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🇳🇱 AMSTERDAM SCIENTISTS CREATE “CHAMELEON SKIN” THAT CHANGES COLOR WITHOUT PIGMENT Scientists at the University of Amsterdam have developed a new nanomaterial that changes color like a chameleon, using no pigment, no paint, and no electricity. It is made from an extremely thin layer of silicon, about one thousandth...

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Mario Nawfal

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Thought experiment for people regarding the concept of Absolute Time. Absolute means NO EXCEPTIONS. We are NOT looking back in time when we see galaxies and stars. We are NOT looking back in time 1.25 seconds when we see the moon. We're Not looking back in time 3 minutes when we see Mars. We're Not looking back in time 8.33 minutes when we see the Sun. If an astronaut lit a matchstick on Mars, the distant observer would see predator heat waves at the top of the matchstick in real-time while the matchstick started to blacken towards the astronaut's fingers. But there would be no orange light from that chemical reaction or flame seen. If the matchstick burnt out before the packet of orange light from that particular chemical reaction made it to Earth… then the distant observer would just see a disembodied orange flash of light with a lag. But the Earth-bound observer would never actually see the flame associated with the orange wavelength it put out. The wavelength of color emitted by the flame is not a recording of reality. If the orange light is 650 Thz, that means there are 650 trillion individual and separate bursts of orange light pulsating in 1 second. NOT that "the same light" is "waving" 650 trillion times a second and that light is a recording of reality. There are 650 trillion brand-new lights flashing in 1 second. Each Hertz is a brand-new emission and packet unto itself. Time does not re-emit 650 trillion times a second, nor is a photon a particle or a packet of reality acting like the frame of a reel of footage. The orange light that already left the flame will continue to propagate out until it meets the electrons making up the distant observer. But remember, it is never the same light within that packet. And the electrons making up the observer will absorb all of those different lights within that packet and re-emit brand-new lights that produce the product of illumination. A photon is a massless packet of energy, spherically expanding at the rate of c from the source it comes from. Illumination is the result of that energy being absorbed and RE-emitted by any other electrons that did not output that primary packet. But time is not associated with the same light. It's never the same light and time does not re-emit between packets. Time is not relative. Do NOT allow your mind Carte Blanche to think along the lines of relative time. DROP IT for this thought experiment. We are thinking along the lines of ABSOLUTE TIME/ Galilean VARIANCE. What does absolute time mean? It means time is constant in ALL frames of reference. Any frequency shifts between atomic clocks IS a literal change in the speed of light. But relativity forbids the speed of light from Ever changing, so relativity (Lorentz INVARIANCE) invented the concept of the 4th dimension and space-time. Because Relativity doesn't allow light speed to shift.. they interpret the same frequency shift between atomic clocks as being conclusive, irrefutable evidence that time and reality itself shifts. Rather than say it's just that ONE clock being affected by Earth's gravity and the oscillation of that ONE cesium clock is being altered compared to other clocks. People don't realize that in relativity... time dilation is SYMMETRICAL! Not even most relativists know their own theory. If Clock A and Clock B are synchronized and together... and then they accelerate apart... Einstein said Clock A would see Clock B as being slower itself. And Clock B would view Clock A as slower than ITself. NOT that only one observer would see back in time and the other would see forward or not at all. No... BOTH observers are supposed to see each other BACK in time relative to each other according to Einstein and the consequence of the math. It doesn't make ANY sense!! But relativists toss that part of time dilation under their 4th dimensional rug. The rug is woven from threads of gold that only the smart people can see apparently. So... here's a thought experiment/ Gedankenexperiment for absolute time. NO paradoxes... no nonsense or confusion. What do you see in a club? You see disco lights changing and a color wheel effect. You see everyone in REAL-TIME. Not just because they are so close to the lights. Light is not a recording of reality. Light is simply color. Illuminating reality in a certain color. Just because you can't see something yet or the color hasn't reached you doesn't mean it isn't happening in real-time. Zoom out and look at the people in the club through binoculars a mile away. You are still looking at them in real-time. The colors are shifting with a delay in the club. Now look at the club through a telescope from the surface of the moon. You're still looking at the people in real-time. But now there is a lag of the colors shifting by 1.25 seconds because it takes light 1.25 seconds to travel from the Earth to the moon. Now look at the club through an even bigger telescope from the surface of Mars. You're still looking at the people in real-time, but now there is a lag of the colors shifting by 3 minutes because it takes light 3 minutes to travel from Earth to Mars. fr you are a third hypothetical observer zoomed out and watching the person from Mars AND seeing the club on Earth... you're still seeing everything happening in real-time as well. But you see the colored wavepackets traveling with a delay to the observer on Mars. And the disco color wheel effect is just lagging before it affects the observer from Mars and the observer on the Moon. It doesn't matter how far you zoom out! There is only now to observe. But there WILL be a lag and delay for a given color/wavepacket to reach distant observers. But all points in space are already illuminated by other starlight. So if you're too far away... you'll just see the club in real-time but without any disco lights. Just see them in white light because that's the source already illuminating the scene. This is where it gets the most difficult because people think light itself is a recording of reality that replays a scene from where it came from. But another punch in the gut of relativity is that in order to see REFLECTED light... that would require a TWO-WAY transit. Which means the light would have to be sent out... record the scene of a distant event and then RETURN in order to REplay the event. Which means it would take 6 minutes to see the club from Mars by that logic and 2.5 seconds to see the club from the moon by that logic. The difference in tick rates between clocks has NOTHING to do with time dilation. Wait.. what?! How can that be? Because a clock itself doesn't represent all of time and reality. The difference between clocks is a "Transverse relative time shift." If the only light in the universe was from the lighter… the only way a distant observer would be able to see the astronaut on Mars is if the astronaut held down the button of the lighter for longer than 3 minutes. It takes 3 minutes for the packet of light to travel from Mars to Earth. The distant observer would never be able to see Mars, unless the light stretched from Mars all the way to Earth, and illuminated the path between Mars and Earth. And that would take 3 minutes for the boundary and first part of that wave packet to reach Earth. But if the distant observer wanted to observe Mars in real-time… then that packet of light would have to be on for longer than 3 minutes. So if the astronaut on Mars flicked the lighter at 12:00, the distant observer on Earth wouldn't see anything until 12:03. If the light was on for 3 minutes and 10 seconds, and the distant observer is 3 light minutes away... the distant observer would be able to see Mars in real-time for 10 seconds starting at 12:03. In the 20 second video clip of the rotating planet with shifting colors... just imagine you're a couple light minutes or light seconds away. You're still seeing the planet spin in real-time. But there is simply a delay of switching colors. You are Not looking back in time. It's just a color wheel effect from a great distance away. That's it!! There are many major flaws which tarnish people's critical thinking on this thought experiment. 1. Light does NOT ricochet or bounce. Electrons absorb, emit and re-emit ALL electromagnetic radiation. The electrons, making up the glass of a mirror will absorb the incoming light and re-emit a brand-new light as an equal and opposite reaction. NOT that "the same light" bounced off the mirror and continued on within the same frame of reference.  2. Light is NOT a recording of reality. 3. It is NOT the same light being observed from a source. It's never the same light. Each Hertz is a new light. Think of half of a sine wave as being its own emission. On an oscilloscope, a stimulus generates a peak which initiates an equal and opposite trough. Or vice versa. That repeating process is not "the same light." If you cut and paste that sine wave to another sine wave, the boundary between the waves will always be in phase. (thus refraction) 4. The speed of light is NOT the same in ALL frames of reference, no matter what. 5. Light is NOT made of particles and waves that flip back-and-forth. 6. Time is NOT connected to the speed of light. Time remains constant regardless if you accelerate towards or away from a clock. The clocks themselves will indeed be off! But that's an affect on the electrons making up the atomic clock affecting the oscillation of the isotope which is ASSUMED to ALWAYS be the same. So ANY difference in oscillation is treated as a literal distortion in space-time. 7. Space and time are not linked at all. That is a mathematical artifice under Lorentz invariance. Time is relative under Lorentz invariance. But time is absolute under Galilean VARIANCE. When people hear or see the word GALILEAN... their brains switch to auto pilot to "aether theory" and "classical physics." What people don't realize is that aether theory used Galilean INVARIANCE. Rather than space-time being used as an excuse to explain the difference in frequencies between atomic clocks... it was originally aether being used as an excuse to keep the speed of light the same. But None of those things are valid! We are thinking under the framework of Galilean VARIANCE! Completely new revolutionary model returning to Isaac Newton and Classical physics but without the corpuscular theory (particle) theory for light... without a particle-wave duality... without an aether... without a 4th dimension. Just good ol elementary math within 3D Euclidean space. Everything happening in real-time, right now. This reformulation of Galilean transformations was offered by Dr. Edward Dowdye in 1991 called The Extinction Shift Principle. Effectivity as opposed to Relativity. If light required a two-way transit, in order to travel out… Record an event, and travel back to replay the recording…  then it would take 6 minutes to see the astronaut on Mars instead of 3.  Remember… They say the SAME light is a recording, and must travel there and travel back in order to REplay. Relativity says time is relative: t' ≠ t time is NOT the same from all frames of reference) and t = tₒ / √1 - v²/c² but Galilean Variance says time is not relative: t' = t (Time IS the same from all frames of reference) and τ_tr = τₒ / √1 - v²/c² Relativity says c' = c (The velocity of light is the same from all frames of reference) but Galilean variance says c' ≠ c (The velocity of light is NOT the same from all frames of reference) and that c' = c ± v (The velocity of light in one frame of reference is dependent upon the velocity of the light source relative to an observer in another frame of reference. Whether that light source is approaching or receding away from that observer) Relativity says E = mc² (Energy and mass are universally equivalent and literally interchangeable under All conditions.) but Galilean variance says E = Δmc² = mₒc² (Energy changes in a system are the result from changes in mass. mₒ represents the original mass. Mass and energy do not literally interchange. There is an equivalence, not an interchange.) The Rebirth of Classical Physics: Time, Light & Gravity Star light and illumination: Flicking a Lighter on Mars visual example:
0:21

