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Another close up shot from my current process 🙂 #gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip #workinprogress

Greg Rutkowski

30,786 subscribers

11,320 次观看 • 1 年前 •via X (Twitter)

#gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip #workinprogress

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7 条评论

PorridgeHorrendous 的头像

PorridgeHorrendous1 年前

I was so confused. Thought you were adding a highlight to the shoulder, then it turned into a person. Beautiful.

Greg Rutkowski 的头像

Greg Rutkowski1 年前

Thanks you! Yeah I see it now why it might be confusing 😅

CK 的头像

CK1 年前

Fascinating and impressive to watch.

Pepino Albino 的头像

Pepino Albino1 年前

i can even smell the paint

Linoir 的头像

Linoir1 年前

This is fantastic. How do you incorporate references? It looks like it's coming straight from imagination with how quickly you paint the final colors.

Greg Rutkowski 的头像

Greg Rutkowski1 年前

Thank you! 😊 When I need to add a person/face to the painting, first I'm doing it digitally, and then once it fits I'm just transfering it to the canvas by marking a few critical points on the canvas 🙂

Francie 的头像

Francie1 年前

🔥🔥🥃

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A little close up from working on the knight’s face 😊 It’s still pretty rough though 😅 #gregrutkowski #oilpainting #workinprogress #canvas #brushes #classicalpainting #knight #medieval

A little close up from working on the knight’s face 😊 It’s still pretty rough though 😅 #gregrutkowski #oilpainting #workinprogress #canvas #brushes #classicalpainting #knight #medieval

Greg Rutkowski

11,887 次观看 • 2 年前

Slowly getting into the details and finalizing small parts of the painting 😊 Still not there yet lol 🤣 #gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip

Slowly getting into the details and finalizing small parts of the painting 😊 Still not there yet lol 🤣 #gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip

Greg Rutkowski

29,048 次观看 • 1 年前

A little update from my latest piece. I slowly getting into the second pass of detail adding smaller chunks of colors and a bit of refinement here and there 😊 #gregrutkowski #oilpainting #classicalpainting #workinprogress #brushes #matejkovibe #battle #medieval #knights #canvas

A little update from my latest piece. I slowly getting into the second pass of detail adding smaller chunks of colors and a bit of refinement here and there 😊 #gregrutkowski #oilpainting #classicalpainting #workinprogress #brushes #matejkovibe #battle #medieval #knights #canvas

Greg Rutkowski

23,700 次观看 • 2 年前

Work in progress… Can’t say I’m even in 1/3rd of the progress, but definitely closer to the end than a week ago 😅 #gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip

Work in progress… Can’t say I’m even in 1/3rd of the progress, but definitely closer to the end than a week ago 😅 #gregrutkowski #oilpainting #classicalpainting #battle #medieval #knights #brushes #canvas #wip

Greg Rutkowski

85,570 次观看 • 2 年前

My Lai, Collateral Murder... After nearly 20 years, journalists finally won their battle to have photos released from the Haditha Massacre. US marines killed 24 Iraqi men, women and children - aged 3 to 76 - many shot in the head at close range. Democracy Now! interview 👇

My Lai, Collateral Murder... After nearly 20 years, journalists finally won their battle to have photos released from the Haditha Massacre. US marines killed 24 Iraqi men, women and children - aged 3 to 76 - many shot in the head at close range. Democracy Now! interview 👇

WikiLeaks

63,049 次观看 • 2 年前

Someone Did the Unimaginable 🥵 Colour Corrected The Close Up A$$ Shot of Kriti From Pirated Version and it actually looks so hot now my hands not gonna stop tonight 💦💦💦💦 ahhh fu*k #KritiSanon

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Someone Did the Unimaginable 🥵 Colour Corrected The Close Up A$$ Shot of Kriti From Pirated Version and it actually looks so hot now my hands not gonna stop tonight 💦💦💦💦 ahhh fu*k #KritiSanon

Nairobi 🔎

360,239 次观看 • 15 天前

Every project is another reminder that growth comes from showing up, committing to the process, and giving it all to each frame. This one was a special one linking up with the brother FUTURE/FREEBANDZ, thank you & your team for trusting me on this. We shot this in Miami but felt right at home ❤️ Radio Directed by Dulsé 🦂 Out now. ⚡️

Every project is another reminder that growth comes from showing up, committing to the process, and giving it all to each frame. This one was a special one linking up with the brother FUTURE/FREEBANDZ, thank you & your team for trusting me on this. We shot this in Miami but felt right at home ❤️ Radio Directed by Dulsé 🦂 Out now. ⚡️

Dulsé.

