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amy poehler “sometimes i like feeling small, do you know in relationship the idea of big and small” claire danes, “it’s like ceos who go to the doms” 😭

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Aubrey Plaza compares the grief of losing her husband to a horror movie. Amy Poehler: You lost your husband. Aubrey Plaza: Yeah. Amy Poehler: You’ve been dealing with that, and you’ve been looking for all different ways in which to feel and find support. And I think I would, on behalf of all the people who feel like they know you and the people who do know you, ask: how are you feeling today? Aubrey Plaza: Um, I’m… I mean, right in this very, very present moment, I feel happy to be with you. Amy Poehler: Mhm. Aubrey Plaza: Um, I feel… overall, I’m here, and I’m functioning, and I feel, you know, like I feel really grateful to be moving through the world. Amy Poehler: Mhm. Aubrey Plaza: I think, like, I’m okay, but, you know, it’s like a daily struggle, obviously. This is like a really dumb analogy, but… and it was kind of a joke at some point, but like, I actually mean it. Did you see that movie, The Gorge? Amy Poehler: No. Aubrey Plaza: Okay. Amy Poehler: Horror movie? Aubrey Plaza: It’s like a sci-fi alien movie or something. Amy Poehler: Okay, okay, okay. Aubrey Plaza: With, like, Miles… Amy Poehler: Teller? Aubrey Plaza: Teller. And, um… but it’s like, in the movie, there’s like a cliff on one side, and then there’s like a cliff on the other side, and then there’s this, like, gorge in between, and it’s like filled with all these, like, monster people that are trying to get them. And, like, I swear when I watched it, I was like, “That feels like what my grief is like,” or what grief could be like, where it’s like, at all times, there’s like a giant ocean of just awfulness that’s, like, right there, and I can, like, see it. Amy Poehler: Mhm. Aubrey Plaza: And, like, sometimes I just want to, like, dive into it and just be in it. And then sometimes I just look at it. And then sometimes I try to get away from it… Amy Poehler: Mhm. Aubrey Plaza: …but it’s always there. It’s just always there, and the monster people are trying to get me, like Miles Teller. Amy Poehler: Yeah. And… and, uh, Anya… Aubrey Plaza: And Anya Taylor-Joy. Amy Poehler: Yeah.

Aubrey Plaza compares the grief of losing her husband to a horror movie. Amy Poehler: You lost your husband. Aubrey Plaza: Yeah. Amy Poehler: You’ve been dealing with that, and you’ve been looking for all different ways in which to feel and find support. And I think I would, on behalf of all the people who feel like they know you and the people who do know you, ask: how are you feeling today? Aubrey Plaza: Um, I’m… I mean, right in this very, very present moment, I feel happy to be with you. Amy Poehler: Mhm. Aubrey Plaza: Um, I feel… overall, I’m here, and I’m functioning, and I feel, you know, like I feel really grateful to be moving through the world. Amy Poehler: Mhm. Aubrey Plaza: I think, like, I’m okay, but, you know, it’s like a daily struggle, obviously. This is like a really dumb analogy, but… and it was kind of a joke at some point, but like, I actually mean it. Did you see that movie, The Gorge? Amy Poehler: No. Aubrey Plaza: Okay. Amy Poehler: Horror movie? Aubrey Plaza: It’s like a sci-fi alien movie or something. Amy Poehler: Okay, okay, okay. Aubrey Plaza: With, like, Miles… Amy Poehler: Teller? Aubrey Plaza: Teller. And, um… but it’s like, in the movie, there’s like a cliff on one side, and then there’s like a cliff on the other side, and then there’s this, like, gorge in between, and it’s like filled with all these, like, monster people that are trying to get them. And, like, I swear when I watched it, I was like, “That feels like what my grief is like,” or what grief could be like, where it’s like, at all times, there’s like a giant ocean of just awfulness that’s, like, right there, and I can, like, see it. Amy Poehler: Mhm. Aubrey Plaza: And, like, sometimes I just want to, like, dive into it and just be in it. And then sometimes I just look at it. And then sometimes I try to get away from it… Amy Poehler: Mhm. Aubrey Plaza: …but it’s always there. It’s just always there, and the monster people are trying to get me, like Miles Teller. Amy Poehler: Yeah. And… and, uh, Anya… Aubrey Plaza: And Anya Taylor-Joy. Amy Poehler: Yeah.