Thought experiment for people regarding the concept of Absolute Time. Absolute means NO EXCEPTIONS. We are NOT looking back in time when we see galaxies and stars. We are NOT looking back in time 1.25 seconds when we see the moon. We're Not looking back in time 3 minutes when we see Mars. We're Not looking back in time 8.33 minutes when we see the Sun. If an astronaut lit a matchstick on Mars, the distant observer would see predator heat waves at the top of the matchstick in real-time while the matchstick started to blacken towards the astronaut's fingers. But there would be no orange light from that chemical reaction or flame seen. If the matchstick burnt out before the packet of orange light from that particular chemical reaction made it to Earth… then the distant observer would just see a disembodied orange flash of light with a lag. But the Earth-bound observer would never actually see the flame associated with the orange wavelength it put out. The wavelength of color emitted by the flame is not a recording of reality. If the orange light is 650 Thz, that means there are 650 trillion individual and separate bursts of orange light pulsating in 1 second. NOT that "the same light" is "waving" 650 trillion times a second and that light is a recording of reality. There are 650 trillion brand-new lights flashing in 1 second. Each Hertz is a brand-new emission and packet unto itself. Time does not re-emit 650 trillion times a second, nor is a photon a particle or a packet of reality acting like the frame of a reel of footage. The orange light that already left the flame will continue to propagate out until it meets the electrons making up the distant observer. But remember, it is never the same light within that packet. And the electrons making up the observer will absorb all of those different lights within that packet and re-emit brand-new lights that produce the product of illumination. A photon is a massless packet of energy, spherically expanding at the rate of c from the source it comes from. Illumination is the result of that energy being absorbed and RE-emitted by any other electrons that did not output that primary packet. But time is not associated with the same light. It's never the same light and time does not re-emit between packets. Time is not relative. Do NOT allow your mind Carte Blanche to think along the lines of relative time. DROP IT for this thought experiment. We are thinking along the lines of ABSOLUTE TIME/ Galilean VARIANCE. What does absolute time mean? It means time is constant in ALL frames of reference. Any frequency shifts between atomic clocks IS a literal change in the speed of light. But relativity forbids the speed of light from Ever changing, so relativity (Lorentz INVARIANCE) invented the concept of the 4th dimension and space-time. Because Relativity doesn't allow light speed to shift.. they interpret the same frequency shift between atomic clocks as being conclusive, irrefutable evidence that time and reality itself shifts. Rather than say it's just that ONE clock being affected by Earth's gravity and the oscillation of that ONE cesium clock is being altered compared to other clocks. People don't realize that in relativity... time dilation is SYMMETRICAL! Not even most relativists know their own theory. If Clock A and Clock B are synchronized and together... and then they accelerate apart... Einstein said Clock A would see Clock B as being slower itself. And Clock B would view Clock A as slower than ITself. NOT that only one observer would see back in time and the other would see forward or not at all. No... BOTH observers are supposed to see each other BACK in time relative to each other according to Einstein and the consequence of the math. It doesn't make ANY sense!! But relativists toss that part of time dilation under their 4th dimensional rug. The rug is woven from threads of gold that only the smart people can see apparently. So... here's a thought experiment/ Gedankenexperiment for absolute time. NO paradoxes... no nonsense or confusion. What do you see in a club? You see disco lights changing and a color wheel effect. You see everyone in REAL-TIME. Not just because they are so close to the lights. Light is not a recording of reality. Light is simply color. Illuminating reality in a certain color. Just because you can't see something yet or the color hasn't reached you doesn't mean it isn't happening in real-time. Zoom out and look at the people in the club through binoculars a mile away. You are still looking at them in real-time. The colors are shifting with a delay in the club. Now look at the club through a telescope from the surface of the moon. You're still looking at the people in real-time. But now there is a lag of the colors shifting by 1.25 seconds because it takes light 1.25 seconds to travel from the Earth to the moon. Now look at the club through an even bigger telescope from the surface of Mars. You're still looking at the people in real-time, but now there is a lag of the colors shifting by 3 minutes because it takes light 3 minutes to travel from Earth to Mars. fr you are a third hypothetical observer zoomed out and watching the person from Mars AND seeing the club on Earth... you're still seeing everything happening in real-time as well. But you see the colored wavepackets traveling with a delay to the observer on Mars. And the disco color wheel effect is just lagging before it affects the observer from Mars and the observer on the Moon. It doesn't matter how far you zoom out! There is only now to observe. But there WILL be a lag and delay for a given color/wavepacket to reach distant observers. But all points in space are already illuminated by other starlight. So if you're too far away... you'll just see the club in real-time but without any disco lights. Just see them in white light because that's the source already illuminating the scene. This is where it gets the most difficult because people think light itself is a recording of reality that replays a scene from where it came from. But another punch in the gut of relativity is that in order to see REFLECTED light... that would require a TWO-WAY transit. Which means the light would have to be sent out... record the scene of a distant event and then RETURN in order to REplay the event. Which means it would take 6 minutes to see the club from Mars by that logic and 2.5 seconds to see the club from the moon by that logic. The difference in tick rates between clocks has NOTHING to do with time dilation. Wait.. what?! How can that be? Because a clock itself doesn't represent all of time and reality. The difference between clocks is a "Transverse relative time shift." If the only light in the universe was from the lighter… the only way a distant observer would be able to see the astronaut on Mars is if the astronaut held down the button of the lighter for longer than 3 minutes. It takes 3 minutes for the packet of light to travel from Mars to Earth. The distant observer would never be able to see Mars, unless the light stretched from Mars all the way to Earth, and illuminated the path between Mars and Earth. And that would take 3 minutes for the boundary and first part of that wave packet to reach Earth. But if the distant observer wanted to observe Mars in real-time… then that packet of light would have to be on for longer than 3 minutes. So if the astronaut on Mars flicked the lighter at 12:00, the distant observer on Earth wouldn't see anything until 12:03. If the light was on for 3 minutes and 10 seconds, and the distant observer is 3 light minutes away... the distant observer would be able to see Mars in real-time for 10 seconds starting at 12:03. In the 20 second video clip of the rotating planet with shifting colors... just imagine you're a couple light minutes or light seconds away. You're still seeing the planet spin in real-time. But there is simply a delay of switching colors. You are Not looking back in time. It's just a color wheel effect from a great distance away. That's it!! There are many major flaws which tarnish people's critical thinking on this thought experiment. 1. Light does NOT ricochet or bounce. Electrons absorb, emit and re-emit ALL electromagnetic radiation. The electrons, making up the glass of a mirror will absorb the incoming light and re-emit a brand-new light as an equal and opposite reaction. NOT that "the same light" bounced off the mirror and continued on within the same frame of reference.  2. Light is NOT a recording of reality. 3. It is NOT the same light being observed from a source. It's never the same light. Each Hertz is a new light. Think of half of a sine wave as being its own emission. On an oscilloscope, a stimulus generates a peak which initiates an equal and opposite trough. Or vice versa. That repeating process is not "the same light." If you cut and paste that sine wave to another sine wave, the boundary between the waves will always be in phase. (thus refraction) 4. The speed of light is NOT the same in ALL frames of reference, no matter what. 5. Light is NOT made of particles and waves that flip back-and-forth. 6. Time is NOT connected to the speed of light. Time remains constant regardless if you accelerate towards or away from a clock. The clocks themselves will indeed be off! But that's an affect on the electrons making up the atomic clock affecting the oscillation of the isotope which is ASSUMED to ALWAYS be the same. So ANY difference in oscillation is treated as a literal distortion in space-time. 7. Space and time are not linked at all. That is a mathematical artifice under Lorentz invariance. Time is relative under Lorentz invariance. But time is absolute under Galilean VARIANCE. When people hear or see the word GALILEAN... their brains switch to auto pilot to "aether theory" and "classical physics." What people don't realize is that aether theory used Galilean INVARIANCE. Rather than space-time being used as an excuse to explain the difference in frequencies between atomic clocks... it was originally aether being used as an excuse to keep the speed of light the same. But None of those things are valid! We are thinking under the framework of Galilean VARIANCE! Completely new revolutionary model returning to Isaac Newton and Classical physics but without the corpuscular theory (particle) theory for light... without a particle-wave duality... without an aether... without a 4th dimension. Just good ol elementary math within 3D Euclidean space. Everything happening in real-time, right now. This reformulation of Galilean transformations was offered by Dr. Edward Dowdye in 1991 called The Extinction Shift Principle. Effectivity as opposed to Relativity. If light required a two-way transit, in order to travel out… Record an event, and travel back to replay the recording…  then it would take 6 minutes to see the astronaut on Mars instead of 3.  Remember… They say the SAME light is a recording, and must travel there and travel back in order to REplay. Relativity says time is relative: t' ≠ t time is NOT the same from all frames of reference) and t = tₒ / √1 - v²/c² but Galilean Variance says time is not relative: t' = t (Time IS the same from all frames of reference) and τ_tr = τₒ / √1 - v²/c² Relativity says c' = c (The velocity of light is the same from all frames of reference) but Galilean variance says c' ≠ c (The velocity of light is NOT the same from all frames of reference) and that c' = c ± v (The velocity of light in one frame of reference is dependent upon the velocity of the light source relative to an observer in another frame of reference. Whether that light source is approaching or receding away from that observer) Relativity says E = mc² (Energy and mass are universally equivalent and literally interchangeable under All conditions.) but Galilean variance says E = Δmc² = mₒc² (Energy changes in a system are the result from changes in mass. mₒ represents the original mass. Mass and energy do not literally interchange. There is an equivalence, not an interchange.) The Rebirth of Classical Physics: Time, Light & Gravity Star light and illumination: Flicking a Lighter on Mars visual example:

