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a🧵on how to do the movable crater tech, You will learn this step by step, It should only take a couple of minutes to do it so lock in, Simple Overview: 1) Draw a black texture that represents a crack (use lasso or draw then fill tool) 2) Use...

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QwinkleTee

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39,921 görüntüleme • 1 yıl önce •via X (Twitter)

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Enjoying concepting OC with #nomadsculpt the pbr viewport and the tools make it a great tool to itterate ideas
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Enjoying concepting OC with #nomadsculpt the pbr viewport and the tools make it a great tool to itterate ideas

Paul Ruano-Borbalan

33,411 görüntüleme • 2 yıl önce

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!
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✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

@levelsio

119,210 görüntüleme • 1 yıl önce

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more
0:20

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more

@levelsio

134,777 görüntüleme • 3 ay önce

Making smart glasses frames was way harder than I thought. Here's what I learned: Materials matter. You can't use normal plastic, because it has to be light and safe to touch your face So we chose TR90 plastic that's made for eyewear Fake gray-market TR90 plastic is common in China. You gotta go to the source and make sure your TR90 is legit Glue is so important. If you put too much glue it will give issues, and add weight. Too little glue, won't stick. That's why it's better for a robot to do it (VIDEO) If the glue doesn't match the material perfectly, then it won't stick. So we tried like 4 glues to get the best one for our smart glasses You design the frame in 3D and then make a tool. A tool is just a metal mold that is shaped like the glasses. You put a bunch of melted plastic (TR90) in the tool, let it cool, and out pops the glasses frame. Do that 10,000 times Tooling leaves seams in the frame, so we figured out where to put the seam so it doesn't cut into your ear when you wear it Obviously this all must be super lightweight because the electronics are heavy The camera needs a certain perspective, so the glasses frame angles the camera down to capture hands in videos Throughout the design process, you can't sacrifice style And now our Mentra Live frames are born
0:19

Making smart glasses frames was way harder than I thought. Here's what I learned: Materials matter. You can't use normal plastic, because it has to be light and safe to touch your face So we chose TR90 plastic that's made for eyewear Fake gray-market TR90 plastic is common in China. You gotta go to the source and make sure your TR90 is legit Glue is so important. If you put too much glue it will give issues, and add weight. Too little glue, won't stick. That's why it's better for a robot to do it (VIDEO) If the glue doesn't match the material perfectly, then it won't stick. So we tried like 4 glues to get the best one for our smart glasses You design the frame in 3D and then make a tool. A tool is just a metal mold that is shaped like the glasses. You put a bunch of melted plastic (TR90) in the tool, let it cool, and out pops the glasses frame. Do that 10,000 times Tooling leaves seams in the frame, so we figured out where to put the seam so it doesn't cut into your ear when you wear it Obviously this all must be super lightweight because the electronics are heavy The camera needs a certain perspective, so the glasses frame angles the camera down to capture hands in videos Throughout the design process, you can't sacrifice style And now our Mentra Live frames are born

cayden 凯登

87,760 görüntüleme • 9 ay önce

Do you use Runway Gen-2 to make AI videos? This is for you! I built a simple tool to help "extend" Runway videos beyond the 4 second clip limit. Just choose a video, and the tool will give you the final frame -- so that you can drop this back into Runway, and generate another AI video based on it. Let me know if this is useful to you! Link is at bottom of the video and it's live to try right now.
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Do you use Runway Gen-2 to make AI videos? This is for you! I built a simple tool to help "extend" Runway videos beyond the 4 second clip limit. Just choose a video, and the tool will give you the final frame -- so that you can drop this back into Runway, and generate another AI video based on it. Let me know if this is useful to you! Link is at bottom of the video and it's live to try right now.