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Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

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“I'm like always psyched up for sex.”, Dakota Johnson reveals what’s it like for her to act sex scenes in movies Amy Poehler: When you have to do sex scenes, how do you psych yourself up for that? Dakota Johnson: I mean, I don't have to. I'm like always psyched up for sex. Amy Poehler: You're psyched? Yeah, fuck yeah! "Psyched up" is that a thing? Dakota Johnson: Let's go to Pound Town. Let's go to Pound Town, everybody.

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amy poehler, yes i do need a clip show called “cut the shit” where you air all the cut clips from good hang. like immediately

amy poehler, yes i do need a clip show called “cut the shit” where you air all the cut clips from good hang. like immediately

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John Cena reveals WWE referees relay live backstage instructions to wrestlers during matches. John Cena: I thought that was real. Amy Poehler: No, it’s fake. (laughs) John Cena: Anyway, I have the referee saying, “You have 17 minutes left. You have 16 minutes left.” So it’s all happening in real time. There are coaches watching you from behind a curtain who tell the referee what they think you should do. Amy Poehler: Right. You’re getting notes in real time. John Cena: In real time! Amy Poehler: That’s why live TV is so… John Cena: It’s crazy. That’s why I wanted to do it forever. I just physically can’t do it anymore. Whenever anyone asks what I like more, wrestling or acting, it’s wrestling. That’s why I got run out of Hollywood the first time. Amy Poehler: You talked about that. I love what you said. John Cena: Look at what we just talked about. That’s great. You can feel the excitement. Amy Poehler: The knowledge, the excitement, the performance. John Cena: When you get fluent at it, you start thinking, “I understand this. I’ll do this.” Then the challenge becomes, “The UK crowd is throwing a beach ball around. How do I work that into the act? Go get that thing and pop it. When you come back, I’ll give you my finish.” It’s all happening in real time. I’ve had people get married, I’ve had people start fights in the stands, and we work it all into the act because you’re prepared. Amy Poehler: That’s amazing. John Cena: It’s not that we want it. It just is. Amy Poehler: It’s the opposite of doing stand-up and not wanting a heckler. You want people listening and participating. John Cena: In stand-up, the protocol is, “Enjoy the comedy. Don’t heckle.” In wrestling, you’ve paid your money to heckle, and there are 12,000 of you. Good luck. You can heckle as a group. Chants start that are too hot for TV, Netflix has to mute the audio, and the sound literally cuts out. It’s crazy.

John Cena reveals WWE referees relay live backstage instructions to wrestlers during matches. John Cena: I thought that was real. Amy Poehler: No, it’s fake. (laughs) John Cena: Anyway, I have the referee saying, “You have 17 minutes left. You have 16 minutes left.” So it’s all happening in real time. There are coaches watching you from behind a curtain who tell the referee what they think you should do. Amy Poehler: Right. You’re getting notes in real time. John Cena: In real time! Amy Poehler: That’s why live TV is so… John Cena: It’s crazy. That’s why I wanted to do it forever. I just physically can’t do it anymore. Whenever anyone asks what I like more, wrestling or acting, it’s wrestling. That’s why I got run out of Hollywood the first time. Amy Poehler: You talked about that. I love what you said. John Cena: Look at what we just talked about. That’s great. You can feel the excitement. Amy Poehler: The knowledge, the excitement, the performance. John Cena: When you get fluent at it, you start thinking, “I understand this. I’ll do this.” Then the challenge becomes, “The UK crowd is throwing a beach ball around. How do I work that into the act? Go get that thing and pop it. When you come back, I’ll give you my finish.” It’s all happening in real time. I’ve had people get married, I’ve had people start fights in the stands, and we work it all into the act because you’re prepared. Amy Poehler: That’s amazing. John Cena: It’s not that we want it. It just is. Amy Poehler: It’s the opposite of doing stand-up and not wanting a heckler. You want people listening and participating. John Cena: In stand-up, the protocol is, “Enjoy the comedy. Don’t heckle.” In wrestling, you’ve paid your money to heckle, and there are 12,000 of you. Good luck. You can heckle as a group. Chants start that are too hot for TV, Netflix has to mute the audio, and the sound literally cuts out. It’s crazy.

