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After 2+ years obsessively documenting obsolete Mac music software, I turn my attention to audio plugin formats such as VST (Steinberg), AudioSuite/RTAS (Digidesign), MAS (Digital Performer), Audio Unit (Apple) — and hopefully one day TDM (Digidesign) #vst #synth #midi #effects

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Suren.flac

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35,800 görüntüleme • 1 yıl önce •via X (Twitter)

Bilim & TeknolojiSanatMüzik#vst#synth#midi#effects
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Plugins have always been on my to-do list to spotlight on the blog so I’m keen to get started with them. This may take a while given how many plugins I have! It’s a marvel to keep these 30+ year old apps still ticking away sounding just as fantastic as they did during the 90s ~

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These videos feature VSTs from a very long time ago, running on Bias Peak 2.5. I’m sure oldschool computer music heads will recognise many of these 🤓

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SEO is not dead in the AI generation. It just needs to be adapted to a new reality. Check out my podcast with @lennysan YouTube: Spotify: Apple:

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@zynaptiq @Ina_GRM @WaldorfGmbH @audiodamage Even though the UI is basic, I highly suggest Michael Norris Spectral plugins (especially Tracing and Idee Fixer)

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Oh yeah I love MN! His new plugins don’t work on my old Macs but I cherish his early stuff he did in the late 90s for an application called SoundMaker

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@zynaptiq @Ina_GRM @WaldorfGmbH @audiodamage oh how I miss Dpole.

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@zynaptiq @Ina_GRM @WaldorfGmbH @audiodamage It’s so well designed.

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@zynaptiq @Ina_GRM @WaldorfGmbH @audiodamage Alchemy from Camel…..

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Love that one 🐪

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@zynaptiq @Ina_GRM @WaldorfGmbH @audiodamage GRM Tools spacial tools are the shit

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@Ina_GRM I love them!

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This is where I have to share my raw feelings about Rivian software currently on R1. The software experience they have created is good. It’s their own, with their software stack that they control. With that said, we have to stop making excuses for longstanding bugs. Like Quinn Nelson had posted about long ago, having to do multiple Resets, logins and out to get core functionality to work is not the experience we should be having. I know Rivian and Wassym do not want this. I also know they are working on R2 stuff as well. As a person who has spent real money on 4 Rivian’s with 3 R2 reservation between me and hubby, we are huge fans. Have helped many become Rivian owners as well. But the long outstanding bugs are starting to boil over. It’s dragging the software reliability down. Apple Music has been in Rivian vehicles for just about 2 years now. We are past the stage of it being “new”. Spatial Audio is a key music feature, and for me, and plenty of others, you have to turn that off sometimes just to get music to play. I shouldn’t have to do that. Plus, you can’t change that feature while the vehicle is in drive. So then you have to pull over and fiddle with it just to get it work and sometimes it doesn’t. Rivian assistant can’t do it either. Among other issues, like HVAC preconditioning, unstable cabin temps, GPS locking issues, profile switching not getting right or switching profile after the driver has gotten in, mobile app live activities not functioning properly, and more. The live activities is important, because we don’t have a notification for charging start stop/complete except for charging complete on DCFC, so on a level 2 charger, I don’t know if there is an issue with charging if the live activities don’t appear. Same for HVAC if it’s not showing up I have to keep opening the app to check to see what the temperature is. If you aren’t going to push me a notification that the cabin is at the temp I selected in favor of the live activities, then the live activities has to work. I could go on, but I really love my Rivian. I love the brand, I love what they want to do. And I think R2 is going to change the market for most things, but I want their focus to be on software and stability. Focus on polish, focus on features that many people want, don’t over complicate those things. Example, valet mode should be here by now that locks down speed acceleration and access to certain parts of the vehicle. Basic Pin to drive, not the multi factors drive one that depends on your phone and vehicle having an internet connection. Speedy, clean, stable software is always a win. I know Wassym Bensaid and plenty of others at Rivian can do this. We have seen it before and seen what they can do. The YouTube app is by far the best app they have added. I haven’t had any issues with it. It’s responsive, and works. Everything needs to work like that across the board. Please guy let me help in anyway I can, I just want the best for you and the community and customers. Let’s focus on that. I know some will see this as a complete complaining post but it’s not. It’s a plead to make the experience better for everyone and making the Rivian software the best software it can be.
12:47

This is where I have to share my raw feelings about Rivian software currently on R1. The software experience they have created is good. It’s their own, with their software stack that they control. With that said, we have to stop making excuses for longstanding bugs. Like Quinn Nelson had posted about long ago, having to do multiple Resets, logins and out to get core functionality to work is not the experience we should be having. I know Rivian and Wassym do not want this. I also know they are working on R2 stuff as well. As a person who has spent real money on 4 Rivian’s with 3 R2 reservation between me and hubby, we are huge fans. Have helped many become Rivian owners as well. But the long outstanding bugs are starting to boil over. It’s dragging the software reliability down. Apple Music has been in Rivian vehicles for just about 2 years now. We are past the stage of it being “new”. Spatial Audio is a key music feature, and for me, and plenty of others, you have to turn that off sometimes just to get music to play. I shouldn’t have to do that. Plus, you can’t change that feature while the vehicle is in drive. So then you have to pull over and fiddle with it just to get it work and sometimes it doesn’t. Rivian assistant can’t do it either. Among other issues, like HVAC preconditioning, unstable cabin temps, GPS locking issues, profile switching not getting right or switching profile after the driver has gotten in, mobile app live activities not functioning properly, and more. The live activities is important, because we don’t have a notification for charging start stop/complete except for charging complete on DCFC, so on a level 2 charger, I don’t know if there is an issue with charging if the live activities don’t appear. Same for HVAC if it’s not showing up I have to keep opening the app to check to see what the temperature is. If you aren’t going to push me a notification that the cabin is at the temp I selected in favor of the live activities, then the live activities has to work. I could go on, but I really love my Rivian. I love the brand, I love what they want to do. And I think R2 is going to change the market for most things, but I want their focus to be on software and stability. Focus on polish, focus on features that many people want, don’t over complicate those things. Example, valet mode should be here by now that locks down speed acceleration and access to certain parts of the vehicle. Basic Pin to drive, not the multi factors drive one that depends on your phone and vehicle having an internet connection. Speedy, clean, stable software is always a win. I know Wassym Bensaid and plenty of others at Rivian can do this. We have seen it before and seen what they can do. The YouTube app is by far the best app they have added. I haven’t had any issues with it. It’s responsive, and works. Everything needs to work like that across the board. Please guy let me help in anyway I can, I just want the best for you and the community and customers. Let’s focus on that. I know some will see this as a complete complaining post but it’s not. It’s a plead to make the experience better for everyone and making the Rivian software the best software it can be.

Tyrone Holland🚀🧑🏽‍💻

51,082 görüntüleme • 4 ay önce

I coded a Speech-to-Text model from scratch. 𝐇𝐞𝐫𝐞 𝐢𝐬 𝐭𝐡𝐞 𝐛𝐥𝐨𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞: No APIs. No pre-trained models. Just PyTorch, an A100 GPU, and hours of debugging. This started months ago. I wanted to understand how machines hear. Not surface-level understanding. I wanted to build the whole thing myself. So I built it piece by piece: autoencoders, VAEs, VQ-VAEs, Residual Vector Quantization, and CTC loss. Each one took days to get right. Trained for 3 hours on 13,100 audio clips. Got complete garbage. Changed the tokenizer from BPE to character-level. Rechecked everything. Asked AVB who built STT models before. His answer: these models are tricky to train and need days of compute, not hours. Cut the dataset to 200 clips. After 2 hours, actual words appeared. Overfitted? Absolutely. But watching noise turn into recognizable English was satisfying. I have made a blog about this as well so you can learn about the same and my process - Audio fundamentals and waveform representation - Why attention breaks on raw audio - Convolutional downsampling - Transformer encoder with positional encoding - Vector Quantization, straight-through estimator, and RVQ - CTC loss and greedy decoding - Full training loop with VQ loss warmup - What went wrong and what finally worked Resources: - Blog: - Code: More Resoures CTC loss AVB videos SoundStream Paper LJ speech dataset wav2vec paper RVQ blog Next up: I've already trained two TTS architectures from scratch. Video post about those coming soon. But first, I'm dropping a visual breakdown of Vision Transformers, covering how they work and how to fine-tune them. Follow me Mayank Pratap Singh you're into audio deep learning. Repost so others can find this
6:57

I coded a Speech-to-Text model from scratch. 𝐇𝐞𝐫𝐞 𝐢𝐬 𝐭𝐡𝐞 𝐛𝐥𝐨𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞: No APIs. No pre-trained models. Just PyTorch, an A100 GPU, and hours of debugging. This started months ago. I wanted to understand how machines hear. Not surface-level understanding. I wanted to build the whole thing myself. So I built it piece by piece: autoencoders, VAEs, VQ-VAEs, Residual Vector Quantization, and CTC loss. Each one took days to get right. Trained for 3 hours on 13,100 audio clips. Got complete garbage. Changed the tokenizer from BPE to character-level. Rechecked everything. Asked AVB who built STT models before. His answer: these models are tricky to train and need days of compute, not hours. Cut the dataset to 200 clips. After 2 hours, actual words appeared. Overfitted? Absolutely. But watching noise turn into recognizable English was satisfying. I have made a blog about this as well so you can learn about the same and my process - Audio fundamentals and waveform representation - Why attention breaks on raw audio - Convolutional downsampling - Transformer encoder with positional encoding - Vector Quantization, straight-through estimator, and RVQ - CTC loss and greedy decoding - Full training loop with VQ loss warmup - What went wrong and what finally worked Resources: - Blog: - Code: More Resoures CTC loss AVB videos SoundStream Paper LJ speech dataset wav2vec paper RVQ blog Next up: I've already trained two TTS architectures from scratch. Video post about those coming soon. But first, I'm dropping a visual breakdown of Vision Transformers, covering how they work and how to fine-tune them. Follow me Mayank Pratap Singh you're into audio deep learning. Repost so others can find this