TheRealVerbz (Jason Verbelli)

16,608 просмотров • 1 год назад

Universities teach many erroneous models. One example of a misleading teaching is the Newtonian model of the prism. A man named Johann Goethe corrected and complimented Newton's model about 100 years after Newton. It is not the same light passing through the prism and distributing. It is a brand-new light with each beam of color. The primary light hitting the prism is extinguished by the electrons making up the glass of the prism itself. Those same electrons re-emit a brand new light from each angle. That process happens at the rate of c. Serving the illusion that the original white light came it... separated and exited to continue on. Most people rely on outdated text books or the Pink Floyd album cover "Dark Side of the Moon" to get their information about light and color and prisms. The depictions of light "splitting" and "bending" through a prism based on their color is false. (See first comments for attached images and substantiation) I filmed these videos playing around with prisms, lasers, magnifying glasses, mirrors, slits, and colored filters. I've gained my own perspectives on light and color over the years from real world, hands-on experimentation and observation. Most people have never held a real glass prism their own hands and done the tests to see for themselves. 2 prisms for $10 Harmonics of Light and Sound: This guy said his units were confiscated by the FBI and he was threatened not to pursue manufacturing them. The unit is simply a light with a magnifying glass and colored filters to isolate the light. Like burning an ant with a focal point... but with a specific color. The lens can spin and create a stroboscopic effect in an isolated band. The inventor claimed it healed stuff. Dinshah Spectro-Chrome Machine - Tour and Explanation Magenta monochromatic ray of shadow - Pehr Sahlstrom: Color and Physics, Newton versus Goethe - Pehr Sahlstrom: Thomas Joseph Brown Color Theory: Clay Taylor Color Theory: Testing the "Rightness" of relativity. The impossibility of proving something through experiments. Laser and Mirror observation: It's never the same light. Re-emission Example: I put this interactive page together going back and forth with ChatGPT to code using Javascript. Here is a video playing with the slide controls to show 3 different sinewaves (3 different lights/emissions). The packets are ALWAYS in phase from medium to medium. The frequency shifts BECAUSE the velocity of light shifts. NOT a Doppler shift of "the same light" distorting within the same frame of reference. It's a brand new light at each point. The incoming light is a different frame of reference. All the light you ever see is the re-emitted light from the electrons making up yourself. Propagation and Re-Emission of Light: Dr. Edward Dowdye Slides - LOTS of math and context. E.H. Dowdye, Can Stars BEND LIGHT? General Relativity and Gravity with Dr. Edward Dowdye Challenges to Gravitational Lensing and More: 71 Part Video Series (Each vid is 1 min - 1 and a hafl min) The Rebirth of Classical Physics - Time, Light & Gravity Classical Physics vs Relativity - History, Examples and Alternatives: Illusions of Relativity: Space-Time vs Real-Time The Rebirth of Classical Physics: Time, Light & Gravity - Article Packed with Info & Links Thought Experiment for Light and Absolute Time. (This scenario got me banned from talking on a Podcast.) "Too off the rails."
22:27

