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acpx v0.4 ships Agentic Workflows, or as I like to call them "Agentic Graphs" It let's you create node-based workflows on top of ACP (Agent Client Protocol), to drive any coding agent (Codex, Claude Code, pi) through deterministic steps This let's you automate routine, mechanical legwork like triaging incoming...

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Onur Solmaz

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115,488 Aufrufe • vor 3 Monaten •via X (Twitter)

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Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Santiago

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Right now, I have a few dozen tools to automate my life. Every single thing that I do more than once every week is now a tool: either a Claude Code skill, a scheduled workflow, or an application. • I spend the time doing this once. • I schedule it. • I forget about it (or at least, try to) CREAO is one of the platforms I've used extensively for building some of these automations. They are partnering with me on this post. They are one of the only platforms where you can go from a conversation to a scheduled agent that quickly. This is how it works: 1. You describe the problem you want to solve 2. CREAO's agent builds the logic and executes it 3. You can iterate with the agent to improve the solution 4. When you are done, you turn that solution into a mini app 5. You can schedule that app to run any time you need it Something important: These agents are deterministic. They don't use an LLM to generate answers, so they will always return the same output given the same input. This is critical: when you're automating something that runs every Monday at 9 am, you need it to return the same result every time, not a "creative" answer.
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Right now, I have a few dozen tools to automate my life. Every single thing that I do more than once every week is now a tool: either a Claude Code skill, a scheduled workflow, or an application. • I spend the time doing this once. • I schedule it. • I forget about it (or at least, try to) CREAO is one of the platforms I've used extensively for building some of these automations. They are partnering with me on this post. They are one of the only platforms where you can go from a conversation to a scheduled agent that quickly. This is how it works: 1. You describe the problem you want to solve 2. CREAO's agent builds the logic and executes it 3. You can iterate with the agent to improve the solution 4. When you are done, you turn that solution into a mini app 5. You can schedule that app to run any time you need it Something important: These agents are deterministic. They don't use an LLM to generate answers, so they will always return the same output given the same input. This is critical: when you're automating something that runs every Monday at 9 am, you need it to return the same result every time, not a "creative" answer.

Santiago

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I built an agent that answers machine-learning questions. It's autonomous, and the best part is that I built the whole thing without writing a single line of Python code. Here is what I did and how I did it: Over a year ago, a friend and I built a site that publishes multi-choice questions. You get a new one every day. I decided to have GPT-3.5 answer questions. Here is what I needed to build: 1. Connect to the site's API to retrieve today's question 2. Extract the question and the potential choices 3. Connect to OpenAI's API and ask GPT-3.5 to answer the question 4. Parse the answer from the model 5. Submit the answer back to the API to get the score Not difficult. Likely several hours of work. But I didn't have to write any code. I built the whole thing by dragging and dropping components using Vellum is a YC-backed platform for developers to build LLM applications. They are the only ones I've seen offering this functionality. They sponsored this post, and their team helped me with all my questions while I built this. I created a workflow. The platform supports several node types to build whatever you have in mind. I show how I put the whole thing together in the attached video. The only code I had to write was a few lines of Jinja to parse and transform the API and the LLM results. There are three lessons I want to share from this experience: First, the best possible code is the one you didn't write. I'm a big fan of no-code tools because they help me materialize my ideas fast. They help product people, designers, and no coders collaborate on the solution. Second, Large Language Models are sensitive to how you prompt them. Small changes to prompts can make a big difference in results. This is more pronounced when you are building a multi-step workflow. Third, automated testing and evaluation for prompts is critical. There aren't many companies thinking about this. They'll have a hard time moving from a demo phase. The attached video will show you what I did.
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I built an agent that answers machine-learning questions. It's autonomous, and the best part is that I built the whole thing without writing a single line of Python code. Here is what I did and how I did it: Over a year ago, a friend and I built a site that publishes multi-choice questions. You get a new one every day. I decided to have GPT-3.5 answer questions. Here is what I needed to build: 1. Connect to the site's API to retrieve today's question 2. Extract the question and the potential choices 3. Connect to OpenAI's API and ask GPT-3.5 to answer the question 4. Parse the answer from the model 5. Submit the answer back to the API to get the score Not difficult. Likely several hours of work. But I didn't have to write any code. I built the whole thing by dragging and dropping components using Vellum is a YC-backed platform for developers to build LLM applications. They are the only ones I've seen offering this functionality. They sponsored this post, and their team helped me with all my questions while I built this. I created a workflow. The platform supports several node types to build whatever you have in mind. I show how I put the whole thing together in the attached video. The only code I had to write was a few lines of Jinja to parse and transform the API and the LLM results. There are three lessons I want to share from this experience: First, the best possible code is the one you didn't write. I'm a big fan of no-code tools because they help me materialize my ideas fast. They help product people, designers, and no coders collaborate on the solution. Second, Large Language Models are sensitive to how you prompt them. Small changes to prompts can make a big difference in results. This is more pronounced when you are building a multi-step workflow. Third, automated testing and evaluation for prompts is critical. There aren't many companies thinking about this. They'll have a hard time moving from a demo phase. The attached video will show you what I did.