Mayank Pratap Singh

51,382 görüntüleme • 6 ay önce

jnmartin and I just spent the last 12 hours straight locked into an epic tag-team, binge-coding session. We've decided to return to perfect our port of Mario Kart 64 to the Sega Dreamcast, bringing with us all of the skills, knowledge, and tools at our disposal that we gained from every port we've been involved with since we originally released MK64 DC to the public. 1) jnmartin has just completely redone the audio synthesis and mixing code. It was originally emulating the Nintendo 64's RSP in software, on our CPU, and wound up being a total resource hog, despite us going to hell and back again, substantially boosting its performance by vectorizing it with our SH4 SIMD instructions. 2) Now that the audio is actually offloaded to the AICA, we can leverage its DSP to put back in effects such as reverb and echo that we simply didn't have the CPU budget to implement before... so the overall audio quality of the port will be SIGNIFICANTLY improved. 3) jnmartin has been working on many small bugfixes, such as the near-Z clipping edge-cases that would cause corrupted triangles to draw over the players' screens sometimes in 3 and 4 player modes. 4) jnmartin just kicked GLdc--our OpenGL 1.1 driver, built atop of KallistiOS--to the curb and has instead implemented a bare-metal renderer that raw-dogs KOS's lowest-level PVR GPU driver directly, giving us more control and better performance within the renderer. 4) I just implemented support for playing with the Sega Dreamcast keyboard peripheral as a controller, partially as a flex, and partially because jnmartin kept complaining that he only had 3 controllers for testing... 🤣 4) I have taken my entire accelerated math and linear algebra library, SH4ZAM--which was born just after this port was originally released--back with me this time and am optimizing every freaking thing I can get my hands on with it. Every matrix multiplication, vector transform, memcpy-call, and scalar or trig routine is getting swapped out for the corresponding hand-optimized, meticulously benchmarked, and rigorously unit-tested equivalent within SH4ZAM, which now ships as part of kos-ports. As you can see from this series of direct hardware captures, overlaid with the terminal window which was capturing the FPS logging reports from my actual Sega Dreamcast, the performance is now SIGNIFICANTLY better than it was previously, and it already ran on-par or slightly better than the N64 original under most circumstances! Sooo many GAINZ to be had! 💪
1:08

jnmartin and I just spent the last 12 hours straight locked into an epic tag-team, binge-coding session. We've decided to return to perfect our port of Mario Kart 64 to the Sega Dreamcast, bringing with us all of the skills, knowledge, and tools at our disposal that we gained from every port we've been involved with since we originally released MK64 DC to the public. 1) jnmartin has just completely redone the audio synthesis and mixing code. It was originally emulating the Nintendo 64's RSP in software, on our CPU, and wound up being a total resource hog, despite us going to hell and back again, substantially boosting its performance by vectorizing it with our SH4 SIMD instructions. 2) Now that the audio is actually offloaded to the AICA, we can leverage its DSP to put back in effects such as reverb and echo that we simply didn't have the CPU budget to implement before... so the overall audio quality of the port will be SIGNIFICANTLY improved. 3) jnmartin has been working on many small bugfixes, such as the near-Z clipping edge-cases that would cause corrupted triangles to draw over the players' screens sometimes in 3 and 4 player modes. 4) jnmartin just kicked GLdc--our OpenGL 1.1 driver, built atop of KallistiOS--to the curb and has instead implemented a bare-metal renderer that raw-dogs KOS's lowest-level PVR GPU driver directly, giving us more control and better performance within the renderer. 4) I just implemented support for playing with the Sega Dreamcast keyboard peripheral as a controller, partially as a flex, and partially because jnmartin kept complaining that he only had 3 controllers for testing... 🤣 4) I have taken my entire accelerated math and linear algebra library, SH4ZAM--which was born just after this port was originally released--back with me this time and am optimizing every freaking thing I can get my hands on with it. Every matrix multiplication, vector transform, memcpy-call, and scalar or trig routine is getting swapped out for the corresponding hand-optimized, meticulously benchmarked, and rigorously unit-tested equivalent within SH4ZAM, which now ships as part of kos-ports. As you can see from this series of direct hardware captures, overlaid with the terminal window which was capturing the FPS logging reports from my actual Sega Dreamcast, the performance is now SIGNIFICANTLY better than it was previously, and it already ran on-par or slightly better than the N64 original under most circumstances! Sooo many GAINZ to be had! 💪

Falco Girgis

13,358 görüntüleme • 3 ay önce

I mentioned previously that I had been working for a couple months now on a system for applying AI to music theory. It's one of my few closed-source projects. It's a combination of a Rust cli tool, mtdt (music_theory_data_tool), which handles all mechanical aspects of importing and exporting and manipulating music in any format (midi, PDF, MusicXML, audio, etc.), and a huge skills library which is based on massive amounts of academic music theory and more. I asked the system to create a Bach fugue using GPT-6 Astra and the mtdt tool and the relevant skills, and it created the following. Notably, this didn't involve any external software other than mtdt, including the creation of the print-ready PDF score. It can do much, much more than this though. It can take a melody and write counterpoint for it, grounded in the theory, and using the mtdt tool to help it mechanically explore the space of "legal" possibilities while using its skills and intelligence to make artistic choices. It can make a ragtime version of a midi file. It can take a piano piece and re-orchestrate it for a brass band or string quartet. It covers a huge amount of stuff across over 300 skills. I'm not sure what I will do with the system ultimately, but I envisioned it as being an AI workstation for professional composers and musicians. You can see in the screenshot that it does a huge amount of intermediate work that is inspectable and legible; it's intentionally NOT a black box. Instead of outsourcing the entire musical process end-to-end like Suno, this system is about augmenting the creative human with as much or as little automation as desired. I continue to work on it with a couple agents every single day and it will keep getting better and better, and then with each new model release it will be better able to leverage the vast amount of expertise and knowledge about music that is already embedded in its cli tool and skills library.
3:34

I mentioned previously that I had been working for a couple months now on a system for applying AI to music theory. It's one of my few closed-source projects. It's a combination of a Rust cli tool, mtdt (music_theory_data_tool), which handles all mechanical aspects of importing and exporting and manipulating music in any format (midi, PDF, MusicXML, audio, etc.), and a huge skills library which is based on massive amounts of academic music theory and more. I asked the system to create a Bach fugue using GPT-6 Astra and the mtdt tool and the relevant skills, and it created the following. Notably, this didn't involve any external software other than mtdt, including the creation of the print-ready PDF score. It can do much, much more than this though. It can take a melody and write counterpoint for it, grounded in the theory, and using the mtdt tool to help it mechanically explore the space of "legal" possibilities while using its skills and intelligence to make artistic choices. It can make a ragtime version of a midi file. It can take a piano piece and re-orchestrate it for a brass band or string quartet. It covers a huge amount of stuff across over 300 skills. I'm not sure what I will do with the system ultimately, but I envisioned it as being an AI workstation for professional composers and musicians. You can see in the screenshot that it does a huge amount of intermediate work that is inspectable and legible; it's intentionally NOT a black box. Instead of outsourcing the entire musical process end-to-end like Suno, this system is about augmenting the creative human with as much or as little automation as desired. I continue to work on it with a couple agents every single day and it will keep getting better and better, and then with each new model release it will be better able to leverage the vast amount of expertise and knowledge about music that is already embedded in its cli tool and skills library.

Jeffrey Emanuel

39,555 görüntüleme • 17 gün önce

(TL;DR warning again) 41 years ago this month my local UHF channel began airing a kids cartoon unlike anything I'd ever seen before. Half-hour installments. Amazing animation which seemed a cut above most early 80s American childrens TV to that point. And the scripting was of a decidedly more adult nature than either Voltron or G.I. Joe. It only took one episode to suck me in. Because of the airplanes turning into robots, of course. It was the era of Optimus Prime duking it out with Megatron. Every American boy in 1985 adored both Transformers and GoBots. But these giant swing-wing "veritechs" were piloted by men. Against enormous aliens who were decidedly different from any I'd seen in any science fiction TV show before. And one episode's plot bled into another. These weren't capsule stories. The entire thing was one big story. Which I avidly tuned in to before school day after day. The war against the Zentraedi segued to the war against the Robotech Masters, which segued to the war with the Invid. I had no idea at the time I was seeing an Americanized kitbash of three distinct Japanese shows. It was all just extraordinary to me, and I never noticed the seams which had been papered over by American writers. There aren't many sci-fi franchises which have had an impact on me like ROBOTECH. Not even STAR WARS. The only sci-fi show which has a larger presence in my mental landscape is STAR TREK. And I not only owned the entirety of ROBOTECH on VHS—grainy TV tapes at first, then store-bought official copies after—I played the Palladium role-playing game with my H.S. friends. The remastered DVD sets which emerged 20 years ago never sat right with me because the sound effects got re-done. And it wasn't until I was on deployment trying to watch ripped .mp4 of the remasters that I realized just how badly those re-done sound effects jagged on my ear. I still remembered *all* the broadcast effects as they had been. And I wanted them back. Amazon briefly had rights to and streamed an "original broadcast" edition of ROBOTECH which kept the old effects. But this was license short-lived. And I ended up buying a *second* set of DVDs in the vain hope of getting a broadcast-true edition in hard media. Except, that set also ended up being the remastered sound effects. What to do? I kept hearing about "legacy" copies from turn of the century. After VHS, but before the remasters. This week I finally located a full 14-disc set of the "legacy" DVDs which supposedly are closest to broadcast. After ripping them to .mkv it seems true. I finally have digital hard media of the actual ROBOTECH I remember from my youth. 🤓
1:24

(TL;DR warning again) 41 years ago this month my local UHF channel began airing a kids cartoon unlike anything I'd ever seen before. Half-hour installments. Amazing animation which seemed a cut above most early 80s American childrens TV to that point. And the scripting was of a decidedly more adult nature than either Voltron or G.I. Joe. It only took one episode to suck me in. Because of the airplanes turning into robots, of course. It was the era of Optimus Prime duking it out with Megatron. Every American boy in 1985 adored both Transformers and GoBots. But these giant swing-wing "veritechs" were piloted by men. Against enormous aliens who were decidedly different from any I'd seen in any science fiction TV show before. And one episode's plot bled into another. These weren't capsule stories. The entire thing was one big story. Which I avidly tuned in to before school day after day. The war against the Zentraedi segued to the war against the Robotech Masters, which segued to the war with the Invid. I had no idea at the time I was seeing an Americanized kitbash of three distinct Japanese shows. It was all just extraordinary to me, and I never noticed the seams which had been papered over by American writers. There aren't many sci-fi franchises which have had an impact on me like ROBOTECH. Not even STAR WARS. The only sci-fi show which has a larger presence in my mental landscape is STAR TREK. And I not only owned the entirety of ROBOTECH on VHS—grainy TV tapes at first, then store-bought official copies after—I played the Palladium role-playing game with my H.S. friends. The remastered DVD sets which emerged 20 years ago never sat right with me because the sound effects got re-done. And it wasn't until I was on deployment trying to watch ripped .mp4 of the remasters that I realized just how badly those re-done sound effects jagged on my ear. I still remembered *all* the broadcast effects as they had been. And I wanted them back. Amazon briefly had rights to and streamed an "original broadcast" edition of ROBOTECH which kept the old effects. But this was license short-lived. And I ended up buying a *second* set of DVDs in the vain hope of getting a broadcast-true edition in hard media. Except, that set also ended up being the remastered sound effects. What to do? I kept hearing about "legacy" copies from turn of the century. After VHS, but before the remasters. This week I finally located a full 14-disc set of the "legacy" DVDs which supposedly are closest to broadcast. After ripping them to .mkv it seems true. I finally have digital hard media of the actual ROBOTECH I remember from my youth. 🤓