20,876 次观看 • 2 个月前

It took me days to process Episode 7 after it dropped. This is my favorite scene from it. Our last sequence which is shot at 2am. One I’ll never forget. The writing in Love at First Spike… grabe. The way the characters were built up to this moment 🥹 #LoveAtFirstSpike

It took me days to process Episode 7 after it dropped. This is my favorite scene from it. Our last sequence which is shot at 2am. One I’ll never forget. The writing in Love at First Spike… grabe. The way the characters were built up to this moment 🥹 #LoveAtFirstSpike

sean tristan

309,239 次观看 • 1 年前

Here's a clip from my discussion with Frank Holland on CNBC's Closing Bell yesterday. We discussed breadth under the surface has been strong (today is another great breadth day) and why cyclicals like financials and industrials should do well going forward. XLI up close to 3% today.

Here's a clip from my discussion with Frank Holland on CNBC's Closing Bell yesterday. We discussed breadth under the surface has been strong (today is another great breadth day) and why cyclicals like financials and industrials should do well going forward. XLI up close to 3% today.

Ryan Detrick, CMT

14,829 次观看 • 2 个月前

Been wanting to do another one of these blocking and staging breakdowns for weeks now. Here's a shot that I've always marveled at this shot from Steven Spielberg's HOOK. With blocking, staging and camera movement Spielberg manages to combine 11 compositions or what I'll call here "Shots" into one shot. What's amazing about this shot is that most people probably wouldn't even notice. And that's a good thing. It's no surprise he went on to make multiple 3D movies, because he really is a master of depth. There's some dollying and by my count, one zoom, but otherwise, this shot is entirely conceived by his use of pan, tilts, actor movement and rack focusing. It's a masterclass in using depth as a tool for storytelling. And on that note, what's so incredible about this shot is how purposeful each composition is in telling the emotional story. As annotated in pink. Hoping to do some non-Spielberg ones soon too, but it's hard to resist because, even though many came before him, I think he's truly the master of this old-school type of blocking and staging. HOOK 1991 - Dir Steven Spielberg - Credit due also to Spielberg's team, DP Dean Cundey, and the actors: Robin Williams, Maggie Smith and Caroline Goodall GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MLS - Medium Long Shot LS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats "SHOT" - (Just using this to say composition or what would be a shot - if there was a cut/setup) #FilmTwitter #spielberg #directing

Been wanting to do another one of these blocking and staging breakdowns for weeks now. Here's a shot that I've always marveled at this shot from Steven Spielberg's HOOK. With blocking, staging and camera movement Spielberg manages to combine 11 compositions or what I'll call here "Shots" into one shot. What's amazing about this shot is that most people probably wouldn't even notice. And that's a good thing. It's no surprise he went on to make multiple 3D movies, because he really is a master of depth. There's some dollying and by my count, one zoom, but otherwise, this shot is entirely conceived by his use of pan, tilts, actor movement and rack focusing. It's a masterclass in using depth as a tool for storytelling. And on that note, what's so incredible about this shot is how purposeful each composition is in telling the emotional story. As annotated in pink. Hoping to do some non-Spielberg ones soon too, but it's hard to resist because, even though many came before him, I think he's truly the master of this old-school type of blocking and staging. HOOK 1991 - Dir Steven Spielberg - Credit due also to Spielberg's team, DP Dean Cundey, and the actors: Robin Williams, Maggie Smith and Caroline Goodall GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MLS - Medium Long Shot LS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats "SHOT" - (Just using this to say composition or what would be a shot - if there was a cut/setup) #FilmTwitter #spielberg #directing

Scott Jeschke

86,091 次观看 • 2 年前

"One time I shot a moose head-on with a 300 short mag and thought I’d killed him, but he got up and came right at me. I reached around and my hand came up covered in blood, and I thought I was dying—but it was his blood from the brisket wound. Another time, I busted into thick brush thinking I’d treed a black bear, only to find myself face-to-face with a grizzly and her cubs. I’ve had plenty of close calls, and some of them could have gone bad real fast" Steven Rinella

