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ANNOUNCING: The official @CyberForgeDev team! Game Development by: @LysnoDev @S7atori @r34p3rex T A N A S H I 📢 Twitter Space on 5/10: Team Q&A 💻 Cyber Forge dev log: 🛠️ ⚡ Building initiated #CreatedinFortnite Fortnite Creators #UEFN #CyberCrew

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C Y B Ξ R C R Ξ W

33,534 subscribers

26,380 Aufrufe • vor 3 Jahren •via X (Twitter)

#CreatedinFortnite#UEFN#CyberCrew
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Profilbild von OldTanashi
OldTanashivor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @FNCreate 🛠️⚡️

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Lynn Mosquedavor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate Cyber Spicy

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Thed Holesvor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate Lesggooo🔥🔥

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Domivakerovor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate Awesome Team good job I can’t wait 🔥🔥🔥

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CaptainButtersvor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate My Gawd…it’s here.

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mskerri.loopring.ethvor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate

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DirtΞvadervor 3 Jahren

@game_loop_eth @CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate 👀

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ΞDUBvor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate Can’t wait!!!

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system32.eth 🦇🔊🛸vor 3 Jahren

@CyberForgeDev @LysnoDev @S7atori @r34p3rex @CyberTanashi @FNCreate

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The Communities First Team and I signed a repeal guarantee that once we are elected, we will repeal blanket rezoning at our first official council meeting. Blanket rezoning is not the solution for building housing and does not equal affordable housing. Repealing this policy means that we can ensure that we can build smart and effective by keeping the character of the neighbourhoods in our city. As your Mayor, I will improve the development process by cutting the red tape and providing a solution for building infrastructure that benefits all Calgarians. Your voice matters in this election and I and the Communities First team will listen to you and be transparent on the developments in Calgary.
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The Communities First Team and I signed a repeal guarantee that once we are elected, we will repeal blanket rezoning at our first official council meeting. Blanket rezoning is not the solution for building housing and does not equal affordable housing. Repealing this policy means that we can ensure that we can build smart and effective by keeping the character of the neighbourhoods in our city. As your Mayor, I will improve the development process by cutting the red tape and providing a solution for building infrastructure that benefits all Calgarians. Your voice matters in this election and I and the Communities First team will listen to you and be transparent on the developments in Calgary.

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Bronny James Highlights vs Clippers : 17 Points 6-10 FG 3-5 3PT 5 Rebounds 5 Assists +5 +/- Bronny was easily the best player on both ends for the Lakers tonight. When he comes off the floor the Lakers Summer League team, they just look really bad. And as soon as he is inserted back, the team gets life once again, very impressed by how much he grew his game confidence wise. Dalton Knecht really stunk up the Summer League which I feel helped Bronny in a way because he had to take over as the main guy since Dalton could not just find anything at all to get going.

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So much of what's circulating about MGSΔ on the internet is unreasonable and unfair. The treatment of the game is really strange and unfair, and I'm going to show you another letter of nobility from the development team that NO ONE has noticed since the game's release in August 2025. No one has mentioned it on Twitter, YouTube, Reddit, etc., yet I have rarely seen anything so respectful. MGSΔ is also a remake that keeps a low profile on the internet, is sometimes ashamed of its subtle additions and improvements, and has HUGE respect for the main MGS3 development team. MGSΔ is also a remake that “hides” its credits in favor of the classic MGS3 credits at the end of the game with Starsailor's iconic theme “Way to Fall,” choosing sobriety and humility when it comes to the development team that worked on MGSΔ. In fact, there are more than 10 minutes of credits for the remake available in the “EXTRA” menu of MGSΔ, presenting the staff working on this project, with a new and already legendary orchestration by Naoki Nakashima that fits perfectly with the Metal Gear universe. Given the considerable work involved, the decision to put this in second place and leave the original MGS3 credits (from the original team) is once again a sign of great respect on the part of the development team. That's not all. From the introduction onwards, the game presents itself as “based on MGS3.” With no mention of the current staff, but rather the “Original” staff (introduction) with their names highlighted. As far as I can remember, no remake project has ever done this in the world of video games. Voluntarily stepping aside to continue promoting the original team, saying (Okamura) “Keep us honest” (for the future of MG) is incredible proof of respect for the saga. Okamura and the development team reading hate messages from angry “fans” on Metal Gear Hotline was also a powerful and painful moment to watch. Okamura also said that he would like to work with Hideo Kojima again in the future. At what point can we say that this is not sincere? I just don't understand. Yet we still see insults, people saying that the game doesn't respect Kojima, and a community divided in two. We also have misinformation, sometimes deliberate by some media (the release of MGSVOL1 saying that the credits did not mention Hideo Kojima), and questionable omissions of the game from major video game events for important titles such as sound design and best remake... I wonder how long this “targeting” of Konami will continue, because OBJECTIVELY, there is a genuine desire to do well. Admittedly, there was a difficult start with performance issues in certain parts of the game (which have been fixed) and a misstep with FOX HUNT, but the game does not deserve the hatred we see everywhere. If we want to see METAL GEAR continue, we need to soften our judgment and trust them. Fortunately, Delta's sales were good and the series will be able to continue evolving, but I still have a slight fear for the future... Because there is always strange hostility on the internet. Sorry if this tweet was a bit long, but it had to be said.

