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ANBERNIC RG Rotate coming soon Swivel-screen Android handheld Aurora Silver / Polar Black Aluminum / ABS

33,464 görüntüleme • 3 ay önce •via X (Twitter)

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Gemini for Android is here! This new app makes it easier to access Google's chatbot, powered by the Gemini Pro LLM, right from your Android device. You can ask Gemini a question by tapping the launcher icon or long-pressing the power button. Once invoked, the Gemini overlay lets you enter a text or text+image prompt. You can tap the camera icon to snap a photo or press the "add this screen" button to take a screenshot of the current page to include in your prompt. The Gemini app for Android is available on Google Play with support for English, but support for Korean and Japanese will be coming next week. While there won't be an app for iOS, iPhone users can access Gemini by opening the Google App and tapping the "Gemini" button up top. How can you long-press the power button to invoke Gemini if that gesture is handled by Google Assistant? The answer is that the Gemini Android app can replace Google Assistant as your default assistant if you want, meaning all the ways you'd normally invoke Google Assistant on your phone can instead invoke Gemini. Unfortunately, Gemini currently doesn't offer ALL the same functionality as Google Assistant and requires an active data connection, but more features will be added over time. There's also now a Gemini Advanced tier, which offers access to Google's most powerful Ultra 1.0 LLM. Access to Gemini Advanced requires a subscription to the new $20/month "AI Premium" Google One plan, which offers the same benefits as the 2TB plan but adds access to Gemini Advanced and soon Gemini features in Gmail, Docs, & other Workspace apps (formerly under the Duet AI umbrella). Gemini Advanced is available in English on the web.

Mishaal Rahman

38,428 görüntüleme • 2 yıl önce

Some stories don't end with the rescue; they begin with the chase. The pendant is broken. The call has been made. Now Reyes has only one clue and everything to lose. Made with Seedream 5.0 and Seedance 2.0 on RoboNeo Prompt: PART 1 — 0–15s VIDEO PROMPT Continue directly from Episode Zero final frame. Create a realistic live-action football thriller scene with a cinematic Netflix-style sports drama atmosphere. Mateo Reyes: 28-year-old fictional elite football captain, athletic build, short dark wavy hair, brown eyes, light stubble. Wearing a navy-and-gold national-style football kit with captain armband. Jersey details: Back name: REYES Number: 10 Clean realistic sports lettering. No real team logo or brand visible. Emotional state: confused, protective, determined. Elena: 27-year-old woman, long dark wavy hair, cream blouse, tan trousers, silver pendant around her neck. Fearful expression. Looking directly toward Mateo. Stranger: Tall mysterious figure wearing a dark overcoat. Face completely hidden in shadow or outside the frame. Black leather glove gripping Elena’s shoulder. Never reveal identity. [0.0–1.5 SEC] RECALL — CLIFFHANGER CONTINUATION Camera: Static cinematic freeze-frame matching Episode Zero ending. Medium-wide over-the-shoulder shot from behind Mateo. Composition: Mateo stands in the right foreground. His arm is slightly extended toward Elena. The back of his jersey is partially visible with “REYES 10” readable. Elena stands on the left side near a railing. Stranger stands behind Elena with a gloved hand on her shoulder. Mateo is looking directly at Elena. He is not looking at the crowd. Visual: Natural stadium lighting. Realistic sweat and skin texture. Soft background blur. Crowd only as an indistinct background element. Audio: Low cinematic impact sound fading from previous episode. Text Overlay: Minimal elegant serif text: “PREVIOUSLY...” Bottom-left. [1.5–5 SEC] THE QUESTION Camera: Slow handheld push-in from Mateo’s side angle. Natural documentary-style movement. Action: The frozen moment resumes. Elena turns toward Mateo, fear visible in her eyes. The Stranger pulls her slightly backward while keeping his face hidden. Mateo takes one step forward. His eyes remain fixed only on Elena. Shot A — Mateo Close-Up 35mm cinematic lens. Mateo breathing heavily. Confusion and urgency on his face. He speaks directly to Elena: Mateo: “Elena — who is that?!” Shot B — Elena Reaction Medium close-up. Elena looks frightened. She appears unable to explain. Her pendant catches a small reflection of light. Shot C — Stranger Detail Close-up of the black glove tightening on Elena’s shoulder. Face remains hidden. No dialogue. [5–10 SEC] SECURITY INTERVENTION Camera: Handheld tracking shot behind Mateo. Maintain clear geography. Mateo remains focused on Elena. Elena and Stranger move toward the side exit. Do not show Mateo shouting toward random people. Action: Two fictional stadium security officers enter from the side corridor. One officer blocks Mateo. Security Officer: “Sir, stay back — we’ll handle this.” Mateo tries to move forward but is stopped. Cut to Elena. The Stranger pulls her toward the exit. Before disappearing, Elena looks back. Her eyes meet Mateo’s. Mateo freezes. The silver pendant reflects the stadium light. No exaggerated crying. Only shock and fear. [10–15 SEC] THE CHASE BEGINS — MOVING TO THE LOCATION Transition: Move naturally from the stadium exterior into the pursuit. No return to the stadium. Camera: Fast handheld tracking shot following Mateo as he leaves through a restricted side exit. Night environment. Realistic street lighting. Thriller atmosphere. Action: Mateo removes his match layer and throws a dark training jacket over his shoulders. As he walks away: The camera briefly captures the back of his shirt: REYES 10 Clearly visible. No logos. No real team branding. Mateo follows the last known direction where Elena was taken. Cut to: Exterior — Abandoned Industrial Location Dark warehouse entrance. Quiet street. Moody cinematic lighting. Mateo arrives alone. Camera follows from behind. His jacket moves naturally in the wind. He searches the area. Final Shot: Slow cinematic push-in. Mateo notices Elena’s silver pendant lying near the entrance. He picks it up. His expression changes from confusion to determination. Low suspense music rises. CUT TO BLACK. PART 2 — 15–30s VIDEO PROMPT 15.0–19.0 sec | PANEL 1 — THE WEIGHT OF THE PENDANT Camera Slow cinematic push-in. Natural handheld movement. Action Mateo slowly closes his fingers around the pendant. His breathing becomes uneven. He stares at it as memories of Elena flash across his mind (no flashback visuals, only conveyed through his expression). His shoulders slump. For a brief moment, he struggles to stay composed. He presses the pendant tightly against his forehead, closes his eyes, and exhales deeply as if blaming himself for not reaching her in time. A tear begins to form but never fully falls. He whispers almost silently: "I'm sorry..." Cold wind moves through the abandoned industrial yard. Everything else remains silent. 19.0–24.0 sec | PANEL 2 — THE PHONE CALL Camera Medium close-up from the front. Shallow depth of field. Slow handheld push toward Mateo. Action His phone suddenly vibrates. He opens his eyes immediately. His breathing stops for a split second. Without letting go of the pendant, he answers. Dialogue Unknown Voice (distorted, calm): "You should have stayed on the pitch, Reyes." Mateo's face changes instantly. The sadness disappears. Anger replaces it. His grip tightens around the pendant until his knuckles turn white. Mateo (furious): "Where is she?!" Silence. The call disconnects. Flat electronic tone. Mateo continues listening to the dead line for another second, refusing to lower the phone. 24.0–27.0 sec | PANEL 3 — DESPERATION Camera Handheld side tracking shot. Medium-wide framing. Natural movement. Action Mateo lowers the phone slowly. His breathing becomes heavier. Frustration overwhelms him. He punches a nearby concrete pillar with his free hand. The impact echoes through the empty warehouse. He immediately winces in pain. His knuckles become slightly bloodied. He doesn't care. Still clutching Elena's pendant tightly in the other hand, he leans against the pillar for a brief second, trying to regain control. He wipes the tears from his eyes with the back of his sleeve. Then straightens up. His expression changes completely. Fear is gone. Only determination remains. 27.0–30.0 sec | PANEL 4 — THE PROMISE Camera Wide cinematic shot. Very slow dolly forward. Long abandoned industrial road disappearing into darkness. Action Mateo steps forward into the empty roadway. His fist remains tightly closed around Elena's pendant. Far ahead— A single red taillight flickers once before disappearing behind an abandoned warehouse. Mateo never looks away. He quietly says: "I'm coming for you." No music for a beat. Only distant wind. Freeze exactly as the taillight disappears. Hold the frame for two full beats. Hard cut to black. END CARD Black background. Elegant gold serif typography. Slow two-second fade in. EPISODE 2 COMING SOON Hold for at least two seconds before fading out.

