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Alexis Fawx breaks down the exact difference between the "MILF" and "Stepmom" categories and explains why the taboo trend is taking over the industry: "Do you think that's a cultural thing?" "That stepmom is so big now compared to when I was growing up because there is the lack... of mother in the home." "So it's like now people have mommy issues from the lack of mom, or was it always around?" "So there was always the MILF category." "What I think the difference is between the two is it's the MILF age, but she's still hot without the kids." "You know, she's the stepmom." "So you know, there's kind of a little bit more of the taboo..." "...without being kind of incestual about it in a sense, you know." "I'm definitely a MILF."show more

Willz

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332,147 görüntüleme • 3 gün önce •via X (Twitter)

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22 Yorum

thanosreal profil fotoğrafı

thanosreal2 gün önce

This is not Alexis Fawx

Willz profil fotoğrafı

Willz2 gün önce

It’s her

thanosreal profil fotoğrafı

thanosreal2 gün önce

Das ist Eva Angelina !!!

WarmAppleButter profil fotoğrafı

WarmAppleButter2 gün önce

That's Eva Angelina, not Alexis Fawx.

Swallow_it_69 profil fotoğrafı

Swallow_it_692 gün önce

How fucking hard is it to get the person's name correct? That's Eva Angelina. The only thing I can think of, you purposely used the wrong name just to get engagement.

Dick Hertz profil fotoğrafı

Dick Hertz2 gün önce

That’s @Evaangelina dude. Alexis Fawx looks completely different than her.

CharityTitters profil fotoğrafı

CharityTitters2 gün önce

1st off, that is not Alexis Fawx, that is Eva Angelina. Second, Milf and Stepmom are not the same age. Stepmom is when the offscreen dad gets divorced from the MILF, and Marries someone that's the same age as the son.

Willz profil fotoğrafı

Willz2 gün önce

Thanks for correcting me

Rico Blacc profil fotoğrafı

Rico Blacc2 gün önce

That is not Alexis Fawx. That is Eva Angelina.

madsmore profil fotoğrafı

madsmore2 gün önce

That is not Alexis.

yyzking profil fotoğrafı

yyzking2 gün önce

Who’s this fat nasty bitch?

Willz profil fotoğrafı

Willz2 gün önce

Sorry guys I made a mistake the above is not Alexis Fawx but Eva Angelina Sorry for the mistake guys

Willz profil fotoğrafı

Willz2 gün önce

Ft. @Evaangelina

Darkwolfberlin profil fotoğrafı

Darkwolfberlin2 gün önce

I think it goes more and more about taboos but some other trends too when something became one thing that you see and see million times… one time someone say give me a new taboo and someone would say yes I want to be creative and break the next taboo.

Willz profil fotoğrafı

Willz2 gün önce

This is very true!

Daniel Lopes profil fotoğrafı

Daniel Lopes2 gün önce

The truth is that this "stepmom" label is just a legal loophole, since incest is a crime in 48 of the 50 American states. If it weren't for that, it would REALLY be a MOTHER.

Willz profil fotoğrafı

Willz2 gün önce

Very true!

Willz profil fotoğrafı

Willz2 gün önce

Check this out

Clifford Clopeck profil fotoğrafı

Clifford Clopeck2 gün önce

That’s not her at all

@hornet211 profil fotoğrafı

@hornet2112 gün önce

not @AlexisFawx

Imu profil fotoğrafı

Imu2 gün önce

That isn’t her

SuckaFreeRoscoe profil fotoğrafı

SuckaFreeRoscoe2 gün önce

Looks like eva Angelina

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🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey

🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey

World Tomlinson

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Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

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23,149 görüntüleme • 8 ay önce

Tyler, The Creator explains that the concept of ‘CHROMAKOPIA’ was born from the question: “Where is my home?” “So I start thinking of home and then I was like: ‘What is home when I think about it in a physical sense?’ And I'm like: ‘Oh, it's my mom, being in the house with her’. What does that mean? Her telling me little tidbits about life. That's why she narrates the album, because that's home for me.”