Santiago

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Jason Calacanis: Anthropic, OpenAI and others are trying to kill OpenClaw Why? Because an open source agent platform is an existential threat to frontier model companies. @jason: “ People are going to say I'm a conspiracy theorist, but the number one goal, I believe, in the large language model, frontier model space, is to kill (OpenClaw). This is a giant movement to stop it, because this is the equivalent of having an open source Android-like player in the market, and that could be incredibly disruptive. Because, I believe, open source is going to win the day on the large language models and take 90% of the token usage, and I think the entire frontier model space could be undercut by open source. And I think they realize that SLMs, the smaller language models that are verticalized now, that will run on desktops and laptops and are even starting to run on the top ones, that is their biggest competitive threat, and I hope it happens.”
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The All-In Podcast

64,267 Aufrufe • vor 3 Monaten

Pi was built when there were already agent harnesses around. Here’s why Mario Zechner(Mario Zechner), found them suboptimal and built Pi, a minimalist self-modifying agent: #1 - Mario initially was a believer in Claude Code: "I was a believer in Claude code because they were the first that packaged agentic search up in a really compelling package. And at the time that fit my workflow really well. Everything around the LLM was kind of nice and tidy and easy to understand. I was super happy. I was proselytising Claude code." #2 - Reverse engineering Claude Code highlighted the degradation that Mario felt as a user: "I personally like simple tools that are stable and that I can rely on. Even if they have non-deterministic parts, all the deterministic parts should be as stable as possible. That was just not the experience with Claude Code around summer 2025. They would take away your control of the context. They would inject stuff behind your back, which is bad. Then, your workflows stopped working because there's now a system reminder that you don't even see in the UI that would modify the behaviour of the model. They would also do this to the system prompt. I built a little service where I can track the progression or evolution of the system, prompt and tool definitions and, with every release, it was messing with stuff. That just messed with my workflows and I don't appreciate that." #3 - PI was built with an appreciation for simple and reliable tools: "If I commit to a development tool, I want it to be a stable, reliable thing like a hammer. I don't want my hammer to break a different spot every day. That's terrible. We need somebody who goes the full velocity kind of way. But I don't want to work with a tool like that."
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The Pragmatic Engineer

62,825 Aufrufe • vor 2 Monaten

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)
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Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 Aufrufe • vor 6 Monaten

Mark Zuckerberg: “I don’t believe in delegating” “There’s this theory that a lot of people have which is that the job of a leader is to hire people and delegate things to them. My theory is there is so much going on across the company that I can’t possibly be involved in all of it, so all these people are going to have a ton of stuff they’re going to do. But fundamentally, if there’s a decision that I want to be involved with, I’m going to be involved in it… I think that’s generally a good way for founders to operate.” Mark continues: “If you’re running the company and there’s something important — at whatever level of detail in the organization — I don’t get the logic of saying, ‘I’m not going to be involved in that.’” Of course you want to have humility that you may not have the most context immediately, but in Mark’s view, the CEO must take ownership of the company’s most important problems. To ensure that his time is constantly spent on the most important priority for the company, Mark has very few recurring meetings and tries to keep his schedule as open as possible: “II generally keep a bunch of time open so that stuff is pretty dynamic — I can wake up in the morning and be like, ‘OK, I need to work on these three things today, and I want to make sure I have a block of time where I can go do that.’” Video source: Stripe (2025)
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Mark Zuckerberg: “I don’t believe in delegating” “There’s this theory that a lot of people have which is that the job of a leader is to hire people and delegate things to them. My theory is there is so much going on across the company that I can’t possibly be involved in all of it, so all these people are going to have a ton of stuff they’re going to do. But fundamentally, if there’s a decision that I want to be involved with, I’m going to be involved in it… I think that’s generally a good way for founders to operate.” Mark continues: “If you’re running the company and there’s something important — at whatever level of detail in the organization — I don’t get the logic of saying, ‘I’m not going to be involved in that.’” Of course you want to have humility that you may not have the most context immediately, but in Mark’s view, the CEO must take ownership of the company’s most important problems. To ensure that his time is constantly spent on the most important priority for the company, Mark has very few recurring meetings and tries to keep his schedule as open as possible: “II generally keep a bunch of time open so that stuff is pretty dynamic — I can wake up in the morning and be like, ‘OK, I need to work on these three things today, and I want to make sure I have a block of time where I can go do that.’” Video source: Stripe (2025)

Startup Archive

326,115 Aufrufe • vor 6 Monaten

I hear so often from the Dommes I work with that they struggle with people online fetichizing them and simply seeing them for how sexy and beautiful they are. They project their fantasies and their desires onto you. That stops immediately once you move the attention from you to them. From 'look at me' to 'I see you'. What does that look like? When you create content, think of them and what this scene or that narrative is evoking. What will they learn from you? What they want is not to passively watch how sexy you are, but for you to train them, to give them instructions, to teach them, to guide them, to be in charge, to command them. This is not being an object but the main subject. The Authority figure. How is your content already doing that. The sexy photos can still be there, they are important to already capture des attention. But what you do with that attention once you have it, is where the power dynamic is established. Positioning yourself as more than a stunning Goddess, but actually a woman who has a voice, opinions, perspective, a philosophy, a way to doing things, teaching them what you like, how you like it, why you like it, already makes them want to be that for you. You hold the attention, you hold the power, so you direct it. And for that, you want them to know you get them and you know what lives within them... that creates the desire for you to be the one exposing it. You instantly build trust. Not because you demanded it, but because you earned it: you showed them you know what you are doing. You have experience, you understand them. They are not told to come see you, they are seduced into it. They desire it. And they will work for it. This will attract better clients (real subs) and instead of you trying to get their attention, they will work to earn yours. If you want to learn more about power dynamics, building a brand as a Pro or the psychology behind BDSM, you can now access all my trainings and classes in one place for a fraction of the cost of The Dominatrix Academy. And you can reinvest the total amount towards the Program. Message me [SECRET] for the details. This offer is not available on my website.
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Ms. Malissia