Shami

46,713 görüntüleme • 18 gün önce

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 görüntüleme • 10 gün önce

He gave everything to save his kingdom... only to discover it was all a tutorial. 💀⚔️ Created with GPT Image 2 and Seedance 2.0 on FlovaAI #Flovaai #Flovacpp Prompt: Epic dark fantasy anime, ultra-cinematic, 4K, highly detailed, dramatic lighting, stormy skies over a ruined medieval kingdom. Burning castles, collapsing towers, ash falling like snow, soldiers fleeing in panic. A colossal Demon King named Vargos, over 10 feet tall, clad in cracked black obsidian armor glowing with molten crimson veins, stands among the destruction holding a gigantic jagged sword. Camera: Aerial drone shot sweeping over the burning kingdom, fast push-in toward the battlefield. Quick cuts to frightened civilians, destroyed banners, and explosions. Whip pan to the hero. Reveal Kael, an 18-year-old anime hero with messy black hair, piercing blue eyes, wearing a black hooded tunic beneath silver battle armor, gripping a glowing blue longsword. His face is bruised, determined, breathing heavily. Camera: Low-angle hero shot with the cape fluttering dramatically. Close-up of Kael's eyes reflecting the Demon King. Slow-motion as he raises his sword. Dialogue: Kael: "If I fall... this kingdom falls with me." Thunder crashes. Kael charges at impossible speed. PART 2 (15–30s) — The Impossible Fight Prompt: Fast-paced anime combat with fluid sakuga animation. Kael dashes across shattered stone streets, leaving blue energy trails. Vargos effortlessly blocks every strike with one hand. Sparks explode with every clash. Buildings crumble from the shockwaves. Camera: Dynamic tracking shot following Kael's sprint. Rapid orbit around the fighters during sword clashes. Extreme close-ups of blades colliding. Dutch-angle shots during impacts. Slow-motion only on major hits, then instantly return to full speed. Kael unleashes a brilliant blue energy slash that tears through the battlefield. Dust clears... Vargos is completely unharmed. Without emotion, Vargos raises one finger and stops Kael's sword. Dialogue: Vargos (calmly): "You're not ready." With one devastating strike, Kael is launched through multiple ruined buildings. PART 3 (30–45s) — Defeat Prompt: Kael struggles to stand among smoking rubble. Blood drips from his mouth. His glowing sword flickers as if losing power. Flames surround him while the sky grows darker. The Demon King slowly approaches through smoke, every step shaking the ground. Camera: Handheld-style close-up to emphasize Kael's exhaustion. Over-the-shoulder shot showing the towering Demon King approaching. Extreme close-up of Kael tightening his grip. Slow dolly toward both characters as tension builds. Kael screams and releases every ounce of remaining power. A massive blue aura erupts, cracking the ground beneath him. He lunges one final time. Vargos sidesteps effortlessly. In one swift motion, Vargos drives his obsidian blade through Kael's chest. Everything freezes. The blue glow fades. The sword slips from Kael's hand. Camera: Slow-motion close-up of Kael's shocked expression. His body falls backward. Sound fades into silence as the screen cuts to black. He gave everything to save his kingdom... only to discover it was all a tutorial. 💀⚔️PART 4 (45–60s) — Tutorial Complete Prompt: Pure black screen. Complete silence for two seconds. Suddenly, glowing white digital text flickers into existence: TUTORIAL COMPLETE The text glitches with subtle distortion. A bright white light floods the screen. Kael suddenly gasps awake in a pristine white futuristic chamber with polished metallic walls and floating holographic displays. His armor is gone. He wears simple black clothing. Confused, he looks around. Camera: First-person POV as Kael opens his eyes. Rack focus from blurred vision to sharp clarity. Slow 360° rotation revealing the sterile room. Push-in toward Kael's confused face. A calm, emotionless synthetic voice echoes through the room. Voice: "Congratulations... Candidate 417." Kael whispers: "Where... am I?" The voice replies: "You have successfully completed the tutorial." The camera slowly pulls backward through the open doorway, revealing thousands of identical white chambers stretching endlessly into the distance, each containing another person who has just awakened. Final shot: Fade to black. On-screen text: GAME OVER? – EPISODE 1

