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"Ain't Nobody" almost never happened. Rufus initially rejected the song because its unusual drum machine pattern and minimalist arrangement sounded too different from the band's previous material. Keyboardist David "Hawk" Wolinski insisted on keeping it, believing it had the potential to become something special. According to Wolinski, producer Quincy...

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Ladytron Fan Account

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36,348 次观看 • 27 天前 •via X (Twitter)

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This American singer from Los Angeles released ‘The Way You Love Me’ in 1988. It was #1 on the R&B chart, #1 on the US Dance/Electronic Singles Sales and #7 on the US Billboard Hot 100. She had a Grammy nomination for Best Female R&B Vocal Performance with this song. 👉🏻 Name the artist.
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This American singer from Los Angeles released ‘The Way You Love Me’ in 1988. It was #1 on the R&B chart, #1 on the US Dance/Electronic Singles Sales and #7 on the US Billboard Hot 100. She had a Grammy nomination for Best Female R&B Vocal Performance with this song. 👉🏻 Name the artist.

OneOutOfFour

72,606 次观看 • 5 个月前

“Give Me the Night” is the title track from George Benson's 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching No. 4 on the Billboard Hot 100, No. 1 on the Hot Soul Singles chart, and No. 2 on the Hot Disco Singles chart. It also earned Benson a Grammy Award for Best R&B Vocal Performance, Male, in 1981. One of the most memorable elements of the recording is Patti Austin's backing and scat vocals, which add to its rich, layered sound. The music video is even more playful: Benson can be seen singing and playing guitar while roller-skating along the Venice Beach Boardwalk in Los Angeles. He later recalled seeing other skaters and deciding that he wanted to do it himself, despite his manager worrying that he might fall.
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“Give Me the Night” is the title track from George Benson's 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching No. 4 on the Billboard Hot 100, No. 1 on the Hot Soul Singles chart, and No. 2 on the Hot Disco Singles chart. It also earned Benson a Grammy Award for Best R&B Vocal Performance, Male, in 1981. One of the most memorable elements of the recording is Patti Austin's backing and scat vocals, which add to its rich, layered sound. The music video is even more playful: Benson can be seen singing and playing guitar while roller-skating along the Venice Beach Boardwalk in Los Angeles. He later recalled seeing other skaters and deciding that he wanted to do it himself, despite his manager worrying that he might fall.

Ladytron Fan Account

18,709 次观看 • 11 天前

“Feel Good Inc.” was released in 2005 as the lead single from Gorillaz's second studio album, Demon Days and features the legendary hip-hop trio De La Soul on the rap verses. The song became Gorillaz's biggest international hit at the time, reaching No. 14 on the Billboard Hot 100 and No. 2 on the UK Singles Chart. In the US it also topped the Billboard Modern Rock Tracks chart for eight consecutive weeks. The song won the Grammy Award for Best Pop Collaboration with Vocals in 2006 and was also nominated for Record of the Year and Best Music Video. Its iconic animated video was inspired by Hayao Miyazaki's Castle in the Sky, particularly its legendary floating city of Laputa.
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“Feel Good Inc.” was released in 2005 as the lead single from Gorillaz's second studio album, Demon Days and features the legendary hip-hop trio De La Soul on the rap verses. The song became Gorillaz's biggest international hit at the time, reaching No. 14 on the Billboard Hot 100 and No. 2 on the UK Singles Chart. In the US it also topped the Billboard Modern Rock Tracks chart for eight consecutive weeks. The song won the Grammy Award for Best Pop Collaboration with Vocals in 2006 and was also nominated for Record of the Year and Best Music Video. Its iconic animated video was inspired by Hayao Miyazaki's Castle in the Sky, particularly its legendary floating city of Laputa.

Ladytron Fan Account

23,925 次观看 • 6 天前

"Need You Tonight" is a song by the Australian rock band INXS, released as the first single from their 1987 album, Kick, as well as the fourth song on the album. It is the only INXS single to reach No. 1 on the Billboard Hot 100. It also achieved their highest charting position in the United Kingdom, where the song reached number two on the UK Singles Chart; however, this peak was only reached after a re-release of the single in November 1988. On its first run on the UK charts in October 1987, it stalled at No. 58. It was one of the last songs recorded for the album, yet it would arguably become the band's signature song.
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"Need You Tonight" is a song by the Australian rock band INXS, released as the first single from their 1987 album, Kick, as well as the fourth song on the album. It is the only INXS single to reach No. 1 on the Billboard Hot 100. It also achieved their highest charting position in the United Kingdom, where the song reached number two on the UK Singles Chart; however, this peak was only reached after a re-release of the single in November 1988. On its first run on the UK charts in October 1987, it stalled at No. 58. It was one of the last songs recorded for the album, yet it would arguably become the band's signature song.