Benjamin De Kraker

68,384 görüntüleme • 3 yıl önce

Adjust your drawings as much as you want with the Transform tool! Whether you want to fix a sketch or a finished illustration, use the Transform tool without needing to redraw. You can use it in both Studio and Simple Mode, so be sure to give it a try. Learn more here ↓ #clipstudio
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Adjust your drawings as much as you want with the Transform tool! Whether you want to fix a sketch or a finished illustration, use the Transform tool without needing to redraw. You can use it in both Studio and Simple Mode, so be sure to give it a try. Learn more here ↓ #clipstudio

CLIP STUDIO PAINT

28,137 görüntüleme • 7 ay önce

A small fix bladed knife is an excellent addition to a pistol. Having it where you can access it with both hands is a lesson I learned the first time I had to fight in kit. The purpose is to get back to your pistol or make space so you can draw if someone is on top of you. Keeping it in a comfortable location will make you less likely to leave it at home, it doesn’t need to be a Bowie, just big enough to suit the role.
0:18

A small fix bladed knife is an excellent addition to a pistol. Having it where you can access it with both hands is a lesson I learned the first time I had to fight in kit. The purpose is to get back to your pistol or make space so you can draw if someone is on top of you. Keeping it in a comfortable location will make you less likely to leave it at home, it doesn’t need to be a Bowie, just big enough to suit the role.

Dominie 🇺🇸

35,871 görüntüleme • 7 gün önce

They said it was impossible to make. And I made it. A system that cuts the player character in half. They stay alive and can still interact with the game. I'm taking requests to break another limit. Drop it in the comments. #Roblox #RobloxDev
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They said it was impossible to make. And I made it. A system that cuts the player character in half. They stay alive and can still interact with the game. I'm taking requests to break another limit. Drop it in the comments. #Roblox #RobloxDev

Peter

2,770,905 görüntüleme • 1 ay önce

One of the ways to help this (it’s not perfect) is to update the things Twitter thinks you like. It will help to make the for you tab better. You have to update it every couple weeks because it will try and add back the ones that make you mad.
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One of the ways to help this (it’s not perfect) is to update the things Twitter thinks you like. It will help to make the for you tab better. You have to update it every couple weeks because it will try and add back the ones that make you mad.

Scott Willis

42,181 görüntüleme • 2 yıl önce

if you are making an isometric 3D game, one of the easiest and highest impact improvement to lighting you can make is to take your lighting rig, and shove it inside the camera hierarchy. It gives a consistent lighting from all angles! no idea why it took me so long to do this
0:16

if you are making an isometric 3D game, one of the easiest and highest impact improvement to lighting you can make is to take your lighting rig, and shove it inside the camera hierarchy. It gives a consistent lighting from all angles! no idea why it took me so long to do this

Amine Rehioui

28,338 görüntüleme • 9 ay önce

No matter how many years it has been, I still love to make Mario Moonwalk every time I reach Super Mario Bros. World 4-2. As a kid, it was part of the neighborhood collective play pattern. Like blowing in cartridges and the Contra Code, it was one of those things that was simply “known.” Michael Jackson was at the height of his popularity, and most kids knew of the Moonwalk, which became legendary after he first performed it during Billie Jean at Motown 25. A neighborhood boy showed this to me one day in the late 80s playing it on Nintendo and we all thought it was so cool. Years later it’s still habit! Though familiar to many, I realize this might be new to some. To do it, enter World 4-2 small, make the cursed jump, then leave enough space at the left of the screen so that you can walk back under there after getting the hidden mushroom. Face left, then press right when the Mushroom reaches you to Moonwalk! Whether new to you or simply a fun reminder of a gaming staple of youth, I hope it gives you a smile today ❤️
0:19

No matter how many years it has been, I still love to make Mario Moonwalk every time I reach Super Mario Bros. World 4-2. As a kid, it was part of the neighborhood collective play pattern. Like blowing in cartridges and the Contra Code, it was one of those things that was simply “known.” Michael Jackson was at the height of his popularity, and most kids knew of the Moonwalk, which became legendary after he first performed it during Billie Jean at Motown 25. A neighborhood boy showed this to me one day in the late 80s playing it on Nintendo and we all thought it was so cool. Years later it’s still habit! Though familiar to many, I realize this might be new to some. To do it, enter World 4-2 small, make the cursed jump, then leave enough space at the left of the screen so that you can walk back under there after getting the hidden mushroom. Face left, then press right when the Mushroom reaches you to Moonwalk! Whether new to you or simply a fun reminder of a gaming staple of youth, I hope it gives you a smile today ❤️