Tyler, The Creator explains that the concept of ‘CHROMAKOPIA’ was born from the question: “Where is my home?” “So I start thinking of home and then I was like: ‘What is home when I think about it in a physical sense?’ And I'm like: ‘Oh, it's my mom, being in the house with her’. What does that mean? Her telling me little tidbits about life. That's why she narrates the album, because that's home for me.”

Archive Tyler, The Creator

40,330 görüntüleme • 5 ay önce

Garry Nolan says there are more groups doing what skywatcher is doing right now “we know how to call them” “Skywatcher is one group of several that I'm aware of that are doing it independently.” Source -Sol Foundation 🔗 in comments Garry -“The, the information's out there, we, you know, it's already pretty well understood. I mean, look, there's been enough whistleblower types where the information of how to do this has leaked out. You know, we know how to call them. Whether you believe in psionics or not, it seems to be part of the process. So we know how to call them. The question is not can you video them? Skywatcher has already shown that you can video them and there'll be more of that kind of stuff, I think coming in the future, you know, so Skywatcher is one group of several that I'm aware of that are doing it independently. So that's citizen science. I mean, I think the answer is you don't wait for the government to do it, for you. Don't wait for daddy or mommy to tell you what's going on. You just do it yourself. Because as long as you're not going out there with, with guns or energy, weapons, trying to pull something down and, you know, get yourself in a bad situation, there's no reason people can't do it themselves and organize. So, you know, that's, that I think is the threat in a way that one needs to use against the governmental authorities who think that they hold all the, all the, all the marbles at this point, they don't anymore because the people who've been in the program, like Jake and others who've, you know, made that statement publicly, have basically made their knowledge and ability public. So do it.”

Garry Nolan says there are more groups doing what skywatcher is doing right now “we know how to call them” “Skywatcher is one group of several that I'm aware of that are doing it independently.” Source -Sol Foundation 🔗 in comments Garry -“The, the information's out there, we, you know, it's already pretty well understood. I mean, look, there's been enough whistleblower types where the information of how to do this has leaked out. You know, we know how to call them. Whether you believe in psionics or not, it seems to be part of the process. So we know how to call them. The question is not can you video them? Skywatcher has already shown that you can video them and there'll be more of that kind of stuff, I think coming in the future, you know, so Skywatcher is one group of several that I'm aware of that are doing it independently. So that's citizen science. I mean, I think the answer is you don't wait for the government to do it, for you. Don't wait for daddy or mommy to tell you what's going on. You just do it yourself. Because as long as you're not going out there with, with guns or energy, weapons, trying to pull something down and, you know, get yourself in a bad situation, there's no reason people can't do it themselves and organize. So, you know, that's, that I think is the threat in a way that one needs to use against the governmental authorities who think that they hold all the, all the, all the marbles at this point, they don't anymore because the people who've been in the program, like Jake and others who've, you know, made that statement publicly, have basically made their knowledge and ability public. So do it.”

neandrewthal

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Thomas Frank on Mikel Arteta: "I think it's a good example of a club that sticks to the process. I think six years, it's very rare you get that long in football. I also think it's fair to say that it took probably three seasons for Arteta. So the fourth season, that's where he competed, now he's in the seventh season. So he was really, really ready to compete in his fourth season. So he took over, then two full seasons, then the fourth one. So I think that's how you should see it. And then we know the difference between having ultimate success to win something or not is like this, and you need margins. But the process is the most important thing." 🤝

Thomas Frank on Mikel Arteta: "I think it's a good example of a club that sticks to the process. I think six years, it's very rare you get that long in football. I also think it's fair to say that it took probably three seasons for Arteta. So the fourth season, that's where he competed, now he's in the seventh season. So he was really, really ready to compete in his fourth season. So he took over, then two full seasons, then the fourth one. So I think that's how you should see it. And then we know the difference between having ultimate success to win something or not is like this, and you need margins. But the process is the most important thing." 🤝

Hayters TV

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“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 görüntüleme • 7 ay önce

