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AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while... ago the second one was RL, and people had been doing RL the whole time before that: RLHF is RL but it never scaled far because it was trying to control the exact output, which tokens come out, how the text reads, but you can only push that so far before you’re just polishing RLVR dropped that constraint: giving the model a task, then checking whether the final answer is right, and ignoring everything in between -- so the model does whatever it wants in the middle and only the endpoint gets graded, and that’s much closer to actual RL and it’s what bought us planning and reasoning (arguably, tool use sits around 2.5 on this list -- while useful, it's not a different kind of thing) so one axis gave knowledge, the other gave reasoning, and both of them are one model working alone the next axis is how many models you can get working on the same problem, which is a different kind of axis than the previous two we know that multi-agent RL has always been the harder problem: I spent years in that literature and the gap between single-agent and multi-agent is definitely not incremental -- it’s a whole different class of difficulty! which is also why the derivatives are steep at the start, nobody has picked the easy wins yet... and the thing that gates this multi-agent coordination is communication: models can only coordinate as well as they can exchange information, and right now they do that by writing sentences to each other imagine what could we possibly achieve if we properly open that third axis development by letting models to exchange information in their native "language" without loosing any computational data that they produce during inferenceshow more

Sasha Malysheva

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You've probably scrolled past a dozen posts about Jev this week without anyone telling you what it actually is. It's the first model from TypeSafe, a lab started by one of the researchers behind ChatGPT. It's a decision engine: you give it options, it picks one and tells you how sure it is. It cannot write a single word, and that is the interesting part. Every other AI you use writes. That is the whole interface. So when software needs a plain yes or no, we make a model write a paragraph and then dig the answer back out of it. Fine in a chat window where a human reads it. Bad inside software, where code has to act on it. The bet is that the valuable half was never the writing. It was the deciding. That problem showed up in WordPress years ago, and it is the reason WPVibe works the way it does. The AI does the work. Anything permanent stops and waits, because a delete that skips the trash is not something software should decide on its own.

You've probably scrolled past a dozen posts about Jev this week without anyone telling you what it actually is. It's the first model from TypeSafe, a lab started by one of the researchers behind ChatGPT. It's a decision engine: you give it options, it picks one and tells you how sure it is. It cannot write a single word, and that is the interesting part. Every other AI you use writes. That is the whole interface. So when software needs a plain yes or no, we make a model write a paragraph and then dig the answer back out of it. Fine in a chat window where a human reads it. Bad inside software, where code has to act on it. The bet is that the valuable half was never the writing. It was the deciding. That problem showed up in WordPress years ago, and it is the reason WPVibe works the way it does. The AI does the work. Anything permanent stops and waits, because a delete that skips the trash is not something software should decide on its own.

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Australia. The Best F1 Season Opener. "It's amazing to see everyone here. And the energy is always awesome in Melbourne. I think this is definitely by far the best opener of a season. I mean, we had it in a few different places in the past, but this one, being that it's so far to get to, the weather's always great and the city's fantastic and the people are great."

Australia. The Best F1 Season Opener. "It's amazing to see everyone here. And the energy is always awesome in Melbourne. I think this is definitely by far the best opener of a season. I mean, we had it in a few different places in the past, but this one, being that it's so far to get to, the weather's always great and the city's fantastic and the people are great."

sim

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"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

m0ment0

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Introducing RL Environment Creator Skill Now any one can create RL environments $ npx skills add adithya-s-k/RL_Envs_101 > You can create environments across multiple frameworks like OpenEnv, OpenReward, Verifiers, NemoGym ... > the repo has live working examples of environments that your coding agent can reference > The skill is design to first understand what type of model you are training and create an environment while keeping that in mind ps. There’s a lot more to building RL environments that can be used for training. One major aspect is the data, which this skill can’t directly solve. However, the skill will help with implementing tools, rewards, and other components of an RL environment, making it easier to go from idea to implementation quickly across different frameworks. Let me know if you’d be interested in a detailed, end-to-end blog/tutorial on building an environment and actually training a model for a useful use case.

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Adithya S K

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World Models are the path for some AI Models in the future. But how can we efficiently train these models to not only see the world the way humans do but to see the world in a new and unique way. By visualizing, what is normally sequenced audio patterns, we can derive much more insights. Here we see Paganini in a visual form that can than be described and transcribed into a World Model. We can observe connections in a manner that may not have been clear prior to the digitalization of music and sound in this way. The company with the most valuable potential in building a World Model is Tesla. Not that this type of visualization is being used, but that the mechanisms are in place, and the technology is in place for the company to thrive in this new form of AI.

