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AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while...

11,393 görüntüleme • 10 gün önce •via X (Twitter)

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"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

m0ment0

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Before, I saw Sana and Jihyo looking tired and even massaging their legs. But today, it is heartbreaking and painfully obvious that Sana is not okay at all. This is so painful to watch, and it has seriously gone too far seeing them in such poor condition. I don’t care if people disagree with my tweet. I cannot stay silent anymore. Watching the members suffer one by one like this is breaking my heart, and JYP’s handling of their health is deeply disappointing. I am especially disappointed in JYP. In my opinion, JYP made a huge mistake when Dahyun was sick. They did not even take her to the doctor for an X-ray. Dahyun had to endure the pain for almost a month and still perform. Even in Incheon, she had to walk to the parking lot while limping, without any ankle support or a wheelchair. Before that, Jeongyeon and Chaeyoung were sick and had to miss the tour. We even had to watch Jihyo perform while she was sick, sitting on a chair on stage. That was painful to see. Then Mina had to be absent today because of health issues, and now we can clearly see that Sana is also not in good condition. Watching this happen again and again is exhausting and heartbreaking. How many times do we have to see the members suffer before their health is truly taken seriously? I know concerts and schedules are decided together by the members and the agency. But why does it feel like the girls’ health is always the last thing being considered? Can’t the agency do better and put their health first, just once? The girls are the kind of idols who truly love meeting fans. They will keep showing up even when they are unwell, as long as they can still stand. That is exactly what scares me the most. That is why JYP must take better care of them. Please, I’m begging make the girls’ health the top priority above anything else. TWICE JYPnation TWICE_JAPAN #TWICE_THISISFOR_WORLD_TOUR #JYPProtectTWICE

puteri🍉

127,521 görüntüleme • 5 ay önce

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

Dustin

22,390 görüntüleme • 1 ay önce

Pauline Hanson is now the preferred Prime Minister, as the establishment reels in shock. They did it to themselves. First the Liberals, and now Labor. They followed each other down the path to oblivion. There’s an old saying, “you have two ears and one mouth”, a sign that you should listen twice as much as you speak. But instead, the establishment just preached at us. They shamed and attacked us. They forgot us, and worse, ignored us completely. They gave each other jobs and titles as they pretended we admired them as much as they admire themselves. The establishment misread the rise of the Teals as a total rejection of social conservativism and personal ambition. Of a detest for masculinity and the total embrace of the politics of climate and mass immigration. But it wasn’t that. It was a frustration with the status-quo; an anger at the captured Liberal establishment, which made them almost indistinguishable from Labor. Albanese’s great appeal was that he was not Morrison, and Dutton actually looked somehow less prepared. But it was never a great embrace. It was more of a, “well I guess it’s you then”. Labor don’t really have a mandate for change, but they are convinced that Australians are a bunch of jealous fools that are too stupid to see the total erosion of our freedoms and way of life. Those in power are too blind to notice that everything they talk about and touch has set us backwards. But we see them. Albanese is just about the most inarticulate and incompetent Prime Minister we’ve ever had, and his vision for Australia does not extend beyond his comfortable, taxpayer funded retirement on the beach. The self-interest of the establishment is at record levels, and rather than listen, adapt and fix the problems they've caused, they just double down. And double down again. Both sides have grown transactional and prefer to shoot their messengers. They expel and slander those who have tried to do the right thing over the last decade, and now both sides are left with a talentless pool of transactional twits. There is not a capable government to be formed between them, and their time is up. I don’t think it will matter what Pauline Hanson says or does between now and the election, her popularity will continue to climb as she looks less and less like them… and they panic their way into helping her do that. The public have had enough, and Hanson is their pathway to showing the world that the Australian establishment is done. This is the beginning of a long journey to a more informed electorate and a better government. It has begun. We are going to get Australia back.

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52,150 görüntüleme • 2 ay önce