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Appreciation post for western action scenes I'll continue: MACBETH (1971) dir. Roman Polanski Fight Instructor: William Hobbs

Juan Alegre-Arnau

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128,939 görüntüleme • 3 ay önce •via X (Twitter)

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Appreciation post for western action scenes I'll start: THE MARK OF ZORRO (1940) Rouben Mamoulian

Appreciation post for western action scenes I'll start: THE MARK OF ZORRO (1940) Rouben Mamoulian

Juan Alegre-Arnau

61,114 görüntüleme • 3 ay önce

Appreciation post for western action scenes I keep going: THE DELUGE (1974) Directed by Jerzy Hoffman

Appreciation post for western action scenes I keep going: THE DELUGE (1974) Directed by Jerzy Hoffman

Juan Alegre-Arnau

75,896 görüntüleme • 3 ay önce

For gods sake, we're all in agreement that the AI fight scene is slop of the highest order, so let's do our part and NOT repost it. Instead, post a fight scene you LOVE that took blood, sweat, and tears to make. I'll start with Hiroyuki Sanada & the Japan Action Club:

For gods sake, we're all in agreement that the AI fight scene is slop of the highest order, so let's do our part and NOT repost it. Instead, post a fight scene you LOVE that took blood, sweat, and tears to make. I'll start with Hiroyuki Sanada & the Japan Action Club:

Naika Video 📼

446,357 görüntüleme • 6 ay önce

I'll say it as loud as possible for anyone that likes Banshee. Watch 'Warrior'. Same showrunner/crew and it's based on a concept written by Bruce Lee before he passed. There are bunch of legit martial artists-turned-actors doing a western style story about the battle for the Chinese criminal underworld of San Fran during the old west. Fight scenes are the best you will see on television, the storylines rock and the dialogue is badass. And, lucky for us, it's coming to Netflix Feb 16th

I'll say it as loud as possible for anyone that likes Banshee. Watch 'Warrior'. Same showrunner/crew and it's based on a concept written by Bruce Lee before he passed. There are bunch of legit martial artists-turned-actors doing a western style story about the battle for the Chinese criminal underworld of San Fran during the old west. Fight scenes are the best you will see on television, the storylines rock and the dialogue is badass. And, lucky for us, it's coming to Netflix Feb 16th

Kenjac

106,872 görüntüleme • 2 yıl önce

In Mathare today, goons were unleased to counter any anti-Ruto sentiment and to intimidate residents but unfortunately they are looting and stealing from innocent and unrelated Kenyans. They are moving in groups ata all the way to Thika road from KCA University. This is the same strategy William Samoei Ruto, PhD deployed to massacre Kikuyu’s in Rift Valley during the Post-Election Violence of 2027/2028. Because Mathare is largely a Kikuyu settlement. I hereby tag the Int'l Criminal Court and Prosecutor Karim A. A. Khan KC to see for themselves what kind of war-criminal they unleashed onto Kenyans. Why does your cannibalistic and colonialistic imperative allow you to continue turning a blind eye on this man’s psychotic tendencies? I also tag western diplomats who keep defending William Ruto in their cables claiming that he can make it to 2027 Chargé d’Affaires Susan M. Burns Neil Wigan Henriette Geiger Netherlands Embassy in Kenya . To the Dutch Ambassador to Kenya, next week we are Occupying JKIA when the plane carrying the King of Netherlands touches down. It is going to be an exciting day for all. #OccupyJesusWinner2 #OccupyStatehouse #RutoMustGo #OccupyJKIA

