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20,317 просмотров • 1 год назад •via X (Twitter)

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🇬🇷 The funniest thing I’ve seen in my life is nationalist Greeks desperately trying to convince the whole world that they’re whiter than Turks. They genuinely seem to hate themselves. The video was shot in a village coffeehouse in Greece and shared on a European page. The comments under it were pure comedy because people hadn’t imagined Greeks like that at all — everyone compared them to gypsies. Greeks trying to portray themselves as white and European is really pathetic, because there are no real Greeks left in Greece. It’s entirely a composite nation gathered from various Balkan peoples. They stole their language from the Ancient Greeks, who disappeared 3,500 years ago. Until about 100 years ago, almost no one spoke this language, which is why it only became the official language in 1976. Their flag actually comes from the British East India Company. The original flag was red, but because all Greek kings were German starting with the first one, Bavarian Otto they changed the color to Bavarian blues. (So it has no real meaning.) All their kings were German. Their population consists of Christian Turks, Albanians, Slavs, and Vlachs. No need to say anything else. It is a fake project state, artificially created by the great powers of the era as a buffer zone against the Turks.​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​🤷‍♂️

Based Türkiye 🇹🇷

108,734 просмотров • 2 месяцев назад

Christopher Nolan’s Odyssey is not just ridiculous because it’s woke, it falls flat even from an artistic, cinematographic perspective. Watching Ellen Page try to depict an ancient Greek soldier running through the desert, is as visually absurd as watching an elderly Robert De Niro in Martin Scorsese’s The Irishman, playing a young Frank Sheeran. Ellen Page as a male Greek soldier, carries the same level of absurdity as watching the Grocery kicking scene in The Irishman, where Robert De Niro is supposed to be depicting a male in in his 30’s, while he’s visibly and mechanically in his late 70’s. Every kick stiff and old, the same way “Elliot” flops through the desert like an adolescent child. Every time we have to call Ellen, Elliot, every time we’re supposed to pretend Lupita Nyong'o represents Helen of Troy, and every time we’re supposed to pretend The Odyssey looks like ancient Greece, it hits home with the same level of absurdity as watching Joe Pesci say “What’s the matter, kid?” to a 76 year old Robert De Niro. In both instances, there is a common theme. The theme is selfishness and self-centeredness. Sure Robert De Niro could have given a portion of his role to a young up and coming actor, and sure Christopher Nolan could have used this film to promote some talented Greek actors, but that would be too rational, too audience-focused. Who care what the audience wants? Who cares how absurd this is visually, and conceptually, it’s what we want — and we’ll force feed it to you! We live in the world of “truths”, where everyone’s “truth” is more important than the actual truth.

ThePatrioticDog

29,513 просмотров • 1 день назад