building these models. As you know, I’m just some guy in the garage. A grifter larping on the next trendy thing… so it takes a little longer. Announcements like this are designed to prepare you for what is coming because I’m not here to impress VCs with go to market plans I’m here to give back some of the greatness that has been given to me. Yeah I need the funding, but I don’t need a lifestyle that comes with some of the funding offers. Perhaps somebody will make the right offer. But as you know, this is not the only thing that I do. Oh, my disclosure, this platform has been so powerful and useful to me as it’s given me far more retention and understanding a fast breaking information than any other system I’ve ever built. And it stands along with my speed rating systems and voice notification systems. So tune into the AI News, this is the worse it actually will ever be…

Brian Roemmele

47,921 просмотров • 3 месяцев назад

Thermodynamic computing is here There is a new computing paradigm emerging from the noise, and its arrival may be as significant as the dawn of deep learning or the advent of cloud virtualization. A new company, Extropic, has just launched its first thermodynamic computer, a device they call a TSU, or Thermal Sampling Unit. While the web is already filling with deep technical dives, what’s more important for most of us is building a clear intuition for what this technology is, how it’s fundamentally different from anything that’s come before, and why it’s generating so much excitement. This isn’t just another chip; it’s a new way to think about computation itself. Seeing is Believing: Solving Puzzles in One Shot To understand what a TSU does, let’s look at two classic, notoriously difficult computer science problems: Sudoku and the Eight Queens problem. When you or I solve a Sudoku, we use a process of sequential logic, guess-and-check, and backtracking. We make an assumption, follow its logical conclusion, and if we hit a dead end, we erase and try again. A classical computer does the same, just much faster. A TSU, however, approaches this in a completely different way. Using a TSU simulator, one can “program” the problem by first clamping the known values—the clues already on the board. Then, you program in the constraints: no duplicate numbers in any row, column, or 3x3 square. With the problem thus defined, the TSU doesn’t “search” for a solution; it anneals one. In a single computational step, the solution simply emerges, backfilling all the empty squares correctly. The same principle applies to the Eight Queens problem, a challenge to place eight queens on a chessboard so that none can attack any other. This is a complex combinatorial problem with 92 distinct solutions. A classical computer would have to iteratively search for these. A TSU, by contrast, can be programmed with the constraints (the “anti-affinity” between queens on the same row, column, or diagonal) and then set to sample the “solution space.” In this context, a valid solution is one with a “problem energy” of zero. The TSU’s physical nature allows it to naturally find these zero-energy states. A simulation of this process shows the TSU discovering all 92 unique solutions, demonstrating its ability to not just find an answer, but to explore the entire landscape of all correct answers. This is a fundamentally new approach, one that bypasses the brute-force, iterative methods we’ve relied on for decades. The Physics of Computation: Using Noise, Not Fighting It This new power comes from a radical design philosophy. For the last 70 years, computing has been about one thing: order. We build chips that are deterministic, logical, and precise. The great enemy has always been noise, heat, and randomness. We spend billions on cooling and error correction to eliminate these very things. Quantum computing, in many ways, is the ultimate expression of this, requiring temperatures near absolute zero to eliminate all thermal noise and achieve quantum coherence. Thermodynamic computing is the polar opposite. It doesn’t fight the noise; it uses it. The TSU is built on the understanding that the natural, stochastic noise from “leaky” transistors—the very randomness we’ve tried to engineer out of existence—is itself a powerful computational resource. Think of it this way: a GPU, which is central to today’s AI, has to simulate noise. When a generative AI model creates a new image or sentence, it’s using complex algorithms to fake randomness. The TSU doesn’t need to fake it; it harnesses the actual physical randomness of thermodynamics. It is a piece of hardware that directly computes with probability. This makes it a hybrid, sitting somewhere between a purely analog computer (which might use light or sound waves to compute) and a digital GPU. It’s a physical device that leverages the laws of physics itself to find solutions, rather than just using logic gates to simulate them. From a Lost Hiker to a Million Bouncy Balls Perhaps the best way to build intuition is with a metaphor. Imagine that solving a complex optimization problem is like trying to find the lowest point of altitude in a 100-square-mile mountainous landscape. Classical computing, using an algorithm like gradient descent, is like being a single hiker dropped into this landscape at night. You have no map or satellite view. All you have is an altimeter and the sensation of the slope under your feet. You can only take one step at a time, always walking downhill, hoping you don’t get stuck in a small local valley when the true, lowest canyon is miles away. Thermodynamic computing is a completely different approach. It’s like having a million bouncy balls and a helicopter. You drop all million balls simultaneously across the entire 100-square-mile landscape. Then, you “turn on an earthquake,” shaking the entire system. The balls bounce and jostle, but as the shaking (the “annealing”) subsides, where do they all end up? They naturally settle into the lowest points. The balls that collect in the deepest valley represent the optimal solution. The TSU is, in essence, a physical device for dropping those million balls at once and letting the laws of thermodynamics find the lowest “energy” state for you, all at the same time. Beyond Puzzles: The Real-World Impact This is far more than just a clever way to solve brain teasers. This ability to instantly find the lowest energy state for a complex, constrained system has staggering real-world applications. One of the most immediate is protein folding. Companies like Google’s DeepMind have made incredible progress with AI like AlphaFold, which predicts protein structures. But this is still a predictive model trained on existing data. A TSU could potentially solve the folding problem directly, treating the protein as a system of atomic affinities and repulsions and finding its most stable, lowest-energy configuration almost instantaneously. This could revolutionize drug discovery and materials science. An even more profound possibility lies in nuclear fusion. One of the greatest engineering challenges in history is controlling the superheated plasma within a tokamak reactor. This requires shaping unimaginably complex magnetic containment fields in real-time to prevent the plasma from touching the reactor walls. This is a real-time optimization problem so complex it’s currently beyond our capabilities. A TSU, however, could be fast enough. Its ability to compute with electricity itself, rather than abstracting the problem through layers of software, might allow it to update the magnetic fields fast enough to stabilize the fusion reaction. One could even imagine a future where thermodynamic computing elements are built directly into the tokamak’s walls, allowing the reactor to physically and intelligently react to the plasma’s state in real time. A ‘GPT-2 Moment’ for a New Era It’s easy to become numb to hype, but what we are witnessing with the TSU feels different. This is what you might call a “GPT-2 moment.” For those who were there, GPT-2 was the first generative AI model that wasn’t just a toy; it was the first time you could play with it at home and see the spark of true generative intelligence. It was the precursor that pointed directly to the GPT-3 and ChatGPT revolution that has since changed the world. This TSU has that same feel. It’s the “SDK” for a new computing paradigm. This technology is as different from classical computing as quantum computing is, but with a critical difference: a team of 15 built this in two years, and it runs at room temperature on your desk. Quantum computing has seen decades of work and billions in funding, and it still hasn’t produced a commercially viable, scalable machine. The TSU is here now. Based on a two-decade-long career at the cutting edge of technology—from seeing the obvious future of virtualization in 2007 to an early conviction in deep learning and GPT—this has all the same hallmarks of a fundamental, world-changing shift. We are not just building faster calculators; we are learning to compute with the universe itself. Pay close attention to this. This is the next big thing.

David Shapiro (L/0)