Brad R. Torgersen

66,248 görüntüleme • 4 ay önce

Brian Tracy increased his income 100x in 12 years using this formula: "Once upon a time, I sat down at the end of the year and my tax returns were $14,400. Twelve years later, my tax returns were $1,440,000. I'd increased my income by 100 times." Brian explains the math behind it: "It's based on the law of incremental improvement. The Japanese call it Kaizen, the principle of continuous betterment. If you could increase your productivity by one-tenth of 1% per day, could you do that? Of course. If you did that every day for a week, you'd be half a percent more productive. Do that every week for a month, 2% more productive. Do that for a year, 26% more productive. Exposed to compounding, that's 1000% in 10 years." He shares the daily formula: Step 1: The Golden Hour. "Get up at least two hours before you have to be somewhere. Invest the first hour reading something uplifting, educational, or motivational. Reading is to the mind as exercise is to the body. The first hour is the rudder of the day." Step 2: Make a list. "Write down everything you have to do that day. Plan your day in advance." Step 3: Prioritize."Determine what's most important. Put a number next to each task." Step 4: Start on your most important task. "Work on it single-mindedly with concentration, focus, and discipline until it's done. Then go to task number two." Step 5: Turn your car into a university. "A study at USC concluded that if you listen to educational audio programs instead of music, you'll get the equivalent of full-time university attendance, except you only select things valuable to you in the moment." Step 6: Ask two questions after every interaction. "What did I do right? And what would I do differently next time?" Brian concludes: "This formula has been the key to success throughout history. You don't make quantum leaps. You don't go from zero to rich. You go to work on yourself bit by bit, day by day, week by week, month by month and your results are virtually guaranteed."
10:13

Brian Tracy increased his income 100x in 12 years using this formula: "Once upon a time, I sat down at the end of the year and my tax returns were $14,400. Twelve years later, my tax returns were $1,440,000. I'd increased my income by 100 times." Brian explains the math behind it: "It's based on the law of incremental improvement. The Japanese call it Kaizen, the principle of continuous betterment. If you could increase your productivity by one-tenth of 1% per day, could you do that? Of course. If you did that every day for a week, you'd be half a percent more productive. Do that every week for a month, 2% more productive. Do that for a year, 26% more productive. Exposed to compounding, that's 1000% in 10 years." He shares the daily formula: Step 1: The Golden Hour. "Get up at least two hours before you have to be somewhere. Invest the first hour reading something uplifting, educational, or motivational. Reading is to the mind as exercise is to the body. The first hour is the rudder of the day." Step 2: Make a list. "Write down everything you have to do that day. Plan your day in advance." Step 3: Prioritize."Determine what's most important. Put a number next to each task." Step 4: Start on your most important task. "Work on it single-mindedly with concentration, focus, and discipline until it's done. Then go to task number two." Step 5: Turn your car into a university. "A study at USC concluded that if you listen to educational audio programs instead of music, you'll get the equivalent of full-time university attendance, except you only select things valuable to you in the moment." Step 6: Ask two questions after every interaction. "What did I do right? And what would I do differently next time?" Brian concludes: "This formula has been the key to success throughout history. You don't make quantum leaps. You don't go from zero to rich. You go to work on yourself bit by bit, day by day, week by week, month by month and your results are virtually guaranteed."

Jaynit

42,193 görüntüleme • 6 ay önce

Thank you Centre Pompidou Centre Pompidou, everyone who made Nature Manifesto happen, and all the people that took it in. We were happy to see the conversations that the use of AI in Nature Manifesto sparked !! Below is a message from Björk: ~~~ “ the flood of all things from AI is overwhelming !! i am super grateful for your concerns about it´s effects on the environment , it shows you care , are curious and have integrity . i am curious too , i would like to be more informed about the difference of "frugal" AI and the ones that do hugeenvironmental damage and want to be able to choose . i asked around and found out that both the visuals and the audio in our pompidou project were done with "frugal" AI . but i have a lot to learn . when we used some of the AI softwares to merge the animals voices to mine , some of the sounds were great but to be honest , the best blends of their voices and a human were done "manually" , me editing the sounds , choosing piece by piece , looking for personality , musicality and soul . with new technology , i try to use it as a tool to grow , not a crutch . for example when i used melodyne , i used it not for lazy voice progressions but spent even more time when using it . every note in every chord became intentionally more complex . ( for example choir in "thunderbolt" ) and hopefully stretched the potential more out , further than i would have in "normal analog" physical improvisations ... i felt with this new tool i could reach new places in my musical DNA , become MORE personal . more myself . in my opinion , this is how we will work in the future . humans can read emotions on an incredibly high scale . nature made us that way . if there is no soul in tomorrow's music made by AI it is because no-one put it there and we have to speak out and guard this as listeners . ( tbh there is a lot of soulless muzak on spotify already ... they don’t need any AI help for that ...) anything that is mass manufactured without the attention of creativity , is that way . AI or not so it is not about the tool it is what you do with it . " ~~~ The visuals for Nature Manifesto were crafted by the talented Sam Balfus, artificial intelligence being one of the multiple tools used in the process. The sound was produced in collaboration with artist Robin Meier and IRCAM IRCAM. IRCAM develops “frugal AI” capable of generating audio in real-time on local servers without a GPU, thus their models can f.ex. be embedded on tiny Raspberry Pi cards. We asked associate professor and researcher Philippe Esling to provide us with readings; Constance Douwe’s thesis “On the environmental impact of deep generative models for audio” and more, see links below. Nature Manifesto Immersive sound piece 3’40” (2024) 20 November to 9 December, 2024, Centre Pompidou, Paris. Presented as part of the forum “Biodiversity: Which culture for which future?” #ForumBiodiversité Concept and words by Björk & Aleph Music written and composed by Björk Curatorship: Chloé Siganos and Aleph Molinari Associate curator: Delphine Le Gatt Ircam Musical Computing: Robin Meier Wiratunga Sound engineer: Bergur Þórisson Animation: Sam Balfua Video editing: Santiago Molinari With activists: Camille Etienne, Claire Nouvian, Sigrun Perla Gísladóttir, Sæunn Júlía Sigurjónsdóttir, Titouan Pilliard, of BLOOM, Sustainable Ocean Alliance, and Ungir umhverfissinnar. In partnership with D&B Audio and Southby Productions. Reccommended resources :
0:15

Thank you Centre Pompidou Centre Pompidou, everyone who made Nature Manifesto happen, and all the people that took it in. We were happy to see the conversations that the use of AI in Nature Manifesto sparked !! Below is a message from Björk: ~~~ “ the flood of all things from AI is overwhelming !! i am super grateful for your concerns about it´s effects on the environment , it shows you care , are curious and have integrity . i am curious too , i would like to be more informed about the difference of "frugal" AI and the ones that do hugeenvironmental damage and want to be able to choose . i asked around and found out that both the visuals and the audio in our pompidou project were done with "frugal" AI . but i have a lot to learn . when we used some of the AI softwares to merge the animals voices to mine , some of the sounds were great but to be honest , the best blends of their voices and a human were done "manually" , me editing the sounds , choosing piece by piece , looking for personality , musicality and soul . with new technology , i try to use it as a tool to grow , not a crutch . for example when i used melodyne , i used it not for lazy voice progressions but spent even more time when using it . every note in every chord became intentionally more complex . ( for example choir in "thunderbolt" ) and hopefully stretched the potential more out , further than i would have in "normal analog" physical improvisations ... i felt with this new tool i could reach new places in my musical DNA , become MORE personal . more myself . in my opinion , this is how we will work in the future . humans can read emotions on an incredibly high scale . nature made us that way . if there is no soul in tomorrow's music made by AI it is because no-one put it there and we have to speak out and guard this as listeners . ( tbh there is a lot of soulless muzak on spotify already ... they don’t need any AI help for that ...) anything that is mass manufactured without the attention of creativity , is that way . AI or not so it is not about the tool it is what you do with it . " ~~~ The visuals for Nature Manifesto were crafted by the talented Sam Balfus, artificial intelligence being one of the multiple tools used in the process. The sound was produced in collaboration with artist Robin Meier and IRCAM IRCAM. IRCAM develops “frugal AI” capable of generating audio in real-time on local servers without a GPU, thus their models can f.ex. be embedded on tiny Raspberry Pi cards. We asked associate professor and researcher Philippe Esling to provide us with readings; Constance Douwe’s thesis “On the environmental impact of deep generative models for audio” and more, see links below. Nature Manifesto Immersive sound piece 3’40” (2024) 20 November to 9 December, 2024, Centre Pompidou, Paris. Presented as part of the forum “Biodiversity: Which culture for which future?” #ForumBiodiversité Concept and words by Björk & Aleph Music written and composed by Björk Curatorship: Chloé Siganos and Aleph Molinari Associate curator: Delphine Le Gatt Ircam Musical Computing: Robin Meier Wiratunga Sound engineer: Bergur Þórisson Animation: Sam Balfua Video editing: Santiago Molinari With activists: Camille Etienne, Claire Nouvian, Sigrun Perla Gísladóttir, Sæunn Júlía Sigurjónsdóttir, Titouan Pilliard, of BLOOM, Sustainable Ocean Alliance, and Ungir umhverfissinnar. In partnership with D&B Audio and Southby Productions. Reccommended resources :

björk

54,602 görüntüleme • 1 yıl önce

I went to a Church yesterday... This Dussehra, I was in Bilaspur, Chhattisgarh. After a bit of pandal and jhanki hopping, I came across a church in the railway colony area. Out of curiosity, I decided to step inside; it was around 6:30 in the evening. As I entered, the first thing I noticed was that slippers had been left outside, just like in Hindu temples. Inside, many people were already seated on the benches. I joined them. Among the women present, some had visible sindoor on their foreheads, while others had none. They, in turn, looked at me with equal curiosity, probably because of the tilak on mine. I expected to see someone on the dais delivering sermons from the Bible, but instead, an audio recording was being played, very much like bhajans are played in temple. A man sat at the console, controlling the playback. As the audio filled the hall, the women began reacting in striking ways. Many raised their hands skyward, some started sobbing, others were chanting fervently, and a few behaved as if they were possessed. I noticed a direct connection between the pace of the audio and their reactions, when the tempo increased, the women in the front rows shook violently, and when it slowed, they calmed down, almost as if under someone’s control. How they were able to mobilise people without even being there is beyond belief, I have never seen Hindus even chanting Hanuman Chalisa dedicatedly, even if someone is standing and requesting them to. The atmosphere was growing more awkward by the minute. I felt uneasy sitting there. On the desk in front of me lay a schedule, which I skimmed through before deciding to walk out after a few more minutes. Having reported extensively on missionary conversions and church activities, I had always heard accounts but wanted to see for myself what happens at such prayer meetings. In Pilibhit, a Sikh man had told me: “They play music, we dance, and for a moment we forget everything. It is in that moment they make us chant ‘Yesu’.” Similar stories had surfaced during my coverage in Jharkhand, where many who had reverted back to Sanatan described how the Church stripped away joy from their lives. They said Hindu women were made to appear like widows, cut off from festivities and simple pleasures, as if life itself had lost its charm. And sitting inside that Bilaspur church, even for those few minutes, I could feel exactly what they meant. On the surface, it may seem simple that one could just meet these people, convince them that the missionaries are deceitful, and they would walk away. But today, as I sat there and watched them surrender themselves so completely, it shook me. The missionaries have silently harvested their souls, binding them in ways that cannot be undone with mere arguments. Bringing our people back will never be as easy as it appears. -Subhi Vishwakarma #Religiousconversions
0:58