Universities teach many erroneous models. One example of a misleading teaching is the Newtonian model of the prism. A man named Johann Goethe corrected and complimented Newton's model about 100 years after Newton. It is not the same light passing through the prism and distributing. It is a brand-new light with each beam of color. The primary light hitting the prism is extinguished by the electrons making up the glass of the prism itself. Those same electrons re-emit a brand new light from each angle. That process happens at the rate of c. Serving the illusion that the original white light came it... separated and exited to continue on. Most people rely on outdated text books or the Pink Floyd album cover "Dark Side of the Moon" to get their information about light and color and prisms. The depictions of light "splitting" and "bending" through a prism based on their color is false. (See first comments for attached images and substantiation) I filmed these videos playing around with prisms, lasers, magnifying glasses, mirrors, slits, and colored filters. I've gained my own perspectives on light and color over the years from real world, hands-on experimentation and observation. Most people have never held a real glass prism their own hands and done the tests to see for themselves. 2 prisms for $10 Harmonics of Light and Sound: This guy said his units were confiscated by the FBI and he was threatened not to pursue manufacturing them. The unit is simply a light with a magnifying glass and colored filters to isolate the light. Like burning an ant with a focal point... but with a specific color. The lens can spin and create a stroboscopic effect in an isolated band. The inventor claimed it healed stuff. Dinshah Spectro-Chrome Machine - Tour and Explanation Magenta monochromatic ray of shadow - Pehr Sahlstrom: Color and Physics, Newton versus Goethe - Pehr Sahlstrom: Thomas Joseph Brown Color Theory: Clay Taylor Color Theory: Testing the "Rightness" of relativity. The impossibility of proving something through experiments. Laser and Mirror observation: It's never the same light. Re-emission Example: I put this interactive page together going back and forth with ChatGPT to code using Javascript. Here is a video playing with the slide controls to show 3 different sinewaves (3 different lights/emissions). The packets are ALWAYS in phase from medium to medium. The frequency shifts BECAUSE the velocity of light shifts. NOT a Doppler shift of "the same light" distorting within the same frame of reference. It's a brand new light at each point. The incoming light is a different frame of reference. All the light you ever see is the re-emitted light from the electrons making up yourself. Propagation and Re-Emission of Light: Dr. Edward Dowdye Slides - LOTS of math and context. E.H. Dowdye, Can Stars BEND LIGHT? General Relativity and Gravity with Dr. Edward Dowdye Challenges to Gravitational Lensing and More: 71 Part Video Series (Each vid is 1 min - 1 and a hafl min) The Rebirth of Classical Physics - Time, Light & Gravity Classical Physics vs Relativity - History, Examples and Alternatives: Illusions of Relativity: Space-Time vs Real-Time The Rebirth of Classical Physics: Time, Light & Gravity - Article Packed with Info & Links Thought Experiment for Light and Absolute Time. (This scenario got me banned from talking on a Podcast.) "Too off the rails."

TheRealVerbz (Jason Verbelli)

44,361 просмотров • 1 год назад

Proof that light changes everything in drawing. And not just the light, but the place from which it comes. By dexarts
0:29

Proof that light changes everything in drawing. And not just the light, but the place from which it comes. By dexarts

SKULLTYPS©

19,802 просмотров • 1 месяц назад

The Patriarch Diodoros I of Jerusalem himself described what happens: “From the core of the very stone on which Jesus lay an indefinable light pours forth. It usually has a blue tint, but the color may change and take on many different hues. It cannot be described in human terms. The light rises out of the stone as mist may rise out of a lake — it almost looks as if the stone is covered by a moist cloud, but it is light. This light behaves differently each year. Sometimes it covers just the stone, while other times it gives light to the whole sepulchre, so that people who are standing outside the tomb and look into it see the tomb filled with light. The light does not burn — I have never had my beard burnt in all the sixteen years I have been Patriarch in Jerusalem and have received the Holy Fire.” Thousands of pilgrims hold their hands and faces in the flame and report the same thing. It does not burn.
0:26

The Patriarch Diodoros I of Jerusalem himself described what happens: “From the core of the very stone on which Jesus lay an indefinable light pours forth. It usually has a blue tint, but the color may change and take on many different hues. It cannot be described in human terms. The light rises out of the stone as mist may rise out of a lake — it almost looks as if the stone is covered by a moist cloud, but it is light. This light behaves differently each year. Sometimes it covers just the stone, while other times it gives light to the whole sepulchre, so that people who are standing outside the tomb and look into it see the tomb filled with light. The light does not burn — I have never had my beard burnt in all the sixteen years I have been Patriarch in Jerusalem and have received the Holy Fire.” Thousands of pilgrims hold their hands and faces in the flame and report the same thing. It does not burn.