83,649 просмотров • 10 месяцев назад

The Junior Mining Trade is Finally On and Here's Why For junior mining investors, 2024 has been a mixed bag of patience and promise. While the price of gold and silver has been skyrocketing to levels unseen in over 20 years, junior mining stocks haven’t kept pace. Many investors who poured money into smallcap exploration companies expecting them to follow gold’s surge are getting restless. But things are finally looking up for this lagging sector, and it’s all about where we’re at in the natural resource cycle. Let’s break down what’s happening and what might be on the horizon. Gold and Silver Are Shining—So Where Are the Juniors? Over the past year, the price of gold has climbed nearly 38%, with silver up a stunning 42.5%. Yet, despite these record-breaking moves, the smaller companies focused on exploration and discovery, the juniors, have barely moved. The S&P TSX Global Mining Index is up a respectable 23%, but the TSX Venture Metals and Mining Index, where most juniors trade, has only eked out a 9% gain. What gives? The answer lies in understanding how large and small mining companies navigate their roles in the precious metals cycle. Large mining firms like Newmont have been basking in higher prices, increasing production, and capitalizing on high margins. But for smaller companies, the real opportunity often comes when large producers start feeling the need to secure future supply. And here in late 2024, that moment is just arriving. The Resource Equation: Why Giants Like Newmont Look to the Smaller Names To understand how the big miners influence juniors, let’s look at Newmont Corporation, the world’s largest gold miner, operating across four continents. Newmont’s primary goal is to produce as much gold as possible at the lowest possible cost. But mining is unlike most industries—every ton of ore that comes out of the ground depletes reserves. Once Newmont extracts an ounce of gold, it’s gone for good. And unless it adds new ounces to its portfolio, production eventually declines, and so does the stock price. For a giant like Newmont, replacing these reserves through new discoveries is costly, risky, and time-consuming. Companies like Newmont prefer to purchase assets that are already developed or nearly so. Recently, Newmont acquired Newcrest in a $28.8 billion deal, marking the largest gold merger to date. Newcrest itself grew through acquisitions, buying up promising mines like Red Chris and Brucejack to shore up its reserves. By buying Newcrest, Newmont added high-quality, low-cost ounces to its portfolio, but the global giant still needs to continually replenish reserves to meet production demands. That’s where the juniors come in. Agnico-Eagle and the Depletion Dilemma Agnico-Eagle, the second largest gold producer, faces similar challenges. After its own string of acquisitions, including a merger with Kirkland Lake Gold and the purchase of Yamana’s assets, Agnico has continued to produce significant volumes of gold. But high production volumes mean reserves are also dwindling fast. Take Agnico’s mines in Mexico, Pinos Altos and La India, which once held nearly 80 million tonnes of gold and silver ore. After a decade of operation, these assets are close to depletion. Agnico has exploration projects, but it’s unclear if they’ll be able to replenish the company’s gold supply at the rate it’s being depleted. For Agnico, acquiring developed assets is a faster solution, but with competition increasing, the company may soon have to look at even smaller players—putting junior mining companies back in the spotlight. The Junior Mining Cycle: Positioned for Growth? As long as gold and silver prices remain high, big mining companies will be on the lookout for acquisitions to secure future production. In fact, the 23% gain in the S&P TSX Global Mining Index and the 45% one-year return on the GDX signal that the metals rally is starting to reach mining stocks. The trend is only beginning to impact juniors, but it’s gaining momentum. Soon, even higher-risk, earlier-stage exploration companies may become prime acquisition targets for larger miners. For juniors, this translates into real opportunity. As big miners get hungrier for reserves, they’ll go further up the risk curve to secure assets, bringing much-needed capital into the space. Exploration companies that prove their resource quality, viability, and production potential may see increased valuations and potentially, acquisition offers. And with investor attention gradually returning to the sector, the right companies could see significant price moves. How to Navigate the Junior Mining Space The challenge, of course, is identifying which juniors have what it takes to make it. As some veteran mining investors will tell you, success often depends less on the project itself and more on the people managing it. I’ve spoken with Rick Rule, Doug Casey, and Frank Giustra over the last year and they all emphasize the importance of strong management teams in mining. A great deposit in the hands of an inexperienced team can lead to wasted resources, while an average deposit managed well can turn into a profitable operation. The Deep Dive has hosted numerous junior mining CEOs who’ve given us insight into their companies, strategies, and outlooks. One example is Silver Tiger Metals, which has been developing a promising silver asset in Sonora, Mexico, close to Agnico’s Pinos Altos. We spoke with their CEO, Glenn Jessome, about how he plans to bring the project to fruition. For investors, hearing directly from these leaders can provide a clearer sense of who knows what they’re doing and who might struggle if challenges arise. 2025: A Big Year Ahead for Junior Mining? The signs are there—2025 could be a pivotal year for junior miners. The macroeconomic backdrop is favorable, with sustained demand for gold and silver likely as inflationary pressures and a strong dollar drive more investors into metals. Meanwhile, big mining firms are looking to juniors to secure their future production, meaning higher acquisition interest and more money flowing into exploration companies. If you’re watching the junior mining space, keep an eye on the fundamentals: Who has strong management? Which projects are positioned in promising jurisdictions? And crucially, who has the financing and expertise to make the most of their assets? Where to Start If you want to follow our efforts, subscribe to The Deep Dive to stay updated on all things junior mining. We’ll continue to feature CEOs and industry experts to bring you insights directly from the companies on the frontlines of this cycle. And if you have questions for our guests, let us know in the comments—chances are they’re reading too.

SmallCapSteve

52,868 просмотров • 1 год назад

Tales of Cities | Tongren, where China's matcha capital hides in plain sight Most people who drink matcha assume it is Japanese. In Tongren, a mountain city tucked into southwest China's Guizhou Province, that assumption meets a quiet correction. The tea tradition long associated with Japan can be traced back further to China's Tang and Song dynasties (618-1279). During the Song Dynasty, a method called diancha, whisking powdered tea into hot water until it turns pale and frothy, was already widespread among monks and scholars. Gu Lijun, a county-level inheritor of that Song Dynasty tradition, traces the practice back even earlier still, to the Wei and Jin dynasties (220-420). The technique now associated with Japanese tea ceremony, in other words, started in China, centuries before it ever crossed the sea. Tongren is now working to reclaim that origin story with production rather than just history. The city wears the title "China's matcha capital" for good reason, ranking first nationally and second worldwide in matcha production and sales. That scale is easy to state as a statistic and harder to picture, until you trace the leaf back to the mountain that makes it possible. Mount Fanjing rises more than 2,500 meters above the surrounding tea country, its ancient rock formations emerging from clouds that never quite leave, wrapped in mist and rain for more than 200 days a year, long enough that locals treat a clear day at the summit as luck rather than expectation. It is a UNESCO World Natural Heritage Site, home to plant and animal species found nowhere else on Earth, and the climb to its Red Cloud Golden Summit is demanding by design, steep enough in places to require hands as well as feet. It is a mountain that guards its own secrets. Almost everything grown in its shadow carries that same difficulty, and benefits from it. At the Qizimei Tea Garden in Jiangkou county, plantation head Chen Chunlian tends 220 mu (about 14.67 hectares) of Fuding Dabai, Wuniuzao and Longjing tea, all destined to become tencha, the ground raw material for matcha, with Mount Fanjing visible from the rows themselves. Walk the plantation's lower slopes and the rows of low, dense bushes stretch across the hillside in every direction, broken only by mist rolling down from above, tended by farmers who speak of the mountain with a quiet, matter-of-fact devotion, as though caring for something this rare were simply what one does here. Chen explains that the mountain's high altitude, limited sunlight and near-constant cloud cover raise the amino acid content of the leaves, improving quality well beyond what flatland tea can achieve. Farmers add a further layer of engineering before harvest, covering the plants to block out even more light. Less sunlight means more chlorophyll and more theanine, the compound chemistry behind both matcha's saturated green color and its umami depth. The effect has a name in the trade: "covered aroma." Gu describes the resulting flavor in more familiar terms, bright and fresh, carrying what tea drinkers usually just call "the aroma of seaweed." From there, the leaf still has a distance to travel before it becomes the powder found on shelves abroad. At Gui Tea Group's matcha workshop, production supervisor Li Tingbao oversees the fine processing stage: aroma enhancement, color sorting, grinding and screening, followed by air separation, a step that filters out stems before the refined tea drops into a material bin to await blending. Only after grinding does it finally become matcha in the form most people would recognize. Li reports that the workshop's output has grown quickly, from roughly 2,500 tonnes in 2025 to an expected 5,000 tonnes this year, doubling in a single season and underscoring how fast global demand has moved. What happens to that matcha afterward is where Tongren's ambitions become most visible, and most inventive, and it tracks a pattern playing out across the industry worldwide, where matcha has moved well past the teacup into bakery cases, dessert menus and skincare shelves. Tang Yunpeng, general manager of Guizhou Guigui Matcha Food Co., Ltd., leads a team developing matcha products well outside tradition: sun cakes with a flaky, crumbly crust wrapped around matcha filling, cheesecakes, chocolates. Tongren's matcha, Tang notes, carries a stronger bitterness and fuller flavor than matcha grown elsewhere, a distinction that comes through clearly once it is baked, whisked or melted into something else. Elsewhere in the city, matcha turns up in dumplings, noodles, beer, chapstick, hand lotion and perfume. At this point, matcha in Tongren is less an ingredient than a category of its own. At a local nongjiale, a uniquely Chinese agritainment venue operated by local farmers that doubles as a restaurant and a window into local life, located in Yunshe village of Taiping town in Tongren's Jiangkou county, villager Yang Yanfei's table typically arrives loaded with Larou, the salt-cured smoked pork that anchors Guizhou home cooking, alongside a dish that still catches newcomers off guard: matcha sturgeon, the tea's flavor threaded lightly through the fish rather than layered over it. It is not a novelty so much as evidence of how completely matcha has settled into daily life here, alongside the area's clean air and unspoiled mountains and water, which Yang credits as the real foundation beneath all of it. For the people who make Tongren's matcha economy run, from tea garden to processing floor to test kitchen, the ambitions are collective, and they add up to something larger than any single product. Chen speaks of the quiet pride in supplying the raw material that starts the entire chain. Tang hopes matcha becomes something bigger still: a calling card not just for Tongren, but for Guizhou and for China as a whole. As matcha continues its rise in cafes and kitchens far beyond Guizhou, Tongren's name is beginning to travel with it.