I went to a Church yesterday... This Dussehra, I was in Bilaspur, Chhattisgarh. After a bit of pandal and jhanki hopping, I came across a church in the railway colony area. Out of curiosity, I decided to step inside; it was around 6:30 in the evening. As I entered, the first thing I noticed was that slippers had been left outside, just like in Hindu temples. Inside, many people were already seated on the benches. I joined them. Among the women present, some had visible sindoor on their foreheads, while others had none. They, in turn, looked at me with equal curiosity, probably because of the tilak on mine. I expected to see someone on the dais delivering sermons from the Bible, but instead, an audio recording was being played, very much like bhajans are played in temple. A man sat at the console, controlling the playback. As the audio filled the hall, the women began reacting in striking ways. Many raised their hands skyward, some started sobbing, others were chanting fervently, and a few behaved as if they were possessed. I noticed a direct connection between the pace of the audio and their reactions, when the tempo increased, the women in the front rows shook violently, and when it slowed, they calmed down, almost as if under someone’s control. How they were able to mobilise people without even being there is beyond belief, I have never seen Hindus even chanting Hanuman Chalisa dedicatedly, even if someone is standing and requesting them to. The atmosphere was growing more awkward by the minute. I felt uneasy sitting there. On the desk in front of me lay a schedule, which I skimmed through before deciding to walk out after a few more minutes. Having reported extensively on missionary conversions and church activities, I had always heard accounts but wanted to see for myself what happens at such prayer meetings. In Pilibhit, a Sikh man had told me: “They play music, we dance, and for a moment we forget everything. It is in that moment they make us chant ‘Yesu’.” Similar stories had surfaced during my coverage in Jharkhand, where many who had reverted back to Sanatan described how the Church stripped away joy from their lives. They said Hindu women were made to appear like widows, cut off from festivities and simple pleasures, as if life itself had lost its charm. And sitting inside that Bilaspur church, even for those few minutes, I could feel exactly what they meant. On the surface, it may seem simple that one could just meet these people, convince them that the missionaries are deceitful, and they would walk away. But today, as I sat there and watched them surrender themselves so completely, it shook me. The missionaries have silently harvested their souls, binding them in ways that cannot be undone with mere arguments. Bringing our people back will never be as easy as it appears. -Subhi Vishwakarma #Religiousconversions

Subhi Vishwakarma

254,862 görüntüleme • 11 ay önce

I TOLD NI-KI WE’D GET HIM BB #1🙈 please don’t make me out to be a liar. they really want this, and this cb is so important to Enhypen, so let’s work hard on it. Back in early April, about 2 weeks after Melbourne performance, I told Ni-ki it was my favorite performance of his. I was so mesmerized by his performances that day, I kept rewatching those fancams over and over. Ni-ki and all of Enhypen had such hunger in that performance to really prove themselves. I felt extremely touched and felt like they had that debut hunger. They performed like mad men that night. No matter how many people wrote them off and thought they were done. They proved that night they were here to stay, and they showed everyone their worth and power through those performances. So I shared that in the most simple way I could say it so it was easy for him to understand and gave some encouragement for Enhypen too. More than anything I want to get them that BB 100 #1, a goal they had be reaching for for years. So US engenes, please buy albums and stream a lot. Join stream teams, vote, and donate to the US fanbase to contribute to digital album sales. We need everyone to participate. Of course, I hope we do well on Hanteo and domestic music shows as well. Enhypen deserves all the best and because they went above and beyond for this next album. It’s time we reciprocate their dedication and love towards Engenes. (my voice was digitally altered for privacy reasons)
0:25

I TOLD NI-KI WE’D GET HIM BB #1🙈 please don’t make me out to be a liar. they really want this, and this cb is so important to Enhypen, so let’s work hard on it. Back in early April, about 2 weeks after Melbourne performance, I told Ni-ki it was my favorite performance of his. I was so mesmerized by his performances that day, I kept rewatching those fancams over and over. Ni-ki and all of Enhypen had such hunger in that performance to really prove themselves. I felt extremely touched and felt like they had that debut hunger. They performed like mad men that night. No matter how many people wrote them off and thought they were done. They proved that night they were here to stay, and they showed everyone their worth and power through those performances. So I shared that in the most simple way I could say it so it was easy for him to understand and gave some encouragement for Enhypen too. More than anything I want to get them that BB 100 #1, a goal they had be reaching for for years. So US engenes, please buy albums and stream a lot. Join stream teams, vote, and donate to the US fanbase to contribute to digital album sales. We need everyone to participate. Of course, I hope we do well on Hanteo and domestic music shows as well. Enhypen deserves all the best and because they went above and beyond for this next album. It’s time we reciprocate their dedication and love towards Engenes. (my voice was digitally altered for privacy reasons)

K

27,806 görüntüleme • 2 ay önce

Nobody Home by Marmot - Launch Date: TBA, likely Friday, Sept. 25 - Collection Size: 1000 - Free Mint for Argonauts, Kaoforms and paid subs (1 per wallet, snapshot taken Sept. 21, 19:20 PM) - Public Mint 0.03 ETH (2 per wallet) - FCFS, no WL - Payment by delegation possible, no need to connect your wallet holding the NFTs - Chain: Robinhood dear everyone, after years of learning and studying i am now launching my first art collection for you guys to enjoy. this one has me very excited and i got sweaty palms already. as you know, art and generative art is my absolute passion and i have always dreams to make my own art one day and transport the visions in my mind onto a digital canvas on-chain. now this has become reality and even more, i co-founded ★ArtMachine★ to lift the space up again, spotlight amazing art and change the lives of many many talented creators. because artmachine curated season 1 is reserved for REAL artists, i obviously would never launch my own art on the platform. it is meant to spotlight actual masters, not a hobby enthusiast like me. still, my inner child is an artist at heart and while my work may be less talented, less elegant and intricate than what the amazing people who send us art submission are capable of, it still carries my love, my emotions and my deep feelings in it. and i want to share it with you guys. nobody home is a collection of postcards that you can turn around and later on we can also do prints for you guys. but for now, take it as-is. i don't want to take money from you guys. this is why i whitelisted ALL argonauts holders, ALL kaoforms holders and ALL my paid subs to claim a postcard completely for free. so the whole supply will be there for you guys to take. if someone want to own more postcards, you can mint additional ones (up to 2 per wallet) for a small tip of 0.03 ETH. i will be very grateful for the coffee, but it is by no means expected or necessary. there is 2500 whitelisted wallets and 1000 works. i think i will mint some as artist supply and place them with some collections of my close friends and to gift and support cool people i will announce the exact launch date and time shortly and prepare everything in the coming 48h. definitely do not expect it today. i think friday afternoon east coast time should be a good target to look at a warm hug to everyone who is supporting marmot and shows up to grab a postcard sincerely yours marmot
0:50

Nobody Home by Marmot - Launch Date: TBA, likely Friday, Sept. 25 - Collection Size: 1000 - Free Mint for Argonauts, Kaoforms and paid subs (1 per wallet, snapshot taken Sept. 21, 19:20 PM) - Public Mint 0.03 ETH (2 per wallet) - FCFS, no WL - Payment by delegation possible, no need to connect your wallet holding the NFTs - Chain: Robinhood dear everyone, after years of learning and studying i am now launching my first art collection for you guys to enjoy. this one has me very excited and i got sweaty palms already. as you know, art and generative art is my absolute passion and i have always dreams to make my own art one day and transport the visions in my mind onto a digital canvas on-chain. now this has become reality and even more, i co-founded ★ArtMachine★ to lift the space up again, spotlight amazing art and change the lives of many many talented creators. because artmachine curated season 1 is reserved for REAL artists, i obviously would never launch my own art on the platform. it is meant to spotlight actual masters, not a hobby enthusiast like me. still, my inner child is an artist at heart and while my work may be less talented, less elegant and intricate than what the amazing people who send us art submission are capable of, it still carries my love, my emotions and my deep feelings in it. and i want to share it with you guys. nobody home is a collection of postcards that you can turn around and later on we can also do prints for you guys. but for now, take it as-is. i don't want to take money from you guys. this is why i whitelisted ALL argonauts holders, ALL kaoforms holders and ALL my paid subs to claim a postcard completely for free. so the whole supply will be there for you guys to take. if someone want to own more postcards, you can mint additional ones (up to 2 per wallet) for a small tip of 0.03 ETH. i will be very grateful for the coffee, but it is by no means expected or necessary. there is 2500 whitelisted wallets and 1000 works. i think i will mint some as artist supply and place them with some collections of my close friends and to gift and support cool people i will announce the exact launch date and time shortly and prepare everything in the coming 48h. definitely do not expect it today. i think friday afternoon east coast time should be a good target to look at a warm hug to everyone who is supporting marmot and shows up to grab a postcard sincerely yours marmot

bull market genius

26,899 görüntüleme • 4 gün önce

My Thoughts on R2 after my time with it! Short review! First, Rivian completely nailed this thing. I love the positioning of the driver seats. That long front nose gives a nice commanding feel. They will sell each and every one of these! Driving impression/suspension: 9/10 I felt the vehicle has good build quality. It felt *tight* and secure. Power delivery was smooth and crisp in all-purpose. Sport mode fella unlocked and ready for all the fun things. Power is rapid and consistent with a full power moment around 35-40mph, all the power is there. There is a good amount of nose rise during a hard acceleration. But I do feel the suspension was working well to control this. Remember this isn’t an air suspension. It’s a coil suspension. There is a difference between the suspension setting soft was SOFT. Firm was stiff but not overly stiff. It didn’t have that bouncing effect that some vehicles can have when going into firm suspension. Moderate was a good balance. I wish it could be more adaptive in moderate but it’s very very good. Turn in was good, and the turning radius was excellent. Switching from D to R for a 3-point turn was smooth and quick, no jerkiness. Very good control over entrance to parking lots. Stable. Lastly, it feels like the small delay some R1 have in throttle is gone with R2. Software: 8/10 This is where you guys know I am hard on them on. Because I want the best they can give. Rivian OS2.0 is a HUGE upgrade over R1. In all cases. Responsiveness, touch input, speed, app switching, keyboard responsiveness, etc., it is a huge difference. I love the new “fish stick” bar. And settings being available with one tap and being app-dependent first is fantastic. Well done Wassym Bensaid, the halo are great. The only thing about them is while driving, it’s hard to get a direct click, especially when trying to use it to switch drive modes where you have to push towards you. The halo likes the spin/move, but I think I just need to get used to it. Living with it would for sure help with that. I’m really hoping they fully unlock customization for them. You can end up with 8 different characters you could adjust. I really like having the driver display. But driving with it, you can notice how much smaller it is compared to R1. It’s no deal breaker, but it’s noticeable. Cameras felt snapper and of higher quality over Gen 2 R1. The turn signal sounds is new I like it as well as the forward and Evers noise it makes. Think Tesla sound when shifting. Audio: Now I’ve experienced R2 3x now. With 2 times with audio. The audio was significantly better than when I got to sit it in, in Miami for a block party. It’s about as good as R1 is now. There did feel like a sub was there. That’s great. I used my Apple Music account so I could listen to the song I love. And it was great. Not perfect but good enough. Long as it’s comparable to R1, it’s okay. Cabin: It was very well appointed. I actually found it sufficiently quiet. 🤫 I think for sure it’s quieter than my R1T without question. The HVAC system design (air vent) I like better than R1. I feel like the HVAC system now can blow the air on better than trying to. I need more time to test preconditioning because that’s where I’ve seen most of the issues with my R1 vehicles. Tons of space, easy to drop the seats, it’s flat, and nice under-floor space. The 1-touch drop for all windows was excellent. Overall: I think this is the Rivian everyone has been waiting for. This will be a fantastic one-car solution for so many families. There is storage for days, off-road abilities a Model Y can’t even think of doing, but the UHF needs to improve quicker than it currently is because that is really becoming a buying decision for people. Tim and I can’t wait to take delivery of our R2 Rivian; we are ready! Feel free to ask me anything about the R2! I’ll do my best to answer it or get you the answer. It’s a 10/10 for so many people.
0:58