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”

hiro

35,872 görüntüleme • 7 ay önce

Former BlackRock fund manager Ed Dowd: "The metals are telling you that there's uncertainty out there and a lack of trust... [and] that gold and silver are going to be part of the new monetary system... [so] gold and silver are the trade and not Bitcoin so much." This clip of Dowd (Edward Dowd), who is also the founder of Phinance Technologies, is taken from a discussion with Michael Farris (Michael Farris) posted to YouTube on January 13, 2026. ---------------Partial transcription of clip--------------- "The metals are telling you that there's uncertainty out there and a lack of trust. I think the big, the moves in gold and silver are really discounting a lack of trust and fear of what is coming and what it's going to look like. And, and also it's also telling you that gold and silver are going to be part of the new monetary system. "And Bitcoin, interestingly enough, has stalled out. It's down 20% since October, the high in October and Bitcoin is barely up today. So, you know, there was always this thesis around Bitcoin that when when there's a new monetary system comes, it's going to, it's going to be protection against, you know, any of that kind of uncertainty. It's increasing. It's becoming increasingly obvious to me that gold and silver are the trade and not Bitcoin so much. "And Bitcoin, unfortunately, is very highly correlated to the Nasdaq and it's disconnected from the Nasdaq. The Nasdaq and Bitcoin have disconnected temporarily. Generally speaking, they're highly correlated. So what does that say? Does that say Nasdaq is going to catch up down to Bitcoin or is Bitcoin going to rally back up? I think that the Nasdaq is going to go down to bitcoin. So that's where we are."

Former BlackRock fund manager Ed Dowd: "The metals are telling you that there's uncertainty out there and a lack of trust... [and] that gold and silver are going to be part of the new monetary system... [so] gold and silver are the trade and not Bitcoin so much." This clip of Dowd (Edward Dowd), who is also the founder of Phinance Technologies, is taken from a discussion with Michael Farris (Michael Farris) posted to YouTube on January 13, 2026. ---------------Partial transcription of clip--------------- "The metals are telling you that there's uncertainty out there and a lack of trust. I think the big, the moves in gold and silver are really discounting a lack of trust and fear of what is coming and what it's going to look like. And, and also it's also telling you that gold and silver are going to be part of the new monetary system. "And Bitcoin, interestingly enough, has stalled out. It's down 20% since October, the high in October and Bitcoin is barely up today. So, you know, there was always this thesis around Bitcoin that when when there's a new monetary system comes, it's going to, it's going to be protection against, you know, any of that kind of uncertainty. It's increasing. It's becoming increasingly obvious to me that gold and silver are the trade and not Bitcoin so much. "And Bitcoin, unfortunately, is very highly correlated to the Nasdaq and it's disconnected from the Nasdaq. The Nasdaq and Bitcoin have disconnected temporarily. Generally speaking, they're highly correlated. So what does that say? Does that say Nasdaq is going to catch up down to Bitcoin or is Bitcoin going to rally back up? I think that the Nasdaq is going to go down to bitcoin. So that's where we are."

Sense Receptor

136,648 görüntüleme • 8 ay önce

Trump: Now they'll say all these stories are terrible. Well, these stories have, you know, you heard my story in the boat with the shark, right? I got killed on that. They thought I was rambling. I'm not rambling. We can't get the boat to float. The battery is so heavy. So then I start talking about asking questions. You know, I have an, I had an uncle who was a great professor at MIT for many years, long, I think the longest tenure ever. Very smart, had three different degrees and you know, so I have an aptitude for things. You know, there is such a thing as an aptitude. I said, well, what would happen if this boat is so heavy and started to sink and you're on the top of the boat. Do you get electrocuted or not? In other words, the boat is going down and you're on the top, will the electric currents flow through the water and wipe you out? And let's say there's a shark about 10 yards over there. Would I have to immediately abandon or could I ride the electric down and he said, sir, nobody's ever asked us that question. But sir, I don't know. I said, well, I want to know because I guarantee you one thing, I don't care what happens. I'm staying with the electric, I'm not getting over with it. So I tell that story. And the fake news they go, he told this crazy story with electric. It's actually not crazy. It's sort of a smart story, right? Sort of like, you know, it's like the snake, it's a smart when you, you figure what you're leaving in, right? You're bringing it in the, you know, the snake, right? The snake and the snake. I tell that and they do the same thing