"One time I shot a moose head-on with a 300 short mag and thought I’d killed him, but he got up and came right at me. I reached around and my hand came up covered in blood, and I thought I was dying—but it was his blood from the brisket wound. Another time, I busted into thick brush thinking I’d treed a black bear, only to find myself face-to-face with a grizzly and her cubs. I’ve had plenty of close calls, and some of them could have gone bad real fast" Steven Rinella

Shawn Ryan

300,322 次观看 • 11 个月前

Hasnat Abdullah has made a lot of news after making another threat to separate the Seven Sisters in the North East from the rest of India. But somehow, recent developments in the North Eastern states with regards to Bangladesh has escaped attention. Bangladeshis should be very wary of making such comments. Because the current political climate in North East India is gearing up towards a decisive battle for the Chittagong Hill Tracts (CHT). Let's unpack it in this thread.

Hasnat Abdullah has made a lot of news after making another threat to separate the Seven Sisters in the North East from the rest of India. But somehow, recent developments in the North Eastern states with regards to Bangladesh has escaped attention. Bangladeshis should be very wary of making such comments. Because the current political climate in North East India is gearing up towards a decisive battle for the Chittagong Hill Tracts (CHT). Let's unpack it in this thread.

Sensei Kraken Zero

105,069 次观看 • 8 个月前

What’s the most important club in the bag? A question on my IG stories was asked & this was my response You only have to look at stats AND if you haven’t already, read “Every Shot Counts” from Mark Broadie to back up my answer 🙂 PS: Yes, for SOME golfers who literally have the putting yips or chipping yips, perhaps fixing that part of the game may better best for them, but all things being equal, I would chose my answer every day of the week 👍🏼

What’s the most important club in the bag? A question on my IG stories was asked & this was my response You only have to look at stats AND if you haven’t already, read “Every Shot Counts” from Mark Broadie to back up my answer 🙂 PS: Yes, for SOME golfers who literally have the putting yips or chipping yips, perhaps fixing that part of the game may better best for them, but all things being equal, I would chose my answer every day of the week 👍🏼

Ryan Mouque

14,024 次观看 • 6 个月前

I give a lot of love to Spielberg for his blocking, but here's some really nice evolving blocking and staging from Robert Eggers and Jarin Blaschke, who, from my understanding, work closely together to conceive of these shots in prep. I love the Spielbergian use of depth and foreground-versus-background groupings relative to the camera. The simplicity of the camera staging also reminds me a bit of some of the staging in Gone with the Wind. Lots of really nice shots like this in this film, but this one really stood out for me in the theater. Nosferatu - 2024 Kudos to-- Director: Robert Eggers Director of Photography: Jarin Blaschke "A" Camera Operator: Jan Cabalka First Assistant "A" Camera: Ashley Bond Second Assistant "A" Camera: Tomáš Kutlák Dolly & Grip Department Dolly Grip: Dan Chladek Key Grip: Robert Kodera Actors: Willem Dafoe Ralph Ineson Aaron Taylor Johnson Anna Harding GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MFS - Medium Full Shot FS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats STAGING: Arrangement and composition of visual elements within a frame, including actors, set design, props, lighting, and camera positioning If you liked this, check out my Spielberg ones! #filmmaking #cinematography #roberteggers

I give a lot of love to Spielberg for his blocking, but here's some really nice evolving blocking and staging from Robert Eggers and Jarin Blaschke, who, from my understanding, work closely together to conceive of these shots in prep. I love the Spielbergian use of depth and foreground-versus-background groupings relative to the camera. The simplicity of the camera staging also reminds me a bit of some of the staging in Gone with the Wind. Lots of really nice shots like this in this film, but this one really stood out for me in the theater. Nosferatu - 2024 Kudos to-- Director: Robert Eggers Director of Photography: Jarin Blaschke "A" Camera Operator: Jan Cabalka First Assistant "A" Camera: Ashley Bond Second Assistant "A" Camera: Tomáš Kutlák Dolly & Grip Department Dolly Grip: Dan Chladek Key Grip: Robert Kodera Actors: Willem Dafoe Ralph Ineson Aaron Taylor Johnson Anna Harding GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MFS - Medium Full Shot FS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats STAGING: Arrangement and composition of visual elements within a frame, including actors, set design, props, lighting, and camera positioning If you liked this, check out my Spielberg ones! #filmmaking #cinematography #roberteggers

