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Aditya From 90's – A Middle Class Biopic

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Aakashavaani

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642,933 görüntüleme • 3 ay önce •via X (Twitter)

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"Fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class." --- Bernardo Bertolucci on 'The Conformist' (1970) Full Excerpt: "'The Conformist' (1970) is first a film about the bourgeoisie, the middle-class, not about fascism. I was speaking about the middle class, and fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class. Whenever the working class is coming up, up, up, at this moment fascism makes its appearance. In the film there is a fascist and an anti-fascist, but the Professor in Paris, the anti-fascist, is also from the middle-class. We have two faces of the same coin, of the middle-class. One face is fascism, the other is anti-fascism, but not a Marxist anti-fascism, just an idealism. Because he is also in the middle-class, my anti-fascist is not a hero, not a positive man." (From his interview with Joan Mellen, 1975)
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"Fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class." --- Bernardo Bertolucci on 'The Conformist' (1970) Full Excerpt: "'The Conformist' (1970) is first a film about the bourgeoisie, the middle-class, not about fascism. I was speaking about the middle class, and fascism is a moment in the history of the middle-class, a means by which the middle-class protects itself from the working class. Whenever the working class is coming up, up, up, at this moment fascism makes its appearance. In the film there is a fascist and an anti-fascist, but the Professor in Paris, the anti-fascist, is also from the middle-class. We have two faces of the same coin, of the middle-class. One face is fascism, the other is anti-fascism, but not a Marxist anti-fascism, just an idealism. Because he is also in the middle-class, my anti-fascist is not a hero, not a positive man." (From his interview with Joan Mellen, 1975)

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Proper ga script rasi ee biopic set cheyochu gaa Legend Prabhas kosam Aditya Dhar
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The reason why Salman Khan, Shah Rukh Khan, or YRF can never make a movie like Aditya Dhar’s Dhurandhar is that a big part of their earnings comes from Middle Eastern countries On the other hand, Aditya Dhar’s Dhurandhar is banned in Middle Eastern countries
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The reason why Salman Khan, Shah Rukh Khan, or YRF can never make a movie like Aditya Dhar’s Dhurandhar is that a big part of their earnings comes from Middle Eastern countries On the other hand, Aditya Dhar’s Dhurandhar is banned in Middle Eastern countries

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