sacredchad

18,596 просмотров • 2 месяцев назад

DIVINE MATHEMATICS Number One (1) is the Number of God. Everything is from Number. Number One (1) is the Number of Hydrogen. Your DNA is written in the Divine Mathematics of the Fibonacci Geometric Patterns/Sequences. Your DNA is written in Mathematical Number Patterns. That is why Science is filled with Calculations. Nature is written in the Fibonacci Geometric Patterns/Sequences. You do not need religion to know God. You need to understand the nature of existence from the angle of Science and Mathematics. Galileo Galilei, who deserves to be called the Father of Physics said thus how God created the Universe: "God created the Universe in the language of Mathematics" Everything in the Universe is Governed by Numbers. For this Purpose, Zero or Nothing or the Void is counted, not just as a Number, but as the Source of All Numbers. Zero or Nothing or the Void is mentioned in the Bible as early as Genesis because the Zero or the Void or Nothing is the Basis of All Numbers. In Genesis 1: 1-3 it is written thus: 1. In the Heaven and Earth. 2. And the Earth was without Form and Void; and Darkness was upon the Face of the Deep.... 3. And God said Let there be Light and there was Light. What follows are the 7 Days of Creation. Religion deceives and brainwashed the Masses that these are 7 literal Days. They're really about the Fibonacci Geometric Patterns/Sequences. Numbers govern the Chemical Elements that constitute the Universe, with Hydrogen being Number One to emerge from Zero and is the Same as the Zero with the Zero being the Darkness that was upon the Face of the Great Deep mentioned in Genesis 1:2. Number One became the Light which emerged from the Darkness. Without Darkness, there can be no Light. Everything is essentially a Mirror of the Same Thing. This is what is called Polarity. In other Words, Opposite Things depend on the each other in order to exist. Without Darkness, you cannot know what Light is. This is also represented by Gender, with the Female and the Male being diverse Forms of the Same Thing. The Hermetic Principles explain the relationship between everything in some details. In that regards, I suggest that you should look up the Hermetic Principles in the Kyballion. It is because the Numbers begins from Zero or Nothing or the Void that it is said that God made the Universe from Nothing. As already mentioned Number One is the Number of Hydrogen. The Hydrogen Atom permeates Everything in the Universe. It is because there is Hydrogen that there is a Material Universe. Hydrogen is Number One (1) on the Chemical Periodic Table. There is Nothing in the Material Universe that is not from Hydrogen. Hydrogen is the Basis of all Physical Existence. That is why Number One (1) is also the Number of God. The Sun and the Stars and Planets are All comprised of Hydrogen. Oxygen is constituted by the Thermonuclear Synthesis Hydrogen in the Nuclei of Stars. Hydrogen then COMBUSTS with Hydrogen to produce Dihydrogen Monoxide aka WATER. Your very being is literally powered by Hydrogen. As already indicated, Oxygen first came into Existence through Thermonuclear Fusion of Hydrogen Atoms in Stars. Stars are composed of the Hydrogen. Hydrogen is the Medium of Consciousness and Medium of the Material Universe of which we are an Intrinsic part. All of Nature is powered by Number One (1) aka Hydrogen. You're literally made of Hydrogen that has been transformed in Stars. The Sun, as a Star is composed of Hydrogen Atoms. The Circle which represents Zeros Nothing or the Void or the Darkness and also the Light represents the Hydrogen Atom. That is why the Sun and Moon are Circles. The Circle is the Basic Geometric Pattern. The multiplication of identical Circles create the Patterns and Sequences of the Flower of Life which is in All Indigenous Cultures. ✨🙌🏾💫
3:25

DIVINE MATHEMATICS Number One (1) is the Number of God. Everything is from Number. Number One (1) is the Number of Hydrogen. Your DNA is written in the Divine Mathematics of the Fibonacci Geometric Patterns/Sequences. Your DNA is written in Mathematical Number Patterns. That is why Science is filled with Calculations. Nature is written in the Fibonacci Geometric Patterns/Sequences. You do not need religion to know God. You need to understand the nature of existence from the angle of Science and Mathematics. Galileo Galilei, who deserves to be called the Father of Physics said thus how God created the Universe: "God created the Universe in the language of Mathematics" Everything in the Universe is Governed by Numbers. For this Purpose, Zero or Nothing or the Void is counted, not just as a Number, but as the Source of All Numbers. Zero or Nothing or the Void is mentioned in the Bible as early as Genesis because the Zero or the Void or Nothing is the Basis of All Numbers. In Genesis 1: 1-3 it is written thus: 1. In the Heaven and Earth. 2. And the Earth was without Form and Void; and Darkness was upon the Face of the Deep.... 3. And God said Let there be Light and there was Light. What follows are the 7 Days of Creation. Religion deceives and brainwashed the Masses that these are 7 literal Days. They're really about the Fibonacci Geometric Patterns/Sequences. Numbers govern the Chemical Elements that constitute the Universe, with Hydrogen being Number One to emerge from Zero and is the Same as the Zero with the Zero being the Darkness that was upon the Face of the Great Deep mentioned in Genesis 1:2. Number One became the Light which emerged from the Darkness. Without Darkness, there can be no Light. Everything is essentially a Mirror of the Same Thing. This is what is called Polarity. In other Words, Opposite Things depend on the each other in order to exist. Without Darkness, you cannot know what Light is. This is also represented by Gender, with the Female and the Male being diverse Forms of the Same Thing. The Hermetic Principles explain the relationship between everything in some details. In that regards, I suggest that you should look up the Hermetic Principles in the Kyballion. It is because the Numbers begins from Zero or Nothing or the Void that it is said that God made the Universe from Nothing. As already mentioned Number One is the Number of Hydrogen. The Hydrogen Atom permeates Everything in the Universe. It is because there is Hydrogen that there is a Material Universe. Hydrogen is Number One (1) on the Chemical Periodic Table. There is Nothing in the Material Universe that is not from Hydrogen. Hydrogen is the Basis of all Physical Existence. That is why Number One (1) is also the Number of God. The Sun and the Stars and Planets are All comprised of Hydrogen. Oxygen is constituted by the Thermonuclear Synthesis Hydrogen in the Nuclei of Stars. Hydrogen then COMBUSTS with Hydrogen to produce Dihydrogen Monoxide aka WATER. Your very being is literally powered by Hydrogen. As already indicated, Oxygen first came into Existence through Thermonuclear Fusion of Hydrogen Atoms in Stars. Stars are composed of the Hydrogen. Hydrogen is the Medium of Consciousness and Medium of the Material Universe of which we are an Intrinsic part. All of Nature is powered by Number One (1) aka Hydrogen. You're literally made of Hydrogen that has been transformed in Stars. The Sun, as a Star is composed of Hydrogen Atoms. The Circle which represents Zeros Nothing or the Void or the Darkness and also the Light represents the Hydrogen Atom. That is why the Sun and Moon are Circles. The Circle is the Basic Geometric Pattern. The multiplication of identical Circles create the Patterns and Sequences of the Flower of Life which is in All Indigenous Cultures. ✨🙌🏾💫

🧬Maxpein🧬

25,454 просмотров • 1 год назад

New 2025 - Chameleon Latex. Catsuit made of a new type of latex in Chameleon R0X2 color, changes color depending on the lighting. This catsuit is for sale:
0:23

New 2025 - Chameleon Latex. Catsuit made of a new type of latex in Chameleon R0X2 color, changes color depending on the lighting. This catsuit is for sale:

Latex.Moscow

21,393 просмотров • 1 год назад

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
0:52

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 просмотров • 1 год назад

For #WIPWednesday, we’re launching a new mini-series: Science of the Strange. Where real science meets the worlds we build. First up: Chromatic Aberration. 🌈 Light isn’t just one thing. It’s a spectrum. When it bends through air, glass, or alien atmospheres, each color travels differently. Red drifts one way, blue another, creating faint halos or color shifts known as chromatic aberration. On Earth, it’s lens flaw. But on Strange Planets, it’s part of the physics. From orbit, you’ll notice a soft color drift: true chromatic aberration. But on the surface, the spectrum splits even further, spreading red, green, and blue differently across every rock and shadow. This surface effect is inspired by real chromatic aberration, but reimagined through the planet’s unstable atmosphere and materials. Because in PlanetQuest, even light can get lost. 💫 #PlanetQuest #WIPWednesday #ScienceOfTheStrange #GameDev #SciFi #StrangePlanet
0:46