💜Music is Love💜

12,346 次观看 • 8 个月前

Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.
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Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.

💖🌼Music, Kindness, and Inspiring Stories

266,115 次观看 • 8 个月前

I have always loved the story of how Chaka Khan’s version of “I Feel for You” came together. After she recorded her vocals, the legendary producer Arif Mardin worked overnight to turn the song into something Chaka was shocked by and had to be convinced to release. Not to mention the happy accident of his finger slipping and creating that now-iconic stuttering, repeated “Chaka Khan” vocal effect at the beginning. People don’t realize this today because we’re so used to it, but “I Feel for You” was revolutionary in 1984 because it collapsed the boundaries between R&B, funk, pop, hip-hop, and electronic music in a single record. Basically it was several generations of music smashed together in one song and instead of sounding messy it sounded fresh and exciting. I wish she liked this song….she still doesn’t!!!…but that doesn’t mean we can’t love it!
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I have always loved the story of how Chaka Khan’s version of “I Feel for You” came together. After she recorded her vocals, the legendary producer Arif Mardin worked overnight to turn the song into something Chaka was shocked by and had to be convinced to release. Not to mention the happy accident of his finger slipping and creating that now-iconic stuttering, repeated “Chaka Khan” vocal effect at the beginning. People don’t realize this today because we’re so used to it, but “I Feel for You” was revolutionary in 1984 because it collapsed the boundaries between R&B, funk, pop, hip-hop, and electronic music in a single record. Basically it was several generations of music smashed together in one song and instead of sounding messy it sounded fresh and exciting. I wish she liked this song….she still doesn’t!!!…but that doesn’t mean we can’t love it!

Yashar Ali 🐘

123,480 次观看 • 1 个月前

"Situation" is a single by the British synth-pop band Yazoo from 1982. Released in the UK as the B-side of Yazoo's debut single "Only You," it peaked at number two on the UK singles chart. It was released as a single in North America, reaching number 73 on the US Billboard Hot 100 and peaking in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, it became Yazoo's first song to top the Billboard Hot Dance Club Play chart, holding the number one position for four weeks. The song also topped the Black Singles chart, reaching number 31.
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"Situation" is a single by the British synth-pop band Yazoo from 1982. Released in the UK as the B-side of Yazoo's debut single "Only You," it peaked at number two on the UK singles chart. It was released as a single in North America, reaching number 73 on the US Billboard Hot 100 and peaking in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, it became Yazoo's first song to top the Billboard Hot Dance Club Play chart, holding the number one position for four weeks. The song also topped the Black Singles chart, reaching number 31.

🎵💖Loves classical music🎻🎹

120,705 次观看 • 4 个月前

Released as a single in 1993, “Hey Jealousy” became the Gin Blossoms' breakthrough and signature song, reaching No. 25 on the Billboard Hot 100, No. 4 on the Billboard Mainstream Rock chart, and No. 24 on the UK Singles Chart. Hopkins originally wrote the line “You can trust me not to drink,” but singer Robin Wilson changed “drink” to “think” because he felt the band's songs already contained too many references to alcohol.
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Released as a single in 1993, “Hey Jealousy” became the Gin Blossoms' breakthrough and signature song, reaching No. 25 on the Billboard Hot 100, No. 4 on the Billboard Mainstream Rock chart, and No. 24 on the UK Singles Chart. Hopkins originally wrote the line “You can trust me not to drink,” but singer Robin Wilson changed “drink” to “think” because he felt the band's songs already contained too many references to alcohol.