15,105 Aufrufe • vor 2 Monaten

UFO orb sphere on HD cameras over the Ohoopee River in Georgia USA 7-3-2023. The color starlight camera is a 4K camera. This is some closeup videos I got of the smaller UFO probes. I think there were 3 of them in all flying around me yesterday evening. A lot of the cameras are on a tower so they can see the whole area. I own all the rights to the videos. If any news organizations want to use the videos contact me or if you want the story of what's going on here contact me. I have some videos that will shock people! I try not to post any of the better videos here but there are so many people on here that don't believe, I thought I would post this event to shut them up! I really want to talk to scientist or anyone high up in the government that is trying to figure out what is going on with all the UFOs and UAPs all over the place and want to get the information out to the public. Contact me because I have some of the puzzle! I have been shown many things by them and was also told three warnings to tell the government. I was jump starting the battery on my Hummer H2 when they came down watching me. Have more videos of them that are longer. They looked like they were flying a pattern like they do many times. I had a close encounter with the UFOs on 11-8-2012 and the Beings in them. They started coming back all the time after that event. They made some kind of connection to me. I have hundreds of videos of the UFOs from over the years. I'm just a normal person that something amazing happened to. You can not make up a story as crazy as what has happened to my family since 2012! This video is nothing compared to what we have seen them do. I have closeup 4K videos of them doing something amazing that the government and scientist should see. They can perform molecular manipulation on matter. The craft can change shape instantly and they can change other things also. I have videos showing them do this. I have a amazing story that needs to come out! I'm looking for scientist that are studying the UFOs that would be interested in helping me show this to the world. If you want to see the UFOs live contact me. You can set all your cameras and equipment up on my land and see the UFOs for yourself! Hundreds of the smaller UFOs like this came on 2-16-2023 and they had a giant mothership with them. That event was something special. They want to show us something! I filmed it on multiple cameras. I also want to show the government the videos we have filmed over the years and tell them the message the Beings gave me. We have keep this all secret until January of this year. Only some of the doctors treating me know about it and my lawyer. This is a long term ongoing event and I have medical records that show what happened to my body from the close encounter and I have many videos to prove all of this. Something major happened this year with the UFOs and something strange is going on now! They are NOT here to harm us. They are here to watch over us and to guide us. WAKE UP PEOPLE!!! THIS IS ALL 100% REAL and these craft are 1000% not man made craft!!! #UFO #UAP #USAF #NAVY #NASA #REALUFOs #UFOs #UAPs #Science #Scientist #ORB #UFOSPHERE #sphere #consciousness
4:09

UFO orb sphere on HD cameras over the Ohoopee River in Georgia USA 7-3-2023. The color starlight camera is a 4K camera. This is some closeup videos I got of the smaller UFO probes. I think there were 3 of them in all flying around me yesterday evening. A lot of the cameras are on a tower so they can see the whole area. I own all the rights to the videos. If any news organizations want to use the videos contact me or if you want the story of what's going on here contact me. I have some videos that will shock people! I try not to post any of the better videos here but there are so many people on here that don't believe, I thought I would post this event to shut them up! I really want to talk to scientist or anyone high up in the government that is trying to figure out what is going on with all the UFOs and UAPs all over the place and want to get the information out to the public. Contact me because I have some of the puzzle! I have been shown many things by them and was also told three warnings to tell the government. I was jump starting the battery on my Hummer H2 when they came down watching me. Have more videos of them that are longer. They looked like they were flying a pattern like they do many times. I had a close encounter with the UFOs on 11-8-2012 and the Beings in them. They started coming back all the time after that event. They made some kind of connection to me. I have hundreds of videos of the UFOs from over the years. I'm just a normal person that something amazing happened to. You can not make up a story as crazy as what has happened to my family since 2012! This video is nothing compared to what we have seen them do. I have closeup 4K videos of them doing something amazing that the government and scientist should see. They can perform molecular manipulation on matter. The craft can change shape instantly and they can change other things also. I have videos showing them do this. I have a amazing story that needs to come out! I'm looking for scientist that are studying the UFOs that would be interested in helping me show this to the world. If you want to see the UFOs live contact me. You can set all your cameras and equipment up on my land and see the UFOs for yourself! Hundreds of the smaller UFOs like this came on 2-16-2023 and they had a giant mothership with them. That event was something special. They want to show us something! I filmed it on multiple cameras. I also want to show the government the videos we have filmed over the years and tell them the message the Beings gave me. We have keep this all secret until January of this year. Only some of the doctors treating me know about it and my lawyer. This is a long term ongoing event and I have medical records that show what happened to my body from the close encounter and I have many videos to prove all of this. Something major happened this year with the UFOs and something strange is going on now! They are NOT here to harm us. They are here to watch over us and to guide us. WAKE UP PEOPLE!!! THIS IS ALL 100% REAL and these craft are 1000% not man made craft!!! #UFO #UAP #USAF #NAVY #NASA #REALUFOs #UFOs #UAPs #Science #Scientist #ORB #UFOSPHERE #sphere #consciousness