In Mathare today, goons were unleased to counter any anti-Ruto sentiment and to intimidate residents but unfortunately they are looting and stealing from innocent and unrelated Kenyans. They are moving in groups ata all the way to Thika road from KCA University. This is the same strategy William Samoei Ruto, PhD deployed to massacre Kikuyu’s in Rift Valley during the Post-Election Violence of 2027/2028. Because Mathare is largely a Kikuyu settlement. I hereby tag the Int'l Criminal Court and Prosecutor Karim A. A. Khan KC to see for themselves what kind of war-criminal they unleashed onto Kenyans. Why does your cannibalistic and colonialistic imperative allow you to continue turning a blind eye on this man’s psychotic tendencies? I also tag western diplomats who keep defending William Ruto in their cables claiming that he can make it to 2027 Chargé d’Affaires Susan M. Burns Neil Wigan Henriette Geiger Netherlands Embassy in Kenya . To the Dutch Ambassador to Kenya, next week we are Occupying JKIA when the plane carrying the King of Netherlands touches down. It is going to be an exciting day for all. #OccupyJesusWinner2 #OccupyStatehouse #RutoMustGo #OccupyJKIA

Francis Gaitho

150,910 görüntüleme • 1 yıl önce

To every soldier of the Trinamool Congress family, I thank you from the bottom of my heart for your courage, resilience, and relentless fight for justice. Despite an extremely difficult and compromised election, you never gave up hope. Our candidates and counting agents were forcibly removed in several places, while the counting process was effectively controlled by Central Government employees. After the results, Bengal witnessed shocking post-poll violence despite repeated promises of protection by the Centre. Central forces remained mute spectators as our workers, offices, and homes were attacked and set ablaze. My deepest condolences to the families of those we lost in this struggle. Bengal has suffered immensely over the past few days, and such scenes are against the very spirit of our land. But this fight is far from over. We will challenge every illegality, manipulation, and abuse of power through every constitutional and legal avenue available to us. We have full faith in the Hon’ble Supreme Court and in the democratic institutions of this country. In more than 100 seats, our candidates and counting agents were forcibly removed, serious irregularities were reported, and the mandate of the people was undermined. The truth cannot be buried forever, and every injustice faced by the people of Bengal will be raised with strength and determination. The people of Bengal know who stood beside them through every hardship, and we must continue to do so with patience, unity, and determination. Truth cannot be suppressed forever. We will return stronger. Stay united. Stay on the ground. Continue serving the people with courage, discipline, and positivity. Our fight will continue with unwavering determination and faith in democracy.

To every soldier of the Trinamool Congress family, I thank you from the bottom of my heart for your courage, resilience, and relentless fight for justice. Despite an extremely difficult and compromised election, you never gave up hope. Our candidates and counting agents were forcibly removed in several places, while the counting process was effectively controlled by Central Government employees. After the results, Bengal witnessed shocking post-poll violence despite repeated promises of protection by the Centre. Central forces remained mute spectators as our workers, offices, and homes were attacked and set ablaze. My deepest condolences to the families of those we lost in this struggle. Bengal has suffered immensely over the past few days, and such scenes are against the very spirit of our land. But this fight is far from over. We will challenge every illegality, manipulation, and abuse of power through every constitutional and legal avenue available to us. We have full faith in the Hon’ble Supreme Court and in the democratic institutions of this country. In more than 100 seats, our candidates and counting agents were forcibly removed, serious irregularities were reported, and the mandate of the people was undermined. The truth cannot be buried forever, and every injustice faced by the people of Bengal will be raised with strength and determination. The people of Bengal know who stood beside them through every hardship, and we must continue to do so with patience, unity, and determination. Truth cannot be suppressed forever. We will return stronger. Stay united. Stay on the ground. Continue serving the people with courage, discipline, and positivity. Our fight will continue with unwavering determination and faith in democracy.