My Thoughts on R2 after my time with it! Short review! First, Rivian completely nailed this thing. I love the positioning of the driver seats. That long front nose gives a nice commanding feel. They will sell each and every one of these! Driving impression/suspension: 9/10 I felt the vehicle has good build quality. It felt *tight* and secure. Power delivery was smooth and crisp in all-purpose. Sport mode fella unlocked and ready for all the fun things. Power is rapid and consistent with a full power moment around 35-40mph, all the power is there. There is a good amount of nose rise during a hard acceleration. But I do feel the suspension was working well to control this. Remember this isn’t an air suspension. It’s a coil suspension. There is a difference between the suspension setting soft was SOFT. Firm was stiff but not overly stiff. It didn’t have that bouncing effect that some vehicles can have when going into firm suspension. Moderate was a good balance. I wish it could be more adaptive in moderate but it’s very very good. Turn in was good, and the turning radius was excellent. Switching from D to R for a 3-point turn was smooth and quick, no jerkiness. Very good control over entrance to parking lots. Stable. Lastly, it feels like the small delay some R1 have in throttle is gone with R2. Software: 8/10 This is where you guys know I am hard on them on. Because I want the best they can give. Rivian OS2.0 is a HUGE upgrade over R1. In all cases. Responsiveness, touch input, speed, app switching, keyboard responsiveness, etc., it is a huge difference. I love the new “fish stick” bar. And settings being available with one tap and being app-dependent first is fantastic. Well done Wassym Bensaid, the halo are great. The only thing about them is while driving, it’s hard to get a direct click, especially when trying to use it to switch drive modes where you have to push towards you. The halo likes the spin/move, but I think I just need to get used to it. Living with it would for sure help with that. I’m really hoping they fully unlock customization for them. You can end up with 8 different characters you could adjust. I really like having the driver display. But driving with it, you can notice how much smaller it is compared to R1. It’s no deal breaker, but it’s noticeable. Cameras felt snapper and of higher quality over Gen 2 R1. The turn signal sounds is new I like it as well as the forward and Evers noise it makes. Think Tesla sound when shifting. Audio: Now I’ve experienced R2 3x now. With 2 times with audio. The audio was significantly better than when I got to sit it in, in Miami for a block party. It’s about as good as R1 is now. There did feel like a sub was there. That’s great. I used my Apple Music account so I could listen to the song I love. And it was great. Not perfect but good enough. Long as it’s comparable to R1, it’s okay. Cabin: It was very well appointed. I actually found it sufficiently quiet. 🤫 I think for sure it’s quieter than my R1T without question. The HVAC system design (air vent) I like better than R1. I feel like the HVAC system now can blow the air on better than trying to. I need more time to test preconditioning because that’s where I’ve seen most of the issues with my R1 vehicles. Tons of space, easy to drop the seats, it’s flat, and nice under-floor space. The 1-touch drop for all windows was excellent. Overall: I think this is the Rivian everyone has been waiting for. This will be a fantastic one-car solution for so many families. There is storage for days, off-road abilities a Model Y can’t even think of doing, but the UHF needs to improve quicker than it currently is because that is really becoming a buying decision for people. Tim and I can’t wait to take delivery of our R2 Rivian; we are ready! Feel free to ask me anything about the R2! I’ll do my best to answer it or get you the answer. It’s a 10/10 for so many people.

Tyrone Holland🚀🧑🏽‍💻

32,078 görüntüleme • 3 ay önce

“What’s the Point?” A series 2.5 decades in the making: I’ve had the same best friend for almost 25 years. His name is BAGHEAD. When we were 8 years old we would run around our backyards making films. We made Saving Private Ryan before ever actually seeing the movie. We enlisted our neighbor and friend, Sage, a Native American, and made backyard Cowboys vs Indians films. After which we would pirate hip-hop on Limewire and play GTA until our moms called the landline telling us to come home. He and I have made a fair bit of music together over the years, about an albums worth. But, despite our individual successes, we’ve never worked together professionally. He’s filmed for everyone from Tiger Woods to Citizen, Formula One to Jelly Roll, shaken hands with Bill Clinton and 2/3rds of the Trump sons. With over 250,000,000 music video views, his production quality is unrivaled and his ability to tell a story on the silver screen is masterful. “What’s the Point” is a series I’ve been wanting to make for over a year now but simply haven’t had the capacity to do it myself. Hopefully this docuseries emerges as a way for us all to explore how humans create value, meaning, and shared narratives in the digital age. We’ll examine the intersection of technology, culture, and collective behavior, asking fundamental questions about why we build what we build and believe what we believe. We’ll be starting with a deep dive on what happened to NFTs on Solana, bridge into the narrative nitty gritties of Jupiter, and end nowhere. I couldn’t be more happy to delve into this with my best friend.
0:54

“What’s the Point?” A series 2.5 decades in the making: I’ve had the same best friend for almost 25 years. His name is BAGHEAD. When we were 8 years old we would run around our backyards making films. We made Saving Private Ryan before ever actually seeing the movie. We enlisted our neighbor and friend, Sage, a Native American, and made backyard Cowboys vs Indians films. After which we would pirate hip-hop on Limewire and play GTA until our moms called the landline telling us to come home. He and I have made a fair bit of music together over the years, about an albums worth. But, despite our individual successes, we’ve never worked together professionally. He’s filmed for everyone from Tiger Woods to Citizen, Formula One to Jelly Roll, shaken hands with Bill Clinton and 2/3rds of the Trump sons. With over 250,000,000 music video views, his production quality is unrivaled and his ability to tell a story on the silver screen is masterful. “What’s the Point” is a series I’ve been wanting to make for over a year now but simply haven’t had the capacity to do it myself. Hopefully this docuseries emerges as a way for us all to explore how humans create value, meaning, and shared narratives in the digital age. We’ll examine the intersection of technology, culture, and collective behavior, asking fundamental questions about why we build what we build and believe what we believe. We’ll be starting with a deep dive on what happened to NFTs on Solana, bridge into the narrative nitty gritties of Jupiter, and end nowhere. I couldn’t be more happy to delve into this with my best friend.

KEMOSABE

34,300 görüntüleme • 1 yıl önce

I have successfully reverse engineered and decompiled Snood for the GBA (2001), a game originally created by Dave Dobson over 25 years ago, entirely driven by AI. Every byte matches (SHA-256). I used Opus, Codex, and dozens of parallel DeepSeek V4.1 agents to attack different parts of the codebase. The first step was finding the compiler, where I sent off some agents, and they discovered it was agbcc, the GCC 2.95 compiler from Nintendo's GBA SDK, and verified it by recompiling standard library functions like memcpy and getting byte identical output to the ROM. For the first week or so, matching was stuck at 3% as I had no idea what I was doing. Then one afternoon, I experimented with agent swarms and went from 7% to 81% in about 5 hours. I ran over 20 DeepSeek agents in parallel in multiple waves, each AI assigned its own function in its own sandbox, so they never stepped on each other's work. The bigger AIs merged each result only after re-verifying their work, picking and choosing what was best. The last 19% took several more days, and the last 300 bytes were very difficult compiler forensics. This work is particularly suited for agentic workflows as the reward is easily verifiable (matching rom percentages). Why Snood? I have a faint memory of playing this game at around 3 years old. I also remember hearing the video game soundtrack and wondering "How did they fit that in the cartridge?" Well now I have my answer, they used the GBA's four built-in sound channels in a sort of midi-like way to generate songs on the fly. Only the sound effects are real samples, 8-bit audio at about 11 kHz. I also wanted to choose a game that was relatively obscure, had little info, as Pokemon has been analyzed to death (and I didn't grow up playing Pokemon!) I don't have an accurate number on the cost, but it was around 4-5 billion tokens. I do feel a bit strange, as now I was no longer tell AI what to do, I was telling AI what to tell AI what to do! The knowledge I gained from this project is mostly high level about how to coordinate agents, rather than technical details (though, now that I have the code, I can ask any question and figure it out). What would've taken a team of hobbyists years took me about two weeks of on and off work. I think we're about to see a lot of forgotten technology and code get preserved, which, in the face of AI writing more and more code every day, is kinda amazing in my eyes. The future is very bright for technological preservation efforts. If you're interested in the code, let me know below. Enjoy the cutesy explanation video!
1:00

I have successfully reverse engineered and decompiled Snood for the GBA (2001), a game originally created by Dave Dobson over 25 years ago, entirely driven by AI. Every byte matches (SHA-256). I used Opus, Codex, and dozens of parallel DeepSeek V4.1 agents to attack different parts of the codebase. The first step was finding the compiler, where I sent off some agents, and they discovered it was agbcc, the GCC 2.95 compiler from Nintendo's GBA SDK, and verified it by recompiling standard library functions like memcpy and getting byte identical output to the ROM. For the first week or so, matching was stuck at 3% as I had no idea what I was doing. Then one afternoon, I experimented with agent swarms and went from 7% to 81% in about 5 hours. I ran over 20 DeepSeek agents in parallel in multiple waves, each AI assigned its own function in its own sandbox, so they never stepped on each other's work. The bigger AIs merged each result only after re-verifying their work, picking and choosing what was best. The last 19% took several more days, and the last 300 bytes were very difficult compiler forensics. This work is particularly suited for agentic workflows as the reward is easily verifiable (matching rom percentages). Why Snood? I have a faint memory of playing this game at around 3 years old. I also remember hearing the video game soundtrack and wondering "How did they fit that in the cartridge?" Well now I have my answer, they used the GBA's four built-in sound channels in a sort of midi-like way to generate songs on the fly. Only the sound effects are real samples, 8-bit audio at about 11 kHz. I also wanted to choose a game that was relatively obscure, had little info, as Pokemon has been analyzed to death (and I didn't grow up playing Pokemon!) I don't have an accurate number on the cost, but it was around 4-5 billion tokens. I do feel a bit strange, as now I was no longer tell AI what to do, I was telling AI what to tell AI what to do! The knowledge I gained from this project is mostly high level about how to coordinate agents, rather than technical details (though, now that I have the code, I can ask any question and figure it out). What would've taken a team of hobbyists years took me about two weeks of on and off work. I think we're about to see a lot of forgotten technology and code get preserved, which, in the face of AI writing more and more code every day, is kinda amazing in my eyes. The future is very bright for technological preservation efforts. If you're interested in the code, let me know below. Enjoy the cutesy explanation video!