Ranger H

1,162,665 Aufrufe • vor 3 Jahren

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -
2:28

THE MOST IMPORTANT Q&A OF MEDIA DAY. Mariana: You came from a very solid weekend on top of everything, but at the same time, it seems that you don't feel that the team is listening to you. Am I right? And how do you balance that? Lewis: I feel like we're going in the right direction. Rome wasn't built in one day, so it takes time to build. For me, coming into the team, I wanted to be respectful of the way they've done things in the past and just to really observe and see where our strengths and where our weaknesses are and to highlight where our weaknesses are and areas that we need to work on. But I do feel that they've been responding. I think you're starting to see, hopefully, some of the impact of the work that we're doing in the background and also into next year's car. This is a car that I've had nothing to do with in terms of developing this car over the years. Hopefully, from next year, my input goes into that car, and that will be a car that I've hopefully been a part of or will have been a part of developing. But I think we've got a really great rapport. I think we're really progressing, particularly since the summer break. I think things have started to get better, and it's all just about building trust and communication. Also, I'm coming into a team that English is not the first language, and I don't speak Italian, so it's finding a common ground. And the fact is we all want to win. We're all here to achieve the same thing, and we've got to just keep pushing. So that's why I'm trying to keep everyone motivated on difficult weekends, trying to keep everyone lifted up. But there have been many, many things we've changed this year that I suggested that they hadn't done in the past, and so they have been listening. It doesn't change straight away, just like that. It takes time to build. And as engineers, they really need proof. They need numbers. That's what they work on. So you have to sometimes push to get certain changes to be made, and then when you change it and then it works, you're like, okay. Mariana: That's what I was talking about.. Lewis: Yeah! - F1 2025 Mexico -

sim

170,303 Aufrufe • vor 8 Monaten

I Built a 37.0 Profit Factor Bot by Cracking Every TradingView Source Code tradingview is a gold mine hiding in plain sight and i just found the master key to unlock every single secret hidden within its community scripts. most traders spend their entire lives staring at candles and hoping for a miracle while the actual alpha is buried in the open source code that nobody bothers to look at. i used to be that guy who sat there getting liquidated at three in the morning because i thought i could outplay the market with my gut feeling and some drawings on a screen. it turns out that the game is completely rigged against you if you are trading manually but there is a specific way to flip the script. i am going to show you how to stop guessing and start knowing exactly what works across every possible market condition before you ever risk a single dollar. i spent years losing money and thousands on developers because i thought i was not smart enough to code the systems myself but i was wrong. the first step to cracking the market is realizing that every indicator on the super charts has a source code section that is completely open to the public. you can literally scroll through the community scripts and pull the exact logic for thousands of different strategies that people claim are the holy grail of trading. but the secret is not just having the code because most of these indicators are actually garbage that will blow your account up in a week. this is where the real loop opens because you need a way to test these ideas across twenty five different data sets in seconds rather than months. i use a custom setup with ai agents specifically a sub agent i call the backtest architect to handle the heavy lifting of turning pine script into python code. the goal is to create a factory where you can feed in a raw indicator and get back a full report on its expectancy and profit factor without lifting a finger. most people find one strategy and marry it for life but a real data dog knows that you have to iterate to success or you will get left behind. i am running eighty one different backtests right now because i know that ninety percent of what i find will be trash but that remaining ten percent is where the wealth is made. the backtest architect knows exactly how to structure the folders and data paths so that we are testing everything from the base indicator to complex versions with filters. you might think that popular tools like fibonacci or order blocks are the way to go because everyone on social media talks about them like they are law. but when i actually ran the numbers through the machine the results were embarrassing and most of those strategies just resulted in negative expectancy. it is a dangerous trap to follow the crowd into a trade just because some guru said a certain level was important when the data shows it is a coin flip at best. the dynamic swing indicator was one of the few that actually held its weight during the recent massive testing sessions we ran. it was pulling in profit factors of over thirty seven with annualized returns that look too good to be true until you see the trade list. we combined it with filters like the adx and the money flow index to see if we could refine the signals and the results were absolutely staggering. when you have a system that can run through forty data sets while you are drinking tea you realize that manual trading is a form of self harm. i realized this after spending hundreds of thousands on apps and devs only to find out that i could just learn to build these bots myself live on the internet. the speed of iteration is the only thing that matters in this game because the faster you can fail the faster you can find the one strategy that actually prints. one of the biggest hurdles i faced was thinking that i needed to be a math genius or a senior engineer to automate my trading systems. the truth is that code is the great equalizer because it allows a regular person to compete with massive hedge funds by using the same logic and speed. i decided to learn everything in public because i wanted people to see the process of losing money with liquidations and then finally finding a path to automation. the reality of the market is that it moves in cycles and what worked yesterday will almost certainly fail tomorrow unless you are constantly testing. that is why i built the agents to automatically look through the results folder and rank the top performers based on a composite score. it takes all the emotion out of the process because i am no longer looking for a reason to enter a trade i am just looking at a csv file that tells me the truth. if you are still drawing lines on a chart and hoping for the best you are basically playing a game of chance against a high speed casino. the transition from a manual trader to a systems builder is the single most important pivot you will ever make in your life. it is not about being right or wrong it is about having a positive expectancy that has been proven across thousands of trades and multiple years of history. i had to fix a few errors in the short selling logic where the agents were getting confused between maximum and minimum values for take profit levels. these tiny bugs are the difference between a winning system and a blown account so you have to be willing to dive into the code and refine the machine. but once the system is tuned and the sub agents are running it becomes a beautiful workflow that functions entirely without your input. we are currently moving through the editors picks and the trending indicators one by one because i want to have a database of every single strategy on the platform. being a data dog means you never stop searching for that edge and you never settle for a strategy that just looks okay on a single chart. you have to demand excellence from your code because the market will not give you a single inch of mercy if you are lazy with your research. the ultimate goal is to have fully automated systems trading for you so you can focus on scaling rather than staring at a screen for ten hours a day. i am already up to over eighty backtests in this single session and i plan on hitting hundreds more by the end of the week. once you realize that you can crack the code of any indicator you see on the internet you will never look at a chart the same way again. this is the power of using agents to bridge the gap between a raw idea and a finished trading bot that actually works in the real world. i am done with getting liquidated and i am done with the stress of over trading because the code handles everything with cold precision. the path to success is paved with data and if you are not willing to automate your process you are just waiting for your next liquidation to happen
49:49