Trump: Now they'll say all these stories are terrible. Well, these stories have, you know, you heard my story in the boat with the shark, right? I got killed on that. They thought I was rambling. I'm not rambling. We can't get the boat to float. The battery is so heavy. So then I start talking about asking questions. You know, I have an, I had an uncle who was a great professor at MIT for many years, long, I think the longest tenure ever. Very smart, had three different degrees and you know, so I have an aptitude for things. You know, there is such a thing as an aptitude. I said, well, what would happen if this boat is so heavy and started to sink and you're on the top of the boat. Do you get electrocuted or not? In other words, the boat is going down and you're on the top, will the electric currents flow through the water and wipe you out? And let's say there's a shark about 10 yards over there. Would I have to immediately abandon or could I ride the electric down and he said, sir, nobody's ever asked us that question. But sir, I don't know. I said, well, I want to know because I guarantee you one thing, I don't care what happens. I'm staying with the electric, I'm not getting over with it. So I tell that story. And the fake news they go, he told this crazy story with electric. It's actually not crazy. It's sort of a smart story, right? Sort of like, you know, it's like the snake, it's a smart when you, you figure what you're leaving in, right? You're bringing it in the, you know, the snake, right? The snake and the snake. I tell that and they do the same thing

Headquarters

2,056,689 görüntüleme • 2 yıl önce

The difference a lot of people don't realize is that when you're a celebrity, 50% of the population doesn't like you. That's just how it is. They don't like you. But when you're a politician, 50% of the constituency hates you and two and a half percent of them want to kill you. That's the difference. There's always that two and a half percent lunatic fringe no matter where you are. It's pretty scary and it's tough on your family and that's why I have so much respect for politicians.

The difference a lot of people don't realize is that when you're a celebrity, 50% of the population doesn't like you. That's just how it is. They don't like you. But when you're a politician, 50% of the constituency hates you and two and a half percent of them want to kill you. That's the difference. There's always that two and a half percent lunatic fringe no matter where you are. It's pretty scary and it's tough on your family and that's why I have so much respect for politicians.

Kevin O'Leary aka Mr. Wonderful

24,897 görüntüleme • 8 ay önce

Trump: When I was president, I demanded that this guy, the governor, accept the water coming from the north, from way up in Canada. And, you know, the north, it flows down through right through Los Angeles. I mean, massive millions and millions of gallons of water a week, probably, I think, even a day. Massive amounts coming out from the mountains, from the melts. And even without it, even during the summer, it's a natural flow of water. They would have had so much water they wouldn't have known what to do with it. You would have never had the fires. People would have been able to sprinkle their lawns and everything else. You know, the problem is it's so dry. It was always so dry there. And it's just it's just a mess. They could have maintained their forests.

Trump: When I was president, I demanded that this guy, the governor, accept the water coming from the north, from way up in Canada. And, you know, the north, it flows down through right through Los Angeles. I mean, massive millions and millions of gallons of water a week, probably, I think, even a day. Massive amounts coming out from the mountains, from the melts. And even without it, even during the summer, it's a natural flow of water. They would have had so much water they wouldn't have known what to do with it. You would have never had the fires. People would have been able to sprinkle their lawns and everything else. You know, the problem is it's so dry. It was always so dry there. And it's just it's just a mess. They could have maintained their forests.

Acyn

3,404,311 görüntüleme • 1 yıl önce

American visited Los Angeles California for the first time and shares her honest thoughts “The first thing that we noticed was the amount of homeless people there is actually so sad. It's so insane. I'm from Atlanta, so I'm used to a lot of homeless people, but it is, like, to a whole different level out there. I mean, you cannot drive quarter of a mile without seeing, like, a homeless Camp set up in the corner. It was honestly very, very sad. — It smelled terrible. It smelled really bad. I mean, from the minute that I stepped off the plane walked out of the airport. It smelled terrible. And we were all like, this whole city stinks. -1 So the traffic's horrible, but like the traffic in Atlanta is like caused by people being stupid or like accidents. The traffic in LA was because I think it was because they're I mean, obviously there are tons of people, but it was like the lights. There are so many lights and it was just like light, light, light. Like you couldn't get anywhere because you're being stopped by a light every 30 seconds. — We saw so many piles of human feces, particularly like around the Hollywood Walk of Fame. It was disgusting. At least 4, maybe not a ton, but at least four. Just piles of human feces. You can tell the difference between an animal and human. It was human. A lot of it was smeared on the sidewalk. It was really gross. All to say, I'm glad I can say that I went to LA. I don't think that I will ever go back”

