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Another IG distribution update that you totally didn’t ask for. It’s been about 5 days since I started putting serious effort into content and paid ad distribution for JKIndex.io. The IG account went from around 7 followers to 40. Obviously still tiny numbers, but nearly 6x in five days.... Instagram is one of the channels I specifically called out in my JK distribution thesis because collectors are already doing the exact thing JK Index is built around there. It also probably explains why this content hasn’t done nearly as well here on X. There just isn’t the same concentration of grading specific content and communities here that already exists on Instagram and Reddit. On IG, some people post guess the grade content. Others crack slabs and regrade cards. Others rip packs and ask what a potential hit could grade. > People watch > Call PSA 8, 9 or 10 in the comments > Debate over it > Sometimes return later for the grade reveal This is already an event. In a loose sense, it is already a market. It just doesn’t have a surface. 1⃣ There’s no lasting record of who actually knows how to grade. 2⃣ Hundreds of opinions never become a market price. 3⃣ The owner still has no way to protect themselves if the 10 they expected comes back a 9. That’s what Before the Slab is being built around. None of this behavior depends on JK Index existing. That’s what makes it interesting. Collectors are already doing it every day. Anyway, back to the numbers, because they at least give us something concrete. Over the latest IG reporting window, the JK Index IG had: > 29,238 views from 20,959 viewers > 99.5% of those views came from non followers > 373 interactions > 511 profile visits More importantly, since I refactored /preview a few days ago so people could play without creating an account, 262 unique guest sessions have landed on the page. 249 of them arrived with UTMs. Only 8 started a run and 5 completed one though. Regardless, finally reaching the audience I thought I could reach. Now the problem of moving them from watching someone guess a grade on Instagram to making the call themselves on JK Index. The GTM agency I hired also started this week, so I’m excited to see what we learn and whether we can actually move those numbers. Anyway, I’ll probably force another one of these updates onto your feed next week. Good day.show more

Grooovy

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79,031 次观看 • 2 个月前 •via X (Twitter)

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"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

m0ment0

133,250 次观看 • 2 年前

I really learnt from the best If your content is averaging 700 views it’s of two things 1. It’s either you did not warm up your account well to the hashtag you are posting with 2. You have a general content problem , you need to find content that has been pushed in the last 1 month max and post I have 4 iPhones , 3 iphone 8 and 1 iPhone 7 , I post content on all everyday been doign this for the past 2 years I use the iPhone 7 to post for one of my brands And I use the 3 iPhone 8 to post for one brand The most important thing is , find what works for one phone and spread it across others It took me years to learn this One big lesson, don’t tell your vpn to X , you will hate yourself , not telling people the vpn I am using so they don’t overcrowd it If you post a content in your main niche, you should be averaging 1k+ - 5k+ views Trust me it’s a lot of work I also started posting on instagram and YouTube and they work differently , don’t post the same video content on both without observing hashtags I also posted on lemon8 , one of my post average 10k+ views Daily I get around 50 users , I have gone viral several times, one of my biggest virality is 700k+ views I really want to buy more iPhone 7 and 8 , It costs me arround $50-70 for each locally here Recently I have been thinking of how do I get clippers locally to do this and train them but it looks like it’s hard because you have to train them Taking advice from the legend Alex Nguyen I have not made a lot but trust me , it works This is proof from one of the apps , we ask during onboarding where they find us

Pixel_builder

49,140 次观看 • 3 个月前

This has got to be one of the BEST stories in sports card history, and it happened to me this morning. Warning: this story involved a $35,800 transaction, a German wedding, and Lamine Yamal This morning, I woke up and saw a Lamine Yamal /10 Base Prizms Gold NFT for sale on the #PaniniBlockchain for $35,800. I felt that the price was fair and I purchased at 5am. Seconds later, I get a dm from the anonymous seller on Instagram. “Hey this is Brian”. A German guy, few followers. What I learned next is nothing short of f*cking legendary. I’ll let him tell the story from here, and I’ll accompany the epic tale with photo and video proof. Sit down, and buckle up. “Two days before my wedding, the four of us—my best man, my wife, my cousin, and I—went out and bought a few Panini packs together. Just for fun, we agreed that each of us would keep one pack sealed and save it for the wedding day. The plan was to open them together after the ceremony and see what we got. What made it even more special was that my best man had never opened a trading card pack in his life. It was also my wife's first real experience with the hobby. My cousin and I had opened cards before, but none of us expected anything crazy. Our friend from Prime Collectors was there as well. Since he creates card content, he had his camera rolling the entire time, so every reaction you see in the video is completely genuine. After the ceremony, we all sat down and started opening our packs. My best man went first—nothing special. Then my wife opened hers—a few nice cards, but nothing huge. My cousin was next, and again, nothing out of the ordinary. Then it was my turn. I started going through the cards one by one until I saw a flash of gold. The moment I saw it, I knew it could be something big. When I turned the card over, it was a Lamine Yamal Panini NFT numbered 8/10. For a few seconds, nobody said a word. Then everyone completely lost it. You can hear in the video the exact moment everyone realizes what had just been pulled. Even Prime Collectors, who has seen countless incredible pulls, couldn't believe he had just captured that moment on camera. but honestly, the value wasn't the most important part. What made it unforgettable was that it happened on my wedding day, from the one pack I had intentionally saved two days earlier. It's also important to mention that the wedding was already fully paid for, so this wasn't a story about "paying for the wedding" with the card. It was simply an unbelievable coincidence and one of those once-in-a-lifetime moments that you could never plan. Looking back, I honestly don't think I'll ever experience another moment quite like it. On the same day that I married the love of my life, I also pulled one of the biggest cards I've ever held in my hands. That's what makes this story so special.” Panini America