Scott Jeschke

23,258 次观看 • 2 个月前

⚔️ ENERGY WAR: BATTLE PASS The Energy War just got a serious power-up ⚡ Energy War Battle Pass is a 12-week reward system designed to reward your consistency and energy burned in every battle. IMPORTANT: The rewards in the battle pass are unlocked based on the total number of weeks you have participated, not based on the current Energy War Week. There are two tiers available ✅ Free Battle Pass 💎 Premium Battle Pass [100 GMT] What can you earn: 🥇 Energy War Badges 🧃 $SUT 🎫 MOOAR+ Memberships 🎮 STEPN/STEPN GO Backgrounds and FSL Game Hub Starlets 🧰 Partner War Chests 🎖️ The Premium Battle Pass unlocks tradeable Battle Badges that grant access to 2 Raffle Mints, along with rate-up bonuses: 🛡 Squire: complete a total of 3 rounds - 50 % rate-up ⚔️ Knight: complete a total of 9 rounds - 100 % rate-up 👑 Legend: complete a total of 12 rounds - 150 % rate-up 🚨 Rate ups from different badges add together. Having more than one of the same badge does not add extra rate ups. Raffle Mint Details 🎟️ There will be 2 Raffle Mints 🎟️ Each will feature 100 Polygon STEPN Sneakers 🎟️ All Sneakers come with permanent MORCHI skins 🎟️ These are not OG or Genesis Sneakers - but they are exclusive, custom, and only available through this event 🎯 Raffle Mint #1 during Week 6 Battle Round 🎯 Raffle Mint #2 during Week 12 Battle Round How to qualify: ✅ Participate in every week of the corresponding half (1–6 or 7–12) OR ✅ Hold a Squire, Knight, or Legend Badge Entry is free for all qualified users. To get your Battle Pass: 1️⃣ Launch Energy War in 2️⃣ Go to “My Dashboard” 3️⃣ Click on “My Rewards” 4️⃣ Upgrade your Battle Pass for 100 pGMT Grab your Battle Pass. Burn energy. Stay consistent.

⚔️ ENERGY WAR: BATTLE PASS The Energy War just got a serious power-up ⚡ Energy War Battle Pass is a 12-week reward system designed to reward your consistency and energy burned in every battle. IMPORTANT: The rewards in the battle pass are unlocked based on the total number of weeks you have participated, not based on the current Energy War Week. There are two tiers available ✅ Free Battle Pass 💎 Premium Battle Pass [100 GMT] What can you earn: 🥇 Energy War Badges 🧃 $SUT 🎫 MOOAR+ Memberships 🎮 STEPN/STEPN GO Backgrounds and FSL Game Hub Starlets 🧰 Partner War Chests 🎖️ The Premium Battle Pass unlocks tradeable Battle Badges that grant access to 2 Raffle Mints, along with rate-up bonuses: 🛡 Squire: complete a total of 3 rounds - 50 % rate-up ⚔️ Knight: complete a total of 9 rounds - 100 % rate-up 👑 Legend: complete a total of 12 rounds - 150 % rate-up 🚨 Rate ups from different badges add together. Having more than one of the same badge does not add extra rate ups. Raffle Mint Details 🎟️ There will be 2 Raffle Mints 🎟️ Each will feature 100 Polygon STEPN Sneakers 🎟️ All Sneakers come with permanent MORCHI skins 🎟️ These are not OG or Genesis Sneakers - but they are exclusive, custom, and only available through this event 🎯 Raffle Mint #1 during Week 6 Battle Round 🎯 Raffle Mint #2 during Week 12 Battle Round How to qualify: ✅ Participate in every week of the corresponding half (1–6 or 7–12) OR ✅ Hold a Squire, Knight, or Legend Badge Entry is free for all qualified users. To get your Battle Pass: 1️⃣ Launch Energy War in 2️⃣ Go to “My Dashboard” 3️⃣ Click on “My Rewards” 4️⃣ Upgrade your Battle Pass for 100 pGMT Grab your Battle Pass. Burn energy. Stay consistent.