Ladytron Fan Account

30,884 次观看 • 9 天前

“It's My Life” is the title track and lead single from Talk Talk's second studio album, It's My Life (1984). The track initially reached only No. 46 on the UK Singles Chart, but gradually gained recognition as a classic of the genre. Its commercial fortunes changed when a 1990 reissue climbed to No. 13 in the UK. The song received another major boost in 2003 when No Doubt recorded a cover for The Singles 1992–2003. Gwen Stefani's version became a hit in its own right, reaching No. 10 on the Billboard Hot 100 and No. 20 on the UK Singles Chart. The success introduced the Talk Talk composition to a new generation and helped cement “It's My Life” as one of the most enduring songs of the new wave era.
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“It's My Life” is the title track and lead single from Talk Talk's second studio album, It's My Life (1984). The track initially reached only No. 46 on the UK Singles Chart, but gradually gained recognition as a classic of the genre. Its commercial fortunes changed when a 1990 reissue climbed to No. 13 in the UK. The song received another major boost in 2003 when No Doubt recorded a cover for The Singles 1992–2003. Gwen Stefani's version became a hit in its own right, reaching No. 10 on the Billboard Hot 100 and No. 20 on the UK Singles Chart. The success introduced the Talk Talk composition to a new generation and helped cement “It's My Life” as one of the most enduring songs of the new wave era.

Ladytron Fan Account

25,984 次观看 • 10 天前

"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.
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"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.

Ladytron Fan Account

30,898 次观看 • 3 天前

The journey of the song MacArthur Park...it hit #2 on the Billboard Hot 100 & #4 on the UK Singles Chart by #RichardHarris in 1968, won a Grammy by #WaylonJennings in 1970 and then in 1978, #DonnaSummer brought it to #1, & secured her first Grammy nomination. #jimmywebbsongs
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The journey of the song MacArthur Park...it hit #2 on the Billboard Hot 100 & #4 on the UK Singles Chart by #RichardHarris in 1968, won a Grammy by #WaylonJennings in 1970 and then in 1978, #DonnaSummer brought it to #1, & secured her first Grammy nomination. #jimmywebbsongs

Jimmy Webb

15,422 次观看 • 6 个月前

“Running Up That Hill (A Deal with God)” was written, produced and arranged by Kate Bush for her 1985 album Hounds of Love. Bush originally wanted to call it “A Deal with God,” but her record company worried that the religious wording could limit the song's chances on radio and television, so the title was changed for its original release. Released in August 1985, “Running Up That Hill” reached No. 3 on the UK Singles Chart and became one of Bush's defining songs. Her performance on Top of the Pops helped give the song an equally memorable visual identity. Decades later, its use in the fourth season of Stranger Things triggered an extraordinary resurgence: in 2022 the song returned to the UK chart and reached No. 1, 37 years after its original release, setting several Official Charts records along the way.
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“Running Up That Hill (A Deal with God)” was written, produced and arranged by Kate Bush for her 1985 album Hounds of Love. Bush originally wanted to call it “A Deal with God,” but her record company worried that the religious wording could limit the song's chances on radio and television, so the title was changed for its original release. Released in August 1985, “Running Up That Hill” reached No. 3 on the UK Singles Chart and became one of Bush's defining songs. Her performance on Top of the Pops helped give the song an equally memorable visual identity. Decades later, its use in the fourth season of Stranger Things triggered an extraordinary resurgence: in 2022 the song returned to the UK chart and reached No. 1, 37 years after its original release, setting several Official Charts records along the way.

Ladytron Fan Account

34,964 次观看 • 8 天前

Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.
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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.

💜Music is Love💜

15,955 次观看 • 7 个月前

“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.
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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.

Ladytron Fan Account

19,114 次观看 • 21 天前

#Today On December 8, 2003 .Madonna's "Love Profusion" was released as the 4th and final single from the "American Life" (Studio album). It was first premiered during the release of the album on AOL. The song topped on the Hot Dance Club Play chart. The song reached No. 4 on the Hot Singles Sales and topped the Hot Dance Singles Sales charts for five weeks. At the year-end Hot Dance Singles Sales recap, "Love Profusion" was at number three position, while "Me Against the Music" was at number one and "Nothing Fails" was at number two. Billboard reported that Madonna was the first artist in its chart history to have the top three Dance Sales songs. Love Profusion was popular in Italy, peaking at number five on the Italian Singles Chart, staying on the chart for a total of twenty weeks. The song also achieved commercial success in Spain, debuting at number one on its singles chart.
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#Today On December 8, 2003 .Madonna's "Love Profusion" was released as the 4th and final single from the "American Life" (Studio album). It was first premiered during the release of the album on AOL. The song topped on the Hot Dance Club Play chart. The song reached No. 4 on the Hot Singles Sales and topped the Hot Dance Singles Sales charts for five weeks. At the year-end Hot Dance Singles Sales recap, "Love Profusion" was at number three position, while "Me Against the Music" was at number one and "Nothing Fails" was at number two. Billboard reported that Madonna was the first artist in its chart history to have the top three Dance Sales songs. Love Profusion was popular in Italy, peaking at number five on the Italian Singles Chart, staying on the chart for a total of twenty weeks. The song also achieved commercial success in Spain, debuting at number one on its singles chart.