This has got to be one of the BEST stories in sports card history, and it happened to me this morning. Warning: this story involved a $35,800 transaction, a German wedding, and Lamine Yamal This morning, I woke up and saw a Lamine Yamal /10 Base Prizms Gold NFT for sale on the #PaniniBlockchain for $35,800. I felt that the price was fair and I purchased at 5am. Seconds later, I get a dm from the anonymous seller on Instagram. “Hey this is Brian”. A German guy, few followers. What I learned next is nothing short of f*cking legendary. I’ll let him tell the story from here, and I’ll accompany the epic tale with photo and video proof. Sit down, and buckle up. “Two days before my wedding, the four of us—my best man, my wife, my cousin, and I—went out and bought a few Panini packs together. Just for fun, we agreed that each of us would keep one pack sealed and save it for the wedding day. The plan was to open them together after the ceremony and see what we got. What made it even more special was that my best man had never opened a trading card pack in his life. It was also my wife's first real experience with the hobby. My cousin and I had opened cards before, but none of us expected anything crazy. Our friend from Prime Collectors was there as well. Since he creates card content, he had his camera rolling the entire time, so every reaction you see in the video is completely genuine. After the ceremony, we all sat down and started opening our packs. My best man went first—nothing special. Then my wife opened hers—a few nice cards, but nothing huge. My cousin was next, and again, nothing out of the ordinary. Then it was my turn. I started going through the cards one by one until I saw a flash of gold. The moment I saw it, I knew it could be something big. When I turned the card over, it was a Lamine Yamal Panini NFT numbered 8/10. For a few seconds, nobody said a word. Then everyone completely lost it. You can hear in the video the exact moment everyone realizes what had just been pulled. Even Prime Collectors, who has seen countless incredible pulls, couldn't believe he had just captured that moment on camera. but honestly, the value wasn't the most important part. What made it unforgettable was that it happened on my wedding day, from the one pack I had intentionally saved two days earlier. It's also important to mention that the wedding was already fully paid for, so this wasn't a story about "paying for the wedding" with the card. It was simply an unbelievable coincidence and one of those once-in-a-lifetime moments that you could never plan. Looking back, I honestly don't think I'll ever experience another moment quite like it. On the same day that I married the love of my life, I also pulled one of the biggest cards I've ever held in my hands. That's what makes this story so special.” Panini America

Blake Rocha

55,532 次观看 • 3 个月前

One of the followers sent these videos in. I am sent so many videos like this lately. This has gone past the point of “racism”. People are just sick and tired of this shit and they are using my page as an outlet to make themselves heard. What makes it worse is these people dont even like us. It’s sad to see this is coming from one of our churches. They have every right to feel this way and they have every right to post it. We live in a society of free speech and if anyone doesn’t like it you can just unfollow or block the page. I don’t want anything to do with you and I have no interest in your opinion. I refuse to silence people from having an opinion on what is happening to their home.

One of the followers sent these videos in. I am sent so many videos like this lately. This has gone past the point of “racism”. People are just sick and tired of this shit and they are using my page as an outlet to make themselves heard. What makes it worse is these people dont even like us. It’s sad to see this is coming from one of our churches. They have every right to feel this way and they have every right to post it. We live in a society of free speech and if anyone doesn’t like it you can just unfollow or block the page. I don’t want anything to do with you and I have no interest in your opinion. I refuse to silence people from having an opinion on what is happening to their home.