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THIS SOLO DEV IS BUILDING A 2.5D MEDIEVAL SWORD FIGHTING GAME AND THE COMBAT LOOKS INSANE one person working alone on a full combat system with 2.5D art style he designed and built the art, environments, and animations himself. vibe coded the game mechanics with a game engine the silhouette work and the environments already look polished. the characters move through these detailed medieval landscapes with real weight to the animations 2.5D means the characters and world are flat sprites but rendered in a 3D space so you get depth, parallax, and lighting effects without needing a full 3D engine the combat has directional attacks, parrying, and what looks like a stamina based system. all built by one person i think it needs a bit more hit feedback like hit-stop and sharper audio on contact to make every swing feel heavier. small tweaks that would take it from looking good to feeling incredible but nonetheless this looks pretty slick. insane what one person can do now with vibe coding + a game engine solo game devs are building things that would have required a full studio 5 years ago
1:03

THIS SOLO DEV IS BUILDING A 2.5D MEDIEVAL SWORD FIGHTING GAME AND THE COMBAT LOOKS INSANE one person working alone on a full combat system with 2.5D art style he designed and built the art, environments, and animations himself. vibe coded the game mechanics with a game engine the silhouette work and the environments already look polished. the characters move through these detailed medieval landscapes with real weight to the animations 2.5D means the characters and world are flat sprites but rendered in a 3D space so you get depth, parallax, and lighting effects without needing a full 3D engine the combat has directional attacks, parrying, and what looks like a stamina based system. all built by one person i think it needs a bit more hit feedback like hit-stop and sharper audio on contact to make every swing feel heavier. small tweaks that would take it from looking good to feeling incredible but nonetheless this looks pretty slick. insane what one person can do now with vibe coding + a game engine solo game devs are building things that would have required a full studio 5 years ago

Om Patel

27,017 Aufrufe • vor 2 Monaten

S P A C E M O N K E Y S ˄͎ Podcast The Power of Feooh ⚡️ → Secrets of Web3 Master Builders feat. Feooh Team w/ Jay Chrawnna Show Notes: Space Monkeys blasting off into the incredible journey of Sukhmeet and Ashmeen Soin, a married couple and co-founders of Feooh, who are making waves in Web3 & the Polkadot ecosystem! With a delivery background spanning The Canadian Ministry of Defense, healthcare, fintech, and gaming, they’ve built game-changing projects like Mandala’s ID Chain & more intended for for 260M+ people & Zexify, a Web3 gaming platform revolutionizing player empowerment. Discover how their small team of 20 achieves massive impact on short timeframes, their vision for blockchain’s future, and their work with Polkadot’s cutting-edge tech like JAM and Substrate. Don’t miss this inspiring story of innovation, loyalty, and Web3 enablement! Jump in ↯ 0:00 Technical Architects 2:58 Power of Feooh 6:27 The Web3 Move 8:43 Zexify 13:06 Building Mandala 20:29 Power Building 26:33 JAM 28:24 Enablement & Impact Power the future - follow The Kus! ↖️❤️
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The Kus

