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Adèle Exarchopoulos, once again, mentions Léa Seydoux in a new interview in Cannes: “Léa Seydoux has 72 films in competition, 130 red carpets. When I said to her ‘Do you want to see each other? What are you doing tomorrow?’ And she came to see us! Seriously! How classy!”

best of léa seydoux

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89,398 次观看 • 4 个月前 •via X (Twitter)

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Adéle Exarchopoulos talks about her friendship with Léa Seydoux in a new interview: “With Léa, we have nothing to prove to each other. She knows me like no one else does and has managed — without ever being preachy — to both protect me and let me enjoy life. I love her dearly.”

Adéle Exarchopoulos talks about her friendship with Léa Seydoux in a new interview: “With Léa, we have nothing to prove to each other. She knows me like no one else does and has managed — without ever being preachy — to both protect me and let me enjoy life. I love her dearly.”

best of léa seydoux

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Léa Seydoux reacts to this interview of Adèle Exarchopoulos on ‘C à vous’ in Cannes: “I remember the shock it was when we were filming ‘La vie d’Adèle’. She was 17 and already possessed this nature, this absolutely spectacular, devouring animality. I greatly admire her career.”

Léa Seydoux reacts to this interview of Adèle Exarchopoulos on ‘C à vous’ in Cannes: “I remember the shock it was when we were filming ‘La vie d’Adèle’. She was 17 and already possessed this nature, this absolutely spectacular, devouring animality. I greatly admire her career.”

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🐯 : We need to split up once in order to see the value in each other when we come together again. 🐰: I was already feeling how precious you are 🐰: I want to do special forces 🐰: You’re not going to go AGAIN(MS) ×2 *whines*

🐯 : We need to split up once in order to see the value in each other when we come together again. 🐰: I was already feeling how precious you are 🐰: I want to do special forces 🐰: You’re not going to go AGAIN(MS) ×2 whines

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🐯 : We need to split up once in order to see the value in each other when we come together again. 🐰: I was already feeling how precious you are 🐰: I want to do special forces 🐰:You’re not going (to military) again, right? 🐰:you’re not going to go in again right? Taekook😭

🐯 : We need to split up once in order to see the value in each other when we come together again. 🐰: I was already feeling how precious you are 🐰: I want to do special forces 🐰:You’re not going (to military) again, right? 🐰:you’re not going to go in again right? Taekook😭

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Léa Seydoux revealed she felt “like a pr0stitute” while filming Blue Is the Warmest Colour (2013). “One Se× scene took 10 days. We had to lie on the bed..with each other, cold and n@k3d, hour after hour.” Seydoux burst into tears after director Kechiche publicly shamed her for speaking out about the movie's toxic working conditions. “How indecent to talk about pain when doing one of the best jobs in the world,” said the director. Seydoux also said, "Every scene had taken forever... he insisted on take after take until we felt like we were cracking up." "It was horrible. I would never work with him again." Léa Seydoux later reframed her emotional breakdown to de-escalate the explosive public feud with director Abdellatif Kechiche, who dramatically claimed he no longer wanted Blue Is the Warmest Colour to be released because the controversy had "sullied" it. Seydoux clarified that her tears were not meant to sabotage the director or label him a monster, stating: "I have given a year of my life to this film... I have not criticized the director. I'm just complaining about the technique."

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Léa Seydoux revealed she felt “like a pr0stitute” while filming Blue Is the Warmest Colour (2013). “One Se× scene took 10 days. We had to lie on the bed..with each other, cold and n@k3d, hour after hour.” Seydoux burst into tears after director Kechiche publicly shamed her for speaking out about the movie's toxic working conditions. “How indecent to talk about pain when doing one of the best jobs in the world,” said the director. Seydoux also said, "Every scene had taken forever... he insisted on take after take until we felt like we were cracking up." "It was horrible. I would never work with him again." Léa Seydoux later reframed her emotional breakdown to de-escalate the explosive public feud with director Abdellatif Kechiche, who dramatically claimed he no longer wanted Blue Is the Warmest Colour to be released because the controversy had "sullied" it. Seydoux clarified that her tears were not meant to sabotage the director or label him a monster, stating: "I have given a year of my life to this film... I have not criticized the director. I'm just complaining about the technique."

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Léa Seydoux on how she became an actress: “I met another actor in the street, and immediately, I fell in love with him… He was very charismatic. He was a French actor. I’m not going to say his name, but you will find out later… Whatever. Suddenly, he gave me a purpose.”

Léa Seydoux on how she became an actress: “I met another actor in the street, and immediately, I fell in love with him… He was very charismatic. He was a French actor. I’m not going to say his name, but you will find out later… Whatever. Suddenly, he gave me a purpose.”

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Léa Seydoux talks about the song ‘I Follow Rivers’ by Lykke Li: “It’s a song that really does something to me. I can’t help but think about it, especially when I listen to it in Cannes, I can’t help but think about 2013 when we won the Palme d’Or and that was pretty crazy.”

Léa Seydoux talks about the song ‘I Follow Rivers’ by Lykke Li: “It’s a song that really does something to me. I can’t help but think about it, especially when I listen to it in Cannes, I can’t help but think about 2013 when we won the Palme d’Or and that was pretty crazy.”

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In 'Legend' (2015), Tom Hardy and his stunt double actually slapped each other in this scene. Director said: “Tom was like “How many takes will you do?” I said “why do you want to know?” “Because me and Jacob are really going to hit each other.”

In 'Legend' (2015), Tom Hardy and his stunt double actually slapped each other in this scene. Director said: “Tom was like “How many takes will you do?” I said “why do you want to know?” “Because me and Jacob are really going to hit each other.”

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gowon said it'll be good if there's more chances to see each other again. it's just taking time(?) she said, "if i want to do something, i am going to live doing it"

gowon said it'll be good if there's more chances to see each other again. it's just taking time(?) she said, "if i want to do something, i am going to live doing it"

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Lydia West tells us about Eddie's journey in 'BIG MOOD' season 2 and reconnecting with Maggie: "Throughout the season, you still see them finding each other and coming back together in crazy scenarios, just making it work with each other. You see how Eddie's just trying to process her pain and her grief, and she thinks that she will be able to do that with this new friend."

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While promoting Blue is the Warmest Colour (2013), Léa Seydoux spoke to Esquire about the differences she perceived between American and French men. Asked about her impressions of American men, she said: “Exercising a lot. I've always felt that Americans are very in the moment. There's not so much melancholia and mystery, as there is in France. Everything must be understood. Everything must be analyzed.” Asked how American men compare with French men, Seydoux added: “Well, for example, French guys are often a little feminine in their sensibility, whereas in the U.S. they're more men. It's all about performance, whether at sex or on an intellectual level. Actually, even more so on a physical level. There's this obligation to perform. The same thing applies to women. You see it in magazine covers in the U.S. There's a provocative approach to sex.”

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The original author of the book, Julie Maroh called the sx scenes in Blue Is the Warmest Colour (2013), “prn” and a “brutal..display,” calling it as the director's desires. Léa Seydoux said she would “never” work with director Abdellatif Kechiche again due to his harsh methods, adding, "The way we shot this film was just insane. The guy is just nuts". After Léa Seydoux publicly criticized his methods, Kechiche lashed out, calling her "arrogant" and a "spoiled child," and even stated that the film should not have been released because it had been "sullied"

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