Around Liverpool

55,277 次观看 • 26 天前

This is not what we Ukrainians would want to see from our windows in winter. It would be better if the voices and laughter of children making snowmen or playing snowballs echoed from the courtyards of residential areas. One could step out onto the balcony and watch that very scene while sipping a warm tea or coffee, rather than the sights we see now. You cannot distract yourself from thoughts of the war for long; it continues, and everything around us tries to remind us of that. Over the years, the brain tries to pretend it has adapted to everything happening around it - to what the ears hear and the eyes see, to the various situations that occur here every day. But sanity is always on guard, and an inner voice says without words: this is not a normal life for a human being; if only everything could return to the way it was before. But is it even possible to return to the life we had, carrying such an experience on our shoulders? … Now, in the "points of warmth," you can see beds. You might ask: are these for overnight stays? The beds are intended for people who need assistance in the event of an emergency or for medical reasons, as well as for temporary rest if a person is in need of it… but people are still forced to return to their apartments.

This is not what we Ukrainians would want to see from our windows in winter. It would be better if the voices and laughter of children making snowmen or playing snowballs echoed from the courtyards of residential areas. One could step out onto the balcony and watch that very scene while sipping a warm tea or coffee, rather than the sights we see now. You cannot distract yourself from thoughts of the war for long; it continues, and everything around us tries to remind us of that. Over the years, the brain tries to pretend it has adapted to everything happening around it - to what the ears hear and the eyes see, to the various situations that occur here every day. But sanity is always on guard, and an inner voice says without words: this is not a normal life for a human being; if only everything could return to the way it was before. But is it even possible to return to the life we had, carrying such an experience on our shoulders? … Now, in the "points of warmth," you can see beds. You might ask: are these for overnight stays? The beds are intended for people who need assistance in the event of an emergency or for medical reasons, as well as for temporary rest if a person is in need of it… but people are still forced to return to their apartments.

Katerina Horbunova

78,835 次观看 • 8 个月前

As I sit here in DC this week, we are closer to something I was not sure I would ever see. I have been working in this industry since 2015. For most of those years, the defining feature of crypto in Washington was not policy. It was the absence of it. A gray zone where serious people built serious things under a constant cloud, never quite sure which rules applied or whether the ground would move beneath them. This week the CLARITY Act sits on the Senate calendar. A federal framework for digital asset market structure, the thing this industry has wanted for the better part of a decade, is closer than it has ever been. It is not law yet, and there are real hurdles left. But the distance between where we stood a few years ago and where we are sitting today is hard to put into words. I keep thinking about the work that got us here. Over the past year I watched Chainlink move from outside these conversations to inside them. Sergey at the White House for the signing of the GENIUS Act. The Department of Commerce putting government economic data onchain. Meetings with the SEC that became real interpretive guidance. Conversations with the lawmakers now writing the rules. None of that happens by accident. It happens because people keep showing up, year after year, and make the case in rooms where it is not yet obvious. And there is something fitting in it. The entire premise of what we build is verification. Making truth provable. Removing the question of what is real. The work here in DC is the same thing in a different form. Trading a decade of ambiguity for something the industry has never actually had. We are not at the finish line. But sitting here, it is hard not to feel the weight of it. The gray zone is ending. What comes next is something this industry has never had. Clarity.

As I sit here in DC this week, we are closer to something I was not sure I would ever see. I have been working in this industry since 2015. For most of those years, the defining feature of crypto in Washington was not policy. It was the absence of it. A gray zone where serious people built serious things under a constant cloud, never quite sure which rules applied or whether the ground would move beneath them. This week the CLARITY Act sits on the Senate calendar. A federal framework for digital asset market structure, the thing this industry has wanted for the better part of a decade, is closer than it has ever been. It is not law yet, and there are real hurdles left. But the distance between where we stood a few years ago and where we are sitting today is hard to put into words. I keep thinking about the work that got us here. Over the past year I watched Chainlink move from outside these conversations to inside them. Sergey at the White House for the signing of the GENIUS Act. The Department of Commerce putting government economic data onchain. Meetings with the SEC that became real interpretive guidance. Conversations with the lawmakers now writing the rules. None of that happens by accident. It happens because people keep showing up, year after year, and make the case in rooms where it is not yet obvious. And there is something fitting in it. The entire premise of what we build is verification. Making truth provable. Removing the question of what is real. The work here in DC is the same thing in a different form. Trading a decade of ambiguity for something the industry has never actually had. We are not at the finish line. But sitting here, it is hard not to feel the weight of it. The gray zone is ending. What comes next is something this industry has never had. Clarity.