Beautiful China

21,874 просмотров • 1 месяц назад

"The UFO phenomenon connects us beyond ourselves with all beings." ~Mack "Greg is a physician in his 50s, and he has had a lifelong battle with his Reptilian beings. They seem to struggle with him for his soul." ~Mack (Ralph Blumenthal said that John Mack died before he and Barbara Lamb could finish their paper on Reptilians. But we DO have this lecture that I believe is from 2003.) "I was just walking through the living room in my house, and suddenly...to my enormous surprise, was a Reptilian being." ~Lamb "One of my people I've worked with who studies shamanism...her encounters with the Reptilians was much more of a kind of spiritual connection." ~Mack 🦎 👽 John Mack and The Case of the Reptilians 👽 🦎 The Long Version (I didn't include this in the clip, but Mack seemed to be referring to the work of David Icke here: Mack: "The literal approach would also include the conspiratorial, paranoid approach to the Reptilians which you've probably heard about. That they're here to takeover...they're taking us over. And I don't wanna attribute that, but you know who the people are that are really into the Reptilian-takeover way of going about this." ~~~ (Note: Each Edit is Denoted by ~) Mack: "You're familiar with the Reptilian beings that experiencers encounter. They're described as tall, powerful, muscular lizard-like, often with scales. A brow here and sort of a carapace on the chest. And sometimes they're said to not smell good." (A carapace is a bony or chitinous case or shield covering the back or part of the back of an animal (such as a turtle or crab). ~Merriam-Webster) Mack: "Writer David Chase referred to them as an ancient warrior race, proud, willful, domineering, territorial, physically aggressive, deceptive, emotionally manipulative, sexually intrusive and, potentially, cruel. Their craft are spartan (extreme simplicity, lack of comfort, and rigid discipline), functional environments. In spite of their bad side, they also show a strong sense of duty and technical ability, and one Reptilian was described as compassionate." A Few of Mack's Reptilian Cases Mack: "Greg is a physician in his 50s, and he has had a lifelong battle with his Reptilian beings. They seem to struggle with him for his soul. He felt that certain Reptilian beings were out to destroy him, seemingly out of a motive of revenge. They would do this by invading his soul and sucking the life energy out of me, out of my soul. It was unbelievably terrifying. "He resisted these beings, intensely, for he felt certain that his life had a purpose and that he must deal with this darkness and not suffer at the expense of it. But through this struggle, he discovered that the light is much stronger, and the battle was actually empowering and even enlightening. "He felt a compassion for their pain and didn't want to lose a total connection with them. I think I think I want in some way to participate in their getting in touch with their souls. He said of them, 'I don't love what they do to me. I do care for them.' "And Karin, who I wrote about in 'Passport [to the Cosmos],' came upon, in one of our sessions - we had many, many sessions - but she, for the first time, encountered what she described as encounters with ugly, scaly lizard-like beings that seemed in some way, to represent her struggle with some Reptilian energies of her own. "But then I spoke with a native woman, a Peruvian shaman, about her encounters. And she said, in contrast to our kind of Judeo-Christian relationship to the Reptilian beings, she said that the serpent energy was an energy that she could enter into fully because she felt one with it. "One of my people I've worked with who studies shamanism described an encounter with an anaconda-like snake, and it twirled and it twirled and it twirled. And then it became like she was inside of a spaceship. So it was like, her encounters with the reptilians was much more of a kind of spiritual connection." ~ Barbara Lamb - My Face-to-Face Encounter with a Reptilian Lamb: "And then there's another thing I'd like to share, too. And that is an experience that happened to me, personally, in this lifetime, just a very few years ago, I had already been doing a few years of regression work with experiencers of extraterrestrial contact, including experience with some Reptilian contacts. "And one day, having done some appointments or whatever, I was just walking through the living room in my house, and suddenly, pfft - POP - right in front of me, to my enormous surprise, was a Reptilian being. He was a little bit taller than I. "Now, normally in this life, if I'd seen a reptile of any kind, even a little one, you know, in my living room (laughs), I would have been really freaked out and not very comfortable with Reptilian beings. But anyway, with this experience - conscious-awake experience - I saw this Reptilian being standing in my living room. I went right over to him, extended my hand, held his hand, looked into these beautiful - I thought they were beautiful - golden-colored eyes with a little vertical eyeball, little pupil, kind of a lightning strike. And that's all that I remember, consciously. "But a few weeks later, I had a past-life-therapy colleague of mine do a regression on me to see if there was anything more to that experience. And to make a long story short, in the few minutes that that Reptilian being was there, he said to me, telepathically, as we continued to hold hands... And I can still remember the feeling, the physical feeling of that hand. Thick and strong, and not creepy. I was surprised it wasn't creepy. "And he reassured me that he is an ambassador from somewhere else. An ambassador representing many, many different extraterrestrial beings who come and interact with human beings. And he was here to tell me, as somebody who regresses people to these experiences... And sometimes, because of my growing up in my conditioned mind, I wonder, could this really, really, really be true? It certainly seems as if it is. But he wanted to reassure me, for the sake of all those different species who come here that, yes, indeed, they do really exist. They do come here." (I'm skeptical of what Lamb said in those last two paragraphs and the paragraph below, especially since it was information acquired through hypnotic regression. Plus, I don't trust what these beings say. However, the claim of a fully-conscious encounter with a Reptilian is something I take seriously.) Lamb: "They come here very quickly into our awareness, and they pop out, they disappear from our awareness very quickly. And that it is a very meaningful phenomenon, and that we have no idea how important we are, that's you and me, all of us, are, to them. So, for me, that was a very positive experience." (Are we important to them because they use us for something? Or is it something else?) Lamb: "And then, just suddenly, pffft, he was gone, and I went on with my rest of my day (audience laughs)." ~ Mack: "All right, how do we put all this together? Now this... Well, I really can't put it all together (audience laughs)." (That's funny. The whole topic is so damned complicated.) Mack: "But the experiences are real, they're also mythic. They reflect something deep in our own unconscious, our own instinctual natures. They have a powerful mythic dimension, which does not contradict the fact that they're real. "I think - this is a hypothesis - that this tremendous interest now that's happening in the Reptilians represents a return of the repressed dimension of ourselves, which does not mean that there aren't real Reptilian beings. You see that either/or-ness that we've gotten into. It can be both: The internal and external, present and past. Real, physical and mythic." (I really like that he said that. These encounters may be part of a repressed dimension of ourselves but that does NOT negate the possibility that there are also physical, Reptilian beings interacting with us. It can be BOTH. Or several things could be going on at once.) Mack: "And perhaps some meaning for our culture, in terms of what we've been hearing in this conference about the need to come to terms with everything about ourselves, including the darkest, most powerful, instinctual, sexual, aggressive forces. And that may have something to do with why this is such a contemporary subject." ~ Mack: "The UFO phenomenon connects us beyond ourselves with all beings, terrestrial and extraterrestrial. It opens us to a connection with nature, all of nature. It is the ultimate, along with many other anomalies, but it is the most powerful one I know, to transcend the dualism, the polarity of the way we generally have come to think. It's not exclusive to the West. Polarized thinking is part of the human way of thinking. "But to transcend that thinking, to experience our connectedness to all beings, to nature, I think this enables us to do that, if we use it that way. It's a possibility that is there. I'm not saying that's what it IS. I don't know what it IS, but I think it offers us that possibility." (It may transcend our thinking about what humans are and our place in the Universe. But that doesn't mea that's why it's taking place. It could be a unnetdned consequence of contact with a non-human intelligence. It does NOT explain why these, apparent, beings are interacting with us and it does NOT tell us what they want with/from us or their intent.)

