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🤔Applying Depth Estimation models directly to videos can result in inconsistency between frames. 💪Well, not anymore. 🔥ChronoDepth is a new approach to video depth estimation that focuses on achieving both accuracy within each frame and consistency across frames. 📜More👇

Gradio

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19,992 görüntüleme • 2 yıl önce •via X (Twitter)

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Depth Any Video with Scalable Synthetic Data AI physicists and chemists continue to make strides in depth estimation from video. Check out this new paper featuring some impressive examples. See the thread for more details (unfortunately no code yet). Abstract: Video depth estimation has long been hindered by the scarcity of consistent and scalable ground truth data, leading to inconsistent and unreliable results. In this paper, we introduce Depth Any Video, a model that tackles the challenge through two key innovations. First, we develop a scalable synthetic data pipeline, capturing real-time video depth data from diverse game environments, yielding 40,000 video clips of 5-second duration, each with precise depth annotations. Second, we leverage the powerful priors of generative video diffusion models to handle real-world videos effectively, integrating advanced techniques such as rotary position encoding and flow matching to further enhance flexibility and efficiency. Unlike previous models, which are limited to fixed-length video sequences, our approach introduces a novel mixed-duration training strategy that handles videos of varying lengths and performs robustly across different frame rates 0 - even on single frames. At inference, we propose a depth interpolation method that enables our model to infer high-resolution video depth across sequences of up to 150 frames. Our model outperforms all previous generative depth models in terms of spatial accuracy and temporal consistency.

Depth Any Video with Scalable Synthetic Data AI physicists and chemists continue to make strides in depth estimation from video. Check out this new paper featuring some impressive examples. See the thread for more details (unfortunately no code yet). Abstract: Video depth estimation has long been hindered by the scarcity of consistent and scalable ground truth data, leading to inconsistent and unreliable results. In this paper, we introduce Depth Any Video, a model that tackles the challenge through two key innovations. First, we develop a scalable synthetic data pipeline, capturing real-time video depth data from diverse game environments, yielding 40,000 video clips of 5-second duration, each with precise depth annotations. Second, we leverage the powerful priors of generative video diffusion models to handle real-world videos effectively, integrating advanced techniques such as rotary position encoding and flow matching to further enhance flexibility and efficiency. Unlike previous models, which are limited to fixed-length video sequences, our approach introduces a novel mixed-duration training strategy that handles videos of varying lengths and performs robustly across different frame rates 0 - even on single frames. At inference, we propose a depth interpolation method that enables our model to infer high-resolution video depth across sequences of up to 150 frames. Our model outperforms all previous generative depth models in terms of spatial accuracy and temporal consistency.

MrNeRF

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KEEP can enhance video face super-resolution by maintaining consistency across frames! It uses Kalman filtering to improve facial details, working well on both synthetic and real-world videos. Links ⬇️

KEEP can enhance video face super-resolution by maintaining consistency across frames! It uses Kalman filtering to improve facial details, working well on both synthetic and real-world videos. Links ⬇️

Dreaming Tulpa 🥓👑

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Rerender A Video: Zero-Shot Text-Guided Video-to-Video Translation paper page: Large text-to-image diffusion models have exhibited impressive proficiency in generating high-quality images. However, when applying these models to video domain, ensuring temporal consistency across video frames remains a formidable challenge. This paper proposes a novel zero-shot text-guided video-to-video translation framework to adapt image models to videos. The framework includes two parts: key frame translation and full video translation. The first part uses an adapted diffusion model to generate key frames, with hierarchical cross-frame constraints applied to enforce coherence in shapes, textures and colors. The second part propagates the key frames to other frames with temporal-aware patch matching and frame blending. Our framework achieves global style and local texture temporal consistency at a low cost (without re-training or optimization). The adaptation is compatible with existing image diffusion techniques, allowing our framework to take advantage of them, such as customizing a specific subject with LoRA, and introducing extra spatial guidance with ControlNet. Extensive experimental results demonstrate the effectiveness of our proposed framework over existing methods in rendering high-quality and temporally-coherent videos.

Rerender A Video: Zero-Shot Text-Guided Video-to-Video Translation paper page: Large text-to-image diffusion models have exhibited impressive proficiency in generating high-quality images. However, when applying these models to video domain, ensuring temporal consistency across video frames remains a formidable challenge. This paper proposes a novel zero-shot text-guided video-to-video translation framework to adapt image models to videos. The framework includes two parts: key frame translation and full video translation. The first part uses an adapted diffusion model to generate key frames, with hierarchical cross-frame constraints applied to enforce coherence in shapes, textures and colors. The second part propagates the key frames to other frames with temporal-aware patch matching and frame blending. Our framework achieves global style and local texture temporal consistency at a low cost (without re-training or optimization). The adaptation is compatible with existing image diffusion techniques, allowing our framework to take advantage of them, such as customizing a specific subject with LoRA, and introducing extra spatial guidance with ControlNet. Extensive experimental results demonstrate the effectiveness of our proposed framework over existing methods in rendering high-quality and temporally-coherent videos.