Madonna Records

26,417 次观看 • 9 个月前

"Tainted Love" is not a Soft Cell original. The song was written by Ed Cobb and first recorded by Gloria Jones (later the partner of Marc Bolan of T. Rex) in 1965 as the B-side of the single My Bad Boy's Comin' Home. Although it initially went unnoticed, it became a cult favorite on the UK's Northern Soul scene during the 1970s. Inspired by that version, Marc Almond and Dave Ball reimagined the song with a minimalist, dark synth-pop arrangement for their 1981 debut album Non-Stop Erotic Cabaret. Recorded in just a day and a half in a small London studio, it became #1 on the UK Singles Chart for two weeks and peaked at #8 on the US Billboard Hot 100, where it spent a then-record 43 consecutive weeks on the chart.
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"Tainted Love" is not a Soft Cell original. The song was written by Ed Cobb and first recorded by Gloria Jones (later the partner of Marc Bolan of T. Rex) in 1965 as the B-side of the single My Bad Boy's Comin' Home. Although it initially went unnoticed, it became a cult favorite on the UK's Northern Soul scene during the 1970s. Inspired by that version, Marc Almond and Dave Ball reimagined the song with a minimalist, dark synth-pop arrangement for their 1981 debut album Non-Stop Erotic Cabaret. Recorded in just a day and a half in a small London studio, it became #1 on the UK Singles Chart for two weeks and peaked at #8 on the US Billboard Hot 100, where it spent a then-record 43 consecutive weeks on the chart.

Ladytron Fan Account

21,360 次观看 • 10 天前

“Ghostbusters” was written, performed and produced by Ray Parker Jr. specifically for the 1984 film Ghostbusters. He had only a few days to create the song after being asked to provide a theme for the movie, and the famous hook came together after he was encouraged to make the title feel like a catchy advertising slogan. The result became one of the most recognisable movie themes of the 1980s. Released in June 1984, “Ghostbusters” became Parker's biggest hit, spending three weeks at No. 1 on the Billboard Hot 100 and reaching No. 2 on the UK Singles Chart, where it spent three weeks at that position. The song also won Parker a Grammy Award for Best Pop Instrumental Performance in 1985. Its success was followed by a copyright dispute with Huey Lewis, who claimed that the song's musical ideas were too similar to “I Want a New Drug”, the case was eventually settled out of court.
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“Ghostbusters” was written, performed and produced by Ray Parker Jr. specifically for the 1984 film Ghostbusters. He had only a few days to create the song after being asked to provide a theme for the movie, and the famous hook came together after he was encouraged to make the title feel like a catchy advertising slogan. The result became one of the most recognisable movie themes of the 1980s. Released in June 1984, “Ghostbusters” became Parker's biggest hit, spending three weeks at No. 1 on the Billboard Hot 100 and reaching No. 2 on the UK Singles Chart, where it spent three weeks at that position. The song also won Parker a Grammy Award for Best Pop Instrumental Performance in 1985. Its success was followed by a copyright dispute with Huey Lewis, who claimed that the song's musical ideas were too similar to “I Want a New Drug”, the case was eventually settled out of court.