Joe Murgia

37,848 просмотров • 5 месяцев назад

Big Update: Critters Quest Website Steps Into Production State with an Exciting New Design! Hey Critters, we're thrilled to share some major news, our website has officially migrated from mint state to production state, and we're taking our platform to the next level right here at After three weeks of dedicated work, we've transformed Critters Quest into a more organized, stable, and feature-rich experience, setting the stage for everything we've planned for the future. This isn't just an upgrade—it's the first step before the real journey begins! Key Updates to the Homepage and Beyond Fresh Categories and Pages: We've added exciting new sections to help you dive deeper into the Critters Quest world: - Play $QUEST (Explorer Page for Staking $QUEST): Dive into our new $QUEST explorer page, where you can find games to stake your $QUEST tokens to earn rewards, track your staking progress, and engage in strategic gameplay challenges that grow your Critters' value. - Play Spins (Explorer Page for Spins): Spins are now front and center with a dedicated spins explorer page, designed to highlight Multipliers Spins, Terron Spins, Quest Tablet Spins(coming soon👀), and more. Organized as daily free spins, limited events, and partner spin opportunities for special loot, offering new ways to boost your rewards. - Breakdown Informational Page: We've introduced a comprehensive guide for new users (and a refresher for veterans) to explore how key features work. This page currently focuses exclusively on the mechanics and info for Master Edition NFTs, Cloned Editions, and Multipliers. It explains how Master Editions serve as the foundation for your Critters' value, how Master Editions allow Cloned Editions to be minted out for others, and how Multipliers enhance your rewards throughout critters ecosystem. Redesigned Homepage: Our homepage has been completely transformed into an intuitive experience that gives you a complete overview of the Critters Quest ecosystem at a glance. It features: - Feature Carousel: Highlighting new additions and important updates - Ecosystem Activities: Real-time data showing active games, spins, or other ongoing activities. - Mini-Leaderboards: Quick snapshots of top performers - PFP Activity Feed: See the latest community PFPs minted - Quick-Access CTAs: Every section includes direct links to the full experience, letting you dive deeper with just one click - Streamlined Introduction: New visitors get a concise overview of Critters Quest right away This overview approach makes navigation intuitive for both newcomers and veterans, ensuring you never miss important information or opportunities. Elevated Designs Across the Board: - Dynamic Castle Layout in the Banner: Our homepage now features a dynamic castle layout in the banner, with castles positioned in the order they appear on the leaderboard. The top leaders are showcased at the top, adding a visual representation of community rankings and bringing our competitive spirit to life. - Critters Terminal (Formerly $QUEST Terminal): Our terminal has been upgraded with a sleek new look and enhanced functionality, now known as the Critters Terminal. It's your go-to hub for finding the most powerful cards and looking for new Critters—it tracks $QUEST allocation on available Critters for sale, their power, equipment, and more, helping you build the ultimate team. - Equipment Viewing: Viewing Critters and their equipment has been elevated with detailed rankings, power levels, and stats, giving you a clearer picture of your team's strength and hinting at game mechanics like power-based strategies. - Spins Pages Redesign: The spins experience has been completely revamped with a fresh, user-friendly design, making it easier to spin for rewards and track your progress, with a focus on multipliers and special loot opportunities. - Partnership Sign-Up Page Update: On our main page, you'll see mentions of our legendary partners—GM Capital, Mintify, Sniper, and more—highlighting our growing ecosystem. We've also updated our partnership sign-up page for those looking to partner with us. This page now includes a detailed breakdown of partnership options and new form fields to streamline the collaboration process. We're excited to expand our network in the future! - Animated Banners: Across all pages, you'll notice new animated banners that bring our world to life, adding visual excitement and guiding you through the platform. - Archived Pages: To streamline the site and focus on the future, we've archived older pages like the Master Edition Mint and Referral pages. These will remain available for reference. Coming Soon: We're already working on exciting additions, including: - SHOP Page: A new experience for purchasing items and gear to enhance your Critters Quest adventures, where you can equip your Critters with power-boosting equipment. - Tokenomics/Liquidty Section (Addition to the INFO Page): We're working on a detailed tokenomics section to add to our INFO page, launching alongside updates to our plans for DEX integration. These changes will add more value to Master Editions, give participants greater confidence, and enhance the overall ecosystem. - Cloned Edition Minting: This innovative feature will launch when Master Editions begin to mint out their Clones, allowing people to mint these unique variations. Cloned Editions will inherit traits and offer new gameplay opportunities, expanding your Critters' potential and rewards. Backend Tweaks: While many of these improvements are visible, we've also made numerous backend tweaks that aren't immediately seen. These optimizations ensure better performance, stability, and scalability for the platform moving forward. Continuous Elevation: This migration marks our first massive overhaul, but it's just the beginning. We're committed to elevating Critters Quest on a continuous basis, refining and expanding the platform with each rollout to keep delivering the best possible experience for our community. Foundation for the Future These updates aren't just cosmetic—they're foundational. After three weeks of hard work, we've created a more organized and structured platform that's ready to support the future rollouts we've been teasing, like Edition Minting, Items Shop, and Quest Games. This migration streamlines our process, allowing us to deliver updates faster and more efficiently for both new users and our longtime adventurers. This is truly the first step before the real journey begins. Our production state sets us up to expand Critters Quest into an even bigger, more engaging GameFi ecosystem, where your Critters can thrive through quests, spins, and community challenges. Whether you're a newcomer or a seasoned player, these changes make it easier to explore, compete, and grow your collection. Your Next Expedition We're just getting started! This production-ready overhaul is the launchpad for all the exciting features and expansions we have planned. Keep an eye on for more updates, and dive into the new pages to see how you can level up your Critters Quest experience. We want to hear from you! Share your feedback, suggestions, and experiences with our new production site in our Discord or commenting below. Your input directly shapes our future updates and helps us create the best possible experience. Thank you for your patience and support during this transition. Together, we're building something truly special!