I Built a 37.0 Profit Factor Bot by Cracking Every TradingView Source Code tradingview is a gold mine hiding in plain sight and i just found the master key to unlock every single secret hidden within its community scripts. most traders spend their entire lives staring at candles and hoping for a miracle while the actual alpha is buried in the open source code that nobody bothers to look at. i used to be that guy who sat there getting liquidated at three in the morning because i thought i could outplay the market with my gut feeling and some drawings on a screen. it turns out that the game is completely rigged against you if you are trading manually but there is a specific way to flip the script. i am going to show you how to stop guessing and start knowing exactly what works across every possible market condition before you ever risk a single dollar. i spent years losing money and thousands on developers because i thought i was not smart enough to code the systems myself but i was wrong. the first step to cracking the market is realizing that every indicator on the super charts has a source code section that is completely open to the public. you can literally scroll through the community scripts and pull the exact logic for thousands of different strategies that people claim are the holy grail of trading. but the secret is not just having the code because most of these indicators are actually garbage that will blow your account up in a week. this is where the real loop opens because you need a way to test these ideas across twenty five different data sets in seconds rather than months. i use a custom setup with ai agents specifically a sub agent i call the backtest architect to handle the heavy lifting of turning pine script into python code. the goal is to create a factory where you can feed in a raw indicator and get back a full report on its expectancy and profit factor without lifting a finger. most people find one strategy and marry it for life but a real data dog knows that you have to iterate to success or you will get left behind. i am running eighty one different backtests right now because i know that ninety percent of what i find will be trash but that remaining ten percent is where the wealth is made. the backtest architect knows exactly how to structure the folders and data paths so that we are testing everything from the base indicator to complex versions with filters. you might think that popular tools like fibonacci or order blocks are the way to go because everyone on social media talks about them like they are law. but when i actually ran the numbers through the machine the results were embarrassing and most of those strategies just resulted in negative expectancy. it is a dangerous trap to follow the crowd into a trade just because some guru said a certain level was important when the data shows it is a coin flip at best. the dynamic swing indicator was one of the few that actually held its weight during the recent massive testing sessions we ran. it was pulling in profit factors of over thirty seven with annualized returns that look too good to be true until you see the trade list. we combined it with filters like the adx and the money flow index to see if we could refine the signals and the results were absolutely staggering. when you have a system that can run through forty data sets while you are drinking tea you realize that manual trading is a form of self harm. i realized this after spending hundreds of thousands on apps and devs only to find out that i could just learn to build these bots myself live on the internet. the speed of iteration is the only thing that matters in this game because the faster you can fail the faster you can find the one strategy that actually prints. one of the biggest hurdles i faced was thinking that i needed to be a math genius or a senior engineer to automate my trading systems. the truth is that code is the great equalizer because it allows a regular person to compete with massive hedge funds by using the same logic and speed. i decided to learn everything in public because i wanted people to see the process of losing money with liquidations and then finally finding a path to automation. the reality of the market is that it moves in cycles and what worked yesterday will almost certainly fail tomorrow unless you are constantly testing. that is why i built the agents to automatically look through the results folder and rank the top performers based on a composite score. it takes all the emotion out of the process because i am no longer looking for a reason to enter a trade i am just looking at a csv file that tells me the truth. if you are still drawing lines on a chart and hoping for the best you are basically playing a game of chance against a high speed casino. the transition from a manual trader to a systems builder is the single most important pivot you will ever make in your life. it is not about being right or wrong it is about having a positive expectancy that has been proven across thousands of trades and multiple years of history. i had to fix a few errors in the short selling logic where the agents were getting confused between maximum and minimum values for take profit levels. these tiny bugs are the difference between a winning system and a blown account so you have to be willing to dive into the code and refine the machine. but once the system is tuned and the sub agents are running it becomes a beautiful workflow that functions entirely without your input. we are currently moving through the editors picks and the trending indicators one by one because i want to have a database of every single strategy on the platform. being a data dog means you never stop searching for that edge and you never settle for a strategy that just looks okay on a single chart. you have to demand excellence from your code because the market will not give you a single inch of mercy if you are lazy with your research. the ultimate goal is to have fully automated systems trading for you so you can focus on scaling rather than staring at a screen for ten hours a day. i am already up to over eighty backtests in this single session and i plan on hitting hundreds more by the end of the week. once you realize that you can crack the code of any indicator you see on the internet you will never look at a chart the same way again. this is the power of using agents to bridge the gap between a raw idea and a finished trading bot that actually works in the real world. i am done with getting liquidated and i am done with the stress of over trading because the code handles everything with cold precision. the path to success is paved with data and if you are not willing to automate your process you are just waiting for your next liquidation to happen