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Replit, Vercel, and OpenAI have built very cool agent-native applications, but nobody else has passed the demo stage. Building agents that work is complex. Teams aren't shipping agents because we don't have good tooling yet (and most of us don't know how to do this well.) A couple of days ago, the CopilotKit🪁 team announced a collaboration with . You can now use LangGraph with CoAgents to build agent-native applications, and here is everything you need to know about that: CoAgents is fully open-source, and you can use it to do the following: • Human-in-the-loop to steer and correct the agent • Stream intermediate agent state • Real-time state sharing between the agent and the application • Agentic generative UI to build trust that the agent is on the right path Start this GitHub Repository: Thanks to the team for giving me early access and collaborating with me on this post.

Replit, Vercel, and OpenAI have built very cool agent-native applications, but nobody else has passed the demo stage. Building agents that work is complex. Teams aren't shipping agents because we don't have good tooling yet (and most of us don't know how to do this well.) A couple of days ago, the CopilotKit🪁 team announced a collaboration with . You can now use LangGraph with CoAgents to build agent-native applications, and here is everything you need to know about that: CoAgents is fully open-source, and you can use it to do the following: • Human-in-the-loop to steer and correct the agent • Stream intermediate agent state • Real-time state sharing between the agent and the application • Agentic generative UI to build trust that the agent is on the right path Start this GitHub Repository: Thanks to the team for giving me early access and collaborating with me on this post.

Santiago

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Before, I saw Sana and Jihyo looking tired and even massaging their legs. But today, it is heartbreaking and painfully obvious that Sana is not okay at all. This is so painful to watch, and it has seriously gone too far seeing them in such poor condition. I don’t care if people disagree with my tweet. I cannot stay silent anymore. Watching the members suffer one by one like this is breaking my heart, and JYP’s handling of their health is deeply disappointing. I am especially disappointed in JYP. In my opinion, JYP made a huge mistake when Dahyun was sick. They did not even take her to the doctor for an X-ray. Dahyun had to endure the pain for almost a month and still perform. Even in Incheon, she had to walk to the parking lot while limping, without any ankle support or a wheelchair. Before that, Jeongyeon and Chaeyoung were sick and had to miss the tour. We even had to watch Jihyo perform while she was sick, sitting on a chair on stage. That was painful to see. Then Mina had to be absent today because of health issues, and now we can clearly see that Sana is also not in good condition. Watching this happen again and again is exhausting and heartbreaking. How many times do we have to see the members suffer before their health is truly taken seriously? I know concerts and schedules are decided together by the members and the agency. But why does it feel like the girls’ health is always the last thing being considered? Can’t the agency do better and put their health first, just once? The girls are the kind of idols who truly love meeting fans. They will keep showing up even when they are unwell, as long as they can still stand. That is exactly what scares me the most. That is why JYP must take better care of them. Please, I’m begging make the girls’ health the top priority above anything else. TWICE JYPnation TWICE_JAPAN #TWICE_THISISFOR_WORLD_TOUR #JYPProtectTWICE

Before, I saw Sana and Jihyo looking tired and even massaging their legs. But today, it is heartbreaking and painfully obvious that Sana is not okay at all. This is so painful to watch, and it has seriously gone too far seeing them in such poor condition. I don’t care if people disagree with my tweet. I cannot stay silent anymore. Watching the members suffer one by one like this is breaking my heart, and JYP’s handling of their health is deeply disappointing. I am especially disappointed in JYP. In my opinion, JYP made a huge mistake when Dahyun was sick. They did not even take her to the doctor for an X-ray. Dahyun had to endure the pain for almost a month and still perform. Even in Incheon, she had to walk to the parking lot while limping, without any ankle support or a wheelchair. Before that, Jeongyeon and Chaeyoung were sick and had to miss the tour. We even had to watch Jihyo perform while she was sick, sitting on a chair on stage. That was painful to see. Then Mina had to be absent today because of health issues, and now we can clearly see that Sana is also not in good condition. Watching this happen again and again is exhausting and heartbreaking. How many times do we have to see the members suffer before their health is truly taken seriously? I know concerts and schedules are decided together by the members and the agency. But why does it feel like the girls’ health is always the last thing being considered? Can’t the agency do better and put their health first, just once? The girls are the kind of idols who truly love meeting fans. They will keep showing up even when they are unwell, as long as they can still stand. That is exactly what scares me the most. That is why JYP must take better care of them. Please, I’m begging make the girls’ health the top priority above anything else. TWICE JYPnation TWICE_JAPAN #TWICE_THISISFOR_WORLD_TOUR #JYPProtectTWICE

puteri🍉

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So there is a poll on Facebook where normies are debating what is the greatest meme of all Time and troll is leading in two separate brackets. You can see the comments And how everyone knows that this is the best meme of all time and they revere it as such. Comfy knowing I am holding the greatest meme of all time that has had such a lasting impact on internet culture. Oh and the only one that will ever exist because the ip Is owned by US! $Troll is inevitable. Check for yourself!