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YOU KNOW WHY? BECAUSE HER AND PLAZA DID THE KISSY KISSY 😘 👄 (I LOVE YOU AMY POEHLER

YOU KNOW WHY? BECAUSE HER AND PLAZA DID THE KISSY KISSY 😘 👄 (I LOVE YOU AMY POEHLER

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Matt Damon opens up about the brutal reality of his sleep schedule, how having kids ruined it, and why filming his latest movie forced him onto the "Odyssey 5" rule where 5 hours felt like a miracle. Amy Poehler: Incredible. What's your sleep situation? Do you sleep? Do you love to sleep? You got teenagers in the house. Matt Damon: Once you had kids, did you ever sleep well again? Amy Poehler: No, it wasn't until they got older. It was a huge stretch where I felt like I didn't sleep for 10 years. Matt Damon: I've been a lighter sleeper. But on this movie, me and the PAs had a joke called "the Odyssey 5", if you could get 5 hours of sleep, you were thrilled. Amy Poehler: That's tough. That's not a lot of sleep. Matt Damon: It wasn't, but it was enough. Though I realized 5 is the cutoff. There were some 4-hour nights, and two nights where I didn't sleep at all. Amy Poehler: Because you were working? Matt Damon: No, I got home overly tired, sat there, missed the sleep window, and started panicking. Amy Poehler: You missed the window and felt like, "Tomorrow I literally have to lift a rock through the mud." Matt Damon: Yeah, like "I have to do sprints tomorrow." Amy Poehler: "Hardest day!" It seemed so hard. Matt Damon: It was hard for everybody, but that's what made it wonderful.

Matt Damon opens up about the brutal reality of his sleep schedule, how having kids ruined it, and why filming his latest movie forced him onto the "Odyssey 5" rule where 5 hours felt like a miracle. Amy Poehler: Incredible. What's your sleep situation? Do you sleep? Do you love to sleep? You got teenagers in the house. Matt Damon: Once you had kids, did you ever sleep well again? Amy Poehler: No, it wasn't until they got older. It was a huge stretch where I felt like I didn't sleep for 10 years. Matt Damon: I've been a lighter sleeper. But on this movie, me and the PAs had a joke called "the Odyssey 5", if you could get 5 hours of sleep, you were thrilled. Amy Poehler: That's tough. That's not a lot of sleep. Matt Damon: It wasn't, but it was enough. Though I realized 5 is the cutoff. There were some 4-hour nights, and two nights where I didn't sleep at all. Amy Poehler: Because you were working? Matt Damon: No, I got home overly tired, sat there, missed the sleep window, and started panicking. Amy Poehler: You missed the window and felt like, "Tomorrow I literally have to lift a rock through the mud." Matt Damon: Yeah, like "I have to do sprints tomorrow." Amy Poehler: "Hardest day!" It seemed so hard. Matt Damon: It was hard for everybody, but that's what made it wonderful.

Fola

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Aubrey Plaza jokes that she’d do anything to work with Quentin Tarantino. Aubrey: …even if the script’s, like, really good, or if it’s like, “You gotta work with, you know, Glen Powell,” or whatever, it’s like, I don’t… Amy: But you gotta work with… Aubrey: I know, but I don’t… I don’t want to. Amy: You gotta. Aubrey: (sighs) I can’t. Amy: You can. Aubrey: No. Amy: He’s neighbors with Jack McBrayer. Aubrey: I don’t… Alright, fine, I’ll do it. (Both laugh.) Aubrey: I’m definitely interested in doing the opposite of what I just did. The Honey Don’t! thing, honestly, was mind-blowing that a Coen brother wanted to work with me. I was like, “Oh my God…” Amy: Honey, everybody wants to work with you, honey. Aubrey: Tarantino, where the fuck are you? Amy: Hello, Tarantino! Quentin, Quentin, if you’re listening… Aubrey: Close your ears, close your ears. Tarantino, I’ll do anything. Amy: (laughs) Oh, she’ll do anything, Tarantino. Aubrey: I’ll do anything, Tarantino. Amy: As her manager, she will not do anything. And the feet are off the table, big guy. Aubrey: (mimics phone ringing) Ring, ring, ring. Tarantino, it’s Aubrey. Guess what? I’ll do anything you want, babe. Amy: It’s extra for the feet… Aubrey: Naked in heels, Tarantino.