For #WIPWednesday, we’re launching a new mini-series: Science of the Strange. Where real science meets the worlds we build. First up: Chromatic Aberration. 🌈 Light isn’t just one thing. It’s a spectrum. When it bends through air, glass, or alien atmospheres, each color travels differently. Red drifts one way, blue another, creating faint halos or color shifts known as chromatic aberration. On Earth, it’s lens flaw. But on Strange Planets, it’s part of the physics. From orbit, you’ll notice a soft color drift: true chromatic aberration. But on the surface, the spectrum splits even further, spreading red, green, and blue differently across every rock and shadow. This surface effect is inspired by real chromatic aberration, but reimagined through the planet’s unstable atmosphere and materials. Because in PlanetQuest, even light can get lost. 💫 #PlanetQuest #WIPWednesday #ScienceOfTheStrange #GameDev #SciFi #StrangePlanet

PlanetQuest

14,468 просмотров • 8 месяцев назад

American Cattle Rancher Exposing That Beef Sold In American Grocery Stores Doesn’t Look Like Natural Beef “They pump gases into the packaging that artificially create a red color — the color of the meat doesn't necessarily indicate it's fresh” “I get a lot of questions sometimes like when people buy our meat they're like, well, I opened it up and it's not red. Why isn't it red? And the reason is, is because the only way to keep it red is as they pump gases into the packaging that artificially create a red color. So the meat naturally is never that red. When you cut it and it's first exposed to oxygen momentarily, it will bloom. It's called, it'll redden up just a little bit and then it'll instantly start to brown out unless you pump gases into the packaging for about 10 minutes and artificially create this like red pinkish color. So we get that question a lot. And it's like, they're like, your meat's not fresh because it's brown. It's like, well, actually it's way fresher. Our meat is brown because five minutes later, it turns to that brown color and then we flash freeze it. So you're like eating meat that's like metabolic at five minutes old versus that red fresh meat in the grocery store might be a month old. And it sat like that, but they're using artificial gases in that packaging to crea completely unnatural. — If your packaged meat then it is it is filled w to create that. It doesn' look like that. But like believe it or not, it's been sitting out for 11 days. So how could it still look so fresh? It's because it's being packed and gassed in a special process that most people never heard about, using carbon monoxide, carbon dioxide, and nitrogen, which keeps the meat looking fresh and bright red. We left two cuts of lamb out at room temperature. One was gas packed, the other, no gas. After a few days, the untreated meat turns a dark, unappealing color. But the gas-packed meat stays red, even after being left out for eight days. The only visible sign of spoilage is the package puffing out and a bad odor when opened. We had the meat analyzed in a lab, and it's no surprise that both cuts are loaded with bacteria. The color of the meat doesn't necessarily indicate it's fresh”
2:18

American Cattle Rancher Exposing That Beef Sold In American Grocery Stores Doesn’t Look Like Natural Beef “They pump gases into the packaging that artificially create a red color — the color of the meat doesn't necessarily indicate it's fresh” “I get a lot of questions sometimes like when people buy our meat they're like, well, I opened it up and it's not red. Why isn't it red? And the reason is, is because the only way to keep it red is as they pump gases into the packaging that artificially create a red color. So the meat naturally is never that red. When you cut it and it's first exposed to oxygen momentarily, it will bloom. It's called, it'll redden up just a little bit and then it'll instantly start to brown out unless you pump gases into the packaging for about 10 minutes and artificially create this like red pinkish color. So we get that question a lot. And it's like, they're like, your meat's not fresh because it's brown. It's like, well, actually it's way fresher. Our meat is brown because five minutes later, it turns to that brown color and then we flash freeze it. So you're like eating meat that's like metabolic at five minutes old versus that red fresh meat in the grocery store might be a month old. And it sat like that, but they're using artificial gases in that packaging to crea completely unnatural. — If your packaged meat then it is it is filled w to create that. It doesn' look like that. But like believe it or not, it's been sitting out for 11 days. So how could it still look so fresh? It's because it's being packed and gassed in a special process that most people never heard about, using carbon monoxide, carbon dioxide, and nitrogen, which keeps the meat looking fresh and bright red. We left two cuts of lamb out at room temperature. One was gas packed, the other, no gas. After a few days, the untreated meat turns a dark, unappealing color. But the gas-packed meat stays red, even after being left out for eight days. The only visible sign of spoilage is the package puffing out and a bad odor when opened. We had the meat analyzed in a lab, and it's no surprise that both cuts are loaded with bacteria. The color of the meat doesn't necessarily indicate it's fresh”

Wall Street Apes

293,075 просмотров • 2 лет назад

CanPatriot1 Right. And here's why Tiffany blue (FEMA/NATO blue) is the magic color that doesn't light up. The frequency of blue doesn't conflict with the laser (or saser).
0:37

CanPatriot1 Right. And here's why Tiffany blue (FEMA/NATO blue) is the magic color that doesn't light up. The frequency of blue doesn't conflict with the laser (or saser).

W.R. Schock, QBD

185,776 просмотров • 1 год назад

👀Remember my post about freckles? If freckles mean melanin is coming out from the brain toward the skin to catch more sunlight (UV), then vitiligo is the opposite… it means melanin is leaving the skin going back in. 🤔 But why? 💡 When the Light Code Turns Toxic 😬 When skin is deprived of natural full-spectrum sunlight during the day and bombarded with toxic blue light at the wrong times (after sunset), the relationship between melanin, mitochondria, and repair systems collapses. The skin no longer “feels safe,” and melanin begins to migrate inside, away from the surface that’s now under photonic war attack. ⚙️ How It Works? Melanin acts like Nature’s solar panel. ☀️ If sunlight is good 👍🏻 full-spectrum, morning-rich, UV balanced with infrared and melanin says: “It’s safe. I’ll go to the surface and make energy.” But when the light is bad 👎🏻fake, blue, flickering, unbalanced, or constant at night, melanin says: “Retreat! The signal is toxic. Protect the core.” 🧬 Let’s Go a Little Deeper Melanin = Antenna, not Paint. ☣️ Pleb Kruse = BTC foundationalist in exile 🟩🔆 reminds us that melanin is a semiconductor, not a color pigment. It absorbs photons, converts them into electron flow, and manages redox, especially through the quartet of sunlight, DHA, grounding, and darkness. YES, darkness. It links the surface (skin, eyes, retina) to the core (brain and mitochondria) through light signals that we get through our environment. Freckles appear when the environment asks for more light capture. They’re an adaptive response to strong, natural light and other factors; our skin sending out more antennas to gather photons(go to take a look at my freckles post). 👹Vitiligo Appears When the Environment Turns Hostile When the body is flooded with blue/LED light, EMFs, and deprived of UV and IR(infrared), the photon code becomes chaotic. The body reads this as toxic light; signals that don’t match the natural solar spectrum. With poor redox and weak mitochondria, vitiligo appears. The brain sends a new command: “Pull melanin back inside. Protect the neurons, glands, and mitochondrial core. Mayday in progress.” Vitiligo isn’t pigment loss; it’s pigment relocation. Melanin retreats from a toxic light environment back into the body’s sanctuary to protect vital organs like the brain and heart; the organs that use the most light (energy). When the host avoid the sun and can no longer generate or store enough light, biology makes a trade: to preserve the core, the surface must be sacrificed. 🏔️ Example: Imagine being trapped on Mount Everest. To keep the core warm, the body sacrifices fingers, toes, ears, and nose; the areas with the least circulation, the ones less vital for survival. Vitiligo works the same way. When the light environment turns very hostile, the skin becomes the sacrifice. The pigment(melanin, the molecule that keeps energy flowing) go back inward to defend the core’s energetic integrity. It’s not failure; it’s a strategic withdrawal to protect life’s inner flame 🔥 The skin loses color; not as a malfunction, but as a defensive retreat mechanism 👀 a biological survival move. 🧭 And what creates it? A broken light–circadian–mitochondrial communication loop. When sunlight, magnetism, and redox fall apart, the skin–brain photonic link collapses. Freckles, melanoma, and vitiligo become they are expressions of the same imbalance; different responses to a distorted light environment. 🔋 How to Fix It? Repair the Redox 👇🏻 Rebuild light coherence. See sunrise daily( this one is NOT NEGOTIABLE, why? Go to my post on “Why Sunrise is no-negotiable for your CTA” and you know why) Avoid artificial light after dark. Ground. Eat DHA-rich seafood. Honor darkness. It’s Nature’s operating system update. Protect yourself from EMFs…. When the surface feels safe again and when real sunlight, magnetism, and rhythm return; melanin will come back home. 🏠
3:15

