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A-Frame 1.5.0 is out! 🚀 Enjoy! A-Frame Mixed Reality, Spatial computing UIs, Multiview extension, Quest 3 support and much more! 20+ generous contributors made it possible. See who they are in the change log and don't forget to thank them.

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Diego

4,632 subscribers

18,354 просмотров • 2 лет назад •via X (Twitter)

Наука и технологии
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Justin T. UVU Palmer Luckey I'm glad you brought that to our attention. I think this one is a bird and that's good to compare. This one is moving up and down in a more organic way as it flies left to right and the shape seems to change frame over frame. I also see motion blur that looks like wing flapping.
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Justin T. UVU Palmer Luckey I'm glad you brought that to our attention. I think this one is a bird and that's good to compare. This one is moving up and down in a more organic way as it flies left to right and the shape seems to change frame over frame. I also see motion blur that looks like wing flapping.

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VR shooter 💥 template generated by Grok and made with A-Frame 1.7.0. It runs at 90fps on Quest 3 🏃‍♂️🌬️ Just 127 lines of code, simple, self contained and straight from grok untouched. Prompt fits in a tweet. 5 attempts + small tweaks. Link to play right now, code and full prompt in comments A-Frame
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VR shooter 💥 template generated by Grok and made with A-Frame 1.7.0. It runs at 90fps on Quest 3 🏃‍♂️🌬️ Just 127 lines of code, simple, self contained and straight from grok untouched. Prompt fits in a tweet. 5 attempts + small tweaks. Link to play right now, code and full prompt in comments A-Frame

Diego

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Testing out runway’s first frame as a relighting tool. I relit the frame with Magnific. The Magnific relight isn’t perfect and can change the character a bit but it seems like the runway part stays pretty true to the input.
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Testing out runway’s first frame as a relighting tool. I relit the frame with Magnific. The Magnific relight isn’t perfect and can change the character a bit but it seems like the runway part stays pretty true to the input.

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People do this kind of thing when they feel they are experiencing reality at a high frame rate. It does not feel risky to hold a laptop by a corner if you feel like you have an “agency frame” every half second. It feels risky if you have an “agency frame” every 60 seconds. You’d be betting that a hand you do not have control over for 60 seconds will keep gripping. Our conscious frame rate can vary dramatically throughout the day, and it’s hard to perceive the difference because we can only sample ourselves at our conscious frame rate, we can’t oversample ourselves. People drunk drive because they fail to perceive their slower frame rate. Their frame rate feels normal because it matches their sample rate. But we do get a subtle sense of when we’re “switched on”. Everything seems to go easier, everything feels less risky and more easy to correct. A lot of people toward the autistic side of the spectrum are experiencing reality very granularly with a “high agency frame rate”. This is why their social interactions can seem overly forced and awkward, they can be bad at dancing, etc—because they are exerting conscious control over their body and language at very tight intervals—you get a sense that they are extremely “self aware” and not “letting go”. “Letting go” in the social sense is actually about reducing your agency frame rate. That’s why alcohol is good for socializing and bad for driving. With a reduced agency frame rate our speech and body language feels more natural, less forced. More like we are flowing with the social group mind rather than being an island of constant awkward agency.
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People do this kind of thing when they feel they are experiencing reality at a high frame rate. It does not feel risky to hold a laptop by a corner if you feel like you have an “agency frame” every half second. It feels risky if you have an “agency frame” every 60 seconds. You’d be betting that a hand you do not have control over for 60 seconds will keep gripping. Our conscious frame rate can vary dramatically throughout the day, and it’s hard to perceive the difference because we can only sample ourselves at our conscious frame rate, we can’t oversample ourselves. People drunk drive because they fail to perceive their slower frame rate. Their frame rate feels normal because it matches their sample rate. But we do get a subtle sense of when we’re “switched on”. Everything seems to go easier, everything feels less risky and more easy to correct. A lot of people toward the autistic side of the spectrum are experiencing reality very granularly with a “high agency frame rate”. This is why their social interactions can seem overly forced and awkward, they can be bad at dancing, etc—because they are exerting conscious control over their body and language at very tight intervals—you get a sense that they are extremely “self aware” and not “letting go”. “Letting go” in the social sense is actually about reducing your agency frame rate. That’s why alcohol is good for socializing and bad for driving. With a reduced agency frame rate our speech and body language feels more natural, less forced. More like we are flowing with the social group mind rather than being an island of constant awkward agency.

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jimin saw taehyung and made a frame with his hands to capture tae in it 🥺

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Stinger transition done for crowe✨🐦‍⬛✨ ✨ It's my first time animating frame by frame on this scale and I have learned so much in the process Thank you always for the support and for the opportunity to work on this! #VTuberAssets

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My boy just sent me this. Is it possible to frame a video???
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My boy just sent me this. Is it possible to frame a video???

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Announcing the Immersive Web SDK (IWSDK)! Now developers can leverage the capabilities of the Meta Quest, all from a browser-based experience. 👐 Hand Tracking & Controller Support 😎 Support for mixed reality passthrough 🔊 Spatial Audio 🧑‍💻 Built on top of Three.js A ton more:

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Here are some really tactical ways to optimize the First and last frame capability: — Make sure your prompt includes precise camera motion descriptions for smooth and creative transitions between the first and last frames. — Or, you can simply include the word “transform” in your prompt for a smooth transition — Starting with a closeup in your first frame and then zooming out to a wide-shot in the final frame is an effective way to create a dramatic reveal.

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