Chris Barrett

14,798 次观看 • 3 个月前

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 次观看 • 2 年前

This is the moment when Israeli Arab Yoseph Haddad was thrown out of the Oxford Union after people stamped on the photo of Israeli Arabs who are being held hostage. This is what he writes: ‘I’ll tell you more about what happened at Oxford when I confronted these liars and I’ll also upload clips from my speech there, but one thing I can say for sure - Oxford has been taken over by terror supporters. 90% of the participants are clearly anti-Israel propagandists who admire Nasrallah and Sinwar and believe Israel has no right to exist. During the biased discussion, extreme statements flew such as praising and glorifying the October 7th massacre and claims that it was a “heroic act of an oppressed people.” When a speaker in the audience cried for the residents of Gaza in a forced and unbelievable way, I pulled out a picture of the Muslim hostages Yousef and Hamza al-Ziyadna and asked if she was crying for them too. One of the participants in the audience took the picture and threw it on the floor and others stepped on it. I endured curses, boos, and threats during the confrontation, but there was one thing I was not willing to endure: the humiliation of our hostages. I demanded that they be removed and I refused to continue the discussion, even when the anti-Israel chairman, who actually took part in the confrontation himself, warned me and finally decided to have me removed from the venue. In front of the hostile terrorist-supporting audience, just before I left the hall, I did one last thing - over my official tuxedo, I wore a T-shirt that I had brought. It has a picture of Nasrallah with a large X over it and the caption "Your ‘heroic’ terrorist is dead, we killed him" 🇮🇱✌🏻’

This is the moment when Israeli Arab Yoseph Haddad was thrown out of the Oxford Union after people stamped on the photo of Israeli Arabs who are being held hostage. This is what he writes: ‘I’ll tell you more about what happened at Oxford when I confronted these liars and I’ll also upload clips from my speech there, but one thing I can say for sure - Oxford has been taken over by terror supporters. 90% of the participants are clearly anti-Israel propagandists who admire Nasrallah and Sinwar and believe Israel has no right to exist. During the biased discussion, extreme statements flew such as praising and glorifying the October 7th massacre and claims that it was a “heroic act of an oppressed people.” When a speaker in the audience cried for the residents of Gaza in a forced and unbelievable way, I pulled out a picture of the Muslim hostages Yousef and Hamza al-Ziyadna and asked if she was crying for them too. One of the participants in the audience took the picture and threw it on the floor and others stepped on it. I endured curses, boos, and threats during the confrontation, but there was one thing I was not willing to endure: the humiliation of our hostages. I demanded that they be removed and I refused to continue the discussion, even when the anti-Israel chairman, who actually took part in the confrontation himself, warned me and finally decided to have me removed from the venue. In front of the hostile terrorist-supporting audience, just before I left the hall, I did one last thing - over my official tuxedo, I wore a T-shirt that I had brought. It has a picture of Nasrallah with a large X over it and the caption "Your ‘heroic’ terrorist is dead, we killed him" 🇮🇱✌🏻’

Nicole Lampert

147,020 次观看 • 1 年前

I just roundtripped around $9k on solana:E8fsmahzoa4WGZ1dCnGBTzgXRxz9T7nC17KWGkzGxray. Honestly, I didn’t expect this one. But I guess this is another reminder that no matter how legit a project is, having a real product alone isn’t enough. You can verify the product exists. You can verify the team is actually building. You can verify that it’s not another larp. But none of that guarantees success. If the people behind it can’t grow the product, bring in users, keep the community alive, and actually stay focused on what they started, there’s nothing holders can really do about it. A legit product can still fail. And then I got this DM. Someone who told me they were working with the team behind Lynks reached out because they were already pushing another tech coin and wanted my thoughts on it. That’s exactly the kind of shit I don’t wanna see. I didn’t care about getting an early entry into another coin. I cared about what was happening to the product I supported and the people who believed in it. This is literally why we started The Watchers in the first place. I’m tired of watching people jump from one project to another while the previous community gets left behind. And we’re taking this further. I’m currently working on a database and bot to track deployer wallets together with their X accounts, as well as CT accounts that repeatedly farm communities or larp around projects. The goal is simple: build a history people can actually check. And most likely, The Watchers v2 and the rest of the features we’re building won’t be made public. They’ll only be accessible internally as we’re currently changing how The Watchers works. I took the risk, so the $9k roundtrip is on me. No excuses. But this DM definitely changed the way I look at the situation. Bonus DM for context lol.

I just roundtripped around $9k on solana:E8fsmahzoa4WGZ1dCnGBTzgXRxz9T7nC17KWGkzGxray. Honestly, I didn’t expect this one. But I guess this is another reminder that no matter how legit a project is, having a real product alone isn’t enough. You can verify the product exists. You can verify the team is actually building. You can verify that it’s not another larp. But none of that guarantees success. If the people behind it can’t grow the product, bring in users, keep the community alive, and actually stay focused on what they started, there’s nothing holders can really do about it. A legit product can still fail. And then I got this DM. Someone who told me they were working with the team behind Lynks reached out because they were already pushing another tech coin and wanted my thoughts on it. That’s exactly the kind of shit I don’t wanna see. I didn’t care about getting an early entry into another coin. I cared about what was happening to the product I supported and the people who believed in it. This is literally why we started The Watchers in the first place. I’m tired of watching people jump from one project to another while the previous community gets left behind. And we’re taking this further. I’m currently working on a database and bot to track deployer wallets together with their X accounts, as well as CT accounts that repeatedly farm communities or larp around projects. The goal is simple: build a history people can actually check. And most likely, The Watchers v2 and the rest of the features we’re building won’t be made public. They’ll only be accessible internally as we’re currently changing how The Watchers works. I took the risk, so the $9k roundtrip is on me. No excuses. But this DM definitely changed the way I look at the situation. Bonus DM for context lol.