Christina Rose

25,193 görüntüleme • 1 yıl önce

🇺🇸 🇮🇷 IS IT TIME FOR TRUMP TO MAKE IRAN PAY A PRICE THEY CANNOT AFFORD FOR EVERY SHIP THEY TOUCH?! Deterrence is the only language the mullahs have ever understood. Iran's Revolutionary Guard is now firing on civilian ships in the Strait of Hormuz, killing innocent crews and declaring the waterway closed. IRGC commander Alireza Tangsiri actually said "every vessel intending to pass must obtain permission from Iran." Let that sink in. A terror regime thinks it owns a fifth of the world's oil traffic. Strongly worded statements will not move these people, so President Trump should lay it out in plain English. You hit one civilian ship, we take out one power plant. You hit another civilian ship, we turn your oil facilities into a smoking crater. Every attack costs Iran something it can never get back, and the regime knows its oil is the only thing keeping the lights on in Tehran. That is how you reopen a waterway without begging for a single meeting. You do not ask a hostage taker to please be reasonable. You make holding the hostage cost more than he can ever pay.
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🇺🇸 🇮🇷 IS IT TIME FOR TRUMP TO MAKE IRAN PAY A PRICE THEY CANNOT AFFORD FOR EVERY SHIP THEY TOUCH?! Deterrence is the only language the mullahs have ever understood. Iran's Revolutionary Guard is now firing on civilian ships in the Strait of Hormuz, killing innocent crews and declaring the waterway closed. IRGC commander Alireza Tangsiri actually said "every vessel intending to pass must obtain permission from Iran." Let that sink in. A terror regime thinks it owns a fifth of the world's oil traffic. Strongly worded statements will not move these people, so President Trump should lay it out in plain English. You hit one civilian ship, we take out one power plant. You hit another civilian ship, we turn your oil facilities into a smoking crater. Every attack costs Iran something it can never get back, and the regime knows its oil is the only thing keeping the lights on in Tehran. That is how you reopen a waterway without begging for a single meeting. You do not ask a hostage taker to please be reasonable. You make holding the hostage cost more than he can ever pay.

Bill Mitchell

25,131 görüntüleme • 20 gün önce

✨Tap here to find out how this tie can create a range of effects: 🪢 What you do with this tie depends entirely on your intention. You can wear it as a decorative flair, use it for extra sensations, or add it to a predicament to make things more challenging. All of the above? Also valid. Go explore out what it does for you!
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Sensitive content

✨Tap here to find out how this tie can create a range of effects: 🪢 What you do with this tie depends entirely on your intention. You can wear it as a decorative flair, use it for extra sensations, or add it to a predicament to make things more challenging. All of the above? Also valid. Go explore out what it does for you!

Shibari Study

65,089 görüntüleme • 1 ay önce

YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.
0:19

YOU DON'T NEED TO KNOW BLENDER TO MAKE THIS ANYMORE. GPT-5.6 drives it through MCP. you just describe the shot. a chrome figure carving a wave off an accretion disk. filaments of plasma raking across the frame. a car catching the same light on its way into the vortex. this is a viewport, not a render farm. the model never touched a menu. MCP hands it a socket into Blender, it writes python against bpy, it builds the emission shader, places the volumetrics, sets the camera roll. the hard part was never the picture. it was the ten thousand hotkeys standing between you and the picture. that toll booth just closed. it still can't see what it made unless you show it. you screenshot, you say the plasma's washing out the left third, it fixes, you screenshot again. the skill stopped being the software. the skill is now knowing what a good frame looks like and being able to say it out loud.

explos1ve

56,005 görüntüleme • 27 gün önce

What goes into producing the biggest CitizenCon, ever? It takes a village and more to bring the 'verse to thousands of attendees, so gather around as we meet a handful of the people that worked behind the scenes to make it happen. Dive in:
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What goes into producing the biggest CitizenCon, ever? It takes a village and more to bring the 'verse to thousands of attendees, so gather around as we meet a handful of the people that worked behind the scenes to make it happen. Dive in:

Star Citizen

22,367 görüntüleme • 1 yıl önce

When we began testing #GeminiOmni I wanted to see the accuracy of the edits. So I made a tool directly in Google Flow. DIFF TOOL allows you to compare images/videos in realtime or export videos in sync. Try it out or remix it to make it your own.
0:12

When we began testing #GeminiOmni I wanted to see the accuracy of the edits. So I made a tool directly in Google Flow. DIFF TOOL allows you to compare images/videos in realtime or export videos in sync. Try it out or remix it to make it your own.

Nick Matarese

47,540 görüntüleme • 2 ay önce

loved working on this toolcupboard skin for Rust. It didn't take that long - creating a greeble sheet to quickly create the many parts. Loved seeing it lit up in Blenders viewport.
0:17

loved working on this toolcupboard skin for Rust. It didn't take that long - creating a greeble sheet to quickly create the many parts. Loved seeing it lit up in Blenders viewport.

Pilgrim

40,254 görüntüleme • 1 yıl önce

💐Spread Picoin 💐 🎉"When the wind changes direction, some people will build retaining walls, others will build windmills." - Chinese proverb - 👉When change happens, do you choose to be the one who builds walls or the one who builds windmills? Building a wall means refusing change and letting opportunities pass. On the contrary, building a windmill means you will adapt and make the best use of the situation. 👉Just like Pi Network, it is like the wind of a new financial revolution to replace the existing outdated system. It will bring you wealth and prosperity in the future, so do you want to build a windmill to receive the winds of innovation from it or build a wall to block it. 👉 Pi Network is creating a huge craze globally. Many people refuse to learn about it and judge it as a scam project. 👉Instead of sitting and making unfounded judgments, let's dive into it and learn about it. , harness the power of this "new breeze" and use it to your advantage, it will bring you a brighter, more prosperous future. 👉Be more open to upcoming opportunities. Embrace change and make it the key to your success. Don't let ignorance hinder a good opportunity to change your life 👉 👉Our pioneering mission is to collect as much information, trust and spread it to the community. PLEASE 👉 FOLLOW. I TO KNOW THE ACTIVITIES OF THE PI COMMUNITY. LIKE ❤️ AND RETWEET 🔄 TO PASS THE VALUE OF PI TO. COMMUNITY #PiNetwork #PiCoreTeam #GCV #Pioneer.
0:15

💐Spread Picoin 💐 🎉"When the wind changes direction, some people will build retaining walls, others will build windmills." - Chinese proverb - 👉When change happens, do you choose to be the one who builds walls or the one who builds windmills? Building a wall means refusing change and letting opportunities pass. On the contrary, building a windmill means you will adapt and make the best use of the situation. 👉Just like Pi Network, it is like the wind of a new financial revolution to replace the existing outdated system. It will bring you wealth and prosperity in the future, so do you want to build a windmill to receive the winds of innovation from it or build a wall to block it. 👉 Pi Network is creating a huge craze globally. Many people refuse to learn about it and judge it as a scam project. 👉Instead of sitting and making unfounded judgments, let's dive into it and learn about it. , harness the power of this "new breeze" and use it to your advantage, it will bring you a brighter, more prosperous future. 👉Be more open to upcoming opportunities. Embrace change and make it the key to your success. Don't let ignorance hinder a good opportunity to change your life 👉 👉Our pioneering mission is to collect as much information, trust and spread it to the community. PLEASE 👉 FOLLOW. I TO KNOW THE ACTIVITIES OF THE PI COMMUNITY. LIKE ❤️ AND RETWEET 🔄 TO PASS THE VALUE OF PI TO. COMMUNITY #PiNetwork #PiCoreTeam #GCV #Pioneer.

Quy Nhơn Bình Định

21,022 görüntüleme • 2 yıl önce

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild
0:14

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 görüntüleme • 2 ay önce