Abhishek Banerjee

233,291 görüntüleme • 3 ay önce

🚨 Emergency Call to Save Lives with Water 🚨 Your voice is not just support — it is survival for Gaza. This mission stands on the strength, courage, and unwavering commitment of three voices that refused to be silent: Eyup Eyup Lovely, Felix GoliathFan1952, and William Will 🦥 Menaker. From the depths of Gaza, we continue day after day to deliver clean water to families who have been stripped of the most basic human right. Here, water is no longer something you turn on — it is something you fight for. Pipes are shattered, wells are destroyed, and children wait with empty cups, not knowing if today they will drink or go to sleep thirsty. In the cold, in the rubble, and under relentless loss, water has become the last line between life and death. And still, we persist. Eyup, Felix, and William — Your voices cut through the silence of the world. Your courage transforms empathy into action. Your support turns hope into flowing water for mothers, children, and the displaced. Because of you, water reaches hands that are shaking — not from weakness, but from survival. 💧 Donate now — because water in Gaza is not aid, it is life itself. Because clean water means dignity, resilience, and the chance to live another day. 👉 Support the water mission:

🚨 Emergency Call to Save Lives with Water 🚨 Your voice is not just support — it is survival for Gaza. This mission stands on the strength, courage, and unwavering commitment of three voices that refused to be silent: Eyup Eyup Lovely, Felix GoliathFan1952, and William Will 🦥 Menaker. From the depths of Gaza, we continue day after day to deliver clean water to families who have been stripped of the most basic human right. Here, water is no longer something you turn on — it is something you fight for. Pipes are shattered, wells are destroyed, and children wait with empty cups, not knowing if today they will drink or go to sleep thirsty. In the cold, in the rubble, and under relentless loss, water has become the last line between life and death. And still, we persist. Eyup, Felix, and William — Your voices cut through the silence of the world. Your courage transforms empathy into action. Your support turns hope into flowing water for mothers, children, and the displaced. Because of you, water reaches hands that are shaking — not from weakness, but from survival. 💧 Donate now — because water in Gaza is not aid, it is life itself. Because clean water means dignity, resilience, and the chance to live another day. 👉 Support the water mission:

Muhmmed Project𓂆 🇵🇸

72,662 görüntüleme • 8 ay önce

The Jews successfully subverted the minds of our grandparents, and fooled them into flying to Europe to kill off the Germans who woke up to the JQ in the 1940s. 60 years later, a similar Jewish media-fueled fearmongering playbook was deployed by detonating the Twin Towers on 9/11, and sending another generation of brainwashed goyim off to fight all of Israel's Middle Eastern neighbors for them, incurring thousands more casualties of America's strongest White men. Now today, in 2026, there are STILL media-hoodwinked White men lining up for the goyim meat-grinder formerly known as the U.S. military, to go fight for Jews in Iran. It can be easy to get black-pilled on how we keep on falling for the exact same tricks...but thankfully, each of the 3 above Jewish psyops have consecutively lost effectiveness in their ability to rally support among America and other Western nations. Scrolling through social media today, MILLIONS of people are screaming from the rooftops who's really in control, and how flat-out DUMB it is to continue participating in this system that's designed to destroy us. The young generations today, thanks to the decentralization of information via social media, have awakened to the hebrew matrix that's been dragging our family members off to die to wars that do NOTHING for us, and exclusively serve Jewish interests. We were put on this Earth to reverse course, and make sure we never, EVER fall for these lies again. Keep up the fight, making memes and sharing signal. Every single post helps awaken a few more open minds, and shift the zeitgeist toward a future where no more White men are running off to get themselves killed for tiny-hat demons who hate us.

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The Jews successfully subverted the minds of our grandparents, and fooled them into flying to Europe to kill off the Germans who woke up to the JQ in the 1940s. 60 years later, a similar Jewish media-fueled fearmongering playbook was deployed by detonating the Twin Towers on 9/11, and sending another generation of brainwashed goyim off to fight all of Israel's Middle Eastern neighbors for them, incurring thousands more casualties of America's strongest White men. Now today, in 2026, there are STILL media-hoodwinked White men lining up for the goyim meat-grinder formerly known as the U.S. military, to go fight for Jews in Iran. It can be easy to get black-pilled on how we keep on falling for the exact same tricks...but thankfully, each of the 3 above Jewish psyops have consecutively lost effectiveness in their ability to rally support among America and other Western nations. Scrolling through social media today, MILLIONS of people are screaming from the rooftops who's really in control, and how flat-out DUMB it is to continue participating in this system that's designed to destroy us. The young generations today, thanks to the decentralization of information via social media, have awakened to the hebrew matrix that's been dragging our family members off to die to wars that do NOTHING for us, and exclusively serve Jewish interests. We were put on this Earth to reverse course, and make sure we never, EVER fall for these lies again. Keep up the fight, making memes and sharing signal. Every single post helps awaken a few more open minds, and shift the zeitgeist toward a future where no more White men are running off to get themselves killed for tiny-hat demons who hate us.