Bollish

10,419 次观看 • 12 天前

I just launched a brand new channel with an INSANE strategy. I'm calling it the Launch Loop. I've been working on this channel for over a year, and took the actually massive risk to hold off on posting until I had all 5 launch videos ready. Each idea was carefully selected for this strategy, and each one was carefully written to execute it. I view this channel launch, and these videos, not as individual videos but as a season of a new show. The plan was this: come up with video ideas that fit together, and write the end of each video to smoothly blend into the next. I treated the conclusion of each video as if it was the intro of the next video, so that if people enjoyed what I made and wanted to see more, they could click the next video on the End Card This was inspired by work I've done in the past: a few years ago on my YouTube strategy channel, I posted a video about Ryan Trahan's thumbnail strategy which has gotten over 2M lifetime views. But at the end of that video, I carefully wrote a transition showing video my comprehensive breakdown of 21 thumbnail formats. The End Screen video CTR on that video is 29.4% 🤯. I'm convinced that some of those 2M views must have come from the success of that end screen. I've come to believe that it's really important to bring in an audience to your CHANNEL, not just one video. That was a mistake I made in another channel I worked on before! Getting virality on individual videos, but not keeping viewers for the long term or growing an actualy community. So I thought, what if I launched a channel where every video pointed to the next, in a loop? Maybe there will be a flywheel where success on one brings success on the next, and the next, and the next... But for this plan to work the videos I made have to actually be good 😅

Tyler Fleischman ⏸️

73,039 次观看 • 12 天前

Twice this week JKIndex.io hit a new ATH in site visits. Today was one of them, with 1.5k+ unique visitors. Naturally Railway went down on the West Coast like 30 minutes later. Incredible timing haha. Bounce rate is still brutal though. So yeah, A LOT of room to improve. Still, I’m starting to see pretty clearly what gets people through the door. Grading content does. Watching that continue to drive visits is making me more convinced that Blitz should be the consumer entry point. Something people can... > Get better at > Compete ain > Build a track record around Then you can start putting something behind those calls with wager mode, and eventually take that same skill into full Before the Slab markets. Focus is still narrow, but the idea for the Index has gotten a lot bigger than where it started.

Twice this week JKIndex.io hit a new ATH in site visits. Today was one of them, with 1.5k+ unique visitors. Naturally Railway went down on the West Coast like 30 minutes later. Incredible timing haha. Bounce rate is still brutal though. So yeah, A LOT of room to improve. Still, I’m starting to see pretty clearly what gets people through the door. Grading content does. Watching that continue to drive visits is making me more convinced that Blitz should be the consumer entry point. Something people can... > Get better at > Compete ain > Build a track record around Then you can start putting something behind those calls with wager mode, and eventually take that same skill into full Before the Slab markets. Focus is still narrow, but the idea for the Index has gotten a lot bigger than where it started.

Grooovy

51,024 次观看 • 1 个月前

Reading the comments on this post told me everything I need to know about art. So many of you wrote to say you felt the exact same thing I did standing in front of the Starry Night. That strange pull, the sense that the painting is somehow alive... It turns out the feeling is completely universal. I am not someone who gets emotional easily. But every so often a piece of art really gets to me. And that is exactly what happened the first time i walked up to Van Gogh's magnum opus. I know how that sounds, it is one of the most famous paintings on earth, almost a cliché to be moved by it. But maybe it is that famous for a reason... It genuinely looks like it is moving while you stand there, shifting in a way I cannot explain and have never seen in any of the thousands of paintings I have looked at in my life. The same day I took the photo below, I also filmed this short video. It still comes nowhere near the real thing, but you can at least catch a little more of it here, the thick ridges of paint, the way the stars and swirls lift right off the canvas. This technique is called "impasto", from the Italian for mixture. It means paint laid on so thickly that every brushstroke and ridge stays visible on the surface. Van Gogh piled it on with a loaded brush, building the stars up thick so they would blaze as bright as possible against the dark. But no video and no explanation of technique can really convey what it feels like to stand in front of it. And the fact that so many of you felt the very same thing says something true about what art is really for. Tolstoy said it best: "The receiver of a true artistic impression is so united to the artist that he feels as if the work were his own and not someone else’s, as if what it expresses were just what he had long been wishing to express. A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist. In this uniting of it with others lies the great attractive force of art."