aizk ✡️

20,864 görüntüleme • 3 gün önce

someone is going to make millions with this in 2026 99% of people think this is a real human (or they fail to notice it’s an ai-generated video) but this video is completely ai-generated, including the background music. let me teach you how to create this in a few minutes follow this workflow step by step: first, create the base image of your ai influencer using nb pro. this is currently the best tool for character consistency i used a json prompt to generate the base image then i turn it into video (i will share the exact json prompt with you in this thread) now, to generate the video paste this prompt into google veo using the “frame to video” option “a man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. he gestures naturally with one hand as he speaks in vintage tv broadcast aesthetic: "today is october 12th, 1985. what i'm about to tell you will sound impossible... but mark my words, these three predictions will come true. no background music, no sound effects” next, i gave it a chunk of script, i only changed the script dialogue each time and kept the rest of the prompt exactly the same using this method, you also get a little consintent voiceover here is the format for you to use: [character description] + [visual style] + [dialogue of your script for under 8 seconds] for example, for the next part dialogue; [A man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. He gestures naturally with one hand as he speaks in Vintage TV broadcast aesthetic: "but mark my words, these three predictions will come true... ONE: You will carry a device no bigger than a playing card that holds ten thousand songs" ] rest things i adjusted in the editing, now how to clone the audio for these several clips we just generated? i got the best audio from the very first clip i generated using veo 3 but here is the trick: - export that clip to a video editor - detach the audio of it - duplicate it to make it 10+ seconds long - clone the voice over using elevenlabs (go to 11Labs-> click on voices-> click on "create or clone a voice" button in the top right side) (i named mine “1985 ai influencer” inside 11labs) then, finally export all your video clips into your video editor detach the audios of all clips, and export it to 11Labs to clone it with that "1985 AI Influencer" voice once you dubbed it, import it back to your editor that’s it. there are endless use cases where you can use such an ai influencer like this to promote your biz: - skincare - weight loss & nutrition - psychology and mental health - marketing and sales - predictions (like this video) - making money & career growth - dating, parenting, and so on… there are a few people already started using such ai influencers, you are just behind them, you can find their pages on instagram don't be lazy, create one such an ai influencer for your targeted biz 2026 is going to be yours
0:40

someone is going to make millions with this in 2026 99% of people think this is a real human (or they fail to notice it’s an ai-generated video) but this video is completely ai-generated, including the background music. let me teach you how to create this in a few minutes follow this workflow step by step: first, create the base image of your ai influencer using nb pro. this is currently the best tool for character consistency i used a json prompt to generate the base image then i turn it into video (i will share the exact json prompt with you in this thread) now, to generate the video paste this prompt into google veo using the “frame to video” option “a man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. he gestures naturally with one hand as he speaks in vintage tv broadcast aesthetic: "today is october 12th, 1985. what i'm about to tell you will sound impossible... but mark my words, these three predictions will come true. no background music, no sound effects” next, i gave it a chunk of script, i only changed the script dialogue each time and kept the rest of the prompt exactly the same using this method, you also get a little consintent voiceover here is the format for you to use: [character description] + [visual style] + [dialogue of your script for under 8 seconds] for example, for the next part dialogue; [A man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. He gestures naturally with one hand as he speaks in Vintage TV broadcast aesthetic: "but mark my words, these three predictions will come true... ONE: You will carry a device no bigger than a playing card that holds ten thousand songs" ] rest things i adjusted in the editing, now how to clone the audio for these several clips we just generated? i got the best audio from the very first clip i generated using veo 3 but here is the trick: - export that clip to a video editor - detach the audio of it - duplicate it to make it 10+ seconds long - clone the voice over using elevenlabs (go to 11Labs-> click on voices-> click on "create or clone a voice" button in the top right side) (i named mine “1985 ai influencer” inside 11labs) then, finally export all your video clips into your video editor detach the audios of all clips, and export it to 11Labs to clone it with that "1985 AI Influencer" voice once you dubbed it, import it back to your editor that’s it. there are endless use cases where you can use such an ai influencer like this to promote your biz: - skincare - weight loss & nutrition - psychology and mental health - marketing and sales - predictions (like this video) - making money & career growth - dating, parenting, and so on… there are a few people already started using such ai influencers, you are just behind them, you can find their pages on instagram don't be lazy, create one such an ai influencer for your targeted biz 2026 is going to be yours

ViralOps

14,375 görüntüleme • 9 ay önce

Tested FSD v12.3 in downtown Chicago yesterday — zero disengagements / interventions in the first 30 minutes despite incredibly dense traffic & pedestrians during St. Patrick's Day festivities. Extremely impressive. A couple of my favorite moments are at 5:17 and 7:00. Overall, v12.3 seems like a major step forward and I'm excited to keep testing. It feels smoother, much more natural, and more capable of creative decision making in challenging scenarios. My camera overheated, but I tested for a total of about an hour and a half in this same environment. The most impressive moments were lost, unfortunately, but it flawlessly handled back-to-back extremely complex intersections, which were all-way stop signs with 6 lanes of traffic and 50+ pedestrians. Pretty mind-blowing. Throughout the whole drive, there were 3 disengagements and no other interventions: 1) Tried to turn one block too early, the wrong way on a one-way. Not great, but not a show stopper long-term, IMO. 2) At an intersection, shortly after the light changed to green, there was a fire truck with its sirens on approaching on the cross street. Visibility was obscured by a large SUV in the lane to the left of the vehicle. I head the sirens getting louder and the SUV stopped proceeding, so I had to brake. Without audio input, I don't know how FSD could ever properly react to this situation due to the occluded vision. 3) In heavy traffic, FSD moved out of the lane we needed to be in. It tried to get back over, but there was not enough time or space, so it proceeding to a new route. This led to a planned u-turn in extremely heavy traffic. I got a notice saying FSD could not complete the maneuver, and FSD kept going to the next intersection, which led to the same plan. It attempted to start the maneuver, but I had to take over. The video shows how crazy Chicago was yesterday, St. Patrick's Day celebrations are huge here. If you are not used to this environment, many drivers would struggle. FSD handled things calmly and confidently, with only one instance that I recall annoying any other drivers due to being too slow or cautious, something that would happen a lot on previous versions of FSD. FSD v12.3 seems like a major step forward from my early testing, and hopefully it provides the proper foundation to accelerate the rate of progress significantly. It's not perfect, and it's still going to take time, but I am excited. Congrats to the Tesla team.
25:17

Tested FSD v12.3 in downtown Chicago yesterday — zero disengagements / interventions in the first 30 minutes despite incredibly dense traffic & pedestrians during St. Patrick's Day festivities. Extremely impressive. A couple of my favorite moments are at 5:17 and 7:00. Overall, v12.3 seems like a major step forward and I'm excited to keep testing. It feels smoother, much more natural, and more capable of creative decision making in challenging scenarios. My camera overheated, but I tested for a total of about an hour and a half in this same environment. The most impressive moments were lost, unfortunately, but it flawlessly handled back-to-back extremely complex intersections, which were all-way stop signs with 6 lanes of traffic and 50+ pedestrians. Pretty mind-blowing. Throughout the whole drive, there were 3 disengagements and no other interventions: 1) Tried to turn one block too early, the wrong way on a one-way. Not great, but not a show stopper long-term, IMO. 2) At an intersection, shortly after the light changed to green, there was a fire truck with its sirens on approaching on the cross street. Visibility was obscured by a large SUV in the lane to the left of the vehicle. I head the sirens getting louder and the SUV stopped proceeding, so I had to brake. Without audio input, I don't know how FSD could ever properly react to this situation due to the occluded vision. 3) In heavy traffic, FSD moved out of the lane we needed to be in. It tried to get back over, but there was not enough time or space, so it proceeding to a new route. This led to a planned u-turn in extremely heavy traffic. I got a notice saying FSD could not complete the maneuver, and FSD kept going to the next intersection, which led to the same plan. It attempted to start the maneuver, but I had to take over. The video shows how crazy Chicago was yesterday, St. Patrick's Day celebrations are huge here. If you are not used to this environment, many drivers would struggle. FSD handled things calmly and confidently, with only one instance that I recall annoying any other drivers due to being too slow or cautious, something that would happen a lot on previous versions of FSD. FSD v12.3 seems like a major step forward from my early testing, and hopefully it provides the proper foundation to accelerate the rate of progress significantly. It's not perfect, and it's still going to take time, but I am excited. Congrats to the Tesla team.