Natalia

40,492 görüntüleme • 6 gün önce

Can AI create a Hollywood-quality storyboard from just one prompt? This entire cinematic storyboard, from the seamless bridge shot to the final battle frame, was created with GPT Image 2 + Seedance 2.0 on TapNow The consistency in character design, camera angles, lighting, and storytelling makes it feel like a real film pre-production board. Would you watch "Last Light on Desolation Row" if it became a movie? Prompt: LAST LIGHT ON DESOLATION ROW 30-Second AI Video Prompt (Short Version) Style: IMAX cinematic, ultra-photorealistic, handheld realism, 4K HDR, shallow depth of field, natural lens breathing, gritty post-apocalyptic atmosphere, no music, realistic sound design only. Character (Locked): Asha Voss — Western female, late 20s, pale gray eyes, auburn hair beneath a weathered wide-brim hat with a silver band, scar above left brow, graphite-gray long duster, dark tactical clothing, steel-heeled boots. Calm, cold, fearless. Weapon (Locked): Crescent Chain Sickle — obsidian crescent blade with glowing violet cracks, woven-steel chain with violet energy nodes, geometric counterweight, violet energy trails while spinning. Enemies (Locked): Veil Crawlers — mirror-glass humanoids with backward-bending joints, glass-shard fingers, featureless reflective faces, ghost afterimages, signature reversed-glass sound. Environment (Locked): Collapsed American interstate highway at dusk, burnt vehicles, fallen overpasses, glowing amber asphalt fissures, drifting ash, copper-to-violet sky, dry wind, no rain. Part 1 – The Arrival (0–15s) Extreme macro of the Crescent Chain Sickle scraping glowing asphalt as violet cracks awaken. Whip pan to Asha Voss standing silently beneath her hat, then handheld tracking follows her through the ruined highway while the chain slides through her gloved hand. She suddenly stops after hearing reversed glass-breaking echoes. The first Veil Crawlers emerge between burnt vehicles. Close-up of her eyes reflecting violet light as she calmly releases the chain. The first and second violet energy nodes ignite, the weapon begins its first rotation— Hard Cut. Part 2 – The Hunt (15–30s) Open on the exact same frame where Part 1 ended. Continue the identical close-up as the second and third energy nodes ignite. The camera pulls back to reveal Asha dropping into her combat stance before charging into the Veil Crawler swarm. The Crescent Chain Sickle spins in brilliant violet arcs as she battles through the creatures. Macro shots highlight the weapon's mechanics before she vaults onto an overturned truck, creating a glowing vortex above the battlefield. She launches into the air, unleashing one massive violet sweep that shatters the swarm into mirror fragments. She lands calmly on one knee as the weapon slows, violet energy fades, ash drifts through the silent battlefield, and the screen fades to black. Negative Prompt: Do not change Asha's appearance, age, clothing, weapon, or environment between shots. Keep the same collapsed highway, copper-violet sky, and ash-filled atmosphere throughout. No anime, cartoons, daylight, rain, text, subtitles, logos, UI, music, or creature redesigns.

Shami

27,603 görüntüleme • 1 ay önce

🚨 BREAKING: THE MASKS ARE OFF! THE EPSTEIN FILES Just Ended An Era 🚨 This is the moment the carefully manufactured illusion of Hollywood "icons" shattered forever. As soon as their names surfaced in the Epstein documents, the gods of the silver screen, the untouchable celebrities, the global elite entertainers... they didn't just fade... they collapsed, without any accountability whatsoever. Look at this split-screen evidence (video 21/1000 in the disturbing Epstein archive): Top: The smiling, suited power group... the kind of men the world worshipped at red carpets and award shows. Bottom: A terrified child on a couch, voice shaking, describing horrors no human should ever know: "My dad kills babies and he eats the meat..." "They touch me..." "It big plus to really my bottom and when it bleeds if I cry..." "But if I cry more he hits me again..." This is the raw, gut wrenching testimony that the files have unleashed. Parties that ended in unimaginable evil. "Spaghetti spoons" as code. Elite gatherings where innocence was the main course. For decades, Hollywood and the media sold us these larger than life figures as heroes, role models, and cultural gods. They built empires on our admiration while (according to the unsealed files and survivor accounts) some moved in circles where children were trafficked like party favors. The files didn't "cancel" them... they just dropped out of the spotlight so that people would forget. Names dropped like dominoes. Careers evaporated. Reputations turned to dust. The same industry that lectured us about morality for years is now exposed as a potential playground for the worst monsters among us. Yet we have seen NO REAL accountability whatsoever. This isn't about left vs right. This isn't conspiracy... it's court documents, flight logs, witness statements, and now these haunting videos seeing the light of day. How many more "21/1000" videos exist? How deep does this network really go? And why did it take this long for the public to see it? The age of fake idols should be over, But it isn't... these people they place on the big stages... are still idolized. Why? The Great Awakening isn't coming... IT'S HERE. Share this if you want the full truth to drop. No more protected classes. No more "untouchables." Justice for every single victim. The children deserve it. Humanity demands it. What name shocked you the most? Let me know what you think, and SHARE THIS so that others may too. THIS NEEDS TO GO VIRAL! Share it with all of your group chats, and EVERYONE you know! And if you're not already following Noah B. Price... What the heck are you doing?! Don't forget to check out the rest of the thread below.

