Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Ancient Egypt (Kemet) was a black African civilization before experiencing a series of invasions by the Hyksos, Assyrians, Persians, Greeks (Alexander the Great), Romans, Arabs, Ottomans, French, and British, who scattered and mixed with the indigenous population.

Typical African

363,580 subscribers

93,340 просмотров • 6 месяцев назад •via X (Twitter)

Образование

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Maybe try and use your brain for like 2 seconds and then you'll figure it out. But because you asked that question and couldn't figure that out. I'll explain to you. When people say ancient Egypt was black, what they're saying is the citizens and inhabitants of ancient Egypt had melanated, brown to dark brown skin and wooly hair. And they looked closer to the other African ethnic groups you would find in Sudan, Ethiopia, Somali, Kenya, and other East and Central African regions, like some of ethnic you mentioned as examples. The concept of being called Black predates the concept of black American ethnic group. It has been something that those who are descendants of Africa (and other groups with the same deep melanated brown skin have been referred to since the ancient days due to their physical appearance. Here are some visual aids to help you understand why a lot of people refer to ancient Egypt as a black African civilization. Because it was a black African civilization.

Maybe try and use your brain for like 2 seconds and then you'll figure it out. But because you asked that question and couldn't figure that out. I'll explain to you. When people say ancient Egypt was black, what they're saying is the citizens and inhabitants of ancient Egypt had melanated, brown to dark brown skin and wooly hair. And they looked closer to the other African ethnic groups you would find in Sudan, Ethiopia, Somali, Kenya, and other East and Central African regions, like some of ethnic you mentioned as examples. The concept of being called Black predates the concept of black American ethnic group. It has been something that those who are descendants of Africa (and other groups with the same deep melanated brown skin have been referred to since the ancient days due to their physical appearance. Here are some visual aids to help you understand why a lot of people refer to ancient Egypt as a black African civilization. Because it was a black African civilization.

Scion (PanAfroCore)

94,899 просмотров • 6 месяцев назад

The Sphinx (Horemakhet) is a large monument in Egypt, which used to be Kemet, with PRONOUNCED TROPICAL AFRICAN FEATURES carved in solid rock for the ages–obviously made in the image of the people indigenous to the land. There is no way to spin that. But disgraceful lying Arabs will say the racial origin of Horemakhet is unknown, and the intentional damage to the face is due to erosion. Horemakhet is not some small statue a fraudulent Egyptologist can take in their secretive back room to alter. People don't erect iconic monuments not of their own image only to destroy the nose and lips. Since it was not the Kemites who maliciously destroyed much of their own antiquities, it must have been some other people who bear no resemblance to the sphinx. #Sphinx #Horemakhet #Kemet #AfricanHistory #Egypt

The Sphinx (Horemakhet) is a large monument in Egypt, which used to be Kemet, with PRONOUNCED TROPICAL AFRICAN FEATURES carved in solid rock for the ages–obviously made in the image of the people indigenous to the land. There is no way to spin that. But disgraceful lying Arabs will say the racial origin of Horemakhet is unknown, and the intentional damage to the face is due to erosion. Horemakhet is not some small statue a fraudulent Egyptologist can take in their secretive back room to alter. People don't erect iconic monuments not of their own image only to destroy the nose and lips. Since it was not the Kemites who maliciously destroyed much of their own antiquities, it must have been some other people who bear no resemblance to the sphinx. #Sphinx #Horemakhet #Kemet #AfricanHistory #Egypt

TasetiReloaded2 🇧🇫🇳🇪🇲🇱🔴⚫️🟢

23,105 просмотров • 5 месяцев назад

The Black Amazigh people represent a unique preservation of indigenous North African culture, genetics, and heritage.

The Black Amazigh people represent a unique preservation of indigenous North African culture, genetics, and heritage.