👀Remember my post about freckles? If freckles mean melanin is coming out from the brain toward the skin to catch more sunlight (UV), then vitiligo is the opposite… it means melanin is leaving the skin going back in. 🤔 But why? 💡 When the Light Code Turns Toxic 😬 When skin is deprived of natural full-spectrum sunlight during the day and bombarded with toxic blue light at the wrong times (after sunset), the relationship between melanin, mitochondria, and repair systems collapses. The skin no longer “feels safe,” and melanin begins to migrate inside, away from the surface that’s now under photonic war attack. ⚙️ How It Works? Melanin acts like Nature’s solar panel. ☀️ If sunlight is good 👍🏻 full-spectrum, morning-rich, UV balanced with infrared and melanin says: “It’s safe. I’ll go to the surface and make energy.” But when the light is bad 👎🏻fake, blue, flickering, unbalanced, or constant at night, melanin says: “Retreat! The signal is toxic. Protect the core.” 🧬 Let’s Go a Little Deeper Melanin = Antenna, not Paint. ☣️ Pleb Kruse = BTC foundationalist in exile 🟩🔆 reminds us that melanin is a semiconductor, not a color pigment. It absorbs photons, converts them into electron flow, and manages redox, especially through the quartet of sunlight, DHA, grounding, and darkness. YES, darkness. It links the surface (skin, eyes, retina) to the core (brain and mitochondria) through light signals that we get through our environment. Freckles appear when the environment asks for more light capture. They’re an adaptive response to strong, natural light and other factors; our skin sending out more antennas to gather photons(go to take a look at my freckles post). 👹Vitiligo Appears When the Environment Turns Hostile When the body is flooded with blue/LED light, EMFs, and deprived of UV and IR(infrared), the photon code becomes chaotic. The body reads this as toxic light; signals that don’t match the natural solar spectrum. With poor redox and weak mitochondria, vitiligo appears. The brain sends a new command: “Pull melanin back inside. Protect the neurons, glands, and mitochondrial core. Mayday in progress.” Vitiligo isn’t pigment loss; it’s pigment relocation. Melanin retreats from a toxic light environment back into the body’s sanctuary to protect vital organs like the brain and heart; the organs that use the most light (energy). When the host avoid the sun and can no longer generate or store enough light, biology makes a trade: to preserve the core, the surface must be sacrificed. 🏔️ Example: Imagine being trapped on Mount Everest. To keep the core warm, the body sacrifices fingers, toes, ears, and nose; the areas with the least circulation, the ones less vital for survival. Vitiligo works the same way. When the light environment turns very hostile, the skin becomes the sacrifice. The pigment(melanin, the molecule that keeps energy flowing) go back inward to defend the core’s energetic integrity. It’s not failure; it’s a strategic withdrawal to protect life’s inner flame 🔥 The skin loses color; not as a malfunction, but as a defensive retreat mechanism 👀 a biological survival move. 🧭 And what creates it? A broken light–circadian–mitochondrial communication loop. When sunlight, magnetism, and redox fall apart, the skin–brain photonic link collapses. Freckles, melanoma, and vitiligo become they are expressions of the same imbalance; different responses to a distorted light environment. 🔋 How to Fix It? Repair the Redox 👇🏻 Rebuild light coherence. See sunrise daily( this one is NOT NEGOTIABLE, why? Go to my post on “Why Sunrise is no-negotiable for your CTA” and you know why) Avoid artificial light after dark. Ground. Eat DHA-rich seafood. Honor darkness. It’s Nature’s operating system update. Protect yourself from EMFs…. When the surface feels safe again and when real sunlight, magnetism, and rhythm return; melanin will come back home. 🏠

🌞Light Me Away 💫

31,229 просмотров • 8 месяцев назад

With Rev8, color is perceived in the right place, at the right distance, at the right moment. Ouster L4 silicon captures color and depth in the same photon event, with Fujifilm color science embedded directly on the chip. This is a Rev8 OS1 Max driving the Embarcadero in San Francisco. Every traffic signal, brake light, and bike lane resolved in 48-bit native color, perfectly aligned with depth at the silicon level.
0:42

With Rev8, color is perceived in the right place, at the right distance, at the right moment. Ouster L4 silicon captures color and depth in the same photon event, with Fujifilm color science embedded directly on the chip. This is a Rev8 OS1 Max driving the Embarcadero in San Francisco. Every traffic signal, brake light, and bike lane resolved in 48-bit native color, perfectly aligned with depth at the silicon level.

Ouster

29,617 просмотров • 1 месяц назад

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.
0:59

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.