Noah B. Price

546,376 görüntüleme • 1 ay önce

A peaceful evening in Paris turns into chaos. One ordinary man answers an extraordinary call. The guardian awakens. created on GPT image and seedance 2.0 on TapNow Prompt: Style: Ultra-realistic cinematic superhero film, Hollywood blockbuster quality, fast-paced editing, dynamic camera movement, realistic physics, dramatic lighting, 4K HDR, vibrant Paris atmosphere, high energy, seamless transitions. 0:00–0:03 Camera: FPV drone dives through the Paris skyline before rapidly descending toward a lively plaza near the Eiffel Tower. Fast whip-pan between musicians, cafés, tourists taking photos, street performers, and children chasing pigeons. Action: The city feels vibrant and alive. Warm golden-hour sunlight reflects off the buildings. Fireworks begin in the distance as a city festival fills the streets. Audio: Lively crowd chatter, street music, laughter. 0:03–0:06 camera: Sudden handheld shake followed by a dramatic low-angle shot of a museum entrance. Action: A powerful blue energy blast erupts, shattering the glass doors. Smoke pours out as a masked thief bursts into the street holding a glowing blue crystal. Police rush forward but are knocked back by a pulse of energy. The thief leaps effortlessly onto nearby rooftops. Audio: Explosion, glass shattering, screams, alarms. Thief (laughing): "Catch me if you can!" 0:06–0:09 Camera: Match cut to Caden exiting a nearby café with an iced coffee. Medium tracking shot follows him as confused crowds rush past in the opposite direction. Action: He notices the chaos. His silver ring suddenly glows with brilliant blue energy. Extreme close-up: Intricate symbols appear on the ring, rotating as pulses of light spread across his hand. AI Voice (from the ring): "Guardian Protocol activated." Caden (smirking): "Seriously? Right now?" 0:09–0:12 Camera: Dynamic 360° orbit around Caden. Action: He twists the ring. Blue energy erupts around him in swirling ribbons. A sleek black superhero suit with glowing blue accents materializes piece by piece—boots, gloves, armored jacket, utility belt, and a streamlined black eye mask. The transformation ends with a burst of energy as his long coat flutters dramatically. Audio: Rising orchestral music mixed with electronic pulses. Caden: "Let's do this." Style: Same cinematic style, high-speed action, smooth speed ramps, realistic VFX. 0:12-0:15 Camera: Low-angle tracking shot sprinting alongside Caden as he races through crowded Paris streets. Speed ramps emphasize his agility. Action: He vaults over café tables, slides across a car hood, and jumps onto a moving delivery truck without losing speed. Audio: Heavy footsteps, traffic, intense cinematic score. Caden (grinning): "You're not getting away that easily!" 0:15–0:18 Camera: FPV-style rooftop chase. The camera flies just behind Caden as he leaps between rooftops. Action: The thief glances back with a confident smile while clutching the glowing crystal. Chimneys, rooftops, and Paris landmarks blur past at high speed. Thief: "You'll have to be faster than that!" 0:18–0:25 Camera: Wide shot of the Eiffel Tower followed by a dramatic side-tracking shot. Action: The thief launches from one steel beam toward another. Caden follows without hesitation. Mid-air, they collide briefly. The crystal slips from the thief's hand and spins toward the ground. Audio: Wind rushing, metal clashing, music building to a climax. Camera: Extreme slow-motion close-up. Action: Caden dives through the air and catches the glowing crystal inches before it hits the ground. The thief disappears into a cloud of dark smoke. Suddenly, cracks spread across the crystal as bright blue energy leaks out. Camera: Slow push-in on Caden's face as the light reflects in his eyes. Caden (whispering): "This... wasn't just a theft." Final Frame: The crystal emits a blinding flash. CUT TO BLACK. Text on screen: "To Be Continued..." 🎬

Caden Flux

22,055 görüntüleme • 22 gün önce

POV: The ghost chasing you, is actually your boyfriend. A horror investigation turns into the funniest plot twist you never saw coming. The ending is worth the wait. Made with GPT Image 2 and Seedance on TapNow Prompt: VIDEO PROMPT — "THE GHOST IN THE CARNIVAL" (30s Horror-Comedy Vlog Short, 16:9) — ROLES SWITCHED Style: Found footage horror • paranormal investigation vlog • cinematic suspense • horror-comedy twist. Setting: abandoned carnival at night. CHARACTER DESCRIPTIONS Maya (the vlogger): Early-20s girl, radiant and striking. Wears a flowing rainbow ombré dress — fabric transitioning from violet at the shoulders through blue, green, yellow, orange, to red at the hem, catching light with a subtle iridescent shimmer. Hair styled in the longer side braided into a thick rope braid streaked in matching rainbow pastel colors, small silver hoop earrings, soft glowing skin, bright hazel eyes with a curious, fearless sparkle. Carries a handheld camera and flashlight throughout. Same dress, hair, and gear consistent across every shot — no drift. Jake (the boyfriend / "the ghost"): Mid-20s, tall athletic build, tousled dark brown hair, strong jawline, warm brown eyes, light stubble, handsome and charming. Wears a fitted black bomber jacket over a grey henley, dark jeans, worn leather boots. Same face and outfit consistent across all appearances. Setting: Abandoned carnival at night — rusted ferris wheel silhouette against the moon, cracked funhouse mirrors, tattered circus tents flapping in wind, broken carousel horses frozen mid-gallop, flickering string lights barely holding power. Sound design: Low ambient horror BGM (creaking metal, distant wind chimes, faint off-key carousel melody) building tension throughout, swelling into a sharp orchestral stab at the jumpscare, then cutting to warm acoustic guitar strum for the comedic ending. CUT-SCENE BREAKDOWN (0:00–0:04) — ACT 1: The Investigation Found-footage handheld shot: Maya walks alone through the carnival gates, flashlight beam cutting through fog, camera slightly shaky, rainbow braid swaying. Rusted ferris wheel looms behind her, carousel horses frozen in the dark. Dialogue (Maya, to camera): "Alright guys… this place has been closed for like fifteen years. Let's see what we find." BGM: low ambient drone, distant creaking metal. (0:04–0:08) — ACT 2: The Warning Signs Maya walks past a row of cracked funhouse mirrors. In one mirror's reflection — barely visible in the background — a flash of a dark jacket flickers past, gone before she turns. She doesn't notice. Camera lingers a beat too long on the empty mirror. BGM: single high string note, tension rising. (0:08–0:12) — ACT 3: The Reveal Maya pushes into a tattered circus tent. Flashlight flickers. A pale face flashes directly behind her in frame — gone in a blink. She spins around, flashlight sweeping, rainbow dress catching the light. Dialogue (Maya, nervous): "...Okay, who's there?" BGM: dissonant sting. (0:12–0:16) — ACT 4: The Chase The figure appears directly behind Maya — full jumpscare, dark silhouette catching the light for a split second before vanishing. Maya bolts, camera shaking violently as she sprints between carousel horses, the figure flashing briefly in and out of frame from different angles. Dialogue (Maya, panicked): "Oh my god— OH MY GOD—" BGM: sharp orchestral hit, frantic percussion. (0:16–0:20) — ACT 5: The False Ending Maya ducks into the old ticket booth, slams the door shut behind her. Silence. Heavy breathing. She slides down against the door, flashlight shaking in her hand, camera catching her relieved exhale, braid falling loose over her shoulder. Dialogue (Maya, whispering): "Okay... okay, I think I lost it." BGM: music drops to near-silence, just her breathing and wind outside. (0:20–0:25) — ACT 6: The Twist Begins Behind Maya, unnoticed, a silhouette rises slowly in the booth's shadowed corner — tall frame stepping forward silently, closer, closer. Maya senses it, turns her flashlight up in dread. BGM: tension rebuilding, single sustained note. (0:25–0:30) — The Reveal & Comedy Twist The "ghost" steps into the light — it's Jake, grinning, hands raised in mock surrender. Maya freezes in shock, then bursts out laughing in relief, swatting his arm. Dialogue (Maya): "IS THAT YOU?! Jake, what the— I almost had a heart attack!" Dialogue (Jake, laughing): "You scream like a little girl, you know that?" BGM: sudden shift to warm, playful acoustic guitar strum. Hard cut to black. Text overlay: "Never bring your boyfriend to a horror investigation."