Reading the comments on this post told me everything I need to know about art. So many of you wrote to say you felt the exact same thing I did standing in front of the Starry Night. That strange pull, the sense that the painting is somehow alive... It turns out the feeling is completely universal. I am not someone who gets emotional easily. But every so often a piece of art really gets to me. And that is exactly what happened the first time i walked up to Van Gogh's magnum opus. I know how that sounds, it is one of the most famous paintings on earth, almost a cliché to be moved by it. But maybe it is that famous for a reason... It genuinely looks like it is moving while you stand there, shifting in a way I cannot explain and have never seen in any of the thousands of paintings I have looked at in my life. The same day I took the photo below, I also filmed this short video. It still comes nowhere near the real thing, but you can at least catch a little more of it here, the thick ridges of paint, the way the stars and swirls lift right off the canvas. This technique is called "impasto", from the Italian for mixture. It means paint laid on so thickly that every brushstroke and ridge stays visible on the surface. Van Gogh piled it on with a loaded brush, building the stars up thick so they would blaze as bright as possible against the dark. But no video and no explanation of technique can really convey what it feels like to stand in front of it. And the fact that so many of you felt the very same thing says something true about what art is really for. Tolstoy said it best: "The receiver of a true artistic impression is so united to the artist that he feels as if the work were his own and not someone else’s, as if what it expresses were just what he had long been wishing to express. A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist. In this uniting of it with others lies the great attractive force of art."

James Lucas

57,859 次观看 • 1 个月前

The agents that run my LinkedIn outreach are currently getting a 55% reply rate on cold outreach and are generating hundreds of signups for me completely on autopilot. I packaged the exact system into a skill that works for any harness so you can copy it for yourself. Heres why this system prints qualified replies: most outbound starts with a list out of apollo, zoominfo or clay. firmographics. who could buy. that list is cold on arrival because "could buy" and "is thinking about this right now" are two different lists. so mine starts from linkedin posts my buyers are already reacting to. that also means every person on the list actually uses linkedin, since they just reacted to a post on it. most people don't, so a message to a normal list mostly sits unread. across the client accounts i've worked on, an apollo-style list usually gets about 1/10th the reply rate of one built this way. the posts come from three places: buyers posting about the problem themselves (hiring for it, breaking under it, shopping for a fix), a watchlist of my competitors and the creators my buyers follow, and the topic itself. when a buyer writes the post, the author is the best lead on it. anyone reacting to a competitor's product post is already shopping. every search is written in the words buyers actually post in, because vendor jargon only finds other vendors. it pulls everyone who reacted or commented, drops anyone i've already contacted plus competitors and their staff, and scores each person 0 to 100 against my ICP with the reason written on the row. anyone under the bar is gone before i've paid for their email. this is the part everyone skips. for every lead that clears the bar, it reads their website, their LinkedIn profile & anything else it can find about them on the internet, works out what agent would actually help their operation, and builds it. a real one, sitting there, with a claim link. so i am not sending "quick question about your outbound." i am sending "i built you an agent that does X for your company, want me to send over the link?" it sequences that into heyreach for linkedin and instantly for email, then runs the inbox. anyone who has done outbound knows reply speed is most of the game, and also the exact thing you quit doing by week three. every reply fires a webhook. it re-reads the whole thread, tags it interested, not interested or auto-reply, pings me in slack the second someone's interested, and sends them their claim link. i don't touch it. and every reply feeds the next run. it writes more searches like the ones that got answers, so week four sources better than week one. the general rule, and it has nothing to do with my software: use AI to build a personalized, genuinely useful asset and give it away in the first message. you're not hard selling anyone. you are handing them a thing. and because it's built off their actual company, nobody can mistake it for a template. reply rates go up for both reasons at once. it doesn't have to be an agent. the skill builds whatever your business is already good at making: - sell lead gen? a sample list of 10 to 25 of their own buyers - sell SEO? the 3 to 5 searches their competitors win and they don't - build websites? a teardown of their homepage with three fixes - consult? a one-page plan for the exact problem they commented about the playbook behind the messages is the best outbound advice on the internet in one place. it's built from 25 full-length videos and 60 posts from operators who do this at scale, plus 3 production systems running this exact play. scraped the videos and posts with superagnt's data MCP btw. run it once in claude code or codex and look at what it staged. once you like it, it turns the whole thing into a small agent team on a schedule. the sourcing side runs about 8 cents per qualified lead in production. grab it here, paste the install prompt into your agent and let it cook:

Jáen

543,402 次观看 • 15 天前

The first video only lived on Team Liquid IG stories for the day, so I wanted to post it here to give it a permanent home. What started as simple flat renders turned into a small animations experiment. I used a basic rig and filmed myself as reference (because that’s what animators actually do, reference is everything), and just went for it. The funny part is, once I took that risk, the creative ideas started flowing. Pushing past the safe option is what made this feel more alive and if I hadn’t tried, this videos would never have existed. It’s simple, but I’m genuinely proud of how it turned out, especially since this is far outside my comfort zone. Sometimes the best growth comes from just trying. If you play VALORANT, check out the new TL Classic skin, it looks gorgeous and it supports the team at the same time 💙🤍 2D graphics by the great Stacey

The first video only lived on Team Liquid IG stories for the day, so I wanted to post it here to give it a permanent home. What started as simple flat renders turned into a small animations experiment. I used a basic rig and filmed myself as reference (because that’s what animators actually do, reference is everything), and just went for it. The funny part is, once I took that risk, the creative ideas started flowing. Pushing past the safe option is what made this feel more alive and if I hadn’t tried, this videos would never have existed. It’s simple, but I’m genuinely proud of how it turned out, especially since this is far outside my comfort zone. Sometimes the best growth comes from just trying. If you play VALORANT, check out the new TL Classic skin, it looks gorgeous and it supports the team at the same time 💙🤍 2D graphics by the great Stacey

Liquid Enigma

64,607 次观看 • 8 个月前

VTubing is for everyone! I don't like to bring this up, but recent events in the VTuber community made some people really vile. I had my M&G at HolMat last week and had people come up and just yell at me for being a girl in the "womans world", that is VTubing, no idea about who I was, or why I was there. I had the same group return to my handler multiple times, I felt really worried about the person carrying me around having to deal with this repeatedly and tried to steer them away from the group. It seems they found my YT and left me a handful of the same comments, luckily all caught by moderation tools. While I will refrain from M&G's for a little until this calms down I want to say this; I have been managing for over 1.5 years now, I deliberately take on male VTubers to show them that they can still do it. I take on people that have babiniku accounts, those that are changing from one gender presentation to another and want help, and those that have no gender presentation in their avatar. A lot of male VTubers struggle to find a manager because the stereotype is that all male VTubers are evil and it perpetuates a stereotype that extends beyond entertainment industry subcultures like streaming. VTubing has always been a medium, while character and marketing matters, it's about what makes you happy, YOU are the person that makes the content. Use whatever you want as an avatar, use a voice changer if that's what you want to do. Every month I have a male client bring up they can't do it the same way, that it's easier if jiggle physics or a cute voice is the answer to fast growth. And I tell them yeah, I can also do ASMR, I can do drama content, collab with a larger person, and get to x amount of viewers. There are shortcuts in every entertainment profession and subculture. Does it last? Do quick fixes for anything ever last? Yes, great physics and an expensive model can get people in, but if your value, your way of interacting with people, your content plan and marketing is ass, you can pack up. Most of us start on a small budget, premade or resold models, and it's the same in the big league entertainment industry too. Can I take out a loan and put myself on a billboard tomorrow, can I pay the most expensive model artist and rigger and get in along corporate VTubers tomorrow? Sure. Will it last, will it be genuine, will people trust me? Hell no. Genuine communities and growth build trust. I think streaming, creative industries, entertainment, are full of people, regardless of gender, that will see success and call it "easy", because of what they see as the end product. They don't see most VTubers working a second job, they don't see the managers, they don't see 100+ hours a month going into content production, years invested in singing and voice lessons, model redebut after redebut. I think a lot of male VTubers get a bad rep, because so many boys are raised without putting emphasis on empathy and creativity, watching my brothers be told they should not pursue art, that theatre class is a waste of time, and that they needed to go study x or y to make money for their families in the future was heartbreaking. Nobody should have to look at others and feel so much hatred for society they turn against a whole group of people. If you want to pursue entertainment, please do. If you want to grow and try and make a name for yourself, you should start there, not with yelling about how you already failed. "Oh but I can't", "Oh but the odds are stacked against me", look at the big streamers, look at Ironmouse who overcame everything with hard work, look at Kiara who rose from the ashes, look at everyone that fights against their odds every day and give it your all. If you already think you lost, then you have nothing to lose. Don't give up on your dreams because others tell you to.

Kuromiya Lucien

15,552 次观看 • 9 个月前

Back at my mom’s house I was sitting in the living room playing video games in my my underwear, I was around 12 years old and ever body was working until about 5pm so I still had a few hours before anybody was there. I usually kept the doors locked but the front door wasn’t locked, I just didn’t know that yet. I walked into the kitchen to grab a snack and a drink. I didn’t know that a family of three people just walked into the house. I came back holding a bag of chips and a drink and I saw two people standing there and another one just sitting on the couch like they were supposed to be there. My 12 year old brain couldn’t comprehend what was happening and I ran out of the house and to the neighbors house. I finally calmed down and told her what was happening, she grabbed her husband and went over there, I’m surprised they didn’t call the police first. The people in the house told the neighbor that they were friends of my dad and they were visiting from Pittsburgh. My neighbor called my dad at the restaurant and confirmed he knew them. He ended up leaving the restaurant and coming back early. His friends confused what days he was off from work and decided to come by and visit unannounced. He also told them it wasn’t a good idea to just walk in and that even though they were friends they should always knock on the door. I had never met these people before so I thought it was some kind of home invasion, it scared me. But from that point on I always made sure the doors were locked and that I was dressed decently just in case of unexpected visitors.