Typical African

12,498 просмотров • 29 дней назад

The Garifuna are an Afro-Indigenous people of mixed African and Amerindian (primarily Carib) descent who live along the Caribbean coast of Central America. After defeating the British twice, the Garifuna were forced into exile in the late 18th century when the British betrayed the terms of their treaty. The Garifuna left Saint Vincent and settled mainly in Honduras, Nicaragua, Guatemala, and Belize. They have developed a unique culture with distinct music, dance, and language. Their culture, which includes rich oral traditions and religious practices, is recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.

The Garifuna are an Afro-Indigenous people of mixed African and Amerindian (primarily Carib) descent who live along the Caribbean coast of Central America. After defeating the British twice, the Garifuna were forced into exile in the late 18th century when the British betrayed the terms of their treaty. The Garifuna left Saint Vincent and settled mainly in Honduras, Nicaragua, Guatemala, and Belize. They have developed a unique culture with distinct music, dance, and language. Their culture, which includes rich oral traditions and religious practices, is recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.

The Cake Lady

61,334 просмотров • 9 месяцев назад

A Kurdish woman is celebrating with the Assyrians in the Duhok province of Iraqi Kurdistan and the aggressor who attacked the Assyrians in Duhok is a Syrian Arab but the Assyrians from the diaspora want to find a little thing to attack the Kurds

A Kurdish woman is celebrating with the Assyrians in the Duhok province of Iraqi Kurdistan and the aggressor who attacked the Assyrians in Duhok is a Syrian Arab but the Assyrians from the diaspora want to find a little thing to attack the Kurds

🥀🥀🥀سيرين

35,835 просмотров • 1 год назад

The Great Zimbabwe was the heart of a thriving African civilization, built by the Shona people. A powerful political and economic hub, it housed royalty, traders, and artisans who controlled vast gold and ivory trade networks across Africa and beyond. There are at least 600 stone built ruins in Southern Africa.

The Great Zimbabwe was the heart of a thriving African civilization, built by the Shona people. A powerful political and economic hub, it housed royalty, traders, and artisans who controlled vast gold and ivory trade networks across Africa and beyond. There are at least 600 stone built ruins in Southern Africa.

Typical African

26,361 просмотров • 11 месяцев назад

Crocodile-skin Suit of Armour (3rd Century AD) ..... 'In ancient Egypt the crocodile was seen as sacred and divine, and worshipped as a god, so this suit might have been worn by priests of the crocodile sect who by wearing such a garment would take on the spirit of the deity. In many parts of Africa the crocodile is seen as a fearsome and invincible creature and so I think that by wearing crocodile armour and a headpiece like this, a warrior might be transformed in some magical way and take on the attributes of the animal.' When the province of Egypt became part of the Roman Empire, it put Romans into direct contact with Egyptian culture and religion. In Egypt Roman garrisons were closely integrated into civic and religious life and participated in local cults. Around Manfalout, on the banks of the Nile in central Egypt, Roman soldiers were particularly attracted to the crocodile cult centred on the sacred grottoes of the region. This imposing armour is made from the skin of a crocodile. It comprises a helmet and cuirass (body armour) and would have been used in military-style ceremonies of the regional crocodile cult. The skin has been radio-carbon dated to the 3rd Century AD. It was presented to the British Museum in 1846 by a Mrs Andrews, who was among a group of European travellers to Manfalut who found grottoes containing the mummified remains of humans and animals, including many crocodiles. Although the cold, dry environment of the grotto preserved the suit well, the cuirass in particular was flattened and brittle. It has been painstakingly remoulded by the British Museum's Department of Conservation. 🎥© history_piece © British Museum #archaeohistories