AK

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Nano is a depth-aware atmospheric haze plugin that uses ML depth estimation to add physically accurate fog and light scattering to your footage. Works *best* on log footage with visible light sources - it analyzes scene highlights then creates airlight (atmospheric scatter) and halation (light bloom) that responds to actual depth in the scene. Pretty clever approach to getting that cinematic haze look without having to pump a fog machine on set. Makes the OG Trapcode Shine look extremely dated (basically 2D light streaks masked by luminance values), and is yet way more controllable than the current crop of generative AI video-to-video tools.

Nano is a depth-aware atmospheric haze plugin that uses ML depth estimation to add physically accurate fog and light scattering to your footage. Works best on log footage with visible light sources - it analyzes scene highlights then creates airlight (atmospheric scatter) and halation (light bloom) that responds to actual depth in the scene. Pretty clever approach to getting that cinematic haze look without having to pump a fog machine on set. Makes the OG Trapcode Shine look extremely dated (basically 2D light streaks masked by luminance values), and is yet way more controllable than the current crop of generative AI video-to-video tools.

Bilawal Sidhu

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🤯 Depth videos perfectly solve false flags on reference videos — and can perfectly recreate both martial arts and dance! Turned a Guan Dao martial arts clip into a Depth motion reference, swapped the fighter for a market auntie, and moved the scene to a T-junction inside a local market 🤣 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. This goes way beyond trending dances. Martial arts, polearms, and other complex movements can all be transferred cleanly with Depth! Workflow + Prompt below 👇

🤯 Depth videos perfectly solve false flags on reference videos — and can perfectly recreate both martial arts and dance! Turned a Guan Dao martial arts clip into a Depth motion reference, swapped the fighter for a market auntie, and moved the scene to a T-junction inside a local market 🤣 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. This goes way beyond trending dances. Martial arts, polearms, and other complex movements can all be transferred cleanly with Depth! Workflow + Prompt below 👇

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Gradio

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Claude cannot watch a YouTube video, Instagram reel, Tiktok, or local file video. Same problem is with ChatGPT and Gemini. It reads the transcript and pretends it did. This FREE AI TOOL fixes this issue It extracts only the important frames, transcribes the audio, and hands Claude a clean folder it can genuinely read and understand. No uploading to a server. Runs entirely on your machine. Here is what makes it smarter than everything else doing this: → Detects scene changes instead of grabbing one frame per second like every other tool → Removes near-duplicate frames so Claude is not reading the same shot 40 times → Handles A-B-A cuts, if a shot already appeared, it does not send it again → A 10-minute static screencast collapses to 1 frame instead of 600 → A fast-cut reel catches every visual change instead of missing frames between samples → Transcribes audio with Whisper and auto-detects the language → Saves the full soundtrack so audio models can actually hear it too → Works with Claude, ChatGPT, and Gemini The result: fewer frames, cheaper context, better understanding. Claude actually sees the video instead of guessing from a transcript.

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🤯 I didn’t expect Depth to track rooftop parkour this cleanly! Used a fast climbing clip as the motion reference, then swapped in a student with twin tails and a backpack on a coastal school rooftop. The running path, wall contact, jumps, landings, and full-body continuity all hold together surprisingly well. 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. Depth opens up a lot more possibilities for parkour, climbing, martial arts, dance, and other complex full-body motion. Workflow + Prompt below 👇

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🔬 Built with an entirely new model architecture, our diffusion-based approach uses 6B+ parameters and leverages the latest NVIDIA hardware. This is the most dynamic and wide-ranging video enhancing method we’ve ever created, setting a new standard for AI video restoration. Videos degrade due to compression artifacts, blurring, aliasing, noise, atmospheric distortion, missing pixels, etc. Each frame suffers from unique types of corruption, making AI video restoration a highly challenging task. Our technology solves this complexity by analyzing hundreds of frames to accurately restore details, delivering unmatched detail recovery combined with unparalleled temporal consistency.