Moon Dev

26,010 Aufrufe • vor 4 Monaten

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)
0:55

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,571 Aufrufe • vor 9 Monaten

This couple is having a wedding that will reflect who they are. They openly don’t seem to care if anyone will actually go or not. I think weddings are a celebration for everyone to join in for a special day. But I also think that offending guests before they even go might be a decision that will turn in a decision full of regret. So here’s my take on this. The way I see it is that they are going to be disappointed. I know others might argue and say that it’s selfish for the guests to not go because of the conditions set forth by the bride and groom, however it goes both ways. If they know guests won’t like the conditions of the wedding, then maybe they should compromise a little. I think they should give people options. I feel that this is going to show the bride and groom who is actually their real friends and who aren’t in their eyes. They won’t care if the guests don’t like the wedding rules, they are going to expect them to go because they think that their attendance shows that they care and that they are local.
3:03

This couple is having a wedding that will reflect who they are. They openly don’t seem to care if anyone will actually go or not. I think weddings are a celebration for everyone to join in for a special day. But I also think that offending guests before they even go might be a decision that will turn in a decision full of regret. So here’s my take on this. The way I see it is that they are going to be disappointed. I know others might argue and say that it’s selfish for the guests to not go because of the conditions set forth by the bride and groom, however it goes both ways. If they know guests won’t like the conditions of the wedding, then maybe they should compromise a little. I think they should give people options. I feel that this is going to show the bride and groom who is actually their real friends and who aren’t in their eyes. They won’t care if the guests don’t like the wedding rules, they are going to expect them to go because they think that their attendance shows that they care and that they are local.

SonnyBoy🇺🇸

300,595 Aufrufe • vor 1 Monat

Brian still spends over two hours a day on recruiting and personally hires the top 200 people at Airbnb. I loved this idea of being in the flow of talent to find the best people: "Don't do searches. Build pipelines. I try to map out all the best people in the Valley. So let's say I need to hire really good engineers. I don't do searches. I just informationally meet the best engineers in the world. Every meeting, the job is to get the next meeting, meet someone else. The mistake people make when they hire. They go, "I need to hire a blank." So they hire a search firm. They give you 50 profiles, and you pick the best one. That is the wrong way to do it. The best way to do it is pipeline recruiting. You're constantly recruiting, you're constantly meeting people. in advance of searches. And all of it is referral based. The two ways to find out if people are good – is to start with the results and work backwards to the people. Find an ad you like and figure out who made that ad. Start with the results. Work backwards to people. Don't start with the resume. The other thing to do is just keep asking people to build your Rolodex. The moment I find somebody that's really good, I ask them who all the best people they know are. And I build these little mafias and they tell you who the other good people are. I am the co-hiring manager for the top 200 people in the company. This is very radical. A lot of CEOs think it's their job to hire their executive team, and their executive team hires their team. I think that is fatal. You always want to be marrying up, hiring people of the future. It should be like we're reaching. If you can hire them without my help, we're not reaching far enough. You want to hire the very best person you can."
2:07

Brian still spends over two hours a day on recruiting and personally hires the top 200 people at Airbnb. I loved this idea of being in the flow of talent to find the best people: "Don't do searches. Build pipelines. I try to map out all the best people in the Valley. So let's say I need to hire really good engineers. I don't do searches. I just informationally meet the best engineers in the world. Every meeting, the job is to get the next meeting, meet someone else. The mistake people make when they hire. They go, "I need to hire a blank." So they hire a search firm. They give you 50 profiles, and you pick the best one. That is the wrong way to do it. The best way to do it is pipeline recruiting. You're constantly recruiting, you're constantly meeting people. in advance of searches. And all of it is referral based. The two ways to find out if people are good – is to start with the results and work backwards to the people. Find an ad you like and figure out who made that ad. Start with the results. Work backwards to people. Don't start with the resume. The other thing to do is just keep asking people to build your Rolodex. The moment I find somebody that's really good, I ask them who all the best people they know are. And I build these little mafias and they tell you who the other good people are. I am the co-hiring manager for the top 200 people in the company. This is very radical. A lot of CEOs think it's their job to hire their executive team, and their executive team hires their team. I think that is fatal. You always want to be marrying up, hiring people of the future. It should be like we're reaching. If you can hire them without my help, we're not reaching far enough. You want to hire the very best person you can."