Shami

28,969 görüntüleme • 25 gün önce

Britain is a failing and falling nation. They have a government, whether elected or installed, that is by and for the Globalists agenda. It cares nothing about the once native English population. Their only choice is to rise up in defiance or be relegated to annals of history as a once great society. Let us explore what Christian Zionism is from a historical biblical perspective and how over 60 million Americans can support the #Genocide extermination of the entire #Palestinians population. Of course, we will run the gambit on all the latest news and events around the world like: - How the reality on the battlefield of Ukraine is much worse than you know. The SMO may be over sooner than you have been led to believe. - The SCO summit is bringing in a multi-polar world much faster. - The end of the dollar is at hand. Silver crossing $42 and Gold at all time highs. #Western banks are on life support. And so much more! Attributions: USA News , USA NEWS - Hundreds of Christians take over Central London to celebrate and praise Jesus. The global revival has begun and it can’t be stopped. The mainstream media does not want you to share this! DD Geopolitics , DD Geopolitics - "The adoption of Christianity was the starting point for the formation and development of Russian statehood, the true spiritual birth of our ancestors, the determination of their identity. Identity, the flowering of national culture and education.” — Vladimir Putin "The West is a rotting continent—a parasitic, dying continent." Zhirinovsky predicted everything a quarter of a century ago: "Here, in the center of Europe, NATO has no other plans except waging war. And the main goal is war with Russia." NATO wages war from the shadows, but its goal never changed: ➤ Encircle Russia ➤ Collapse it from within ➤ Send cannon fodder from the periphery "The West has always started all wars. Every war came from Europe." Alex Jones , Alex Jones - Pastor/Theologian Drew Hernandez Answers The Key Question: How Did The Worship Of Israel Replace The Worship Of Christ? Genesis 12 Prophetically Predicts The Messiah Coming Directly From The Line Of Abraham, To David, Through To Jesus. The Cradle , The Cradle - Video statement by Israeli army spokesman BG Effie Defrin, where he blames Hamas for the Israeli massacre that killed 5 journalists at Nasser Hospital in Khan Yunis, southern Gaza. Megatron . Megatron - US Ambassador Mike Huckabee tells rabbi in Israel that people are only anti-Semitic because they're "against God." "You are the chosen people ... if someone is angry at God, he'll be angry at the people who represent him." Robert Barnes , Robert Barnes - Net effect of siding w/ Europe in Ukraine rather than divorce Europe will be BRICS growing much stronger. RT , RT - History just flipped. China’s SCO summit just cemented the foundations of NEW multipolar order. Western media is in full meltdown. Elon Musk Not Elon Musk Viva Frei Alexander Dugin Spetsnaℤ 007 🇷🇺 Alex Christoforou Scott Ritter Douglas Macgregor Our Country Our Choice Rep. Marjorie Taylor Greene🇺🇸 Thomas Massie George Galloway Judge Napolitano Al Jazeera English Redacted The Royal Family Black in the Empire DataRepublican (small r) Mario Nawfal Glenn Beck

Gaius Julius Caesar

18,682 görüntüleme • 11 ay önce

(long post on going from pre-product to post-product as a founder) We're swiftly approaching launch, so I thought I'd take some time to reflect. The accompanying video is of the first graphical implementation of Onflow (on Android) for a demo we did at Devcon. Barebones (a bit rough around the edges compared to today's visuals) from exactly a year ago. Onflow might prove to be the most complex protocol engineered thus far within the ZK/MPC/privacy space. ~2 years of work, 13 employees, expertise, refining, rebuilding, consulting, re-writing, auditing, novel research in MPC and ZK constructions. What goes into what we're building? First I'll outline what the scope for the initial release of Onflow is (skip to next section if this isn't interesting to you): - Be an SDK, not a standalone monolith. While we do have Onflow ID (our Onflow implementation), we never want Onflow to be centralized around 1 app. This also makes our user-by-default system so much more stronger in garnering network effects. If you've used Onflow even once, as soon as you open another app a few months later that requires compliance, you'll be pleasantly surprised to find that the magic of the protocol has auto-submitted exactly what the service provider is looking for and there is no-to-little user interaction required on your end. - Privacy, privacy, privacy. My background, and a 90% of the development team at Sundial has a solid background in complex privacy schemes, zero-knowledge, academia and practical implementations. We believe compliance/KYC breaches are some of the most dangerous (both physically and virtually) data leaks that can occur, and so Onflow was built to be virtually impossible to leak any meaningful data from, even if you're delegating work to overseas staff, due to how data is stealth-schematized so support agents only see *exactly* what they need to solve your case, and nothing else. - Privacy, again. So what does privacy entail? Well. For Onflow we're utilizing so many new primitives in one, that all come from different departments. From the zero-trust infrastructure for our compliance dashboard, our never-before-seen quantum-resistant QuantMQ data dispatch protocol that is pervasive throughout the entire Onflow ecosystem, to complex routers for oracling and verifying proofs onchain (EVM and SVM initially, as recently announced). We also have our TDE, or "Trusted Data Enclave", which allows you to easily port your credentials to a new device, whether it be your laptop, or another phone, it'll all get transferred over seamlessly through a bespoke mesh-based distribution system (think Signal-type), again through QuantMQ tunnels. Now the true beauty of all of this? Some of the most senior software engineers, protocol engineers, system administrators, applied (& research) cryptographers alongside amazing visual artists, and our incredible CPO (ex-Disney, Apple, AOL and many more) all worked on their individual bits of the protocol. All with a shared love, and deep respect for privacy and great UX, came together to build the behemoth that is the inner workings of Onflow and distill it down to an SDK that takes just a dozen lines to implement, whether in an app, on a website, or in a cryptocurrency setting. One simple SDK that encapsulates hundreds of bespoke, novel and battle-tested MPC, ZK, QP protocols, and productized it into something that will make onboarding and compliance in general a one-click action going forward (for the most part), and will only be more and more normalized as more and more apps adopt this. Who is interested in using Onflow? We're very fortunate to have an exceptional product, which traditional finance, fintech and digital assets immediately recognize the importance of. Therefore, we're proud to announce that alongside our joint announcement with our day-1 deployment to Circle's Arc network, we're also entering traditional finance. Soon, users will be able to create bank accounts for short-stay overseas work solely using Onflow. We're actually surprised at the extremely positive reception from traditional finance, as you can quickly convince yourself words like "zero-knowledge" will scare what's often seen as arcane institutions, but our experience has been the polar opposite. Banks understand the importance of privacy. Banks understands utilizing privacy-enhancing tools to make the onboarding UX more convenient, and save them money and risk assessment staff when it comes to compliance. What's coming up? More privacy, more convenience. Soon you'll be introduced to the full product offerings of our initial release of Onflow. We plan to open-source every part of the stack that we're able to and provides a benefit to proliferating privacy online (such as our QuantumMQ library with bindings for C++, Rust, C#, Swift and Typescript). We plan to prove that all of the hundreds of millions, if not billions of dollars spent on solid cryptographic, privacy-oriented research has not gone in vain, and we've employed and improved upon under-explored breakthroughs to make Onflow happen. What took you so long? Perfect is the enemy of (progress/good/etc.), however, being a product that de-risks businesses and transmits PII (even over quantum-proof tunnels) still require extreme rigor and a lot of systems and novel infrastructure to make sure that there is no central breach point. Version one of Onflow will support 147 jurisdictions, and we soon plan to add support for Aadhar 2.0 as well, to include India (even though they just got biometric passports, they're not as ubiquitous). We support thousands of passports and IDs and have the most comprehensive coverage out of any compliance provider with over 15,000 documents covered. Novel things take time. Onflow is truly a novel, never-before-seen approach to the full compliance stack, with inherent digital ID features as an essential part of the protocol, giving it endless possibilities. We wanted to make extremely sure that what we're releasing here in a couple of months is as solid as can be, and will offer hefty bounties to people who can successfully find a way to disrupt the protocol (one can never do too much manual review, fuzzing, external audits, etc., and we firmly believe in rewarding solo auditors for findings). Lastly. Thank you to everyone building in, researching, contributing to or otherwise promoting, privacy. Privacy is not reliant on financial turmoil, it is the first question a start-up should ask itself when making a new product class. And we're super fortunate to say that in the difficulties of navigating novel privacy, we've found extremely satisfying solutions to extremely complex problems we otherwise never would've discovered. Do not fade privacy. Privacy is a moat, and there are so many markets that are begging to be disrupted if someone with a privacy-oriented view decided to take a pragmatic look at them. Thank you.

