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ACES is now available in Runway Ruby. Export scene-referred, half-float EXR sequences in ACEScg 1.3 and 2.0, ready to drop straight into your pipeline. Try it now at the link below.

41,835 次观看 • 17 天前 •via X (Twitter)

25 条评论

Runway 的头像
Runway17 天前

Try it now:

AI Clips 的头像
AI Clips17 天前

ACES in Ruby is a big win for pro pipelines 🔥

Barry Chuckle 的头像
Barry Chuckle14 天前

This is just an inverse ACES transform. ITs a mathematical transform you can do yourself in Resolve already

Tom Blake 的头像
Tom Blake17 天前

💥👀

Evelyn 的头像
Evelyn17 天前

Exciting update from Runway—advancing professional workflows with powerful tools for the future of visual storytelling

Sani Ai Tech 的头像
Sani Ai Tech16 天前

Proper color pipeline support makes professional workflows much smoother

Aina Ai | Tools & Updates 的头像
Aina Ai | Tools & Updates16 天前

Big workflow upgrade ACES in Ruby makes pro pipeline so much smoother

manzi 的头像
manzi17 天前

if this vanished after lunch, which step do you still do by hand?

atastaai 的头像
atastaai15 天前

Wow what a feature!

Aria Tech 的头像
Aria Tech14 天前

Scene-referred half-float EXRs in ACEScg 1.3 + 2.0, straight out of Runway Ruby — this is pro pipeline support done right. 🎬✨

Heather Cooper 的头像
Heather Cooper17 天前

Wow

Ella Tech & Tool 的头像
Ella Tech & Tool17 天前

Huge 🔥 Pro workflow just leveled up

⚡ Luca Marino 的头像
⚡ Luca Marino12 天前

pipeline-ready at last

Hamid AI 的头像
Hamid AI15 天前

A great upgrade for production workflows—bringing professional color management closer to a seamless creative process

jake downs 的头像
jake downs17 天前

10-bit color too?

RAZA | AI EXPLORER 的头像
RAZA | AI EXPLORER17 天前

A big win for pro workflows.

Sameer Bhat 的头像
Sameer Bhat17 天前

Scene-referred EXR out is the part that actually matters — highlights stop clipping the moment you grade, and generated plates finally sit in the same colour space as the live-action ones.

Alice The Ai Expert 的头像
Alice The Ai Expert17 天前

Huge upgrade for color pipelines love it!

Fiducial.ai 的头像
Fiducial.ai16 天前

Before moving a sequence, round-trip one EXR through Nuke or Resolve with the same ACES config. Check highlights and gamut on re-import; scene-referred export only helps if the transform chain survives.

Adrian Cole 的头像
Adrian Cole16 天前

This is the kind of update that matters beyond the demo. Removing friction between AI generation and professional pipelines is what turns experimentation into real production workflows.

ZenithAi 的头像
ZenithAi16 天前

Huge win for color workflows and professional post production

Otnashi 的头像
Otnashi16 天前

I couldn't try it 😞 I get moderated and censored just by looking in runways direction

TonkaToyXL | AI Test Cabin 的头像
TonkaToyXL | AI Test Cabin17 天前

Scene-referred half-float EXR in ACEScg is the detail that matters here, since it means the output can sit in a real color pipeline instead of being baked. Excited to see generative tools meeting existing workflows this way.

Evia AI 的头像
Evia AI14 天前

A major workflow upgrade for serious color-managed production

Marco "Shikoba" Riccetti 的头像
Marco "Shikoba" Riccetti17 天前

🚀

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