Crocodile-skin Suit of Armour (3rd Century AD) ..... 'In ancient Egypt the crocodile was seen as sacred and divine, and worshipped as a god, so this suit might have been worn by priests of the crocodile sect who by wearing such a garment would take on the spirit of the deity. In many parts of Africa the crocodile is seen as a fearsome and invincible creature and so I think that by wearing crocodile armour and a headpiece like this, a warrior might be transformed in some magical way and take on the attributes of the animal.' When the province of Egypt became part of the Roman Empire, it put Romans into direct contact with Egyptian culture and religion. In Egypt Roman garrisons were closely integrated into civic and religious life and participated in local cults. Around Manfalout, on the banks of the Nile in central Egypt, Roman soldiers were particularly attracted to the crocodile cult centred on the sacred grottoes of the region. This imposing armour is made from the skin of a crocodile. It comprises a helmet and cuirass (body armour) and would have been used in military-style ceremonies of the regional crocodile cult. The skin has been radio-carbon dated to the 3rd Century AD. It was presented to the British Museum in 1846 by a Mrs Andrews, who was among a group of European travellers to Manfalut who found grottoes containing the mummified remains of humans and animals, including many crocodiles. Although the cold, dry environment of the grotto preserved the suit well, the cuirass in particular was flattened and brittle. It has been painstakingly remoulded by the British Museum's Department of Conservation. 🎥© history_piece © British Museum #archaeohistories

Archaeo - Histories

20,457 просмотров • 4 месяцев назад

As the STG approaches areas with a large Kurdish presence, killings of minorities intensify. Faced with Mazloum Abdi's refusal to surrender completely, as demanded by Jolani, the SDF and YPG announce a general mobilisation of the population to defend the cantons of Kobani and Jazirah, where the Syriacs, Assyrians, Armenians, Arameans and Yazidis minorities also live.

As the STG approaches areas with a large Kurdish presence, killings of minorities intensify. Faced with Mazloum Abdi's refusal to surrender completely, as demanded by Jolani, the SDF and YPG announce a general mobilisation of the population to defend the cantons of Kobani and Jazirah, where the Syriacs, Assyrians, Armenians, Arameans and Yazidis minorities also live.

@Suriyak

18,926 просмотров • 5 месяцев назад

You can fool everyone else, but you cannot fool God, because He knows what is in your heart. He knows what you think and all of your emotions. That’s why the purification of the soul, forgiveness, love, and faith must be undeniably real. In Orthodox Christianity, the judgment of the soul is portrayed with symbolism similar to that of ancient Egypt, with the weighing of the soul on a scale and the Leviathan consuming the soul if it is sinful. In ancient Egypt, the devourer of souls was Ammit, a creature that was part land animal and part water creature.

You can fool everyone else, but you cannot fool God, because He knows what is in your heart. He knows what you think and all of your emotions. That’s why the purification of the soul, forgiveness, love, and faith must be undeniably real. In Orthodox Christianity, the judgment of the soul is portrayed with symbolism similar to that of ancient Egypt, with the weighing of the soul on a scale and the Leviathan consuming the soul if it is sinful. In ancient Egypt, the devourer of souls was Ammit, a creature that was part land animal and part water creature.

Open Minded Approach

92,912 просмотров • 1 месяц назад

The story of Atlantis comes from the ancient Greek philosopher Plato, who wrote about it in his works Timaeus and Critias. He described Atlantis as a large and powerful island civilization that existed far out in the Atlantic Ocean. According to the story, Atlantis was highly advanced, with great buildings, canals, and a well organized society. The city itself was said to be built in rings, with land and water laid out in a careful pattern. At first, the people of Atlantis lived in balance and followed higher principles, but over time they became greedy, corrupt, and focused on power. Plato’s account says that as the people changed, their society began to fall apart. The gods, seeing this decline, decided to punish Atlantis. In a single day and night of disaster, the island was struck by massive earthquakes and floods. The land broke apart, and the entire civilization sank into the sea, disappearing beneath the water. The story was passed down as a warning about what can happen when a society loses its values and becomes consumed by control and excess.