SIGNAL

20,192 görüntüleme • 8 ay önce

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 görüntüleme • 3 ay önce

"What was in the middle of the hangar was an actual flying saucer. ~GR A Secret Revealed After 33 Years - Have We Cracked Gravity? "We got it from them." (Rogers retired in April of this year.) In 1992, Dr. Gregory Rogers, a chief flight surgeon (a physician who's responsible for the health of the aviation crew, including pilots) for NASA and an Air Force major who supported 33 space shuttle launches and was also an F-18 pilot, was at Cape Canaveral Air Force Station (now called Cape Canaveral Space Force Station). He had a guide from EG&G with him but that doesn't seem relevant to what happened next. A major pulled him aside and said, "Hey Doc, I've got something to show you, I've got something even you have never seen." Josh Boswell broke this story in May. H/T: Sentinel News The major took him into an office with four computer stations, locked the door and closed the blinds. They both sat down, and on one of the computer screens, the major pulled up a video that showed a generic hangar. The screen had no markings on it. No classification markings, no location, time, date, etc. "What was in the middle of the hangar was an actual flying saucer." (This next quote isn't part of my video clip and is at 25:08 of the Chris Lehto interview.) "So I said, 'Where would we get a design like this?' And [the major] said, 'We got it from them (shows his thumb pointing up).' He did not explain what he meant, but obviously, he was referring to non-human technologies from off this planet." "There were two guys in lab cats to the bottom left, and then midway up the screen on the right side, there were three guys that looked like technicians in what I would call Tyvek suits, head-to-toe. And only their faces were shown. "And then some sort of a warning sound went off and everybody cleared out. And then, within a couple of minutes, the vehicle became active." "The vehicle itself was sort of a pearly white. There were no seams, rivets, windows, doors. Nothing that could be identified. It looked as though it was sort of a modified egg, if you just sort of shifted it around. "There was a tiny little area on top that protruded and there was a mast that came out. And on the mast, it looked like there were three umbilicals coming off." There were various, flat-black rectangles (horizontal and vatical). "I believe that these were made to monitor the movement of this craft." [Since] "it was perfectly pearly white, and it began to move, there was nothing there to show you that it was moving. So, just like any experimental aircraft, they put markings on it so you could monitor the motion. And that's what I believe these rectangles were. "There were electromagnetic discharges that told me that the vehicle had become active, and they were very peculiar. But I don't wish to describe them to anyone because, if this was a test-bed model, whatever the mechanisms were being used may still be active in more advanced craft, and I don't want to give out information that would be beneficial to those opposing the United States. But, as soon as it started to do this... (Video picks up again here. 👇🏼 ) "...it just sort of lifted off the floor. The floor looked like a concrete floor with like, some sort of rubber matt that had been on top of it." "It lifted off, just like a feather. It rose about three feet in the air and then just hung there. The next thing that it does is that it rotates 360 degrees, clockwise. As it rotated across, I could see the writing, 'U.S. Air Force.' And then it had an American flight insignia just above that." "It completed a 360-degree circle, paused, and then completed a 360-degree circle counterclockwise, so that it was in the same position it had started in. It moved to the left and right, it moved forward and backwards. It's just like, you know, you're testing your controls, making sure you have everything working. "And then, it rotated to a 45-degree angle of attack, if it were flying and the 12-o'clock position (where the U.S. Navy and flight insignia was located) was going forward. This was amazing. Fixed-wing aircraft can't do this. A helicopter can go to a 45-degree angle of attack, but it's going to be moving forward and lifting. This thing did not do that. And so, this shocked me more than anything else, because it did not move one centimeter as it moved to what would be a 45-degree angle of attack. So that just blew me away. "Just about that time, there's a knock on the door. The guy hits the buttons to turn the computer and screen off, and he says, 'Don't tell anyone I showed you this!' "Well, I'm gonna go around telling somebody that you showed me a flying saucer? Well he goes to the door, opens it - we were both majors - and so this Lt. Colonel and two other guys came in. And so the Lt. Colonel said, "What's going on in here that you had the doors locked?" To see how they got out of this pickle, and why Rogers didn't turn in the major for showing him a classified video, watch the rest of the clip. "Along the way, I thought, 'I can't tell this to anybody.' I didn't even tell it to my wife for 15 years. But, as long as I was associated with the [DoD], I did not want to risk what the repercussions were gonna be as soon as I told this story. ~~~ How far have our reverse engineering efforts progressed? This is from my August of 2023 post. "There are people who say we have reverse-engineered them and are flying them. I never found any support for that. And found a lot of support for saying we can’t figure it out. If we do, it would be in some program at a higher security level.” ~Michael Shellenberger ~~~ Former intel and defense contractor, and my friend, Michael Via, who I've interviewed multiple times, had his sighting of a silent, black, "majestic" triangle craft in 1992 in the Persian Gulf. He thinks it's our tech. ~~~ And then there's Nick Cook, the former aviator editor for Jane's Defence Weekly and a very respected, award-winning journalist, and author. His gut tells him that we (humans) may have cracked gravity. But he doesn't have the proof. "I found plenty of evidence the US had been trying, tho. I have no firm evidence now (who does?), but 20 years on from #THFZP, I think it is possible the antigrav issue has been cracked. Wish I could say this was more than a hunch, but this is all it is." ~Nick Cook A hunch. Possible. ~~~ And my favorite anecdote of all time, from another person I consider a friend. Retired Commander Will Miller: "I had a friend, a former military officer who worked with me. [He went to work at] the famous Groom Lake facility, Area 51 and he was out there for several years. As we all know, most folks that work out there have signed their lives away, never to disclose what goes on and for better or for worse, and this fella was no different. And over the three years I worked with him – and he knew my interest in things extraterrestrial and my work with CSETI – never once did he mention any of his work out at Groom Lake or any association between that and anything extraterrestrial. "And the day I was leaving the command, he took me aside and he said, 'You know, Will, some of the folks you talk with, maybe some CSETI researchers, may see objects that are doing, you know, Mach 9 and then suddenly make a right angle turn and you say, "Well, gosh, that’s got to be an extraterrestrial craft."' "And then he looked at me and he said, 'But it’s not.' And he just turned and walked away." ~Commander Will Miller (Retired) My original post is here: ~~~ One thing that Dr. Gregory Rogers said to Lehto really jumped out at me: "And then, it rotated to a 45-degree angle of attack." Numerous witnesses have reported craft tilting up at a 45-degree angle right before they shoot off at a high rate of speed. I wrote a long thread on it (which I can't find) and Danny Silva wrote an article on it several years ago. Here's a thread from Willy Sam that covers some of that. And if you Google "UFO tilt up 45 degrees," you'll find more. Did we figure out something about UFOs and tilting up?