189,475 Aufrufe • vor 1 Jahr

Are game developers doomed? Claude Fable 5 just did 6 years of my work in an afternoon. I don't think game developers are doomed. But our industry is about to change faster than almost anyone expects and I just watched it happen with my own game. Let me give you a concrete example. I started building Moonga when I was 17. After high school, I took a gap year before university and spent the whole year building the first version an online trading card game, back when web games were still in their infancy. It wasn't perfect. It was the work of a young developer. But it worked, people played it, and it proved the concept. In 2008 I rebuilt it from scratch, created a company, hired a team, modernized rules, redesigned experience, and we spent about a year and a half of work for an iPhone version. We launched on the App Store in 2010. Over the years we invested close to a million dollars. The game became especially successful in Japan and developed a loyal community. Ironically, our biggest challenge was never creating content it was maintaining the technology. Back then, iOS and Android meant separate codebases. A web version meant a third. Every feature, every bug fix, every improvement had to be duplicated across platforms. The maintenance cost was enormous. Fast-forward to today. I gave Claude Fable 5 the complete source code of Moonga roughly 500 cards, each with its own abilities and gameplay logic. It's years of accumulated game rules, edge cases, and design decisions. Five or six hours later, I had a fully playable version running on a modern multiplatform stack. One codebase. Web. Mobile. Modern architecture. A few more prompts and I was polishing interface and gameplay. It's not production-ready I could spend another week on animations, UX, and visual polish. But that's not the point. The point is this: years of accumulated development knowledge were enough for Fable 5 to recreate the entire game on a modern stack in a single afternoon. That doesn't erase the original work. Someone still had to invent the mechanics, balance 500 cards, design the systems, create the assets, ship the first implementation. But once that knowledge existed, rebuilding it became almost free. That's the real shift. The cost of implementing software is collapsing. The value is moving toward ideas, game design, content, world-building, community, and taste. We're entering an era where a small team or even a single developer can build what used to take dozens of engineers. For game developers, that's both terrifying and exciting. The question is no longer "Can I build this?" It's "What should I build, now that implementation is no longer the bottleneck?"
0:23

Are game developers doomed? Claude Fable 5 just did 6 years of my work in an afternoon. I don't think game developers are doomed. But our industry is about to change faster than almost anyone expects and I just watched it happen with my own game. Let me give you a concrete example. I started building Moonga when I was 17. After high school, I took a gap year before university and spent the whole year building the first version an online trading card game, back when web games were still in their infancy. It wasn't perfect. It was the work of a young developer. But it worked, people played it, and it proved the concept. In 2008 I rebuilt it from scratch, created a company, hired a team, modernized rules, redesigned experience, and we spent about a year and a half of work for an iPhone version. We launched on the App Store in 2010. Over the years we invested close to a million dollars. The game became especially successful in Japan and developed a loyal community. Ironically, our biggest challenge was never creating content it was maintaining the technology. Back then, iOS and Android meant separate codebases. A web version meant a third. Every feature, every bug fix, every improvement had to be duplicated across platforms. The maintenance cost was enormous. Fast-forward to today. I gave Claude Fable 5 the complete source code of Moonga roughly 500 cards, each with its own abilities and gameplay logic. It's years of accumulated game rules, edge cases, and design decisions. Five or six hours later, I had a fully playable version running on a modern multiplatform stack. One codebase. Web. Mobile. Modern architecture. A few more prompts and I was polishing interface and gameplay. It's not production-ready I could spend another week on animations, UX, and visual polish. But that's not the point. The point is this: years of accumulated development knowledge were enough for Fable 5 to recreate the entire game on a modern stack in a single afternoon. That doesn't erase the original work. Someone still had to invent the mechanics, balance 500 cards, design the systems, create the assets, ship the first implementation. But once that knowledge existed, rebuilding it became almost free. That's the real shift. The cost of implementing software is collapsing. The value is moving toward ideas, game design, content, world-building, community, and taste. We're entering an era where a small team or even a single developer can build what used to take dozens of engineers. For game developers, that's both terrifying and exciting. The question is no longer "Can I build this?" It's "What should I build, now that implementation is no longer the bottleneck?"