James Lucas

168,256 просмотров • 6 дней назад

On the turning away From the pale and downtrodden And the words they say Which we won't understand Don't accept that what's happening Is just a case of others' suffering Or you'll find that you're joining in The turning away It's a sin that somehow Light is changing to shadow And casting its shroud Over all we have known Unaware how the ranks have grown Driven on by a heart of stone We could find that we're all alone In the dream of the proud On the wings of the night As the daytime is stirring Where the speechless unite in a silent accord Using words, you will find, are strange Mesmerised as they light the flame Feel the new wind of change On the wings of the night No more turning away From the weak and the weary No more turning away From the coldness inside Just a world that we all must share It's not enough just to stand and stare Is it only a dream that there'll be No more turning away? #PinkFloyd
8:32

On the turning away From the pale and downtrodden And the words they say Which we won't understand Don't accept that what's happening Is just a case of others' suffering Or you'll find that you're joining in The turning away It's a sin that somehow Light is changing to shadow And casting its shroud Over all we have known Unaware how the ranks have grown Driven on by a heart of stone We could find that we're all alone In the dream of the proud On the wings of the night As the daytime is stirring Where the speechless unite in a silent accord Using words, you will find, are strange Mesmerised as they light the flame Feel the new wind of change On the wings of the night No more turning away From the weak and the weary No more turning away From the coldness inside Just a world that we all must share It's not enough just to stand and stare Is it only a dream that there'll be No more turning away? #PinkFloyd

Pink Floyd 💎

35,106 просмотров • 1 год назад

☝️“The struggle for equality and against discrimination is turning into an aggressive dogmatism that borders on the absurd. Great authors of the past, like Shakespeare, are no longer taught in schools and universities; they are declared backward for failing to foreground issues of gender or race. Hollywood now produces guidelines—memos on how a movie should be made, what it should be about, and how many characters of which color or gender it must include. This is even more restrictive than the work of the Soviet Union's Central Committee Agitation and Propaganda Department. Opposing racism is a necessary and noble endeavor. However, within the new "culture of cancellation," it often transforms into reverse discrimination. This obsessive emphasis on race divides people even further. The dream of true civil rights activists was precisely to erase such divisions and to stop judging people by their skin color. I am reminded of Martin Luther King's words: "I dream the day will come when my four little children will one day live in a country where they will not be judged by the color of their skin but by the content of their character." That is the true value. By the way, in Russia, the vast majority of people do not care about a person's skin color or gender; what matters is that each of us is human. That is the main thing. Those who dare to state that the terms "man" and "woman" exist as biological facts are subjected to near-total ostracism. We see "Parent number one," "Parent number two," "birth parent" instead of "mother," and the phrase "breast milk" being replaced with "human milk" to avoid upsetting those unsure of their gender. I am not even speaking of the absolutely monstrous practice of indoctrinating children from a young age—telling them that a boy can easily become a girl and vice versa. This imposes a so-called "choice" on them, often excluding parents and pushing children to make life-altering decisions. Is anyone asking whether a child at that age is even capable of such choices? To call things by their proper names, this is a crime against humanity, and it is all done under the banner of progress.” - President Putin
3:37

☝️“The struggle for equality and against discrimination is turning into an aggressive dogmatism that borders on the absurd. Great authors of the past, like Shakespeare, are no longer taught in schools and universities; they are declared backward for failing to foreground issues of gender or race. Hollywood now produces guidelines—memos on how a movie should be made, what it should be about, and how many characters of which color or gender it must include. This is even more restrictive than the work of the Soviet Union's Central Committee Agitation and Propaganda Department. Opposing racism is a necessary and noble endeavor. However, within the new "culture of cancellation," it often transforms into reverse discrimination. This obsessive emphasis on race divides people even further. The dream of true civil rights activists was precisely to erase such divisions and to stop judging people by their skin color. I am reminded of Martin Luther King's words: "I dream the day will come when my four little children will one day live in a country where they will not be judged by the color of their skin but by the content of their character." That is the true value. By the way, in Russia, the vast majority of people do not care about a person's skin color or gender; what matters is that each of us is human. That is the main thing. Those who dare to state that the terms "man" and "woman" exist as biological facts are subjected to near-total ostracism. We see "Parent number one," "Parent number two," "birth parent" instead of "mother," and the phrase "breast milk" being replaced with "human milk" to avoid upsetting those unsure of their gender. I am not even speaking of the absolutely monstrous practice of indoctrinating children from a young age—telling them that a boy can easily become a girl and vice versa. This imposes a so-called "choice" on them, often excluding parents and pushing children to make life-altering decisions. Is anyone asking whether a child at that age is even capable of such choices? To call things by their proper names, this is a crime against humanity, and it is all done under the banner of progress.” - President Putin

🇷🇺Russia is not Enemy

15,878 просмотров • 8 месяцев назад

James Carville: "The most racist thing that I hear is when people say 'communities of color' or 'people of color' because that assumes that everybody that is not white is the same."
1:15

James Carville: "The most racist thing that I hear is when people say 'communities of color' or 'people of color' because that assumes that everybody that is not white is the same."

Defiant L’s

230,131 просмотров • 1 год назад

James on YouTube blue light room drilling craft room analysis...🧐🤔 Many are speculating that the light in James room is from a external bulb or source but here is a overlay from his previous video of him taking out the bulbs on that side of the room and when the blue light occurred hard to sell but if u look there is no bulb there no bulb on that side of the room period. No light source and the back of the room doesn’t have a window or anything period.
0:24

James on YouTube blue light room drilling craft room analysis...🧐🤔 Many are speculating that the light in James room is from a external bulb or source but here is a overlay from his previous video of him taking out the bulbs on that side of the room and when the blue light occurred hard to sell but if u look there is no bulb there no bulb on that side of the room period. No light source and the back of the room doesn’t have a window or anything period.

UFO mania

86,664 просмотров • 7 месяцев назад

Baptised Catholics who walk away from the true Church often claim they have “seen the light.” But let’s be clear, that is not the light. No failure of a priest. No scandal of a bishop. Not even the weakness of a Pope is ever a justification to abandon the Catholic Church. The truth is this: you don’t leave Christ because of Judas. The Catholic Church is not built on the perfection of men. it is built on Christ Himself and sustained by the Eucharist. Those who truly understand and value the Eucharist do not walk away from it. Call it what it is, not “seeing the light,” but turning away from it. Leaving the Catholic Church is synonymous with turning away from the Light.
0:54

Baptised Catholics who walk away from the true Church often claim they have “seen the light.” But let’s be clear, that is not the light. No failure of a priest. No scandal of a bishop. Not even the weakness of a Pope is ever a justification to abandon the Catholic Church. The truth is this: you don’t leave Christ because of Judas. The Catholic Church is not built on the perfection of men. it is built on Christ Himself and sustained by the Eucharist. Those who truly understand and value the Eucharist do not walk away from it. Call it what it is, not “seeing the light,” but turning away from it. Leaving the Catholic Church is synonymous with turning away from the Light.

Uche is a girl 🇻🇦

111,088 просмотров • 3 месяцев назад

Kamala explains to Don Lemon the power of hope: “I really, truly believe this. We we each have have light inside of us. And we need to know that that is what inspires our hope as much as anything external to ourselves. And when we feel that and and and not allow an election or an individual to dampen that light, and instead light, let that light kind of carry us in particular through moments of darkness, that that we not only act on that hope, but we inspire that hope in each other. And in particular, at this moment, it is so important that we not only have hope, but that we understand that that should be a verb."
0:46

Kamala explains to Don Lemon the power of hope: “I really, truly believe this. We we each have have light inside of us. And we need to know that that is what inspires our hope as much as anything external to ourselves. And when we feel that and and and not allow an election or an individual to dampen that light, and instead light, let that light kind of carry us in particular through moments of darkness, that that we not only act on that hope, but we inspire that hope in each other. And in particular, at this moment, it is so important that we not only have hope, but that we understand that that should be a verb."

Western Lensman

1,230,222 просмотров • 18 дней назад