Back at my mom’s house I was sitting in the living room playing video games in my my underwear, I was around 12 years old and ever body was working until about 5pm so I still had a few hours before anybody was there. I usually kept the doors locked but the front door wasn’t locked, I just didn’t know that yet. I walked into the kitchen to grab a snack and a drink. I didn’t know that a family of three people just walked into the house. I came back holding a bag of chips and a drink and I saw two people standing there and another one just sitting on the couch like they were supposed to be there. My 12 year old brain couldn’t comprehend what was happening and I ran out of the house and to the neighbors house. I finally calmed down and told her what was happening, she grabbed her husband and went over there, I’m surprised they didn’t call the police first. The people in the house told the neighbor that they were friends of my dad and they were visiting from Pittsburgh. My neighbor called my dad at the restaurant and confirmed he knew them. He ended up leaving the restaurant and coming back early. His friends confused what days he was off from work and decided to come by and visit unannounced. He also told them it wasn’t a good idea to just walk in and that even though they were friends they should always knock on the door. I had never met these people before so I thought it was some kind of home invasion, it scared me. But from that point on I always made sure the doors were locked and that I was dressed decently just in case of unexpected visitors.

SonnyBoy🇺🇸

364,723 次观看 • 1 个月前

I think I found the next Punch. I was scrolling through the r/Punch subreddit and came across a post about Nina, a Japanese macaque that was born without hands. At first I didn’t think much of it, but the more I looked into Nina, the more interesting the lore became. Nina was born with a congenital limb condition, but she adapted to it and still climbs trees, plays around and lives her life normally. She didn’t let being different stop her from doing what she enjoys. And this is where it gets interesting. There is literally an entire subreddit dedicated to her: r/ninathemonkey. It’s not some dead subreddit either. There are consistently posts and activity around Nina, meaning there is already an existing community and story attached to the character outside of crypto. That’s exactly the kind of organic lore I look for in these coins. Punch showed how far a simple character with a strong story can go when the community gets behind it. With Nina, you already have the lore, the recognizable character and an existing community that people can build around. And the community is actually showing up. We completely took over the vamp and pushed to a $400k ATH. People can say whatever they want about farming, but I’ve personally been down money on this and don’t even have supply. I’m doing this because I genuinely believe in the community and the story. The most important part to me is that this doesn’t feel forced. There’s an actual character. There’s actual lore. There’s already people talking about her. And now crypto has turned Nina into something the trenches can rally behind. I think people are massively underestimating how powerful that combination can be. I’ve never been this dedicated to pushing a project before. The goal is simple. Keep building. Keep pushing. Keep growing the community. See you at 8 figures. 4775QEyTS7ECpvhbeEg1a5XUjpK6CtEJwRpw6vvwpump 🐒

I think I found the next Punch. I was scrolling through the r/Punch subreddit and came across a post about Nina, a Japanese macaque that was born without hands. At first I didn’t think much of it, but the more I looked into Nina, the more interesting the lore became. Nina was born with a congenital limb condition, but she adapted to it and still climbs trees, plays around and lives her life normally. She didn’t let being different stop her from doing what she enjoys. And this is where it gets interesting. There is literally an entire subreddit dedicated to her: r/ninathemonkey. It’s not some dead subreddit either. There are consistently posts and activity around Nina, meaning there is already an existing community and story attached to the character outside of crypto. That’s exactly the kind of organic lore I look for in these coins. Punch showed how far a simple character with a strong story can go when the community gets behind it. With Nina, you already have the lore, the recognizable character and an existing community that people can build around. And the community is actually showing up. We completely took over the vamp and pushed to a $400k ATH. People can say whatever they want about farming, but I’ve personally been down money on this and don’t even have supply. I’m doing this because I genuinely believe in the community and the story. The most important part to me is that this doesn’t feel forced. There’s an actual character. There’s actual lore. There’s already people talking about her. And now crypto has turned Nina into something the trenches can rally behind. I think people are massively underestimating how powerful that combination can be. I’ve never been this dedicated to pushing a project before. The goal is simple. Keep building. Keep pushing. Keep growing the community. See you at 8 figures. 4775QEyTS7ECpvhbeEg1a5XUjpK6CtEJwRpw6vvwpump 🐒

appie

28,169 次观看 • 22 天前