The story of Atlantis comes from the ancient Greek philosopher Plato, who wrote about it in his works Timaeus and Critias. He described Atlantis as a large and powerful island civilization that existed far out in the Atlantic Ocean. According to the story, Atlantis was highly advanced, with great buildings, canals, and a well organized society. The city itself was said to be built in rings, with land and water laid out in a careful pattern. At first, the people of Atlantis lived in balance and followed higher principles, but over time they became greedy, corrupt, and focused on power. Plato’s account says that as the people changed, their society began to fall apart. The gods, seeing this decline, decided to punish Atlantis. In a single day and night of disaster, the island was struck by massive earthquakes and floods. The land broke apart, and the entire civilization sank into the sea, disappearing beneath the water. The story was passed down as a warning about what can happen when a society loses its values and becomes consumed by control and excess.

Jason Wilde

12,604 просмотров • 3 месяцев назад

“Germany is one among the most Nordic nations of Europe Another is without doubt Italy; between us and the Nordics there is a great deal of fundamental affinity… the Ancient Romans were essentially Nordic Aryans” -Giulio Cogni, Il Razzismo (1937)

“Germany is one among the most Nordic nations of Europe Another is without doubt Italy; between us and the Nordics there is a great deal of fundamental affinity… the Ancient Romans were essentially Nordic Aryans” -Giulio Cogni, Il Razzismo (1937)

Christian Ascania🌞

19,755 просмотров • 5 месяцев назад

Jim Carrey drops a cosmic bombshell: "Jim Carrey is a great character, and I was lucky to get the part. But I don't think of that as me anymore." "I used to be a guy experiencing the world… now I feel like the world and the universe experiencing a guy." 19-sec clip — reality just flipped Who are you really? The character… or the one experiencing it?

Jim Carrey drops a cosmic bombshell: "Jim Carrey is a great character, and I was lucky to get the part. But I don't think of that as me anymore." "I used to be a guy experiencing the world… now I feel like the world and the universe experiencing a guy." 19-sec clip — reality just flipped Who are you really? The character… or the one experiencing it?

Camus

738,817 просмотров • 6 месяцев назад

this may actually be the highlight of the whole series, linda you were great but we’ve a new icon in the castle and his name is alexander #TheTraitors

this may actually be the highlight of the whole series, linda you were great but we’ve a new icon in the castle and his name is alexander #TheTraitors

sam

431,719 просмотров • 1 год назад

Ancient Theatre of Taormina (Teatro antico di Taormina), an ancient Greek Theatre in Taormina, Sicily, Italy. It was initially built by Greeks in 3rd Century BC, before being rebuilt and enlarged by the Romans. While known as an amphitheatre, the site is actually an ancient theatre, not the gladiatorial arena of the type normally meant by the term. As well as being a major draw for tourists to the city, today the theatre continues to be used for concerts, plays and other events. Ancient Greeks inhabited Sicily from 750 BC, establishing many significant settlements on the island to make use of Sicily’s fertile soil and advantageous trading location. Around the 3rd Century BC, at the time of Hiero II, Greeks dug directly into the hard rock of Mount Taro to construct a theatre, removing around 100,00 cubic metres of rock. Large columns would have been hauled up the mountain by slaves to encircle the stage. Greek Theatre, was designed to accommodate dramatic or musical performances and so included an orchestra at the lowest levels of the theatre and a large scene where actors or dancers would perform. The cavea or auditorium steps and seats, were designed so all 5400 spectators could hear wherever they sat. Later, under Roman rule, the theatre was rebuilt, probably around the time of Hadrian or Trajan. It was remodelled in the 3rd Century AD, with the orchestra turned into an arena and stage removed. Theatre had a diameter of 107m and could hold around 10,000 spectators. It become one of oldest theatres in Magna Graeca to have curved cavea, rather than the older trapezoidal design. The cavea were divided into 9 sections. On either side of the skene was a basilica. Taormina’s theatre became part of the natural landscape; the light and splendid Calabrian coastal scenery providing a natural backdrop to performances. Remains of another Hellenistic building have been found under the Roman cavea. After Punic Wars, Romans annexed Sicily, forcing out Carthaginians. While Sicily remained largely Greek culturally, the Roman settlers expanded the theatre and shifted its function to reflect Roman entertainment; gladiatorial games. Romans expanded the orchestra, as well as adding columns, statues and covers. During Middle Ages, the grand Corinthian style columns were removed to adorn palaces and places of worship, including the Cathedral. Today, over 2 millennia later, the Taormina Amphitheatre remains a social space for watching performances. Today, theatre is used as a venue for the annual arts festival Taormina Arte, other entertainment offered includes theatre, concerts, symphonies, operas, ballets and the David di Donatell awards have all been held within the ancient auditorium. The modern seating has had a mixed response, but allows this fantastic site that has weathered the ravages of time to continue functioning as was originally intended. Be aware the site is not very accessible for those who cannot climb easily. However, those who visit are rewarded with spectacular views of Mount Etna. 🎥© pioandreaperi (IG) #archaeohistories