So there is a poll on Facebook where normies are debating what is the greatest meme of all Time and troll is leading in two separate brackets. You can see the comments And how everyone knows that this is the best meme of all time and they revere it as such. Comfy knowing I am holding the greatest meme of all time that has had such a lasting impact on internet culture. Oh and the only one that will ever exist because the ip Is owned by US! $Troll is inevitable. Check for yourself!

Shadow

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Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

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TESLA HALTED MODEL S AND MODEL X PRODUCTION TO BUILD AN ARMY OF OPTIMUS ROBOTS The Fremont assembly line was torn down in 46 days. In its place, Tesla is building a line for humanoid production, aiming for a million units a year A humanoid robot is a body shaped like a human. Physical AI is the intelligence that controls that body Walking and making coffee is often just imitation learning from a scripted routine. But once the environment shifts, the learned trick stops working Language models had the entire internet to train on. Robotics has nothing close to that scale of data, which is why one giant brain hasn't worked for anyone yet The industry is moving toward modularity instead - separate models for vision, movement, and planning, each improved on its own The real question is no longer whether a robot can move impressively. It's whether it can pull its sensors into one picture of the world and adapt to whatever wasn't scripted for it

TESLA HALTED MODEL S AND MODEL X PRODUCTION TO BUILD AN ARMY OF OPTIMUS ROBOTS The Fremont assembly line was torn down in 46 days. In its place, Tesla is building a line for humanoid production, aiming for a million units a year A humanoid robot is a body shaped like a human. Physical AI is the intelligence that controls that body Walking and making coffee is often just imitation learning from a scripted routine. But once the environment shifts, the learned trick stops working Language models had the entire internet to train on. Robotics has nothing close to that scale of data, which is why one giant brain hasn't worked for anyone yet The industry is moving toward modularity instead - separate models for vision, movement, and planning, each improved on its own The real question is no longer whether a robot can move impressively. It's whether it can pull its sensors into one picture of the world and adapt to whatever wasn't scripted for it

iamigorekk

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MAKING AXIS TASKS FEEL EASY 👀🤖 I made a quick video showing how to complete an Axis Robotics task step by step. The task gives you a clear goal, steps, controls and camera views to guide you. In this one, the goal is simple, Open the trash bin, pick up the onion, and place it inside. 🧅 Just follow the instructions, control the robot arm and complete the task. What I like is that even beginners can understand what they need to do. But the interesting part is what happens with these interactions after we complete them. Each completed task can contribute valuable robot training data, helping Physical Ai systems learn how to handle different objects and environments. Small tasks from the community can become useful data for teaching robots how to interact with the real world. That’s what makes Axis interesting to me.

SufianXFN

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Part of the reason IT people are being laid off is that many of their abilities can be replaced by AI. In the past, the joke was that you would just google it, but that still required some IT knowledge. Now, you can ask AI how to fix an issue and it will walk you through how to fix most things. (if you have admin permissions to your computer) To be fair, no one knows all the weird nuances and issues that can arise with software so google has always been used to find IT fixes - but it took more research and knowing how to implement the fix before.

Part of the reason IT people are being laid off is that many of their abilities can be replaced by AI. In the past, the joke was that you would just google it, but that still required some IT knowledge. Now, you can ask AI how to fix an issue and it will walk you through how to fix most things. (if you have admin permissions to your computer) To be fair, no one knows all the weird nuances and issues that can arise with software so google has always been used to find IT fixes - but it took more research and knowing how to implement the fix before.

AlphaFox

23,415 Aufrufe • vor 1 Monat

OFFICIAL: It has been 134 days since the release of Totenreich, which is longer than the search for both Samantha's Drawing, and Gong COMBINED. With the release of s6 next week, it felt fitting to use our platform to get as many eyes on it as possible. As a quick disclaimer, just because things have been 'tested' does not mean it is not the solve. This post is also not an invitation to share your personal thoughts on datamining/leaks. This relic, by everything shown in the game files, can NOT be datamined: "Even in the current state of the game, relics are a lot harder to solve via datamining and ingame hack tools... For relics, only the sequential item ones (like Dancing Arnie and Agarthan device) are incredibly easy. Agarthan device with the helmet, radio, and mr peeks is actually the easiest. Dancing Arnie becomes hard due to it becoming a kill challenge for the lobster and you cant datamine that". Because of that, the leading theory is that the missing piece has to be something kill condition related, or player action related. Below is literally all of the information I could find on the belt that I thought was worth mentioning, to try and help the community solve this together. CONFIRMED: There is a magazine with a sticker of Mr Peeks holding a Geiger Counter that has a pickup interaction, and is located at the top of the lighthouse while you are picking up the Jotunn Star. This only appears in cursed mode, and appears without any relics active. Considering the only other grim relic (power switch) is solved, we know this mag fits in with the wrestlers belt in some way. The sticker comes directly from intel located on Paradox Junction. THEORIES: Treyarch Dev Tweet - One Treyarch dev tweeted out: "It feels very fitting this is the final unsolved relic given the reward... good luck" Coda Wallbuy Sounds - In a video, a user hears a distinct ding sound when buying ammo off of the coda wall buy in spawn. This has been difficult to replicate, but has been replicated by the original user. Disappearing Boxes - There are 7 boxes around the map that have a hit box, and disappear when hit/shot (they disappear fast with melee macchiato). Currently it is believed by the majority of the community that this is nothing Clocks - There are five clocks near Richtofen's office. Dataminers have said "The hour, minute and second hands are all separate individual models stacked on top of the base model. lol I mean it could mean something or it could just be nothing. Their design choices on some stuff is weird But it is a model without a script and isn’t setup to move in any way" Swordfish - The mag located at the top of the lighthouse is the same model of a mag from the Swordfish A1. Some people believe that is a hint for the swordfish being needed from the box in order to complete the relic. Here are links to a spreadsheet managed by one community member that has things that community members have tested directly. Feel free to look through it, and see if you have an idea that has not already been tested: If you are interested in hunting this with other community members, please feel free to join the Mystery and ZoneX discords, as many of the community is hunting throughout there regularly. You can also feel free to comment under this post anything you might have found interesting.

