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Another teaser from my 2nd Special โI Get Deja Vu Sometimesโ streaming ๐ฏFREE on Apple TV, Amazon & YouTube very soon! Time is an illusion, you can wait for another spoonful.๐ฅโณ๐งโโ๏ธ๐ซ๐ฉ๐ปโ๐ค๐๏ธ๐ฎ๐๐ผโโ๏ธ๐บ๐คฃโ๏ธ๐๐ซ๐๏ธ๐ซ๐ซณ๐ค #standupcomedy #Sinbad #touringHeadliner #IGetDejaVuSometimes #Shazam
66,322 ๆฌก่ง็ โข 28 ๅคฉๅ โขvia X (Twitter)
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Peyton Walters28 ๅคฉๅ
Trippy cool Special!
๐๐๐ง๐ง๐ข๐๐๐ซ ๐๐๐๐ฅ๐19 ๅคฉๅ
Turns out turning myself into an anime character w/ a matrix themed Special has been great for Views! ๐๐คฃ๐ซณ๐ค
็ธๅ ณ่ง้ข
![$TSLA ๐ฐ๐ท [I hope the wide release of FSD V14 Lite will begin in Korea soon!] Yesterday I installed the second update of FSD V14 Lite (version 2026.20.7.5), and I drove with it this morning. The FSD V14 Lite that is currently running in Korea is overall excellent. This version newly added features like: โข Ability to disable the brake confirm โข FSD statistics (also viewable in the app) โข FSD Streaks These make it much more intuitive to feel that my Tesla truly has โautonomy.โ With just one touch, it takes me from point A to point B. There are still occasional moments where I need to intervene, but most of the time it drives very smoothly and stably. Itโs truly amazing that a car from 4, 5, or even 7 years ago can gain new intelligence simply through software updates. Iโve driven more than 3,500km with V14 Lite.. sometimes it still feels like a dream. Teslaโs autonomy is that captivating. Hereโs another example of how well FSD V14 Lite works in Korea. I even uploaded it to my YouTube channel: I drove my Model 3 from Seoul to Busan(415 km) with zero interventions. I also went back and forth between Seoul and Jeonju, from Jeonju to Daejeon, and from Daejeon to Geumwang โ and in most of those trips, I didnโt need to intervene at all. In Korea, Model 3/Y(Fremont-built) owners generally have a very high level of understanding of Tesla and a strong passion for new technologies like FSD. Many of us, including myself, would make excellent testers, and we would safely and enjoyably experience autonomy. FSD V14 Lite still has some areas for improvement in Korea โ such as bus lane recognition, speed camera recognition, and more conservative highway driving โ but we are now confident that this software is good enough for us to fully accept and enjoy it. Thank you for creating such an amazing piece of software. The efforts of the Tesla AI team are truly remarkable. I hope this great build will be a big help to HW3 owners. Many owners around the world โ in the US, China, Australia, Europe, and elsewhere โ are waiting for it! Iโll keep cheering you on. Thank you so much!๐Ashok Elluswamy Tesla AI](https://image.24vids.com/tw-2085614416221905285/amplify_video_thumb/2085566115611328512/img/aUJDF_Hwt6kRkds0.jpg)
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James Spader on his sexual fantasies about older women and working with Susan Sarandon in 'White Palace' (1990): "Interviewer: Did you have any particularly memorable auditions or meetings? Spader: One time after an audition a casting agent called my agent and said, โHe scared me.โ I was this long-haired ex-hippie who was perfectly forthright about my anxiety and discomfort with auditions and couldnโt wait to get the hell out of there. Then and now, I work to work. Itโs never been a โcareerโ for me but a series of different jobs. Even if the movie stank in the end, there was something incredibly valuable that I got from it, such as making a friend. Interviewer: Like who? Spader: Susan Sarandon and I became very close, good friends making 'White Palace' (1990). I was intrigued by our relationship in that movie. I was the youngest in my family, and most of the time I spent in my house was around people who were older than me. When I was young, a lot of my sexual fantasies were about older women. Interviewer: Did you ever indulge those fantasies? Spader: I must say, if I knew then what I know now, I wouldโve had many more encounters when I was a kid delivering groceries. Some of those wives would answer the door in their nightgowns in the middle of the day. I wasnโt shy, obviously, just not wise enough. I was an idiot. Interviewer: Were you wiser in your late 20s, when you and Sarandon, in her early 40s, made that movie? Spader: We were driving around in a car after we met, and she said something about the content of the movie, like, โArenโt you nervous or apprehensive?โ Maybe she was trying to make me feel better or something, but I said, โWeโre going to be just fine.