Rob Maurer

218,128 görüntüleme • 2 yıl önce

I have a story about addiction from a different perspective. A story where recovery was not possible. I have one sibling. An older brother. Everyone loved him. It was easy to love him. He died 10 years ago. It was a horrible death that took him 20 years to accomplish, dragging everyone who loved him along the way. He was an amazing musician. He didn't read music. No lessons. Hand him any instrument, and he can play it. He had a big heart. He was easily the funniest person I've ever known. And he is the only other human being who speaks fluent movie-script-quotes with precision and skill. But alcohol took over in his mid-20s. Bam Margera is just 2 years younger than my brother. He reminds me of my brother *so* much. Everything Bam and his family went through with his addiction is what my brother and family went through. My brother left high school because he was a gifted songwriter and musician. Bam left because he was a gifted skater. My brother was really into editing and producing films, and so is Bam. When Ryan Dunn died, and Bam went off the deep end, I was watching my brother do the same thing every time a strong emotion hit him, and he simply didn't know what to do with it. My brother was so beautiful on the outside, yet unrecognizable at the end. I can not tell you how many times my brother would go missing. Hundreds of times. He would sometimes go missing for up to a week. Then we'd get a call from the police or a hospital. Usually, the hospital would be first because he'd be near death. Then they would keep him on a 5150 at a mental health facility. Then he would come home. One time, he chased me with a knife in his hand, screaming he was going to kill me as I was running out of my parents' home on a cordless phone dialing 911. I found a fifth of vodka in his room and poured it down the drain. He went looking for it 20 minutes later, and it was empty...and I told him I poured it out. When I was 24 years old, I landed my first job that came with an office. My name was outside of it. I was stoked. I worked my ass off to get there. But there was no happiness at that time in my life. I remember my father calling me at work, sitting in that office, to say he was coming to pick me up because he knew where my brother, who had been missing for 4 days, was. The credit card he stole from my mother showed he was at a little oceanfront motel 10 minutes away. And I remember thinking to myself on the way over there...I have to open the motel room door. I can't let my dad see him hanging. It will destroy his life. I told my dad to wait about 10 feet to my left, and I opened the door, and there was my brother fashioning a sheet into a noose. Another time he went missing, and they found him on the roof of a building with the inside of his arms slashed from elbow to wrist, just lying in a pool of blood. Dark shit. Both of the insides of his arms were mutilated from being sliced open so many times. At least 30, if not more. He stopped wearing short-sleeved shirts in public about 10 years before he died. He got to the point of seizures when he withdrew and had alcohol-related dementia for the last 3 years of his life, which would come and go. Then one day, after 2 decades, he called my parents and said something was wrong. My parents went over to his place, ended up calling 911, the ambulance got there, and he started walking outside with assistance from paramedics and collapsed. In front of my parents. He was rushed to the hospital. I had not seen my brother for the last 9 years of his life. He disowned me. Because he felt he had to. He killed my dog when he got drunk 9 years before he died. No one knows if he meant to or not, he was so wasted. He couldn't face me after that. So he disowned me. And a piece of my heart died the day he did it. I talked to my parents right before they left to see what was wrong that day. The last thing I said to my dad was, "Do not let him die without me having an opportunity to say goodbye." My dad called me from the er 2 hours later and said, "You should come over now. He won't know you're here." When I got there, I was shocked at what I saw. He wasn't the right color. He was in a coma. Severe internal bleeding. On life support. It was jarring even after seeing him in a much similar state hundreds of times for such a long time. He was taken to the ICU 3 hours later, where they would transfuse blood by the bag damn near constantly, and it just shot out of his nose. It was bloody. A lot of blood. After about 6 hours, I told my parents to go home and get some rest. I would stay with him. And I talked to him like he was right there. Like one of the hundreds of pillow-fort slumber parties we had as kids. Like no time had passed, and his addiction never existed. I showed him pictures of my life over the past decade on my phone...just like he was there. But he wasn't there. And after 3 hours and extensive talks with several doctors and specialists, I had to make the decision to remove his life support. After my parents returned and said goodbye, I told them to wait out in the hall until he passed because I could not allow them to have the memory of him dying, and I returned to my brother's side, and said what I needed to say, bawling my heart out. I told them to turn off the machines, and I held him in my arms as he died. It took just over 7 minutes. And I just held him. I had Nine Inch Nails playing for him. One of his favorites thanks to Pretty Hate Machine. He was a fan for life after that. He was my best friend. But he was also someone I had to protect myself from if he was intoxicated. This is the end that usually becomes a reality for addicts and their families. Then there's someone like Bam Margera. He went to the same place my brother went to in his head. And he came back. Bam is one of the greatest comebacks ever and a story of recovery worth knowing. I see YouTube shorts of Bam skating again every day, and I'm so moved that I just sit here and cry. You can see his personality is back. You have no idea how rare that is. Their personality shows very little while they're in their addiction. Recovery stories are incredibly personal to so many people, including those who have gone through addiction with an addict because they love them so much...they'd see anything they had to see and endure anything they have to endure just to be there with them at their lowest point. Addicts are not monsters. The stuff they use to numb the pain they do not understand is the real monster. And when you put enough of that into a human being, they do things they would *never* do without it. People are not pure. We are more complex than that. We are good and bad. Light and dark. Right and wrong. Chaotic and serene. You will find that the answer to every question you have about life is usually "both" for a reason. Because one can not exist without the other. With recovery stories like Hunter Biden's and Bam Margera's out in the ether, more people will be less ignorant as to how this disease plays out, and that will do nothing but good for so many families struggling with this issue. Addiction isn't just for the addict. Addiction is for everyone who loves them, as well. It's just a different perspective of hell. So listen to recovery stories with renewed respect because most addicts end up the way it ended for the only sibling I'll ever have.
2:04

I have a story about addiction from a different perspective. A story where recovery was not possible. I have one sibling. An older brother. Everyone loved him. It was easy to love him. He died 10 years ago. It was a horrible death that took him 20 years to accomplish, dragging everyone who loved him along the way. He was an amazing musician. He didn't read music. No lessons. Hand him any instrument, and he can play it. He had a big heart. He was easily the funniest person I've ever known. And he is the only other human being who speaks fluent movie-script-quotes with precision and skill. But alcohol took over in his mid-20s. Bam Margera is just 2 years younger than my brother. He reminds me of my brother *so* much. Everything Bam and his family went through with his addiction is what my brother and family went through. My brother left high school because he was a gifted songwriter and musician. Bam left because he was a gifted skater. My brother was really into editing and producing films, and so is Bam. When Ryan Dunn died, and Bam went off the deep end, I was watching my brother do the same thing every time a strong emotion hit him, and he simply didn't know what to do with it. My brother was so beautiful on the outside, yet unrecognizable at the end. I can not tell you how many times my brother would go missing. Hundreds of times. He would sometimes go missing for up to a week. Then we'd get a call from the police or a hospital. Usually, the hospital would be first because he'd be near death. Then they would keep him on a 5150 at a mental health facility. Then he would come home. One time, he chased me with a knife in his hand, screaming he was going to kill me as I was running out of my parents' home on a cordless phone dialing 911. I found a fifth of vodka in his room and poured it down the drain. He went looking for it 20 minutes later, and it was empty...and I told him I poured it out. When I was 24 years old, I landed my first job that came with an office. My name was outside of it. I was stoked. I worked my ass off to get there. But there was no happiness at that time in my life. I remember my father calling me at work, sitting in that office, to say he was coming to pick me up because he knew where my brother, who had been missing for 4 days, was. The credit card he stole from my mother showed he was at a little oceanfront motel 10 minutes away. And I remember thinking to myself on the way over there...I have to open the motel room door. I can't let my dad see him hanging. It will destroy his life. I told my dad to wait about 10 feet to my left, and I opened the door, and there was my brother fashioning a sheet into a noose. Another time he went missing, and they found him on the roof of a building with the inside of his arms slashed from elbow to wrist, just lying in a pool of blood. Dark shit. Both of the insides of his arms were mutilated from being sliced open so many times. At least 30, if not more. He stopped wearing short-sleeved shirts in public about 10 years before he died. He got to the point of seizures when he withdrew and had alcohol-related dementia for the last 3 years of his life, which would come and go. Then one day, after 2 decades, he called my parents and said something was wrong. My parents went over to his place, ended up calling 911, the ambulance got there, and he started walking outside with assistance from paramedics and collapsed. In front of my parents. He was rushed to the hospital. I had not seen my brother for the last 9 years of his life. He disowned me. Because he felt he had to. He killed my dog when he got drunk 9 years before he died. No one knows if he meant to or not, he was so wasted. He couldn't face me after that. So he disowned me. And a piece of my heart died the day he did it. I talked to my parents right before they left to see what was wrong that day. The last thing I said to my dad was, "Do not let him die without me having an opportunity to say goodbye." My dad called me from the er 2 hours later and said, "You should come over now. He won't know you're here." When I got there, I was shocked at what I saw. He wasn't the right color. He was in a coma. Severe internal bleeding. On life support. It was jarring even after seeing him in a much similar state hundreds of times for such a long time. He was taken to the ICU 3 hours later, where they would transfuse blood by the bag damn near constantly, and it just shot out of his nose. It was bloody. A lot of blood. After about 6 hours, I told my parents to go home and get some rest. I would stay with him. And I talked to him like he was right there. Like one of the hundreds of pillow-fort slumber parties we had as kids. Like no time had passed, and his addiction never existed. I showed him pictures of my life over the past decade on my phone...just like he was there. But he wasn't there. And after 3 hours and extensive talks with several doctors and specialists, I had to make the decision to remove his life support. After my parents returned and said goodbye, I told them to wait out in the hall until he passed because I could not allow them to have the memory of him dying, and I returned to my brother's side, and said what I needed to say, bawling my heart out. I told them to turn off the machines, and I held him in my arms as he died. It took just over 7 minutes. And I just held him. I had Nine Inch Nails playing for him. One of his favorites thanks to Pretty Hate Machine. He was a fan for life after that. He was my best friend. But he was also someone I had to protect myself from if he was intoxicated. This is the end that usually becomes a reality for addicts and their families. Then there's someone like Bam Margera. He went to the same place my brother went to in his head. And he came back. Bam is one of the greatest comebacks ever and a story of recovery worth knowing. I see YouTube shorts of Bam skating again every day, and I'm so moved that I just sit here and cry. You can see his personality is back. You have no idea how rare that is. Their personality shows very little while they're in their addiction. Recovery stories are incredibly personal to so many people, including those who have gone through addiction with an addict because they love them so much...they'd see anything they had to see and endure anything they have to endure just to be there with them at their lowest point. Addicts are not monsters. The stuff they use to numb the pain they do not understand is the real monster. And when you put enough of that into a human being, they do things they would *never* do without it. People are not pure. We are more complex than that. We are good and bad. Light and dark. Right and wrong. Chaotic and serene. You will find that the answer to every question you have about life is usually "both" for a reason. Because one can not exist without the other. With recovery stories like Hunter Biden's and Bam Margera's out in the ether, more people will be less ignorant as to how this disease plays out, and that will do nothing but good for so many families struggling with this issue. Addiction isn't just for the addict. Addiction is for everyone who loves them, as well. It's just a different perspective of hell. So listen to recovery stories with renewed respect because most addicts end up the way it ended for the only sibling I'll ever have.

Nicole Minét

409,172 görüntüleme • 3 ay önce

So as it turns out... Diddy Kong Racing has some really badass reverb DSP effects that get applied to sounds emitted while driving within tunnels or enclosed spaces. SO WHAT ABOUT ON THE SEGA DREAMCAST? Well, check out this direct hardware capture, and listen very closely to what honking the horn sounds like as I drive through the tunnel! But we're already essentially emulating the N64's RSP coprocessor with DKR DC, which was handling audio tasks such as ADPCM decoding, mixing, resampling, and more... purely in software on the SH4. The SH4 is also responsible for all TnL on the Dreamcast, so it's doing graphics, gameplay, and now audio processing, PLUS DSP effects? And we're trying to hit a solid 30FPS target? How tf we planning to pull that one off? ...with GAINZ, of course! This one was pretty insane. The algorithm on the left is the actual fixed-precision loop which gets run by a DSP, essentially applying a function of some coefficients, a gain, and the value of the previous sample to the compute the value of the current sample. Since sample N depends on sample N - 1, the loop is fundamentally sequential, plus the values are all integer-based with fixed-precision, not acceleratable floats for our FPU... So check mate? We're fucked? I guess Bruce is gonna wind up dropping reverb to improve FPS after all? NOT SO FAST. As it turns out, I was able to still achieve a 1.5x speedup over the standard implementation, leveraging every trick I've ever known for the SH4's FPU with SH4ZAM vector math library. 1) All arithmetic and intermediate values went from integers to floats, so that they can use the SH4's FPU. 2) I was able to tease out the independent values and cofactors used for calculating FOUR samples at once by unrolling the loop to 4 iterations, and preloading the XMTRX 4x4 matrix back-bank with a lower-triangular transform matrix containing the cofactors. 3) I was able to cram 4 samples at a time into a 4D vector, which I then transform against the constant XMTRX cofactors with shz_xmtrx_transform_vec4(), which results in only single ASM instruction, FTRV, getting emitted to transform the 4D vector by the entire 4x4 XMTRX, thus doing the majority of the work to calculate 4 freaking output samples with ONE instruction. 4) I was able to strategically prefetch both the source and destination buffers while doing FPU work, in order to keep the caches fed. 5) The clamping... was the trickiest part. I had to calculate all 4 output values WITHOUT the clamping, then check for any required clamping post-transform.. but the problem is that if sample N gets clamped, then the value of sample N + 1 will change as well... and we just computed 4 nonclamped results in parallel... By abusing the goto statement and labels, I was able to efficiently jump to a label which would clamp all of the values following a component that was found to require clamping, but avoiding recomputing and reclamping the previously assessed values that were within the clamping threshold. The result? Yet again, the 200Mhz SH4 has carried another load that it was never intended to bear... and it looks like we WILL be keeping reverb in Diddy Kong Racing for the Sega Dreamcast! 💪
0:25