Ancient Theatre of Taormina (Teatro antico di Taormina), an ancient Greek Theatre in Taormina, Sicily, Italy. It was initially built by Greeks in 3rd Century BC, before being rebuilt and enlarged by the Romans. While known as an amphitheatre, the site is actually an ancient theatre, not the gladiatorial arena of the type normally meant by the term. As well as being a major draw for tourists to the city, today the theatre continues to be used for concerts, plays and other events. Ancient Greeks inhabited Sicily from 750 BC, establishing many significant settlements on the island to make use of Sicily’s fertile soil and advantageous trading location. Around the 3rd Century BC, at the time of Hiero II, Greeks dug directly into the hard rock of Mount Taro to construct a theatre, removing around 100,00 cubic metres of rock. Large columns would have been hauled up the mountain by slaves to encircle the stage. Greek Theatre, was designed to accommodate dramatic or musical performances and so included an orchestra at the lowest levels of the theatre and a large scene where actors or dancers would perform. The cavea or auditorium steps and seats, were designed so all 5400 spectators could hear wherever they sat. Later, under Roman rule, the theatre was rebuilt, probably around the time of Hadrian or Trajan. It was remodelled in the 3rd Century AD, with the orchestra turned into an arena and stage removed. Theatre had a diameter of 107m and could hold around 10,000 spectators. It become one of oldest theatres in Magna Graeca to have curved cavea, rather than the older trapezoidal design. The cavea were divided into 9 sections. On either side of the skene was a basilica. Taormina’s theatre became part of the natural landscape; the light and splendid Calabrian coastal scenery providing a natural backdrop to performances. Remains of another Hellenistic building have been found under the Roman cavea. After Punic Wars, Romans annexed Sicily, forcing out Carthaginians. While Sicily remained largely Greek culturally, the Roman settlers expanded the theatre and shifted its function to reflect Roman entertainment; gladiatorial games. Romans expanded the orchestra, as well as adding columns, statues and covers. During Middle Ages, the grand Corinthian style columns were removed to adorn palaces and places of worship, including the Cathedral. Today, over 2 millennia later, the Taormina Amphitheatre remains a social space for watching performances. Today, theatre is used as a venue for the annual arts festival Taormina Arte, other entertainment offered includes theatre, concerts, symphonies, operas, ballets and the David di Donatell awards have all been held within the ancient auditorium. The modern seating has had a mixed response, but allows this fantastic site that has weathered the ravages of time to continue functioning as was originally intended. Be aware the site is not very accessible for those who cannot climb easily. However, those who visit are rewarded with spectacular views of Mount Etna. 🎥© pioandreaperi (IG) #archaeohistories

Archaeo - Histories

20,481 просмотров • 1 год назад

🇪🇬 Mosque of Ibn Tulun, Cairo, Egypt It is one of the oldest mosques in Egypt as well as the whole of Africa surviving in its full original form, and is the largest mosque in Cairo in terms of land area. Tulun Mosque features ancient architecture styles of Egypt, its decorations being created from carved stucco and wood. It was designed by the prominent Egyptian architect, Saiid Ibn Kateb Al-Farghany, who was an Orthodox Christian, the same engineer who designed the Nilometer.