Shaban Shaame

34,282 Aufrufe • vor 21 Tagen

Join our amazing cast and crew for the Official TRAILER LAUNCH EVENT of Chandramukhi-2 at the Express Avenue Mall, Chennai 📍 on Sep 3rd, 3PM Onwards! Let us all together light up the arena & have fun! 🌸 🤗✨ #Chandramukhi2TrailerFromSep3 #Chandramukhi2 🗝️ 🎬 #PVasu 🌟 Raghava Lawrence Kangana Ranaut 🎶 #MMKeeravaani 🎥 RDRajasekarISC 🛠️ #ThottaTharani ✂️🎞️ Lewellyn gonsalvez ✨ Radikaa Sarathkumar Vaigaipuyal #Vadivelu #LakshmiMenon Mahima Nambiar S r u s h t i i D a n g e #RaviMaria #SureshMenon #TMKarthik #RaoRamesh #Vignesh Subiksha krishnan 💙 ✍🏻🎶 Madhan Karky Yugabharathi Vivek 🕺🏻💃🏻 Kala Master Baba Baskar Dinesh choreographer 🎙️ Yuvraaj Beyond Media Sabari PRO Harish Arasu PRO 🖼️🎨 Pointer Studios #KAMuthukumar 🤝 GKM Tamil Kumaran 🪙 Lyca Productions #Subaskaran #Chandramukhi2FromSep15
0:42

Join our amazing cast and crew for the Official TRAILER LAUNCH EVENT of Chandramukhi-2 at the Express Avenue Mall, Chennai 📍 on Sep 3rd, 3PM Onwards! Let us all together light up the arena & have fun! 🌸 🤗✨ #Chandramukhi2TrailerFromSep3 #Chandramukhi2 🗝️ 🎬 #PVasu 🌟 Raghava Lawrence Kangana Ranaut 🎶 #MMKeeravaani 🎥 RDRajasekarISC 🛠️ #ThottaTharani ✂️🎞️ Lewellyn gonsalvez ✨ Radikaa Sarathkumar Vaigaipuyal #Vadivelu #LakshmiMenon Mahima Nambiar S r u s h t i i D a n g e #RaviMaria #SureshMenon #TMKarthik #RaoRamesh #Vignesh Subiksha krishnan 💙 ✍🏻🎶 Madhan Karky Yugabharathi Vivek 🕺🏻💃🏻 Kala Master Baba Baskar Dinesh choreographer 🎙️ Yuvraaj Beyond Media Sabari PRO Harish Arasu PRO 🖼️🎨 Pointer Studios #KAMuthukumar 🤝 GKM Tamil Kumaran 🪙 Lyca Productions #Subaskaran #Chandramukhi2FromSep15

Lyca Productions

256,808 Aufrufe • vor 2 Jahren

A Big Thankyou to all the YouTubers, Singers, Rappers,Artists, Content Creators, Influencers, Actors, Comedians For Sharing stories on Instagram in the Support of ELVISH YADAV. You all Are Supporting the right guy, I'm Sure Elvish Yadav will win the TROPHY for all of us. V O T E F 0 R E L V I S H #ElvishIsTheBoss #ElvishYadav𓃵 #ElvishYadav #OnlyElvishMatters #VoteForElvish #ElvishArmy #VoteForElvishYadav #ElvishArmy𓃵 #BBOTT2onJioCinema #ElvishForTheWin Jio Cinema Endemol Shine India x #Parmishverma #Souravjoshi #Mahirasharma #MCSquare #Paradox #Ajju008 #Totalgaming #pranjal #gulzarchaniwala #Harshbeniwal #puravjha #Mohitchikara #Mridul and team #Realhit #Halfengineer #Rahulchahar #ShivThakre #lakshaychoudhary #gareebo #millindgaba #jattprabhjot #ridergirlvishaka #anjaliarora #oyeindori #fazilpuriya #crazyxyz #chinkiminki And many more
0:29