MOOAR

64,932 次观看 • 1 年前

Used Product Commercial Skill to create this video on FlovaAI FlovaAI_Japan prom SHOT 1 [0:00–0:03] — 3s, real-time Extreme close-up: a single perfect golden-brown fried mandu (Korean dumpling), triangular fold, sitting on the railing of a 10th-floor officetel balcony in Seoul. Bright midday sun catching every crisp fried edge, steam rising gently. A small dish of soy-vinegar dipping sauce sits right beside it, close to the mandu. SHOT 2 [0:03–0:05] — 2s, real-time A pigeon lands on the railing a foot away. It looks at the mandu, tilts its head, takes one casual step closer. Its wing brushes the sauce dish. SHOT 3 [0:05–0:06] — 1s, real-time The mandu and the sauce dish both wobble from the nudge. They tip together and fall off the edge of the railing. SHOT 4 [0:06–0:10] — 4s, slow motion Wide shot from directly across the street at 10th-floor level: the mandu and sauce dish tumbling outward, rotating end over end, catching the sunlight on every turn. Behind them, the building facade — a tall Seoul apartment block, muted grey-blue exterior, laundry hanging on a few balconies. The mandu is a tiny golden triangle falling against the building. SHOT 5 [0:10–0:13] — 3s, real-time Ground level wide shot: a busy Seoul street in midday sun. Pedestrians with shopping bags, a delivery scooter idling at the curb, a tteokbokki/odeng street cart with an ajumma stirring a pot, a dog sleeping in a patch of sun, an elderly man reading a newspaper on a bench. Ordinary day, nobody aware anything is falling. SHOT 6 [0:13–0:15] — 2s, real-time Close-up on the sleeping dog: one ear twitches, then both go up. Nose starts working. One eye opens, pupils tracking something falling. The dog slowly rises, never looking away from above. SHOT 7 [0:15–0:17] — 2s, real-time Close-up on the cart ajumma: her stirring spoon slows, then stops. She looks up, eyes widening, and slowly sets the spoon down on the cart edge. SHOT 8 [0:17–0:19] — 2s, real-time Close-up on the newspaper man: a small triangular shadow crosses his page. He lowers the newspaper and looks up, his glasses catching the sunlight. SHOT 9 [0:19–0:23] — 4s, slow motion Wide shot of the full street: the mandu and sauce dish visible as tiny falling shapes above the crowd. Below, reactions ripple outward — the dog now standing, the ajumma craning her neck, the newspaper man on his feet, the delivery driver stepped off his scooter looking up, a vegetable vendor shielding her eyes with one hand. SHOT 10 [0:23–0:25] — 2s, real-time A second pigeon flying past at around the 5th-floor level narrowly dodges the falling mandu, does a startled double-take mid-flight, and veers off. SHOT 11 [0:25–0:29] — 4s, extreme slow motion Extreme close-up: the mandu now three feet from the ground, rotating slowly, every crisp fried ridge sharp in the light, a faint trail of steam still lifting off it. The sauce dish falls a foot above it, tilting but staying upright. SHOT 12 [0:29–0:31] — 2s, real-time Ground-level close-up: the dog's mouth is open, perfectly positioned. The mandu drops directly into it. The dog closes its mouth. The sauce dish lands upright on the pavement beside the dog with a small click. SHOT 13 [0:31–0:34] — 3s, real-time The dog sits down, chews twice, swallows. It licks its nose once, then glances down at the sauce dish, then up at the silent, staring crowd. SHOT 14 [0:34–0:40] — 6s, real-time Wide shot: total silence on the street for a beat. Then the dog lies back down in its sunny spot and closes its eyes. The crowd slowly breaks and goes back to what they were doing — the ajumma picks her spoon back up, the newspaper man sits and lifts his paper, the delivery driver gets back on his scooter. SHOT 15 [0:40–0:45] — 5s, real-time Overhead, back on the 10th-floor balcony: the first pigeon is now sitting exactly where the mandu used to be, looking down at the street below. Bright midday sun, crisp shadows. Hold on the pigeon as the shot settles, closing the sequence. #Flovaai #Flovacpp