Ladytron Fan Account

19,447 次观看 • 19 小时前

“Head Over Heels” was the fourth single released in the UK from Tears for Fears' 1985 album Songs from the Big Chair, and the third single from the album in the United States. The song became one of the band's biggest American hits, reaching No. 3 on the Billboard Hot 100, while peaking at No. 12 on the UK Singles Chart. Its lush production and romantic lyrics helped make it one of Tears for Fears' most enduring songs of the 1980s. Years later, “Head Over Heels” became inseparable from the iconic school-hallway sequence in Richard Kelly's 2001 film Donnie Darko. Kelly had the song in mind while writing the scene and choreographed the entire sequence around it, using long Steadicam shots and slow motion to introduce the film's major characters as the students and teachers move through the halls. In fact, the sequence was filmed before the production had secured the final rights to the song, a major gamble that ultimately paid off.
3:45

“Head Over Heels” was the fourth single released in the UK from Tears for Fears' 1985 album Songs from the Big Chair, and the third single from the album in the United States. The song became one of the band's biggest American hits, reaching No. 3 on the Billboard Hot 100, while peaking at No. 12 on the UK Singles Chart. Its lush production and romantic lyrics helped make it one of Tears for Fears' most enduring songs of the 1980s. Years later, “Head Over Heels” became inseparable from the iconic school-hallway sequence in Richard Kelly's 2001 film Donnie Darko. Kelly had the song in mind while writing the scene and choreographed the entire sequence around it, using long Steadicam shots and slow motion to introduce the film's major characters as the students and teachers move through the halls. In fact, the sequence was filmed before the production had secured the final rights to the song, a major gamble that ultimately paid off.

Ladytron Fan Account

22,569 次观看 • 1 天前

Originally intended for Ace of Base's second album, "The Sign" was instead added to the American release of the band's debut, Happy Nation, which was retitled The Sign for the U.S. market. The album was reworked with several new tracks to give it greater appeal to American audiences, and the song ultimately became its title track. Its distinctive techno-reggae sound helped turn it into a worldwide pop phenomenon. "The Sign" topped the Billboard Hot 100 for six non-consecutive weeks in 1994 becoming Ace of Base's biggest hit in the United States. The success also made the group the first Swedish act to have a No. 1 single and album on the Billboard Hot 100 and Billboard 200, respectively. The song became one of the defining pop singles of the 1990s and was later named the best-selling single of 1994 in the United States.
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Originally intended for Ace of Base's second album, "The Sign" was instead added to the American release of the band's debut, Happy Nation, which was retitled The Sign for the U.S. market. The album was reworked with several new tracks to give it greater appeal to American audiences, and the song ultimately became its title track. Its distinctive techno-reggae sound helped turn it into a worldwide pop phenomenon. "The Sign" topped the Billboard Hot 100 for six non-consecutive weeks in 1994 becoming Ace of Base's biggest hit in the United States. The success also made the group the first Swedish act to have a No. 1 single and album on the Billboard Hot 100 and Billboard 200, respectively. The song became one of the defining pop singles of the 1990s and was later named the best-selling single of 1994 in the United States.

Ladytron Fan Account

19,411 次观看 • 19 天前

“Losing My Religion” was written by all four members of R.E.M.: Michael Stipe, Peter Buck, Mike Mills and Bill Berry and began with an unusual mandolin riff that Buck developed while experimenting with the instrument. The track was released in 1991 as the lead single from R.E.M.’s seventh studio album, Out of Time. It became the band’s biggest U.S. hit, reaching No. 4 on the Billboard Hot 100, while peaking at No. 19 on the UK Singles Chart. The song also reached the Top 10 in several other countries. Its acclaimed music video, directed by Tarsem Singh and filled with religious and classical-art imagery, won the Grammy for Best Short Form Music Video in 1992, while the song itself won Best Pop Performance by a Duo or Group with Vocal. Despite becoming one of R.E.M.’s signature songs, “Losing My Religion” has no conventional chorus and Peter Buck’s mandolin remains its defining instrumental feature.
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“Losing My Religion” was written by all four members of R.E.M.: Michael Stipe, Peter Buck, Mike Mills and Bill Berry and began with an unusual mandolin riff that Buck developed while experimenting with the instrument. The track was released in 1991 as the lead single from R.E.M.’s seventh studio album, Out of Time. It became the band’s biggest U.S. hit, reaching No. 4 on the Billboard Hot 100, while peaking at No. 19 on the UK Singles Chart. The song also reached the Top 10 in several other countries. Its acclaimed music video, directed by Tarsem Singh and filled with religious and classical-art imagery, won the Grammy for Best Short Form Music Video in 1992, while the song itself won Best Pop Performance by a Duo or Group with Vocal. Despite becoming one of R.E.M.’s signature songs, “Losing My Religion” has no conventional chorus and Peter Buck’s mandolin remains its defining instrumental feature.

Ladytron Fan Account

23,174 次观看 • 14 天前