A Big Thankyou to all the YouTubers, Singers, Rappers,Artists, Content Creators, Influencers, Actors, Comedians For Sharing stories on Instagram in the Support of ELVISH YADAV. You all Are Supporting the right guy, I'm Sure Elvish Yadav will win the TROPHY for all of us. V O T E F 0 R E L V I S H #ElvishIsTheBoss #ElvishYadav𓃵 #ElvishYadav #OnlyElvishMatters #VoteForElvish #ElvishArmy #VoteForElvishYadav #ElvishArmy𓃵 #BBOTT2onJioCinema #ElvishForTheWin Jio Cinema Endemol Shine India x #Parmishverma #Souravjoshi #Mahirasharma #MCSquare #Paradox #Ajju008 #Totalgaming #pranjal #gulzarchaniwala #Harshbeniwal #puravjha #Mohitchikara #Mridul and team #Realhit #Halfengineer #Rahulchahar #ShivThakre #lakshaychoudhary #gareebo #millindgaba #jattprabhjot #ridergirlvishaka #anjaliarora #oyeindori #fazilpuriya #crazyxyz #chinkiminki And many more

Elvish Yadav Official FC™

104,850 Aufrufe • vor 3 Jahren

Way back in 1996, I was working on Diddy Kong Racing. Probably the most fun I've had in my entire life! One of the most fun parts was creating animation sequences using the custom made software by Rob Harrison who was one of the lead programmers on the team. After I gave him a list of features I needed it to have, Robert created a great editor based on a simplified timeline editor similar to what I had previously used in Alias Poweranimator. Characters, objects and cameras would follow paths that I could draw to create motion, and along those paths I could place 'trigger' events which were usually icons that looked like a musical note or a special effect. So for instance, during the start sequence when Diddy Kong flies around the famous 'N64' logo high up in the clouds, Diddy Followed a path and as he hit triggers along the way, special sound effects were triggered and twinkle star particles were emitted. The sky background was simply a spinning cylinder with a basic blue sky texture on it. However, although it sounds simple, scenes soon became very complicated, and this WIZPIG end sequence after defeating him for the first time was a lot to handle. I made the characters follow paths which ran all over the place triggering sound effects as they ran away from the evil boss! I had so much fun creating sequences, and doing WIZPIG's VOICE! But none of this would have been possible without the great work from Rob to give me a great tool to animate those sequences which really brought the game to life! All of the team worked their asses off in a red hot barn during that summer, but we loved every minute - and it shows in the game! I remember Chris Stamper being really impressed with the speed we were putting this kind of thing together thanks to the way we were communicating with each other as a team. But with this particular sequence he wasn't happy when he saw I was building a lighthouse. I remember him asking why I was wasting memory on graphics because it was in short supply - and everything should be built for a reason. (And quite rightly so) However, little did he know it would become a rocket ship for Wizpig to launch into space with, and ride around the space racetrack, but he soon found out! Lee Schuneman did a great job bringing the team together and getting them to trust in his vision of a racing game with an 'adventure' element. The amazing front end by Johnni Christiensen set it apart from many other games with it's bold use of colour and great cartoony style And that music you hear is by non other than my best pal David Wise! What a game! What a time we had! We all worked so hard - And some of the team now even work with me at Playtonic Games! (Paul Mountain, John Pegg, Martin Wakely) #DiddyKongRacing #GameDev #VideoGameHistory #Art #Characterdesign
1:57

Way back in 1996, I was working on Diddy Kong Racing. Probably the most fun I've had in my entire life! One of the most fun parts was creating animation sequences using the custom made software by Rob Harrison who was one of the lead programmers on the team. After I gave him a list of features I needed it to have, Robert created a great editor based on a simplified timeline editor similar to what I had previously used in Alias Poweranimator. Characters, objects and cameras would follow paths that I could draw to create motion, and along those paths I could place 'trigger' events which were usually icons that looked like a musical note or a special effect. So for instance, during the start sequence when Diddy Kong flies around the famous 'N64' logo high up in the clouds, Diddy Followed a path and as he hit triggers along the way, special sound effects were triggered and twinkle star particles were emitted. The sky background was simply a spinning cylinder with a basic blue sky texture on it. However, although it sounds simple, scenes soon became very complicated, and this WIZPIG end sequence after defeating him for the first time was a lot to handle. I made the characters follow paths which ran all over the place triggering sound effects as they ran away from the evil boss! I had so much fun creating sequences, and doing WIZPIG's VOICE! But none of this would have been possible without the great work from Rob to give me a great tool to animate those sequences which really brought the game to life! All of the team worked their asses off in a red hot barn during that summer, but we loved every minute - and it shows in the game! I remember Chris Stamper being really impressed with the speed we were putting this kind of thing together thanks to the way we were communicating with each other as a team. But with this particular sequence he wasn't happy when he saw I was building a lighthouse. I remember him asking why I was wasting memory on graphics because it was in short supply - and everything should be built for a reason. (And quite rightly so) However, little did he know it would become a rocket ship for Wizpig to launch into space with, and ride around the space racetrack, but he soon found out! Lee Schuneman did a great job bringing the team together and getting them to trust in his vision of a racing game with an 'adventure' element. The amazing front end by Johnni Christiensen set it apart from many other games with it's bold use of colour and great cartoony style And that music you hear is by non other than my best pal David Wise! What a game! What a time we had! We all worked so hard - And some of the team now even work with me at Playtonic Games! (Paul Mountain, John Pegg, Martin Wakely) #DiddyKongRacing #GameDev #VideoGameHistory #Art #Characterdesign