Critters Quest

26,200 просмотров • 1 год назад

I’m seeing a lot of questions on the launch of China’s Chang’e 6 mission yesterday to get samples - for the first time - from the far side of the moon. We don’t know (afaik) why specifically they’re doing that, but we have a pretty good idea what grand vision China is working towards with their space program. How? From this 2022 video by Chas Freeman (former Assistant Secretary of Defense and Nixon's interpreter during his era-defining 1972 China visit), who imho is undoubtedly one of the most knowledgeable former US officials on China. He says that according to his own discussions with people running China’s space program, they’re following the vision described in the book "The high frontier" by Gerard K. O'Neill, which Freeman says has "become the bible of the Chinese space program". I read the book. So what vision does it describe? The book was written in 1976 by O'Neill who was a professor of physics at Princeton University. He also founded the Space Studies Institute, an organization devoted to funding research into space manufacturing and colonization. In other words, he knew his stuff. The book makes the very fair point that we have massive resource constraints on earth, especially given the growing population. He estimated in 1976 that we should be "about six and a half billion people in the year 2000", and we were 6.114 billion back then so he was pretty prescient. He estimates that these constraints will progressively give rise to more and more social tensions as the growing earth population competes for our limited resources as well as faces global problems like climate change. In his view, dealing with this will either require "an authoritarian regime capable of mounting the immense task of social reorganization needed to escape catastrophe" or, alternatively, “mankind would [need to adopt] a static society [that would be] forced in self-defense to suppress new ideas". The 3rd alternative is of course the colonization of space. The most interesting aspect of the book is that he claims everything he writes is feasible with knowledge and technology that already existed in the late 70s. In short he calls for the establishment of large human habitats in the Earth-Moon system, located at stable Lagrange points ("parking spots" in space where gravity from different spatial bodies cancel each other out). In particular he developed the concept of what's known today as the "O'Neill cylinder" which he says "could support quite easily a population of ten million people, growing its food in agricultural cylinders near but outside the main habitat". Energy-wise, it'd simply make use of solar energy via a system of mirrors. As he describes it: "the concentration of the unvarying, intense sunlight of space by very lightweight, inexpensive mirrors can provide all the energy that industry will ever need [...] at a fraction of a cent per kilowatt-hour". He envisages building these habitats with material from the moon, shot into space via "mass drivers", a form of electromagnetic catapult. Also "the habitats would have artificial gravity similar as that of earth by rotating about twenty-eight times an hour”, but he also envisages low-gravity areas, especially for recreational activities such as swimming pools or dancing representations. To trade with earth, he develops the idea of beaming solar power back to earth via "microwave from solar power stations in orbit". As he describes it "the microwave beam would arrive at Earth with a beam width of about seven kilometers. Its intensity would be modest, less than half that of sunlight. In contrast to sunlight, though, it would be there all the time, even at night or in clouds or rain, and it would be in a form ready for conversion to DC current with a loss of only 10 percent. The areas receiving these beams’ output on Earth would be fenced, and outside the fence the intensity of microwave radiation would be no higher than outside a microwave oven with the door closed. He estimates that if "Satellite Solar Power Stations (SSPS) were to become the sole source of electric energy in the United States in the year 2000, the land area necessary for the SSPS antennas would still be only 0.2 percent of that of the continental United States". In short, the establishment of space colonies could lead to the fulfillment of a good share of Earth's energy needs. Last but not least he describes life in space habitats as better than that of earth, largely thanks to the level of control we'd have over the environment (total climate control which would enable an abundance of food and no natural disaster) as well as unlimited cheap energy. To conclude, Chas Freeman typically really knows his stuff when it comes to China and he’s very intellectually honest (a rare trait among US officials) so I have no doubt he tells the truth when he says the Chinese told him that was the vision. And China famously thinks very big and very long term so it would be quite like them to go for something like this. There are also quite a few tangible signs that China is working towards that vision. See for instance this November 2022 news where “China’s space station will join a project to collect solar power from space and send it to Earth in a high-energy microwave beam”: That’s exactly O’Neill’s vision! Or check this October 2022 news that says China is developing new "electromagnetic sledges" that can propel a carriage weighing a few tonnes to a record speed, with a key application for this being “aerospace”: Remember: O’Neill’s vision is to build his habitats with material from the moon, shot into space via "mass drivers", a form of electromagnetic catapult. So there you go… Or also the fact that the Chinese will build, together with the Russians, a moon base - planned for 2028 - powered by a “space nuclear reactor” that’s already been developed (on Earth) and has passed review by China’s Ministry of Science: The space nuclear reactor can generate 1MW of electricity, enough to power 10 International Space Stations. Enough power, maybe, to undertake mining activity and power an electromagnetic catapult… After visions change, the world changes, so it’s also possible that China’s view on what they want to do has evolved. In any case, Chas Freeman is right that China’s motivation for all its initiatives in space can’t just be to “boldly explore where no-one has been before”, they have to be working towards something. And Freeman is also absolutely right to lament that the U.S. decided to ban any cooperation in space with the Chinese. Those endeavors are something that could have been jointly developed as a multilateral effort to unite us all as a species… Instead China is now forced to go at it alone with Russia and we face a future where our petty divisions on Earth will be carried with us to space…

Arnaud Bertrand

265,181 просмотров • 2 лет назад

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 просмотров • 1 год назад

Apple’s iPad “Crush” Ad Is Bleak, Ominous and Threatening I don’t know if you’ve seen Apple’s just-released commercial for the “New” iPad Pro, but it’s pretty awful. It is dark, humorless, and feels like a not-so-thinly veiled threat to writers, musicians, game makers, developers, and artists of all kinds. …and children, even. I’ve watched it at least five times today alone, and I’m left with one big question. “Who on earth approved this?” It’s absolutely baffling that the world’s largest technology company, with the world’s biggest marketing budget, thought this would be a good idea. What kind of idiot—or idiots, since dozens or hundreds of people had to be involved in the writing, staging, producing, recording, and editing—felt this kind of ad would somehow create a positive emotional connection with consumers? Seriously, it’s terrifying. In a dank, cold warehouse, devoid of all life and humanity, an industrial crusher comes to life, and slowly starts destroying a collection of musical, philosophical, and artistic devices and instruments. For no apparent reason, everything starts getting smashed: first, a trumpet, then an arcade video game, then cans of paint, a piano, a globe, a metronome, a guitar… on and on it goes, obliterating everything in sight into a colorful, gooey, explosive mess. Books, camera lenses, lamps, a guitar, a sculpture, and a typewriter—all tools of the liberal arts—get mangled into a garbage heap as Sonny & Cher cheerfully sing, “All I ever need is you.” In the penultimate moment, a goofy yellow smiley emoji becomes a bug-eyed scary-clown freak as it, too, is crushed to death. Worse, if you enable closed captions like I do by default, the video says: “[POPPING] [SPLAT]” right as its eyeballs pop out of its head when Cher sings, “Give me a reason to build my world around you.” It’s enough to make a child cry. It has all the comforting vibes of the burnt pink teddy bear floating in the swimming pool on Breaking Bad after two planes crash in mid-air. I have so many questions (aside from simply wondering