🇪🇬 Mosque of Ibn Tulun, Cairo, Egypt It is one of the oldest mosques in Egypt as well as the whole of Africa surviving in its full original form, and is the largest mosque in Cairo in terms of land area. Tulun Mosque features ancient architecture styles of Egypt, its decorations being created from carved stucco and wood. It was designed by the prominent Egyptian architect, Saiid Ibn Kateb Al-Farghany, who was an Orthodox Christian, the same engineer who designed the Nilometer.

MENA Visuals

14,503 просмотров • 5 месяцев назад

I've seen some with some with black women and white men, but it's not often. The black and white mixed commercial that cracked me up the most was this one from Jimmy Dean. White soccer mom, cute kids, and then a black dude with Jay-Z hair. Couldn't they have at least used a black actor who was clean cut?...lol.

I've seen some with some with black women and white men, but it's not often. The black and white mixed commercial that cracked me up the most was this one from Jimmy Dean. White soccer mom, cute kids, and then a black dude with Jay-Z hair. Couldn't they have at least used a black actor who was clean cut?...lol.

JLP

15,983 просмотров • 1 год назад

#Chile — During a commemoration marking the fifth anniversary of the death of Mapuche indigenous movement member Pablo Marchant, who was shot and killed by police in 2021, clashes broke out between police and demonstrators.

#Chile — During a commemoration marking the fifth anniversary of the death of Mapuche indigenous movement member Pablo Marchant, who was shot and killed by police in 2021, clashes broke out between police and demonstrators.

Antifa_Ultras

16,041 просмотров • 5 дней назад

🪨 Carved for a King: The Cliff Tomb of Xerxes the Great High above the plains of ancient Persia, a tomb unlike any other was carved directly into a sheer rock face. This is the burial place of Xerxes the Great, the formidable ruler of the Achaemenid Empire in the 5th century BC. Cut into the towering cliffs of Naqsh-e Rustam, just 12 kilometers (7.5 miles) from Persepolis, the monument dominates the landscape with silent authority. The tomb’s elaborate façade—etched entirely from living stone—reflects a civilization at the height of its power. Towering reliefs, precise symmetry, and monumental scale combine to form a design that is both a final resting place and a declaration of imperial strength. Every carved line speaks to the extraordinary engineering skill and symbolic vision of the Achaemenids, who sought to eternalize their kings not in earth, but in stone and sky. Why choose a vertical cliff for a royal tomb? How did ancient builders achieve such precision at such heights? And what message was this monument meant to send to those who stood below? Even after millennia of wind and sun, the tomb of Xerxes remains a powerful reminder that in ancient Persia, death was not an ending—it was an elevation.

🪨 Carved for a King: The Cliff Tomb of Xerxes the Great High above the plains of ancient Persia, a tomb unlike any other was carved directly into a sheer rock face. This is the burial place of Xerxes the Great, the formidable ruler of the Achaemenid Empire in the 5th century BC. Cut into the towering cliffs of Naqsh-e Rustam, just 12 kilometers (7.5 miles) from Persepolis, the monument dominates the landscape with silent authority. The tomb’s elaborate façade—etched entirely from living stone—reflects a civilization at the height of its power. Towering reliefs, precise symmetry, and monumental scale combine to form a design that is both a final resting place and a declaration of imperial strength. Every carved line speaks to the extraordinary engineering skill and symbolic vision of the Achaemenids, who sought to eternalize their kings not in earth, but in stone and sky. Why choose a vertical cliff for a royal tomb? How did ancient builders achieve such precision at such heights? And what message was this monument meant to send to those who stood below? Even after millennia of wind and sun, the tomb of Xerxes remains a powerful reminder that in ancient Persia, death was not an ending—it was an elevation.

Unearthed 🏺

46,473 просмотров • 5 месяцев назад