โ Look, weโve certainly heard stories about people who fu**ing hated each other and came up with a wonderful film. But it seems to me that you have to fall in love with the person, because film looks right into your head. Itโs wrenching, because you have to fall in love with that person but also accept it for what it is and turn it on and off. Thatโs a very important part of what is a sometimes schizophrenic job. Interviewer: Is it better to fantasize or to actually sleep with a co-star? Spader: I think you can f**k things up, because anticipation and unrequited feelings are very powerful. Ultimately, in acting youโre always pretending youโre angry or a bad guy or that something is down the hall that isnโt actually there. But to look another human being in the eye and pretend youโre in love with them, thatโs a very different thing." (James Spader's interview with Stephen Rebello, Playboy, 2014)
DepressedBergman
871,870 ๆฌก่ง็ โข 8 ไธชๆๅ
![John Mayer is a master of his craft. Heโs also one of the best Iโve come across at using analogy and demonstration to articulate and demystify the creative process. Hereโs a 14-clip (~7-minute) masterclass on mastery and creativity: TL;DW 1/ โWhenever I want to write a big song, I can't...That's when I get writer's block: when I try to write a song to fill the entire galaxy. I've never gotten a song that way. But if I write about something the size of a glass of waterโa week later, I notice it's got the universe in it. So I'd rather have the universe in a glass of water than try to make a glass of water fit in the universe.โ 2/ "What connects with people is you connecting with yourself." 3/ โWriterโs block is when the two people inside of youโthe writer and the readerโwhen the reader doesnโt love the writer. It is not a failure to write. It is a failure to catch the feedback loop of enjoying what youโre seeing and wanting to contribute more to it.โ 4/ โDon't shoot ideas down before you have them. 'That won't work' is the worst thing you can ever say. 'That didn't work' is cool, but 'that won't work' is not a way to go through life.โ 5/ โIโve seen the Cool metric change so many times. I'm not telling you don't chase Cool. I'm sayingโฆby the time you reach what you think is cool, Cool is like, 'over here now.โ โThe princess is in another castle.' You know what I mean? That's a Mario reference.โ 6/ "I'm one-half consumer, one-half artist. So I try to put music out that I myself would want to hear as somebody on the other end." 7/ "I'm seeing a lot of motivation about you following your passion, but I'm not seeing any critical thought to what that is or how to be better at that. So, really the product is passion and that's strange to me. Because my product growing up was sitting in a room yelling, 'Mom, I'm practicing,' for hours and hours and hours and hours and hours and hours and hours. 8/ "But then also read up...You know, this stuff doesn't just appear. It comes from somewhere. And as soon as you realize you love somethingโit's almost like catching up with some great TV show on season 9, and you can go, 'oh my God, that means there's 8 seasons before this." 9/ "Whatever you learn is the tip of the iceberg. Dive underwater and find the rest of the iceberg." 10/ "So listening to Stevie Ray Vaughan brought me back to people like Kenny Burrell and Albert King and Jimi Hendrix and Elmore James. So it became this family tree growing out of my CD player." 11/ "I came up with these guys as like referencesโฆItโs like if you're into the NBA and you wear different jerseys and you pretend you're a different player in the drivewayโthat's what I was doing..." 12/ "Which is a wonderful technique for being yourself. Failing to sound exactly like the person you want to sound like is a wonderful way to sound like yourself." 13/ After watching Cory Wong play guitar, Mayer told him, "You have an anatomy thing working on your right hand. Your hand is shaped in a wayโyou have long fingers, very sinewy handsโthat you're able to play like that. That is an example of someone making the most of their anatomical gifts... And I wish more people could embrace finding what their strengths are anatomicallyโthe way your hand is shaped, the way your mind works, whateverโand play to those strengths." 14/ Mayer picks up an acoustic guitar and demonstrates his songwriting process. โWell, I donโt always do it,โ he admitted, โbecause it requires a stupid bravery all the time.โ โYou just stare at the corner of the wall," Mayer explains then improvises some vocals, โstare at the corner of the wall / try to get it going on / but I canโt sometimes / you just keep going โtil you get something,โ he stops singing. โYou gotta keep forcing it, forcing it, forcing itโฆit doesnโt matter [what comes out of your mouth].โ Follow Billy Oppenheimer for more content like this!](https://image.24vids.com/tw-1688293445029302272/amplify_video_thumb/1688292988126937089/img/ru_kWINYMd3dmACB.jpg)