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Start frames made with Google Nano Banana. Videos made with Seedance. Video upscaled w. Topaz (on Freepik). And then post-processing to get a more cinematic look in Premiere Pro - 24 frames per second - Color-grading for that teal/orange look - Motion blur I had to speed up most clips to not make it look too slow-motion. What do think? All made with Freepik #nanobanana #NanobananaAI #ByteDance

Start frames made with Google Nano Banana. Videos made with Seedance. Video upscaled w. Topaz (on Freepik). And then post-processing to get a more cinematic look in Premiere Pro - 24 frames per second - Color-grading for that teal/orange look - Motion blur I had to speed up most clips to not make it look too slow-motion. What do think? All made with Freepik #nanobanana #NanobananaAI #ByteDance

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Depth video workflows have been getting a lot of attention lately, so I tested one myself. Combined with Seedance 2.0, it produced more natural motion-transfer results than using Kling Motion Control directly. Why use a depth video? 1. It removes the original character and scene details, reducing copyright and sensitive-content risks. 2. It preserves the original motion, timing, and spatial structure. This separates motion extraction from visual generation, allowing you to recreate the movement with better models and any reference character. We’ve also launched a free online tool that converts regular videos into depth videos—no local setup required: In the example below, we converted a dance video from Douyin into a depth video, then regenerated it with a reference character using Seedance 2.0. The original choreography and timing are preserved, while the lighting adapts naturally to the new character and scene.

Depth video workflows have been getting a lot of attention lately, so I tested one myself. Combined with Seedance 2.0, it produced more natural motion-transfer results than using Kling Motion Control directly. Why use a depth video? 1. It removes the original character and scene details, reducing copyright and sensitive-content risks. 2. It preserves the original motion, timing, and spatial structure. This separates motion extraction from visual generation, allowing you to recreate the movement with better models and any reference character. We’ve also launched a free online tool that converts regular videos into depth videos—no local setup required: In the example below, we converted a dance video from Douyin into a depth video, then regenerated it with a reference character using Seedance 2.0. The original choreography and timing are preserved, while the lighting adapts naturally to the new character and scene.

underwood

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Omni 1.1 Flash is now in Google Flow, giving you even more creative control over your vision. Here’s what’s new: Introducing end frames to Omni 1.1 Flash on desktop: Direct how your video begins, and now ends, helping keep your characters and narrative consistent as you thoughtfully transition between frames. Experiment in 360p: Quickly explore new visual directions in 360p while using fewer credits. This is great for drafting on the go, right from the Google Flow mobile app. Export in 1080p and 4K: Upscale your 720p generations for a crisp, cinematic finish on final clips. Try the new updates at or download the mobile app available on Android.

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Some updates on the multiview vistadream pipeline with Rerun! Rerun came in extremely useful here, as being able to visualize depths at each stage of the pipeline allowed me to debug some nasty bugs. Since the last time, I was only working with a single image input. I've added in VGGT as my multiview pose + depth estimator. It works REALLY well for getting camera poses, but the depths are not that great. To try and fix that, I estimated depth maps from MoGeV2 for each of the views, and scale+shift aligned them so that they would match up to the confident sections of VGGT's depth predictions. You can see in the video just how much sharper the visualized 2d depth maps are! The biggest issue continues to be the multiview consistency 🫠 That's up next, along with actually training the Gaussian splat. Lots of work went into actually understanding inputs+outputs for VGGT. I had some funky bugs where the confidence values would all collapse to true I'm also really excited for this pipeline to use Difix3D+ Nvidia instead of Flux Inpainting, it seems like a better suited for a multiview pipeline.

Some updates on the multiview vistadream pipeline with Rerun! Rerun came in extremely useful here, as being able to visualize depths at each stage of the pipeline allowed me to debug some nasty bugs. Since the last time, I was only working with a single image input. I've added in VGGT as my multiview pose + depth estimator. It works REALLY well for getting camera poses, but the depths are not that great. To try and fix that, I estimated depth maps from MoGeV2 for each of the views, and scale+shift aligned them so that they would match up to the confident sections of VGGT's depth predictions. You can see in the video just how much sharper the visualized 2d depth maps are! The biggest issue continues to be the multiview consistency 🫠 That's up next, along with actually training the Gaussian splat. Lots of work went into actually understanding inputs+outputs for VGGT. I had some funky bugs where the confidence values would all collapse to true I'm also really excited for this pipeline to use Difix3D+ Nvidia instead of Flux Inpainting, it seems like a better suited for a multiview pipeline.

Pablo Vela

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From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

COL Anne McClain

82,113 görüntüleme • 1 yıl önce

Robots can now reconstruct 3D scenes in real time from a single RGB camera. [📍 Projects page + paper] No depth sensor. No retraining. 30 FPS. Researchers at the Imperial College London introduced KV-Tracker, a training-free method that makes heavy models like π³ and Depth Anything 3 fast enough for real-time tracking. The idea is simple. These models use global self-attention, which is powerful but computationally expensive. KV-Tracker caches the key and value pairs from selected keyframes and reuses them for new frames. That cache becomes an implicit scene representation. Result: • Up to 30 FPS • 10 to 15x speedup • Accurate 6-DoF tracking on benchmarks like TUM RGB-D and 7-Scenes • Works with monocular RGB only It also supports object-level tracking with masks and allows saving the KV-cache for later reuse. For robotics, this reduces hardware constraints and moves real-time 3D perception closer to practical deployment. Credit to Marwan Taher (Marwan Taher) at Imperial’s Dyson Robotics Lab and many others who contributed to this! 📍 Save projects page + paper for later: Video: ——- if it matters in AI or Robotics you'll read it here first:

Robots can now reconstruct 3D scenes in real time from a single RGB camera. [📍 Projects page + paper] No depth sensor. No retraining. 30 FPS. Researchers at the Imperial College London introduced KV-Tracker, a training-free method that makes heavy models like π³ and Depth Anything 3 fast enough for real-time tracking. The idea is simple. These models use global self-attention, which is powerful but computationally expensive. KV-Tracker caches the key and value pairs from selected keyframes and reuses them for new frames. That cache becomes an implicit scene representation. Result: • Up to 30 FPS • 10 to 15x speedup • Accurate 6-DoF tracking on benchmarks like TUM RGB-D and 7-Scenes • Works with monocular RGB only It also supports object-level tracking with masks and allows saving the KV-cache for later reuse. For robotics, this reduces hardware constraints and moves real-time 3D perception closer to practical deployment. Credit to Marwan Taher (Marwan Taher) at Imperial’s Dyson Robotics Lab and many others who contributed to this! 📍 Save projects page + paper for later: Video: ——- if it matters in AI or Robotics you'll read it here first:

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🦑 #Kelp New website is live! 🦑 This new website improves upon our: ✅ Branding ✅ Ecosystem ✅ Presale Connection Dapp ✅ Simplifies Flow ✅ BSC as well as Eth mainnet integrations And much more to come! 🔥We will be featuring and going more in depth with K.A.T.E. 🚀Can you wait to start earning 88% APY a year automatically?🚀 #Ethereum #BNB #Solana #altcoinseason #Kelp

Kelp

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Switti -- a new scale-wise transformer for text-to-image generation 🦾 🔥 Improved generation of fine-grained details. Outperforms existing T2I AR models and competes with state-of-the-art T2I diffusion models while being up to 7x faster.

Switti -- a new scale-wise transformer for text-to-image generation 🦾 🔥 Improved generation of fine-grained details. Outperforms existing T2I AR models and competes with state-of-the-art T2I diffusion models while being up to 7x faster.

Gradio

29,314 görüntüleme • 1 yıl önce

Contact sheet prompting is the hottest AI video technique right now 🤯 One image in → 6 consistent frames out → cinematic video ads in minutes. But everyone's doing it manually. I automated the entire workflow in n8n + Airtable. Here's why contact sheet prompting is blowing up: You give AI one reference image, and it generates a grid of consistent shots — same face, same outfit, different angles. Instant storyboarding, full creative control, no photoshoots. The problem? It's super tedious: → Write the prompt manually → Generate the contact sheet → Crop each frame by hand → Feed frames into a video model one by one → Repeat for every product This n8n automation handles all of it: → Upload character image + product image → AI analyzes both and writes the contact sheet prompt → Nano Banana Pro generates a 6-frame grid → System extracts each frame automatically → Kling 2.5 generates smooth transitions between frames → You get 5 video clips ready to stitch Approval checkpoints at every stage, no surprises. What lands in your Airtable: → AI-generated creative prompt → Core hero image (model + product) → 6-frame contact sheet → 5 cinematic video clips → Full control before each generation step Contact sheet prompting on autopilot. I filmed a 20 minute Loom video showing you exactly how I set it up. Want the Loom + the complete n8n workflow + Airtable base? > Comment "SHEET" > Like this post And I'll send it over (must be following so I can DM)

Contact sheet prompting is the hottest AI video technique right now 🤯 One image in → 6 consistent frames out → cinematic video ads in minutes. But everyone's doing it manually. I automated the entire workflow in n8n + Airtable. Here's why contact sheet prompting is blowing up: You give AI one reference image, and it generates a grid of consistent shots — same face, same outfit, different angles. Instant storyboarding, full creative control, no photoshoots. The problem? It's super tedious: → Write the prompt manually → Generate the contact sheet → Crop each frame by hand → Feed frames into a video model one by one → Repeat for every product This n8n automation handles all of it: → Upload character image + product image → AI analyzes both and writes the contact sheet prompt → Nano Banana Pro generates a 6-frame grid → System extracts each frame automatically → Kling 2.5 generates smooth transitions between frames → You get 5 video clips ready to stitch Approval checkpoints at every stage, no surprises. What lands in your Airtable: → AI-generated creative prompt → Core hero image (model + product) → 6-frame contact sheet → 5 cinematic video clips → Full control before each generation step Contact sheet prompting on autopilot. I filmed a 20 minute Loom video showing you exactly how I set it up. Want the Loom + the complete n8n workflow + Airtable base? > Comment "SHEET" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

53,687 görüntüleme • 8 ay önce