Rareware_Artist

90,839 Aufrufe • vor 5 Monaten

Inspired by Grok as a developer and a heavy gamer for over 15 years, I spent some time last week building a few things. Thrilled to unveil my latest creation: an infinite runner game built almost entirely by Grok from xAI! This project showcases the incredible power of AI in game development. Grok handled everything—from designing the game mechanics to writing the code and even helping me debug issues along the way. I brought it to life using some amazing free assets from a treasure trove for indie developers. You can play the game now at Elon Musk, I’d be honored if you checked it out. AI is revolutionizing game development, and Grok is at the forefront with its outstanding capabilities. It’s more than a tool—it’s like a tireless co-developer. Grok grasps complex concepts, provides suggestions, and turns rough ideas into working code fast. For this infinite runner, it crafted smooth player controls, randomized obstacle generation, and an engaging scoring system, letting me focus on the overall vision. And cross_protocol, founded by Henry @CROSS is set to harness AI’s full potential in gaming, pushing the boundaries even further. This is just the beginning. With Grok’s help, I’m planning future projects: 1) Physics-based puzzle game where players tweak gravity and momentum to solve puzzles 2) 2D RPG with deep storytelling and branching dialogue 3) Fast-paced 3D shooter with immersive worlds Each genre requires unique skills, but Grok’s versatility makes it ideal for all of them. It adapts to any challenge—be it physics simulations, character AI, or level design—producing results that could rival a full dev team. AI like Grok is opening up creative doors I couldn’t tackle alone, and I can’t wait to see what’s next. Stay tuned for more.
0:20

Inspired by Grok as a developer and a heavy gamer for over 15 years, I spent some time last week building a few things. Thrilled to unveil my latest creation: an infinite runner game built almost entirely by Grok from xAI! This project showcases the incredible power of AI in game development. Grok handled everything—from designing the game mechanics to writing the code and even helping me debug issues along the way. I brought it to life using some amazing free assets from a treasure trove for indie developers. You can play the game now at Elon Musk, I’d be honored if you checked it out. AI is revolutionizing game development, and Grok is at the forefront with its outstanding capabilities. It’s more than a tool—it’s like a tireless co-developer. Grok grasps complex concepts, provides suggestions, and turns rough ideas into working code fast. For this infinite runner, it crafted smooth player controls, randomized obstacle generation, and an engaging scoring system, letting me focus on the overall vision. And cross_protocol, founded by Henry @CROSS is set to harness AI’s full potential in gaming, pushing the boundaries even further. This is just the beginning. With Grok’s help, I’m planning future projects: 1) Physics-based puzzle game where players tweak gravity and momentum to solve puzzles 2) 2D RPG with deep storytelling and branching dialogue 3) Fast-paced 3D shooter with immersive worlds Each genre requires unique skills, but Grok’s versatility makes it ideal for all of them. It adapts to any challenge—be it physics simulations, character AI, or level design—producing results that could rival a full dev team. AI like Grok is opening up creative doors I couldn’t tackle alone, and I can’t wait to see what’s next. Stay tuned for more.

J

99,725 Aufrufe • vor 1 Jahr