Joe Murgia

25,246 görüntüleme • 1 yıl önce

🔥Is Trump a Follower of Aleister Crowley? Is QAnon a Kabbalistic PsyOp Based on the Book of Revelation? In 1889 Ingersoll Lockwood published the book ‚Travels and Adventures of Little Baron Trump and his Wonderful Dog Bulger‘. In this story the people call Baron Trump, guided by a mentor named Don, a ‚Master magician‘, ‚Prince of the Black Art‘ and ‚little wizard‘. Ingersoll’s father Munson was an intimate friend of the then well known freemason and secretary of state, Henry Clay. Ingersoll also wrote the books ‚The Last President‘ and ‚Laconics of Cult‘ where he proposed a ‚Cult of the Immortal Human‘. On June 14th 1946, a blood moon and the exact date of Donald Trump’s birth, Kabbalist Aleister Crowley wrote to a friend that Jack Parsons or L. Ron Hubbard were trying to produce a moon child. A series about Parsons, Hubbard and the project called Strange Angels was released exactly on June 14, 2018, during Trump's presidency. The famous serial killer Jason Voorhees from the movie "Friday the 13th" was born in the movie on Friday, June 13, 1946. However, Friday was the fourteenth in the real world, so Jason's birthday is actually the same day as Trump’s. In 1979 Leslie Donald Epstein wrote ‚King of the Jews‘ about a man whose name is I.C. Trumpelman, who is called a ‚Magician‘ in the book. His father, Philip G. Epstein, and his twin brother, Julius J. Epstein, were famous Hollywood screenwriters (Casablanca and many others). In 2016 a Shaman told Aleister Crowley follower Marina Abramović that Trump is a magician. She later called him a magician of the highest order. In 2018, occult expert Gary Lachman called Trump a ‚chaos magician‘ in the book ‚Dark Star Rising‘. In 2019 Marina Abramović posed with Jacob Rothschild in front of the painting ‚Satan Summoning His Legions‘ with Satan looking like the statue of liberty. Trump himself was bailed out by Rothschild banker Wilbur Ross in 1991, who in 2017 became his secretary of Commerce. In 2025 the documentary ‚Master of the Temple: The Tragedy of Jack Parsons‘ shows Crowley’s Tarot Card ‚The magician‘, which is a trump card. The magician is exactly dressed like Donald Trump nine months later on Truth Social. Most people thought Trump was portrayed as Jesus, but from a talmudic perspective that doesn’t make a difference, because Jesus is called a magician and sorcerer in the Talmud. The latin word MAGA means wizard and MAGA is the highest ranking female magician in the Church of Satan. Qanon and the Book of Revelation Recently Trump posted the clearest Q reference so far. So he is still clearly pushing this narrative. In October 2011, Boris Nikolic — an adviser to Bill Gates — introduced Jeffrey Epstein to Christopher Poole (known as “moot”), the founder of 4chan. Just days after their meeting, Nikolic highlighted 4chan’s “huge potential for manipulation,” coinciding with the launch of the politically charged /pol/ board that later became the platform for QAnon. Epstein himself was also interested in the Kabbalah. Even if we ignore this: The original spelling of Kabbalah is Qabbalah. This variant is strictly based on the Hebrew transcription of the letter Qof (ק), which is transcribed as Q in Hebrew. Q also is basically the name of the alleged original source of the NT. The Q Source Theory suggests that Matthew and Luke used the Gospel of Mark plus a lost collection of Jesus’ sayings called “Q” (from German “Quelle” = source) as their main sources. Q stand for the German word Quelle. The posts were deciphered with the cabalistic Gematria. The Book of Revelation and Qanon both tell basically the same story: Difficult times are coming, but don’t worry the Messiah (Trump or Jesus) will come and save us. Only one quote: ‚There is a penultimate quality at play here in the experience of revelation, suggesting that each revelation—each “Q Proof,” each “ominous” portent of the Second Coming—is only one coded message away from the final one, the ultimate apocalypse in which all will be unveiled. This penultimate quality provides the momentum necessary for sustaining commitment at the critical moment when prophecy fails. The momentum afforded by this invitation is all the more evident in the two cases examined here, where revelation is premised upon the backward glance of a prophetic hermeneutic in which the voice of the past may be recruited for the interpretation of an endlessly unfolding future. When prophecy fails, cognitive dissonance and disappointment may follow, but so, too does an invitation to consider the possibility of a greater, more thoroughly encompassing hidden truth to displace the previous one—an invitation to dwell once more on the verge of revelation.‘ The study compares Qanon to a movement, called Millerism. The Millerites were the followers of the teachings of William Miller, who in 1831 first shared publicly his belief that the Second Advent of Jesus Christ would occur in roughly the year 1843–1844. “The Storm is coming” sounds like a modern version of “Behold, I am coming soon” (Rev. 22). The Book of Revelation was basically written by a Kabbalist. According to modern research it was written by a jewish mystic numerologist, today we would say a Kabbalist. This is what the New World Encyclopedia writes: ‚many modern scholars—as well as a number of the early Church Fathers—hold that John of Patmos was a different person from the other writers of the Johannine literature… Since John of Patmos, in contrast to the author of the Gospel of John, did not have a good command of Greek and exhibits a more overtly Jewish attitude than the other "John," some believe that it is he, and not the author of the Gospel of John, who should be identified as John the Apostle… However, Irenaeus and others