OFFICIAL: It has been 134 days since the release of Totenreich, which is longer than the search for both Samantha's Drawing, and Gong COMBINED. With the release of s6 next week, it felt fitting to use our platform to get as many eyes on it as possible. As a quick disclaimer, just because things have been 'tested' does not mean it is not the solve. This post is also not an invitation to share your personal thoughts on datamining/leaks. This relic, by everything shown in the game files, can NOT be datamined: "Even in the current state of the game, relics are a lot harder to solve via datamining and ingame hack tools... For relics, only the sequential item ones (like Dancing Arnie and Agarthan device) are incredibly easy. Agarthan device with the helmet, radio, and mr peeks is actually the easiest. Dancing Arnie becomes hard due to it becoming a kill challenge for the lobster and you cant datamine that". Because of that, the leading theory is that the missing piece has to be something kill condition related, or player action related. Below is literally all of the information I could find on the belt that I thought was worth mentioning, to try and help the community solve this together. CONFIRMED: There is a magazine with a sticker of Mr Peeks holding a Geiger Counter that has a pickup interaction, and is located at the top of the lighthouse while you are picking up the Jotunn Star. This only appears in cursed mode, and appears without any relics active. Considering the only other grim relic (power switch) is solved, we know this mag fits in with the wrestlers belt in some way. The sticker comes directly from intel located on Paradox Junction. THEORIES: Treyarch Dev Tweet - One Treyarch dev tweeted out: "It feels very fitting this is the final unsolved relic given the reward... good luck" Coda Wallbuy Sounds - In a video, a user hears a distinct ding sound when buying ammo off of the coda wall buy in spawn. This has been difficult to replicate, but has been replicated by the original user. Disappearing Boxes - There are 7 boxes around the map that have a hit box, and disappear when hit/shot (they disappear fast with melee macchiato). Currently it is believed by the majority of the community that this is nothing Clocks - There are five clocks near Richtofen's office. Dataminers have said "The hour, minute and second hands are all separate individual models stacked on top of the base model. lol I mean it could mean something or it could just be nothing. Their design choices on some stuff is weird But it is a model without a script and isn’t setup to move in any way" Swordfish - The mag located at the top of the lighthouse is the same model of a mag from the Swordfish A1. Some people believe that is a hint for the swordfish being needed from the box in order to complete the relic. Here are links to a spreadsheet managed by one community member that has things that community members have tested directly. Feel free to look through it, and see if you have an idea that has not already been tested: If you are interested in hunting this with other community members, please feel free to join the Mystery and ZoneX discords, as many of the community is hunting throughout there regularly. You can also feel free to comment under this post anything you might have found interesting.

COD: Zombies News

45,414 Aufrufe • vor 26 Tagen

A lot of you are thinking that the spring which we will supply to Prakash Dadlani will be produced at the speed of 1304 ppm. That’s not true. All springs are not made on one kind of machine. The CNC machine we built that produces springs up to 1304 ppm manufactures compression springs. Whereas, the springs for Prakash bhai will be made on one of our 12-axis CNC wire forming machine. And on this the speed is much slower but it has flexibility to produce a number of different kinds of springs and wire forms. The design, type, materials, wire diameter and profile, features and precision of the springs defines what kind of machine will be used. It’s not one machine that does it all. This video is of that springs being manufactured on our other CNC machine. Also, the operator is setting the spring up that is why he is using his hands. Once it’s in production, there’s a crate underneath the machine for the springs.

Vishakh Ranotra

26,337 Aufrufe • vor 7 Monaten