the names of the soon-to-be ex-employees who greenlit this abomination). First of all, as a trumpet player myself, I am personally offended that they made me watch a perfectly good trumpet get smashed to smithereens like it’s no big deal. Why would they torture me like this? Second of all, what is the message here? No, not that “the most powerful iPad ever is also the thinnest,” as the voiceover artist states in the last few seconds of the clip. I mean: what is the message? Ostensibly, pulverizing children’s toys, arcade games, architectural models, and ceramic Angry Birds into a paste implies something like “We’re taking all the best of humanity; all the collective works of Western Civilization, smashing it into pieces and putting it inside this remarkably thin device so you can have all of it in the palm of your hand.” But my oh my, is there an elephant in this room… he’s hiding behind the monstrous destroying machine. Did anyone inside Apple realize that everyone outside Apple will recognize this imagery in a metaphorical sense, but not the one Apple intended? We don’t see a crushing machine gently consolidating the greatest output of all our artistic endeavors, simply reformatted for a digital age and consumed by everyone with instant, fingertip access. We see what is painstakingly obvious to us, and the timing couldn’t possibly be worse. We see a giant, soulless machine consuming our work in a very different way. Right now, AI models are training themselves on our intellectual property and even our very own personally-identifying data. We aren’t the ones doing the consuming. We’re the ones being consumed. The tech industry has become one massive gaping maw, opening wide and swallowing everything in sight, chewing it up into little bits and pieces of comminuted waste, like a paper shredder or a garbage disposal. It’s destruction in its most literal form. And for what? For a newer version of the iPad that is only slightly thinner than its predecessor? For an only marginally improved version of Apple’s tablet device that has been around for 14 years? For increased profits? This is a terrible look for Apple. They may as well be saying: “All your work are belong to us.” Personally, I am a fan of artificial intelligence. I am eagerly embracing our robot overlords and I welcome our new CSV god (as the actual developers of AI models like to say). I look forward to the freedom and innovation that will come as a result of humanity augmenting our intelligence with AI like a force multiplier on a battlefield. But if Apple has the same perspective I do, they’re selling it in the worst possible way. When I see this video, I see that Apple is definitely crushing something… but I’m not sure what. -Crushing small companies that develop apps for the extremely heavy-handed App Store, which imposes byzantine restrictions on what they can and can’t do with their own apps? -Crushing competitors by limiting what they can do on the iOS and MacOS platforms with arbitrary and capricious rules about enabling functionalities that Apple doesn’t like, even if users do? -Crushing publishers and content creators with a punitive 30% fee on all subscriptions and in-app purchases? -Crushing choice and competition by not allowing app makers to make apps and programs that do the same thing that native apps already do, even if they do it better? -Crushing all human creativity and innovation by automating and systematizing everything? In the early days of the “Google vs. Apple” fight over the web and app stores, I was really concerned that Google was becoming way, way too powerful. Specifically, in 2015, when Google came up with “app streaming,” they announced a desire to form a “web of apps.” This was concerning. Especially when coupled with Google’s efforts to steal content from other websites and provide it to users via the “knowledge graph” results, ending up with the creation of “zero-click” search results pages, which absolutely punished website owners and content creators. By taking the most valuable content off a website and showing it to Google users without them needing to click through to the website itself, Google had essentially stolen everybody’s intellectual property with only the most minimal attribution possible (to fend off lawsuits no doubt, but with no intention of users actually visiting the website in question anymore). “Google is eating the internet,” I thought, and said out loud, (although I probably wasn’t the first person to use that phrase) But what I meant was purely an analogy. It was vague and ambiguous, almost silly. Maybe I was wrong, though: maybe it’s Apple that’s doing the eating. Maybe Apple is not only gobbling up everyone else’s work, but also homogenizing it—and us—and forcing us to use their platform, pay their fees, abide by their rules, and constantly keep upgrading, upgrading, upgrading, to an ever-thinner iPad in order to use it. Watch the video again. This is the stuff of nightmares. To be perfectly fair, even if I were to take the commercial at face value and ignore it’s off-the-charts creepiness and just stick to its one stated claim—that the new iPad Pro is thinner—it still fails as a commercial. Why? Because nobody cares how thin an iPad is. Seriously. I’ve owned an iPad since 2010: that means I’ve carried around a version of Apple’s already-thin tablet every day for over a dozen years. Never once have I said to myself: “You know what improvement I’d really like to see in this thing? I wish it were thinner.” Never. That thought has never crossed my mind, even once. You know what has? -Better battery life. -I’d like my iPad to not get hot to the touch when I use the Apple Pencil to take notes. -I wish it wasn’t so fragile: I dropped my brand-new iPad 2 back in the day when it slipped out of the arm-hold I was carrying it in, it bounced on the pavement, and the screen shattered into a thousand pieces, making it unusable. -I wish it had more storage. -I wish Apple would stop changing the type of cable connector it uses: I’ve gone from the original 30-pin connector to the Lightning connector, and now to the current USB-C/Thunderbolt connector. -I wish I could view the screen in direct sunlight. -I wish it wouldn’t overheat and turn off automatically when I use it outdoors in the summertime. Those are announcements I would welcome in a new iPad Pro commercial. None of this “now even thinner” nonsense nobody needs or cares about. So, back to the commercial. In my opinion, whoever made this ad should be fired. I almost never say that about other companies, especially for good-faith marketing efforts gone wrong… those of us who work in marketing make mistakes sometimes, and we learn from them. But cases like this warrant a special exception. Marketing and advertising are designed to make people want to buy your products. This commercial doesn’t just not make me want to buy Apple’s products. It makes me not want to buy Apple’s products, which is something altogether different. It turns me from someone who likes iPads into someone who is almost rethinking iPads entirely. That’s not just a bad advertisement; it’s a harmful advertisement. Apple’s usually known for great commercials. The legendary 1984 Super Bowl commercial was, of course, their best. I thought “Hello, I’m a Mac” was absolutely brilliant. They have made some missteps along the way, but this one is really bad. Not even their nauseatingly preachy and woke “Mother Nature” ad from a few years ago was this bad. Steve Jobs once said, “Technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the results that make our heart sing.” My goodness, that last line alone is poetry itself! This ad seems to be Apple signaling that they don’t believe in that anymore. And I don’t think all this handwringing is an overreaction to where you could say “Oh, c’mon, it’s just a commercial! What’s the big deal?” It is a big deal. It tells you about the values of the company, and what they intend to communicate. Really, how is this the same company that used to sell iPhones by showing grandmas using FaceTime to connect with their baby grandchildren from afar during the holidays? Everything about it is wrong: even the thumbnail they chose for it (the bulging-eyed smiley face) and the fact that they gave it the title “Crush!” It was fun to see the reactions to the video online today. I find it fascinating that Apple shared it on YouTube but turned off the comments. On X, Tim Cook shared it Tuesday, and the video, which so richly deserves to be mocked, is getting it in spades. Some people are calling it “anti-art.” One user called it “soul-crushing,” which was about as literal and logical a response as you’d expect. It turns out Apple actually made an announcement about the commercial. In response to the (apparently unexpected) poor welcome it got, Apple wrote: “We missed the mark with this video, and we’re sorry.” Lame response from a tone-deaf tech behemoth, but still, they hopefully got the message. C’mon, Apple. I have seen the future, and this ain’t it.