So as it turns out... Diddy Kong Racing has some really badass reverb DSP effects that get applied to sounds emitted while driving within tunnels or enclosed spaces. SO WHAT ABOUT ON THE SEGA DREAMCAST? Well, check out this direct hardware capture, and listen very closely to what honking the horn sounds like as I drive through the tunnel! But we're already essentially emulating the N64's RSP coprocessor with DKR DC, which was handling audio tasks such as ADPCM decoding, mixing, resampling, and more... purely in software on the SH4. The SH4 is also responsible for all TnL on the Dreamcast, so it's doing graphics, gameplay, and now audio processing, PLUS DSP effects? And we're trying to hit a solid 30FPS target? How tf we planning to pull that one off? ...with GAINZ, of course! This one was pretty insane. The algorithm on the left is the actual fixed-precision loop which gets run by a DSP, essentially applying a function of some coefficients, a gain, and the value of the previous sample to the compute the value of the current sample. Since sample N depends on sample N - 1, the loop is fundamentally sequential, plus the values are all integer-based with fixed-precision, not acceleratable floats for our FPU... So check mate? We're fucked? I guess Bruce is gonna wind up dropping reverb to improve FPS after all? NOT SO FAST. As it turns out, I was able to still achieve a 1.5x speedup over the standard implementation, leveraging every trick I've ever known for the SH4's FPU with SH4ZAM vector math library. 1) All arithmetic and intermediate values went from integers to floats, so that they can use the SH4's FPU. 2) I was able to tease out the independent values and cofactors used for calculating FOUR samples at once by unrolling the loop to 4 iterations, and preloading the XMTRX 4x4 matrix back-bank with a lower-triangular transform matrix containing the cofactors. 3) I was able to cram 4 samples at a time into a 4D vector, which I then transform against the constant XMTRX cofactors with shz_xmtrx_transform_vec4(), which results in only single ASM instruction, FTRV, getting emitted to transform the 4D vector by the entire 4x4 XMTRX, thus doing the majority of the work to calculate 4 freaking output samples with ONE instruction. 4) I was able to strategically prefetch both the source and destination buffers while doing FPU work, in order to keep the caches fed. 5) The clamping... was the trickiest part. I had to calculate all 4 output values WITHOUT the clamping, then check for any required clamping post-transform.. but the problem is that if sample N gets clamped, then the value of sample N + 1 will change as well... and we just computed 4 nonclamped results in parallel... By abusing the goto statement and labels, I was able to efficiently jump to a label which would clamp all of the values following a component that was found to require clamping, but avoiding recomputing and reclamping the previously assessed values that were within the clamping threshold. The result? Yet again, the 200Mhz SH4 has carried another load that it was never intended to bear... and it looks like we WILL be keeping reverb in Diddy Kong Racing for the Sega Dreamcast! 💪

Falco Girgis

14,871 görüntüleme • 2 ay önce

I did something kind of insane. I just spent millions of dollars on dirt. 231 acres, 45 minutes from my house in DFW. In this post: why I bought it, how I plan to make money on it, and exactly what I paid. Here's the story. A couple years ago my buddy Jeff bought a ranch. And ever since, I've been watching his boys drive out there. Move a bulldozer around. Drive a skid steer. Bring in the cows. Build a burn pile after the storm. I admired that. I feel so strongly that having your kids learn to work hard is one of the best things you can do as a parent. And it's also one of the hardest. I think they're correlated. The harder things you do as a parent are also the most important things you do as a parent. I have four kids. I want them to have opportunities I never had, and I don't want them to be soft. A ranch is the greatest hard work simulator ever invented. Fixing fence in the July heat. Feeding cows when it's 37 degrees. Hauling hay. That will change a kid. It'll build something in a kid that no app ever will. They say business isn't personal. It is personal. This was an emotional decision first. But I'm a capitalist and an entrepreneur, so here's the financial side: DFW is adding 150 to 200,000 people a year, growing north and east. This ranch is 57 miles from downtown Dallas, in the path of growth. Worst case, my family gets a ranch that we love. Best case, the Metroplex crawls to my fence line. We started out looking at 50 to 100 acre parcels. Then I realized something: one day I'll feel stupid for not buying more land at only $10K an acre this close to Dallas. So we went bigger. The ranch wasn't distressed. I still negotiated almost $400K off the list price. Here's how: I uploaded the seller's appraisal to Claude. It caught that their comps were 60 acre parcels and mine is 231, and bigger parcels are worth much less per acre. It picked also apart the whole appraisal, caught a bunch of other stuff, and wrote my negotiation replies. My $20 a month subscription saved me hundreds of thousands of dollars. Another hack: My wife got her real estate license, represented us herself, and gave back 2% of her commission at closing. $50K off. Then I shook the seller's hand and promised this never becomes a neighborhood or a data center. That handshake is one reason he picked me over the developers. Relationships matter. So how am I gonna make money on this? A few of the plays: - The previous owner keeps ranching it on a grazing lease with me. He keeps spraying, mowing, and maintaining the fences. I collect a check. - There's a 2,400 sq ft shop on the property, already rented out. Another check. - Grass-fed beef under the 888 brand. A quarter cow sells for about $1,500 at roughly 40% net margin. And you don't need to own land to do this. ButcherBox doesn't own a single ranch. - A YouTube channel documenting everything. If it gets to a fraction of my main channel's size, it covers the entire ranch payment. Zero ongoing expenses. - Farm stays and campsites. Right next door is a tiny home community doing $17,000 a month on 20 acres. I have 231. - Maybe an Airbnb over the river with a plexiglass floor. Septic near a river is tricky, but everything's figureoutable. - I’ll use my own dozer instead of hiring one. Companies charge $200 to $500 an hour. Used dozers go for $10 to $30K and I’ll hire young guys to operate them and expand the pond for much cheaper. - Ag exemption. Property taxes on a ranch this size would be $45 to $50K a year. Mine are about $1,500. I don't plan to flip this. I'm building a barndominium out there, then eventually a house. I plan to own it for the rest of my life, and hopefully my kids and grandkids after that. What did I pay? $2.35 million. My wife and I got married on 08/08/08. So this is 888 Ranch. Three eights in a row make a great cattle brand. One last thing. If you've ever listened to the podcast, watched a video, or started a business because of something I shared: you are part of the reason I was able to buy this. I mean that. Thank you. I'm documenting all of it on a new YouTube channel, 888 Ranch Your learnings compound just like money does. Come watch mine. 888 Ranch site-- 888 Ranch Youtube --
0:52

I did something kind of insane. I just spent millions of dollars on dirt. 231 acres, 45 minutes from my house in DFW. In this post: why I bought it, how I plan to make money on it, and exactly what I paid. Here's the story. A couple years ago my buddy Jeff bought a ranch. And ever since, I've been watching his boys drive out there. Move a bulldozer around. Drive a skid steer. Bring in the cows. Build a burn pile after the storm. I admired that. I feel so strongly that having your kids learn to work hard is one of the best things you can do as a parent. And it's also one of the hardest. I think they're correlated. The harder things you do as a parent are also the most important things you do as a parent. I have four kids. I want them to have opportunities I never had, and I don't want them to be soft. A ranch is the greatest hard work simulator ever invented. Fixing fence in the July heat. Feeding cows when it's 37 degrees. Hauling hay. That will change a kid. It'll build something in a kid that no app ever will. They say business isn't personal. It is personal. This was an emotional decision first. But I'm a capitalist and an entrepreneur, so here's the financial side: DFW is adding 150 to 200,000 people a year, growing north and east. This ranch is 57 miles from downtown Dallas, in the path of growth. Worst case, my family gets a ranch that we love. Best case, the Metroplex crawls to my fence line. We started out looking at 50 to 100 acre parcels. Then I realized something: one day I'll feel stupid for not buying more land at only $10K an acre this close to Dallas. So we went bigger. The ranch wasn't distressed. I still negotiated almost $400K off the list price. Here's how: I uploaded the seller's appraisal to Claude. It caught that their comps were 60 acre parcels and mine is 231, and bigger parcels are worth much less per acre. It picked also apart the whole appraisal, caught a bunch of other stuff, and wrote my negotiation replies. My $20 a month subscription saved me hundreds of thousands of dollars. Another hack: My wife got her real estate license, represented us herself, and gave back 2% of her commission at closing. $50K off. Then I shook the seller's hand and promised this never becomes a neighborhood or a data center. That handshake is one reason he picked me over the developers. Relationships matter. So how am I gonna make money on this? A few of the plays: - The previous owner keeps ranching it on a grazing lease with me. He keeps spraying, mowing, and maintaining the fences. I collect a check. - There's a 2,400 sq ft shop on the property, already rented out. Another check. - Grass-fed beef under the 888 brand. A quarter cow sells for about $1,500 at roughly 40% net margin. And you don't need to own land to do this. ButcherBox doesn't own a single ranch. - A YouTube channel documenting everything. If it gets to a fraction of my main channel's size, it covers the entire ranch payment. Zero ongoing expenses. - Farm stays and campsites. Right next door is a tiny home community doing $17,000 a month on 20 acres. I have 231. - Maybe an Airbnb over the river with a plexiglass floor. Septic near a river is tricky, but everything's figureoutable. - I’ll use my own dozer instead of hiring one. Companies charge $200 to $500 an hour. Used dozers go for $10 to $30K and I’ll hire young guys to operate them and expand the pond for much cheaper. - Ag exemption. Property taxes on a ranch this size would be $45 to $50K a year. Mine are about $1,500. I don't plan to flip this. I'm building a barndominium out there, then eventually a house. I plan to own it for the rest of my life, and hopefully my kids and grandkids after that. What did I pay? $2.35 million. My wife and I got married on 08/08/08. So this is 888 Ranch. Three eights in a row make a great cattle brand. One last thing. If you've ever listened to the podcast, watched a video, or started a business because of something I shared: you are part of the reason I was able to buy this. I mean that. Thank you. I'm documenting all of it on a new YouTube channel, 888 Ranch Your learnings compound just like money does. Come watch mine. 888 Ranch site-- 888 Ranch Youtube --

Chris Koerner

2,000,040 görüntüleme • 1 ay önce