Patrick OShaughnessy

316,797 Aufrufe • vor 2 Monaten

Dear Mr. President, Greetings in the Lord. Thank you for your service to our country. As I have noted the various comments you have made about Heaven, I have felt burdened to write to you. I decided on an open letter and there are two reasons I can give for this. In the first place, you have been very open about your questions. This has been a matter of public discussion, and so I don’t feel it is out of place to address them in this way. Second, you are our president, and in this role you are in many ways our representative. I believe there are many Americans who have exactly the same questions that you do. As I write to you, I am writing also to them. And to these reasons, I might also tag on a third, which is that approaching the task this way stands a better chance of actually getting to you, which is actually the central point. I write because I am a minister of the kingdom of Heaven, and when I hear someone talking about Heaven as you have been doing, the only thing that comes to my mind is how I might possibly set out the message of Christ to you in a way that fits. How might I faithfully address the questions that you have been raising about this issue? We should want to do more than just insert the buckle into the seat belt . . . we also need to hear the click.
16:08

Dear Mr. President, Greetings in the Lord. Thank you for your service to our country. As I have noted the various comments you have made about Heaven, I have felt burdened to write to you. I decided on an open letter and there are two reasons I can give for this. In the first place, you have been very open about your questions. This has been a matter of public discussion, and so I don’t feel it is out of place to address them in this way. Second, you are our president, and in this role you are in many ways our representative. I believe there are many Americans who have exactly the same questions that you do. As I write to you, I am writing also to them. And to these reasons, I might also tag on a third, which is that approaching the task this way stands a better chance of actually getting to you, which is actually the central point. I write because I am a minister of the kingdom of Heaven, and when I hear someone talking about Heaven as you have been doing, the only thing that comes to my mind is how I might possibly set out the message of Christ to you in a way that fits. How might I faithfully address the questions that you have been raising about this issue? We should want to do more than just insert the buckle into the seat belt . . . we also need to hear the click.

Douglas Wilson

135,222 Aufrufe • vor 9 Monaten

I tried to tell y’all how it works when I’m on the beach or in a tourists trap. I see these guys walking around with icy drinks and since everything else in the country was cheaper than they are here I would assume his drinks would be too. These guys will come by and even take your “order” if I don’t see something I want, he will say he can make it for me. These women fell for this and ordered 3 drinks from him. One of the ladies was so thirsty she immediately started drinking it until he told them they owed him $75. Mind you these are adult drinks, the cups look to be a decent size so is it worth it or are they just tripping out? I am on the fence with this one, if it’s clean and good quality, I may say this is a fair price but the only one I’m questioning is the one who tried to give it back after she already drank out of it. Rarely will I side with a street merchant because I feel like they’ve ripped me off quite a few times. But I think his price is valid for this. I’ve paid close to the same price for much less when I was at the beach. Most of the time I can tell they are well drinks that they tell me are too shelf. Many people can’t tell the difference but I can. I only drink certain brands and I am very used to what they taste like. This kind of interaction is why I now only buy from restaurants and bars like I mentioned before. I am not going to get into an argument with someone over something I ordered but failed to check the price first. That old saying, “if you have to ask them you can’t afford it.” That doesn’t apply here because if I have to ask then it means they should have listed the price up front.
1:51

I tried to tell y’all how it works when I’m on the beach or in a tourists trap. I see these guys walking around with icy drinks and since everything else in the country was cheaper than they are here I would assume his drinks would be too. These guys will come by and even take your “order” if I don’t see something I want, he will say he can make it for me. These women fell for this and ordered 3 drinks from him. One of the ladies was so thirsty she immediately started drinking it until he told them they owed him $75. Mind you these are adult drinks, the cups look to be a decent size so is it worth it or are they just tripping out? I am on the fence with this one, if it’s clean and good quality, I may say this is a fair price but the only one I’m questioning is the one who tried to give it back after she already drank out of it. Rarely will I side with a street merchant because I feel like they’ve ripped me off quite a few times. But I think his price is valid for this. I’ve paid close to the same price for much less when I was at the beach. Most of the time I can tell they are well drinks that they tell me are too shelf. Many people can’t tell the difference but I can. I only drink certain brands and I am very used to what they taste like. This kind of interaction is why I now only buy from restaurants and bars like I mentioned before. I am not going to get into an argument with someone over something I ordered but failed to check the price first. That old saying, “if you have to ask them you can’t afford it.” That doesn’t apply here because if I have to ask then it means they should have listed the price up front.

SonnyBoy🇺🇸

287,551 Aufrufe • vor 14 Tagen

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”
3:14

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”