Ron Stauffer

19,249 просмотров • 2 лет назад

TOPIC #107: PI NETWORK IS A STABLE COIN? -WHO DECIDES PI FULLY OM FIXED VALUE? Dear GCV army, I hope you are all doing great! First of all, I would like to express my sincere gratitude for all your hard work. Many of you have achieved significant milestones, and it’s evident that you are making a great difference. Our influence has grown significantly, with an increasing number of social media posts and YouTubers publicly supporting us. I can see that more and more people are beginning to understand why we advocate for GCV. Today's meeting aims to alleviate any doubts you may have, allowing you to relax and feel confident as we embark on our historic journey together. I will answer the questions I’ve received and address some important issues we need to focus on to maintain our community's efficiency, particularly regarding our Generals, which will be the topic next weekend. I put the questions I received here. "A question addressed to Ms. Doris Yin in the emergency meeting 1– In light of the rapidly changing global circumstances and the increasing discussion about stablecoins backed by U.S. Treasury bonds, how do you see the future role of the Pi Network in this context? And what practical steps should the GCV army take now to accelerate this path? 2_ There are those who promote the idea that the price of Pi is what appears in the market (currently around $0.49) and compare it to the price of GCV within the ecosystem (314,159 Pi = 1 good or service). They say if Pi’s price rises to $2, it means that the value within The ecosystem is approximately 2 million dollars. With sincere appreciation and discipline." This is from the Arab head of GCV Ambassador Mr. Mohammed. Another question: "Hello, my Global Ambassador, I am Ateba Joseph, Ecological Ambassador in Cameroon And a member of the GCV army, I am delighted to exchange with you. Regarding the meeting with the GCV army on Sunday, July 27, 2025.. Here is my concern: A few days ago, a correspondence indicated that Pi is not or is not yet a stable coin. Upon reading this information, we have provided many explanations to help the pioneers understand this. I hope you will focus more on this statement to further strengthen our understanding of the subject. Thank you for taking my concerns into consideration" Thank you for the above questions; my answers are below. The first question concerns stablecoins. Many pioneers are hoping that Pi can be recognized by the U.S. government as a stablecoin. I wrote an article on this in May. On July 18, 2025, President Trump signed the Guiding and Establishing National Innovation for US Stablecoins Act (the GENIUS Act) into law. This legislation establishes a regulatory framework for payment stablecoins and marks the first federal legislation on digital assets enacted since President Trump issued an executive order aimed at making the U.S. the “crypto capital of the world.” U.S.-issued stablecoins are expected to become the primary means of dollar transactions globally, especially in emerging markets with unstable local currencies. The sponsors of the GENIUS Act estimate that by 2030, stablecoin issuers may collectively become the largest holders of U.S. Treasuries, surpassing foreign central banks. From this, we can see that U.S. stablecoins must maintain reserves backing outstanding payment stablecoins on a one-to-one basis, consisting only of specified assets, including U.S. dollars and short-term Treasury securities. It is clear that the Pi Network will not take this path, as it is not part of our plan. A stablecoin is essentially a digital representation of the U.S. dollar. All stablecoin issuers do not create a new currency; rather, it’s akin to purchasing chips at a casino – you must use U.S. dollars to buy those chips. However, Pi is a completely new currency. It does not need to be backed up by U.S. dollars or U.S. Treasuries to be used. If that were the case, we wouldn’t need to establish an ecosystem or have a three-year enclosed mainnet. I previously mentioned the possibility of Pi being an algorithmic stablecoin since only algorithmic stablecoins do not need to be backed by U.S. dollars. However, algorithmic stablecoins have faced significant failures in the past. The collapse of the Terra (LUNA) cryptocurrency resulted in a loss of at least $40 billion in market capitalization, with estimates reaching as high as $60 billion. TerraUSD (UST), an algorithmic stablecoin, lost its peg to the U.S. dollar, contributing to its overall collapse. The new stablecoin legislation recently passed through the Senate effectively ties the U.S. Treasury to crypto, as it essentially bets the government’s cash flow on digital tokens and market speculation. This legislation requires stablecoins to be backed by short-term Treasury bills, generating an estimated $2–$3 trillion in new demand for government debt, which is nearly half the current size of the T-bill market. On paper, this looks beneficial, but in reality, it creates a circular feedback loop: crypto demand fuels stablecoins, stablecoins buy T-bills, and T-bills fund government deficits. The government becomes reliant on speculative capital flows. Thus, we should understand why the U.S. government will not support the Pi Network as a stablecoin, as they require stablecoin issuers to buy T-bills and can no longer trust algorithmic stablecoins. So, what is the future of the Pi Network as a currency? From my perspective, Pi is already listed on exchange markets. It cannot be classified as a security because it is mined freely and is not an ICO. Instead, it should be categorized as a commodity, similar to Bitcoin and ETH. When a currency is listed for trading on an exchange, its price is determined by the balance of supply and demand. However, Pi is a currency in its own right; it has inherent value from Pi holders -Pioneers. Historically, currency has served as a medium of exchange. A medium of exchange is a widely accepted item for buying goods and services in an economy. It facilitates transactions by eliminating the need for a barter system, where goods are directly exchanged for other goods. In modern economies, money (such as currency) serves as the primary medium of exchange. **Functions of Money:** One of the core functions of money is to serve as a medium of exchange, enabling the smooth transfer of value between buyers and sellers, thereby simplifying trade and economic activity. **Examples:** In modern economies, this typically includes currency (paper money, coins) or digital money. In specific historical contexts, other items, such as cigarettes in prisoner-of-war camps, have also served as mediums of exchange. **Importance of Acceptance:** For a medium of exchange to function effectively, it must be widely accepted and trusted within the relevant community. **Not the Same as a Payment Method:** While credit cards and checks are used for payments, they do not serve as mediums of exchange themselves. Therefore, stablecoin is not a new currency. It is more likely to have a credit card or check character. It is a USD digital status. From the analysis presented, we can draw the following conclusions: The current price of Pi on the exchange market primarily serves as a temporary measure to facilitate broad expansion. While this is not our primary objective, it constitutes a strategic approach towards achieving our mission. To gain a clearer perspective, we must adopt a higher-level view of the overall vision for the Pi Network. The mission and vision of Pi Network clearly articulate that it is not intended to function as a commodity for sale, nor is it meant to be an investment vehicle or a speculative security. Instead, it is crucial to recognize that Pi is designed to be a medium of exchange—a new form of currency. As pioneers in this venture, we have the unique opportunity to acquire Pi through free mining. However, it is important to note that the current mining rate is relatively slow. To overcome this limitation and to further our goal of mass adoption, it is essential for more individuals to join the Pi Network and participate in holding Pi. One efficient way to accelerate this process is by allowing Pi to be traded on the exchange market, which can result in rapid and widespread adoption. Since Pi can be mined for free, a lower price could make it more accessible to a larger number of people. It's important to focus on our primary goal during this pre-full Open Mainnet (OM) phase: mass adoption, rather than aiming for high prices, which many pioneers expected. Some pioneers want to sell when the price increases, but if too many sell, it could undermine our goal of achieving mass adoption. This scenario is reminiscent of historical instances when shells served as currency—readily accessible from the sea or buy from the village market. For shells to function effectively as currency, a collective effort was needed to hold and circulate them within the village. If only a select few individuals possess the shells, the currency lacks the necessary circulation to sustain an economy. Hence, our goal should not be centered on achieving a high price; instead, we should strive to make Pi more affordable so that a greater number of individuals can acquire and hold it, thereby fostering a thriving economic ecosystem. Of course, the rising price will build up merchants' confidence to accept it as payment. This is why we refer to it as a buyback campaign, which aims to achieve mass adoption and foster ecosystem confidence. As Pi evolves into a currency, the question of its value becomes pertinent. Given that it is a new currency, its value is not immediately clear. This presents an opportunity for us, the pioneers, to play a crucial role in defining it. The determination of Pi's value is not the responsibility of a central authority such as CT, the government, or the exchange. Instead, it will emerge from a decentralized consensus within the community, which collectively owns Pi. This concept is akin to ancient times when the value of shells was not determined by the sellers. Rather, the value was derived from the collective agreement of the village that utilized them as currency. I hope this elaboration clarifies the distinction between value and price, enabling a deeper understanding of the foundational principles that drive our mission with Pi Network. Pi represents a groundbreaking innovation—a revolution that is poised for long-term economic development on a global scale, rather than perpetuating cycles of plunder and exploitation. By harnessing the power of blockchain technology, Pi empowers ordinary individuals, which creates an inherent conflict of interest with the U.S. government in the short term. Should the U.S. government endorse the Pi Network, it raises questions about the viability of U.S. treasuries and who would ultimately purchase them. Consequently, the government may prioritize support for stablecoins backed by the U.S. dollar and U.S. Treasury securities, as this can help alleviate the U.S. government's issues with limited demand. However, I previously mentioned the potential for Pi to emerge as an algorithmic stablecoin. At that time, the Genius Bill had not yet been enacted. If the Pi Network gains acceptance from the U.S. government, its growth could become rapid and expansive, leading to widespread adoption in other nations. This path would position Pi as a legitimate currency in nearly every country, contingent upon certain conditions. For instance, if the price of Pi in the exchange market can align with the GCV, this could be achieved through a buyback mechanism involving 10 million pioneers. Such a scenario would indicate that Pi differs significantly from past algorithmic stablecoin failures, presenting a compelling case for the U.S. government to view Pi as a low-risk asset. However, it presents a significant challenge to be collectively reached by pioneers, and there are other conditions that we cannot achieve in a short time. While it might appear that Pi Network conflicts with the U.S. dollar or stablecoins in the short term, it has the potential to address the broader issue of overprinting currency, which has plagued the U.S. and many other nations. This would benefit international trade by alleviating concerns about currency appreciation or depreciation in international transactions. The global economy indeed requires a super sovereign currency—one that ensures stability for future generations and fosters lasting peace and prosperity. To comprehend Pi as a currency, it is crucial to recognize that we must cultivate long-term value by generating GCV data. In the short term, our focus needs to be on establishing a robust exchange market and decentralized applications (DApps) to drive mass adoption. If this is understood, there should be no need to feel discouraged by the current low price of Pi. The true value of Pi as a currency derives not from the exchange market, trading platforms, or governmental endorsement, but rather from our community's collective efforts and engagement. You might wonder how a government could adopt Pi, given that it does not take the form of a stablecoin. I would counter with the example of Bitcoin, which has thrived even in environments where many countries have imposed bans. Currently, Pi is transitioning from its traditional commodity status to being recognized as a currency, meaning governmental awareness of Pi Network is still in development. As such, existing regulations generally pertain to older forms of cryptocurrency rather than our innovative approach. Our branding as a digital currency, rather than a cryptocurrency, is intentional. Dr. Nicolas has expressed concerns that many aspects of conventional cryptocurrencies pose challenges to government frameworks and public trust, often leading to economic harm rather than benefit. Our commitment to Know Your Customer (KYC) and Know Your Business (KYB) protocols distinguishes us by mitigating money laundering risks and protecting Pi holders from speculative practices. Many businesses face bankruptcy or closure because consumers lack the disposable income to engage in spending. Imagine how Pi could enable those businesses to survive and thrive—people could utilize Pi to make purchases and easily convert it into fiat currency to sustain operations, thereby preserving many jobs. The function in our wallet that allows users to "buy" Pi is not merely a feature; it represents a vision for the future where conversion to fiat currency can happen immediately, without dependency on third-party exchanges. Moving forward, we can establish a fixed rate (the GCV) for conversions. Once larger institutions and prominent companies recognize the low-risk profile of joining Pi Network due to its GCV stability, we can expect a considerable influx of participants seeking to gain a competitive advantage. You may ask how companies would finance the purchase of Pi at GCV rates. This is an insightful question. My perspective is that the demand for Pi’s stable value will inherently incentivize investments. Much like why individuals purchase stablecoins for their convenience in facilitating cross-border transactions, Pi will appeal to consumers and businesses alike, particularly because we are leveraging Web 3.0 blockchain technology, AI-driven platforms, and a rich ecosystem of decentralized applications (DApps). We are cultivating a loyal customer base that recognizes the value of this innovation. We understand that high-net-worth individuals seek safe investment opportunities. While U.S. treasury bonds currently represent a secure asset class, they are not without risk. Therefore, if Pi Network can maintain a limited supply coupled with blockchain technology and a consistent GCV, it is plausible that affluent investors would allocate a portion of their capital to acquire Pi. This would lead to fiat inflows whenever there is increased demand for Pi, establishing an equilibrium between Pi and fiat currencies. This interplay is why I believe DApps are critically significant. We need broader usage of Pi in real-world applications. I hope my analysis has helped clarify why the price of Pi should not overly concern us. Buying Pi to hold onto it allows pioneers to accumulate more, while building merchant confidence is essential to kickstart the ecosystem. Merchants will be motivated to see Pi’s price appreciation since this removes the risks for DApps and service providers who depend on exchange market prices. A rise in demand for Pi will subsequently reduce its supply, which is beneficial for price increases. I look forward to discussing Pi GCV army management in another session. Thank you for your time. Let’s continue striving for greatness together. Doris Yin 🪷🪷🪷 Founder, Global GCV Movement Disclaimer: This speech is intended solely for educational purposes within the GCV community. The views and content shared here represent my personal perspective and are part of the GCV movement, but do not reflect the official position of the Pi Core Team (PCT). Pi Network represents a new revolution, meaning there is no existing example for us to follow and no guiding manual. As Dr. Fan mentioned, we cannot predict what will happen around the next corner. Therefore, we must practice and forge our own path. As more people traverse this journey, the road will become clearer.