indicate that a sect called the "Alogi" denied the authenticity of Revelation, believing it to have been written not by John the Apostle but by the Jewish-Christian teacher Cerinthus, who emphasized the need to follow the Jewish law and denied the divinity of Christ. Caius, a presbyter in Rome, held a similar opinion, believing John of Patmos to be Cerinthus… Some other authorities, especially in the Eastern Church, also rejected the book and thus denied that it could have been written by John the Apostle… In contrast to the author of the Gospel of John, John of Patmos speaks very much as a Jewish Christian, referring to Jesus as he who "holds the key of David" (3:7) and the "Lion of the tribe of Judah, the Root of David." (5:5) He also condemns the careless attitude of some of the Pauline churches who permitted eating food which had been offered to idols (, ). Moreover, for John of Patmos, the "elect" saints are not Gentile Christians but "144,000 from all the tribes of Israel," with 12,000 coming from each specifically-named tribe (7:4-8)… But John the Apostle wrote (): 'You are of your father the devil, and the desires of your father you want to do.' In John , Jesus declares, "My kingdom is not of this world." Luke -21: „Jesus replied, “The coming of the kingdom of God is not something that can be observed, Nor will they say, ‘See here!’ or ‘See there!’ For indeed, the kingdom of God is within you.” ‚Lastly, the Gospel of John is written in nearly flawless Greek, but Revelation contains grammatical errors and stylistic abnormalities which indicate its author was not as familiar with the Greek language as the Gospel's author.‘ A Cambridge study writes: 'The Book of Revelation mimics the form of other contemporary Jewish apocalypses, in which the otherworldly journeys of seers are described, focusing on the premortem journey or vision, and the revelation of secret knowledge of world events and cosmic endings.' And of course Christian Zionists utilize the Book of Revelation to frame modern geopolitical events, particularly regarding the State of Israel, as necessary precursors to the Second Coming of Christ. Revelation 1: '10 On the Lord's Day I was seized by the Spirit and heard a voice behind me as loud as a trumpet.' Corona also appears in Revelation. The great red dragon has seven crowns and the Latin word for crown is corona (Rev 12:3). The numerical values for Corona add up to 666. But what impresses me most is this passage. Revelation -21 (LUT): 20 And the rest of the people who were not killed by these plagues did not turn from the works of their hands, that they did not worship evil spirits and idols of gold, silver, brass, stone and wood, which cannot see or hear or walk; 21 nor did they turn from their murders, their sorcery, their fornication and their thievery. The word used here for sorcery is pharmakos! That's where our word for pharmacy comes from! Éliphas Lévi (Baphomet inventor) writes in The History of Magic: ‚The glory of Christianity is that it called all men to truth, without distinction of races and castes, though not without distinction in respect of intelligence and of virtue. “Cast not your pearls before swine,” said the Divine Founder of Christianity, “lest treading them under foot, they turn and rend you.” The Apocalypse or Revelation of St. John, which comprises all the Kabalistic secrets concerning the doctrine of Christ Jesus, is a book no less obscure than the Zohar.‘ Levi also wrote:„That great Kabalistical association known in Europe under the name of Masonry appeared suddenly in the world“ The Freemason dictionary states: „Although modern Freemasonry draws on the medieval tradition of the builders' lodge, it is Kabbalah that constitutes the very essence of Freemasonry.“ The Jewish Forward writes: „Why conspiracy theorists keep turning to Jewish mysticism — from early Nazis to modern-day MAGA A viral clip of a Trump supporter blissfully misunderstanding Jewish mystic numerology raised old questions about how Kabbalah is understood by the public“ What is the one thing, Q never told us? That Kabbalah is the ideology of Freemasons. What is the motto of Kabbalist Aleister Crowley? ‚Do what thou wilt.‘ Donald Trump is constantly saying I can do what I want. Donald Trump has proven ties to Chabad Lubawitsch, which is a cabalistic sect. And what is practical Kabbalah? Magic! Major donors in Trump’s orbit also show strong connections to Chabad-Lubawitsch and thus to Kabbalah. Sheldon and Miriam Adelson were major Chabad supporters. They visited the Lubavitcher Rebbe in 1991 for a blessing and funded Chabad centers. The Kushner family donated hundreds of thousands to Chabad projects. Jared and Ivanka have maintained ties to the movement as well. Several other Trump-associated businessmen with Russian-Jewish backgrounds (such as Lev Leviev, Felix Sater and others) are also well-known Chabad supporters. Chabad is heavily rooted in Kabbalah and actively teaches and practices its concepts. So you have to believe that Donald Trump with all these synchronicities and proven ties to Kabbalists, just coincidentally posted himself as Magician of the Crowley Tarot with demons in the background? I have an even crazier sounding interpretation of the book of revelation, namely that events described here really took place. It relates to the alien agenda which Donald Trump is also pushing. I describe it in detail in my book ‚The Open Secret‘ and soon in a video. But for now, the least we can say is, that the Book of Revelation was written by a jewish mystic numerologist and Qanon basically tells the same story.

Oliver Janich

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OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

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