ELON CLIPS

21,519 Aufrufe • vor 1 Jahr

The Circle (2000, Panahi)/ Iran "Political movies have limited time. After that time, it doesn’t say anything anymore. But if the whole thing is said in an artistic way, then it doesn’t have an expiration date." --- Jafar Panahi Full Excerpt: "Interviewer: The subject matter of 'The Circle' (2000) is controversial. You mentioned that the film is still banned in Iran. In fact, when I was watching the film, I realized that through the characters, there’s a lot of fear about the system, the establishment, the police. The women can’t smoke; they have to wear the chador; they seem to want to hide every time. This is all very clear from watching the film. Did you deliberately want to make a statement about the political situation in Iran? Panahi: I have to tell you again that I’m not a political person. I don’t like political movies. But I take every opportunity to comment on the social issues. I talk about the current issues. To me it’s not important what is the reason for what has happened. Whether it’s political reasons or geographical reasons: these are not important—but the condition, the social issues. It is important to me to talk about the plight of humanity at that time. I don’t want to give a political view, or start a political war. I think that the artist should rise above this. Political movies have limited time. After that time, it doesn’t say anything anymore. But if the whole thing is said in an artistic way, then it doesn’t have an expiration date. So it doesn’t really serve a political purpose. Then it can be everlasting, for always, and it could be for anywhere. But I know that politically, with the film authorities, with any kind of film that has some political background in it, they would take issue with it. And for this reason, that is what the problem is. Interviewer: Still, your film makes a very strong statement about the problems that women face in Iran. Panahi: Yes, I agree with that. Interviewer: So that is humanitarian, of course, but it’s also political. Panahi: Yes, I agree with that. It has the elements. It all depends on how you look at it. If a person has only political views, then he will only see the political. But if you are a poet or an artist, then you see other things as well in the movie. If you are a socialist, you see political or economic or whatever different points of view. You mustn’t look at a film with only one point of view. If you want to see 'The Circle' (2000) as political, then it is one of the most political movies in Iran. By political, I mean partisan politics. But even the police, I didn’t want to show them as bad. In the first instance, you are afraid of the police. Because you are looking at them from the point of view of someone who is now in prison. And normally you see him in a long shot, but when they come nearer and you see them in a medium shot, you can see their human faces. Then it comes down to, “Do you need any help?” But he goes back again and becomes frightening. If I were being political, then I would always show the police as dangerous or bad persons." (Jafar Panahi's interview with Stephen Teo, Senses of Cinema, 2001)
3:01

The Circle (2000, Panahi)/ Iran "Political movies have limited time. After that time, it doesn’t say anything anymore. But if the whole thing is said in an artistic way, then it doesn’t have an expiration date." --- Jafar Panahi Full Excerpt: "Interviewer: The subject matter of 'The Circle' (2000) is controversial. You mentioned that the film is still banned in Iran. In fact, when I was watching the film, I realized that through the characters, there’s a lot of fear about the system, the establishment, the police. The women can’t smoke; they have to wear the chador; they seem to want to hide every time. This is all very clear from watching the film. Did you deliberately want to make a statement about the political situation in Iran? Panahi: I have to tell you again that I’m not a political person. I don’t like political movies. But I take every opportunity to comment on the social issues. I talk about the current issues. To me it’s not important what is the reason for what has happened. Whether it’s political reasons or geographical reasons: these are not important—but the condition, the social issues. It is important to me to talk about the plight of humanity at that time. I don’t want to give a political view, or start a political war. I think that the artist should rise above this. Political movies have limited time. After that time, it doesn’t say anything anymore. But if the whole thing is said in an artistic way, then it doesn’t have an expiration date. So it doesn’t really serve a political purpose. Then it can be everlasting, for always, and it could be for anywhere. But I know that politically, with the film authorities, with any kind of film that has some political background in it, they would take issue with it. And for this reason, that is what the problem is. Interviewer: Still, your film makes a very strong statement about the problems that women face in Iran. Panahi: Yes, I agree with that. Interviewer: So that is humanitarian, of course, but it’s also political. Panahi: Yes, I agree with that. It has the elements. It all depends on how you look at it. If a person has only political views, then he will only see the political. But if you are a poet or an artist, then you see other things as well in the movie. If you are a socialist, you see political or economic or whatever different points of view. You mustn’t look at a film with only one point of view. If you want to see 'The Circle' (2000) as political, then it is one of the most political movies in Iran. By political, I mean partisan politics. But even the police, I didn’t want to show them as bad. In the first instance, you are afraid of the police. Because you are looking at them from the point of view of someone who is now in prison. And normally you see him in a long shot, but when they come nearer and you see them in a medium shot, you can see their human faces. Then it comes down to, “Do you need any help?” But he goes back again and becomes frightening. If I were being political, then I would always show the police as dangerous or bad persons." (Jafar Panahi's interview with Stephen Teo, Senses of Cinema, 2001)

DepressedBergman

43,871 Aufrufe • vor 6 Monaten

The single biggest mistake people make in relationship building. They do not follow up. And they do not follow up because they do not do it the night of the dinner/event/drinks. Every time I go to an event, in the car, on the way home, I email every person I met that night that I want to progress a conversation with. 99% of people do not do this. They say, I will do it tomorrow and they never do. That said, at the end of an evening, in the back of an Uber, I do not want to type 10 emails. Wispr Flow for the win. Do all of them in sub like 10 mins. The way you follow up is the way you are remembered. PS. This was written with Wispr Flow from a walk in London! Try Wispr Flow yourself at
0:57

The single biggest mistake people make in relationship building. They do not follow up. And they do not follow up because they do not do it the night of the dinner/event/drinks. Every time I go to an event, in the car, on the way home, I email every person I met that night that I want to progress a conversation with. 99% of people do not do this. They say, I will do it tomorrow and they never do. That said, at the end of an evening, in the back of an Uber, I do not want to type 10 emails. Wispr Flow for the win. Do all of them in sub like 10 mins. The way you follow up is the way you are remembered. PS. This was written with Wispr Flow from a walk in London! Try Wispr Flow yourself at

Harry Stebbings

37,985 Aufrufe • vor 3 Monaten