Used Product Commercial Skill to create this video on FlovaAI FlovaAI_Japan prom SHOT 1 [0:00–0:03] — 3s, real-time Extreme close-up: a single perfect golden-brown fried mandu (Korean dumpling), triangular fold, sitting on the railing of a 10th-floor officetel balcony in Seoul. Bright midday sun catching every crisp fried edge, steam rising gently. A small dish of soy-vinegar dipping sauce sits right beside it, close to the mandu. SHOT 2 [0:03–0:05] — 2s, real-time A pigeon lands on the railing a foot away. It looks at the mandu, tilts its head, takes one casual step closer. Its wing brushes the sauce dish. SHOT 3 [0:05–0:06] — 1s, real-time The mandu and the sauce dish both wobble from the nudge. They tip together and fall off the edge of the railing. SHOT 4 [0:06–0:10] — 4s, slow motion Wide shot from directly across the street at 10th-floor level: the mandu and sauce dish tumbling outward, rotating end over end, catching the sunlight on every turn. Behind them, the building facade — a tall Seoul apartment block, muted grey-blue exterior, laundry hanging on a few balconies. The mandu is a tiny golden triangle falling against the building. SHOT 5 [0:10–0:13] — 3s, real-time Ground level wide shot: a busy Seoul street in midday sun. Pedestrians with shopping bags, a delivery scooter idling at the curb, a tteokbokki/odeng street cart with an ajumma stirring a pot, a dog sleeping in a patch of sun, an elderly man reading a newspaper on a bench. Ordinary day, nobody aware anything is falling. SHOT 6 [0:13–0:15] — 2s, real-time Close-up on the sleeping dog: one ear twitches, then both go up. Nose starts working. One eye opens, pupils tracking something falling. The dog slowly rises, never looking away from above. SHOT 7 [0:15–0:17] — 2s, real-time Close-up on the cart ajumma: her stirring spoon slows, then stops. She looks up, eyes widening, and slowly sets the spoon down on the cart edge. SHOT 8 [0:17–0:19] — 2s, real-time Close-up on the newspaper man: a small triangular shadow crosses his page. He lowers the newspaper and looks up, his glasses catching the sunlight. SHOT 9 [0:19–0:23] — 4s, slow motion Wide shot of the full street: the mandu and sauce dish visible as tiny falling shapes above the crowd. Below, reactions ripple outward — the dog now standing, the ajumma craning her neck, the newspaper man on his feet, the delivery driver stepped off his scooter looking up, a vegetable vendor shielding her eyes with one hand. SHOT 10 [0:23–0:25] — 2s, real-time A second pigeon flying past at around the 5th-floor level narrowly dodges the falling mandu, does a startled double-take mid-flight, and veers off. SHOT 11 [0:25–0:29] — 4s, extreme slow motion Extreme close-up: the mandu now three feet from the ground, rotating slowly, every crisp fried ridge sharp in the light, a faint trail of steam still lifting off it. The sauce dish falls a foot above it, tilting but staying upright. SHOT 12 [0:29–0:31] — 2s, real-time Ground-level close-up: the dog's mouth is open, perfectly positioned. The mandu drops directly into it. The dog closes its mouth. The sauce dish lands upright on the pavement beside the dog with a small click. SHOT 13 [0:31–0:34] — 3s, real-time The dog sits down, chews twice, swallows. It licks its nose once, then glances down at the sauce dish, then up at the silent, staring crowd. SHOT 14 [0:34–0:40] — 6s, real-time Wide shot: total silence on the street for a beat. Then the dog lies back down in its sunny spot and closes its eyes. The crowd slowly breaks and goes back to what they were doing — the ajumma picks her spoon back up, the newspaper man sits and lifts his paper, the delivery driver gets back on his scooter. SHOT 15 [0:40–0:45] — 5s, real-time Overhead, back on the 10th-floor balcony: the first pigeon is now sitting exactly where the mandu used to be, looking down at the street below. Bright midday sun, crisp shadows. Hold on the pigeon as the shot settles, closing the sequence. #Flovaai #Flovacpp

Sharon Riley

32,523 次观看 • 1 个月前

“…but everyone heard a gunshot.” This is my theory. When Hunter Kozac began to speak, the 4 big speakers started to have issues (hear that hummmm). Just listen below! I think either A. they had a gun shot ready to play over the speakers that were cranked way up from a separate source *or B. they cranked the lav mic all the way up to magnify the sound under his shirt over the speakers. Go back and listen to everyone’s eyewitness interviews… they all describe the sound as “super close”! So…if you hear a gun shot - why would anyone ever question a gun given what they witnessed???

“…but everyone heard a gunshot.” This is my theory. When Hunter Kozac began to speak, the 4 big speakers started to have issues (hear that hummmm). Just listen below! I think either A. they had a gun shot ready to play over the speakers that were cranked way up from a separate source *or B. they cranked the lav mic all the way up to magnify the sound under his shirt over the speakers. Go back and listen to everyone’s eyewitness interviews… they all describe the sound as “super close”! So…if you hear a gun shot - why would anyone ever question a gun given what they witnessed???

Blake

61,313 次观看 • 10 个月前