Aubrey Plaza jokes that she’d do anything to work with Quentin Tarantino. Aubrey: …even if the script’s, like, really good, or if it’s like, “You gotta work with, you know, Glen Powell,” or whatever, it’s like, I don’t… Amy: But you gotta work with… Aubrey: I know, but I don’t… I don’t want to. Amy: You gotta. Aubrey: (sighs) I can’t. Amy: You can. Aubrey: No. Amy: He’s neighbors with Jack McBrayer. Aubrey: I don’t… Alright, fine, I’ll do it. (Both laugh.) Aubrey: I’m definitely interested in doing the opposite of what I just did. The Honey Don’t! thing, honestly, was mind-blowing that a Coen brother wanted to work with me. I was like, “Oh my God…” Amy: Honey, everybody wants to work with you, honey. Aubrey: Tarantino, where the fuck are you? Amy: Hello, Tarantino! Quentin, Quentin, if you’re listening… Aubrey: Close your ears, close your ears. Tarantino, I’ll do anything. Amy: (laughs) Oh, she’ll do anything, Tarantino. Aubrey: I’ll do anything, Tarantino. Amy: As her manager, she will not do anything. And the feet are off the table, big guy. Aubrey: (mimics phone ringing) Ring, ring, ring. Tarantino, it’s Aubrey. Guess what? I’ll do anything you want, babe. Amy: It’s extra for the feet… Aubrey: Naked in heels, Tarantino.

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Some of you tinies are so small, even my pink toe engulfs you in its shadow. The ones this small are pretty useless, to the point I don’t even know I step on them, just like ants. Pathetic #giantess #macrophilia

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Will Ferrell said Swedish people have a sly, dry sense of humor and are often unintentionally direct. Amy Poehler: Swedish? Will Ferrell: Swedish. Amy Poehler: And that’s what we have in common. My brother lives in Sweden. What are the stereotypes of Swedish people that are correct? Will Ferrell: I think the stereotype that Swedes aren’t funny… Amy Poehler: Mhm. Will Ferrell: …is not true. Amy Poehler: Agree. Will Ferrell: They have a very sly, dry sense of humor. Amy Poehler: Yes! [laughs] Will Ferrell: And, as you know very well, and your brother knows, they can also be unintentionally direct. Amy Poehler: Yeah. Very direct. Unintentionally.

Will Ferrell said Swedish people have a sly, dry sense of humor and are often unintentionally direct. Amy Poehler: Swedish? Will Ferrell: Swedish. Amy Poehler: And that’s what we have in common. My brother lives in Sweden. What are the stereotypes of Swedish people that are correct? Will Ferrell: I think the stereotype that Swedes aren’t funny… Amy Poehler: Mhm. Will Ferrell: …is not true. Amy Poehler: Agree. Will Ferrell: They have a very sly, dry sense of humor. Amy Poehler: Yes! [laughs] Will Ferrell: And, as you know very well, and your brother knows, they can also be unintentionally direct. Amy Poehler: Yeah. Very direct. Unintentionally.

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Just hearing of a Christian gym for the very first time, & I kinda like the idea 😁 Do you like the idea of a Christian gym, where you go exercise, praise God & pray together? Let me know your thoughts in the cs

Just hearing of a Christian gym for the very first time, & I kinda like the idea 😁 Do you like the idea of a Christian gym, where you go exercise, praise God & pray together? Let me know your thoughts in the cs

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Small businesses are the heart of our communities. As Vice President, it has been a joy to visit small businesses across the nation and get to know the owners, entrepreneurs, and workers – like Mike – who power them.

Small businesses are the heart of our communities. As Vice President, it has been a joy to visit small businesses across the nation and get to know the owners, entrepreneurs, and workers – like Mike – who power them.

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"The sense I had was this sense of fragility and feeling small, infinitesimally small, but yet this very powerful feeling as a human being, like as a group." Artemis II astronaut Jeremy Hansen describes what really struck him about traveling in space, describing the contradiction of feeling both "small and powerless, but yet powerful together."

"The sense I had was this sense of fragility and feeling small, infinitesimally small, but yet this very powerful feeling as a human being, like as a group." Artemis II astronaut Jeremy Hansen describes what really struck him about traveling in space, describing the contradiction of feeling both "small and powerless, but yet powerful together."

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