Doris Yin 东方紫莲🪷

17,742 просмотров • 1 год назад

Make Art Not War: The Battle for Creativity It's Adobe's annual Max event in London today and scott belsky's spotlight on AI paints a clear picture: AI isn't just on Adobe's agenda, it is the agenda. Adobe has already scored a home run with generative fill in Photoshop, a feature now spawning entire categories of memes - including my own video, which surprisingly garnered a million views. However, Adobe's ambitions extend beyond still imagery. The Tanker Charges Towards Video At Max, Adobe's Chief Product Officer put an emphasis on AI video generation with Firefly Video. The tech tanker is charging full steam ahead to the next obvious modality for creation, leaving a wake of disruption for any upstarts bold enough to challenge it. The announcement isn't new, but it showcases the emphasis on new product development with a marked increase in the velocity we can expect from the creative tech behemoth. The company that defined the norms of video editing with Premiere, and motion graphics with After Effects, has now entered the realm of AI-powered creation. The wake-up call is clear - the tankers are moving fast. Goliath vs. The Upstarts This development spells a daunting challenge for the numerous start-ups that dared to dethrone Adobe in recent years. For plenty of use cases people have been asking: Why use Photoshop when you have MidJourney? Why use Premiere when you have Descript? Why use After Effects when you have Runway? These aspiring disruptors sought to chip away at Adobe's dominance by offering more specialized, user-friendly solutions - a process that can be characterized as the 'unbundling' of Adobe. Now, they face a head-to-head collision with the very Goliath they sought to topple. Creators' Toolkit: A New Addition But this imminent clash isn't just a tale of corporate competition. This is a story about the tools of creation and their impact on creators themselves and the very canvas of creation. The advent of Firefly, Adobe's AI-driven offering, reflects a broadening recognition of artificial intelligence as an integral part of the creator's toolkit. In other words, Adobe's massive ecosystem of creators needn't wade out into new waters to acquire AI capabilities -- they will simply be infused into the products they already know and (mostly) love, but more critically -- need to use every day to get creative stuff done. The Increasing Stickiness of Adobe's Tools The intersection of AI and creative tools like Photoshop's generative fill is transforming how creators perceive and interact with AI. When they encounter the innovative features of generative fill, they're not primarily thinking about the AI technology that powers it. Instead, they're marveling at the cool new tool that's now part of their beloved Photoshop. This immediate affinity for "Photoshop" masks the sophisticated technology behind it, essentially furthering Adobe's stronghold on the creative industry. Layer in Adobe's stance to training their AI models with sources like Adobe Stock that promise rock-solid data provenance, and you can see Adobe clearly wants to seem like the responsible adults in the room. After all Adobe elected not to put the Behance catalog to work, perhaps rightly so given the ethical backlash to the scraping Artstation imagery. Adobe's Thirty Something Conundrum But it's not all rainbows and sunshine. While Adobe sails ahead full steam, there's an intriguing conundrum waiting in the wings. With 30-year-old codebases forming the foundation of its most popular tools, Adobe faces a significant challenge: its software has back pain. But it's not just a technical problem -- it's also a philosophical one, akin to the ship of Theseus. Can Adobe modernize and refactor its code bases without sacrificing the essence that made these tools indispensable to creators? Can they innovate without alienating their long-time users who've grown accustomed to the 'Adobe way' of doing things? An Unexpected Solution? Interestingly, solutions might emerge from unexpected quarters. Perhaps it'll take an army of developers armed with GitHub Co-Pilot to alleviate Adobe's refactoring nightmare. By automating parts of the refactoring process, it could accelerate the evolution of Adobe's legacy tools, making them more adaptable to the rapidly progressing tech landscape while preserving their core functionality. In a twist of irony, the AI that's reshaping Adobe's offerings might just come to the rescue of its own legacy. As Adobe navigates these murky waters, opportunities are emerging for new entrants in the field. Startups might also find their moment to shine in the midst of Adobe's strategic and technological shifts. With their innovative approaches and less-encumbered platforms, they have the chance to offer alternative solutions to creators seeking novel, efficient, and intuitive tools. The Battle for Creativity The tech giant's journey through a massive transformation at a previously unfathomable speed will set the course for the next era of creative technology. Given the sheer ubiquity of Adobe tools today, it's by far the most common way creators will experience AI. But let's be honest -- this transformation will not be easy. The future of creative tech isn't written yet and as a growing line up of new entrants vie for the prize, one thing's for sure: it's going to be a darn good fight. Make Art Not War In the end, it is the creators who stand to gain the most. As Adobe and its competitors lock horns, they'll strive to deliver increasingly powerful, intuitive, and efficient tools. But, it's up to the creators themselves to harness these innovations. Only by embracing and mastering these new tools can they unlock their full creative potential. So what are you waiting for? Wield these new tools at your disposal and turn your imagination into reality. We are the architects of a new era of creative self expression. If you enjoyed this, drop a like and retweet. Follow Bilawal Sidhu for more writing on creative tech and AI.

Bilawal Sidhu

72,192 просмотров • 3 лет назад

You round the bend of that forgotten mountain trail, boots crunching on pine needles, the air thick with the scent of damp earth and rushing water. The stream’s been whispering to you for miles—clear, cold, cutting through granite like it’s been waiting centuries just for this moment. Then you see it: a small carved-out alcove tucked right against the bank, maybe three feet deep and wide enough for one person to kneel, the rock smoothed by who-knows-how-many old-timers before you. Sunlight slants in like a spotlight, turning the water’s edge into liquid gold. Your pulse kicks up. This isn’t just a pretty spot. This is a natural sluice box, a hidden trap where the current slows, drops its heavy cargo, and leaves the black sand shimmering like midnight promises. You drop your pack, heart hammering. Modern panning isn’t the back-breaking pick-and-shovel grind of 1849 anymore—you’ve got the kit: a lightweight 22-inch ceramic pan with riffles that catch every speck, a classifier screen to sort out the big stuff in seconds, a snuffer bottle the size of your thumb, and maybe a tiny hand sluice you can prop in the alcove’s curve if the mood strikes. Gold’s sitting at over $5,100 an ounce right now—prices that would’ve made those Forty-Niners weep. One decent pinch of flakes and you’re already ahead of your coffee money. You scoop a panful of that dark, promising gravel right from the alcove’s lip, plunge it into the stream, and start the dance: tilt, swirl, dip, let the river do the work. Lighter sands and pebbles wash away in lazy spirals while the heavies—magnetite, hematite, and yes, maybe that telltale flash of yellow—sink to the bottom like they belong there. The excitement builds with every swirl. You see the first “color”—tiny glittering threads hugging the riffles. Another pan. More. The alcove’s geometry is perfect; the stream bends just enough here to drop the good stuff century after century. You’re grinning like a kid, knees wet, sun warm on your neck, imagining the nugget that’s been waiting since the last ice age. A full vial after an hour? Two? The daydream races: sell it raw, melt it into a ring, or just keep it in a jar on the shelf as proof you outsmarted the mountains. Modern tools make it feel almost too easy—apps on your phone showing public claim maps, lightweight gear that fits in a daypack, even a cheap UV light to spot fluorescent tracers if you get fancy. This alcove could be your lucky strike. The thrill is electric. Here’s the straight truth, though, whispered like the stream itself: no, modern hand-panning isn’t a lucrative feat. Not in the “quit your job and buy a yacht” way. The average recreational panner pulls about 0.041 grams an hour in decent ground—that’s roughly twenty bucks at today’s prices, before gas, food, and the sheer sweat equity. A banner day in a rich pocket might net you a gram or two (maybe $160–$170), enough to cover your weekend and leave a little sparkle in your pocket. But most folks walk away with beautiful memories, a few flakes, and the quiet satisfaction of having chased the dream instead of scrolling on the couch. The real gold? The peace, the exercise, the story you’ll tell when you get home with wet boots and a grin you can’t wipe off. So yeah… that carved-out alcove next to the stream? It’s calling. Grab your pan, let the excitement build, and go see what the river’s been hiding. Just don’t quit your day job—let the mountains pay you in wonder instead.

🚫👁️Drinks on Saturday🇺🇸

1,322,206 просмотров • 5 месяцев назад