American visited Los Angeles California for the first time and shares her honest thoughts “The first thing that we noticed was the amount of homeless people there is actually so sad. It's so insane. I'm from Atlanta, so I'm used to a lot of homeless people, but it is, like, to a whole different level out there. I mean, you cannot drive quarter of a mile without seeing, like, a homeless Camp set up in the corner. It was honestly very, very sad. — It smelled terrible. It smelled really bad. I mean, from the minute that I stepped off the plane walked out of the airport. It smelled terrible. And we were all like, this whole city stinks. -1 So the traffic's horrible, but like the traffic in Atlanta is like caused by people being stupid or like accidents. The traffic in LA was because I think it was because they're I mean, obviously there are tons of people, but it was like the lights. There are so many lights and it was just like light, light, light. Like you couldn't get anywhere because you're being stopped by a light every 30 seconds. — We saw so many piles of human feces, particularly like around the Hollywood Walk of Fame. It was disgusting. At least 4, maybe not a ton, but at least four. Just piles of human feces. You can tell the difference between an animal and human. It was human. A lot of it was smeared on the sidewalk. It was really gross. All to say, I'm glad I can say that I went to LA. I don't think that I will ever go back”

Wall Street Apes

188,222 görüntüleme • 8 ay önce

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 görüntüleme • 6 ay önce

Wyndham Clark on the crowds (or lack of) down the stretch: "It was kind of unfortunate that we're finishing in the dark and people weren't really out there because there were some obviously key, big moments, and it did kind of get a little flat, so yeah, unfortunately. "Hopefully tomorrow there's a bunch of fans and stuff, but for me, it's still really important, and I still felt the moment. It's just maybe unfortunate that there weren't all the people there."

Wyndham Clark on the crowds (or lack of) down the stretch: "It was kind of unfortunate that we're finishing in the dark and people weren't really out there because there were some obviously key, big moments, and it did kind of get a little flat, so yeah, unfortunately. "Hopefully tomorrow there's a bunch of fans and stuff, but for me, it's still really important, and I still felt the moment. It's just maybe unfortunate that there weren't all the people there."

Cameron Jourdan

433,028 görüntüleme • 2 ay önce

Ilya Sutskever says the AI scaling era is running out of road because pre-training is about to hit a finite-data wall. "At some point though, pre-training will run out of data. The data is very clearly finite." "Then, okay, what do you do next? Either you do some kind of a souped-up pre-training... or you're doing RL, or maybe something else." "In some sense, we are back to the age of research." His timeline is the part most AI investors and founders should hear: "From 2012 to 2020, it was the age of research. Now from 2020 to 2025, it was the age of scaling... But now the scale is so big." "Is the belief really that... if you had 100x more everything would be so different?" "I don't think that's true. So it's back to the age of research again, just with big computers."

Ilya Sutskever says the AI scaling era is running out of road because pre-training is about to hit a finite-data wall. "At some point though, pre-training will run out of data. The data is very clearly finite." "Then, okay, what do you do next? Either you do some kind of a souped-up pre-training... or you're doing RL, or maybe something else." "In some sense, we are back to the age of research." His timeline is the part most AI investors and founders should hear: "From 2012 to 2020, it was the age of research. Now from 2020 to 2025, it was the age of scaling... But now the scale is so big." "Is the belief really that... if you had 100x more everything would be so different?" "I don't think that's true. So it's back to the age of research again, just with big computers."

Karl Mehta

200,003 görüntüleme • 2 ay önce