Ben Wehrman

73,251 görüntüleme • 3 ay önce

Have you ever noticed the strange & fascinating penchant amongst some j€ws to purloin White Chri$tian culture & accomplishments and turn them into j€wish culture & accomplishments? This was demonstrated extensively over the last week by 2 very prominent J€ws: Rabbi Ari Lamm in the infamous Twitter space w/Elon Musk, & Dennis Prager in a TPUSA event w/Charlie Kirk. (attached video) I think there are multiple reasons for this cultural appropriation: 1) It helps reinforce the Big Lie subversion called "Judeo-Chri$tian," which gives them cover & protection. 2) It's a kind of truth inversion, which seems to be one of their pet things. 3) It's typical "resume puffing" that's a hallmark of many supremacist movements--which like to claim others' accomplishments as their own. 4) It's a tool of control. They're trying to be a tail wagging the dog. 5) Jealousy. Listen to Rabbi Lamm: --Proclaim the "Hebrew" Bible is the "best selling book of all time," as if it were a J€wish accomplishment. The Bible (New Testament + Old Testament) is the best selling book of all-time because of Chri$tians. --Tell you ideas from the Hebrew Bible form "the backbone of Western Civilization." Western Civilization was built up & propagated over the last 2,000 years and brought into the modern era principally by European Chri$tians--utilizing the entire Bible, not just the Old Testament. --Tell you these Western ideas are "the foundation of the American experiment" & "anchored in" the Hebrew Bible. While true, America was wholly a creation of White European Chri$tians who read & used the whole Chri$tian Bible, not just a few verses in the Old Testament. --Suggest that Elon Musk could be the inheritor of the legacy of people like Sir Francis Bacon, Dr. William Harvey & Sir Isaac Newton--who all "placed the Hebrew Bible at the center of their work." Bacon, Harvey & Newton were all White, European Chri$tians who went to Chri$tian colleges & leaned on their Chri$tian ideals & beliefs to further the cause of modern science. They didn't just embrace the Old Testament, but the New Testament as well. --Brag about how the "Biblical Sabbath is observed by billions of people across the globe." He doesn't tell you that it's observed across the globe because of Chri$tians and that those "billions" are predominantly Chri$tians. --Gloat over the demise of the Roman Empire & exclaim "scoreboard!" as if the J€ws won. The Roman empire lasted as long as it did because of its embrace of Chri$tianity, which--ironically--many regard as one of the main reasons it eventually fell. Score more wins for the Chri$tians. Watch Dennis Prager: --Claim Jesus as an "orthodox j€w." Except that Christ was not a "j€w"--not in the same sense that modern j€ws are j€ws. More importantly, Chri$t was (is) God. Furthermore, the entire concept of "orthodox" is a post-crucifixion/post-j€wish revolt creation anyway. It has its roots in the rise of Rabbinical Judaism after the destruction of the 2nd temple in AD 70, which subsequently evolved into Talmudic Judaism over the course of several subsequent centuries. Today's orthodox j€ws study & follow the Talmud, which didn't even exist in Chri$t's time. --Proclaim to have converted more people to Chri$tianity than any living Chri$tian in the world. Yeah, sure. Can I get a source, Dennis? Pure Jud€o chutzpah.🤣 Watch out for this cultural theft. Call it out when you see it.

Have you ever noticed the strange & fascinating penchant amongst some j€ws to purloin White Chri$tian culture & accomplishments and turn them into j€wish culture & accomplishments? This was demonstrated extensively over the last week by 2 very prominent J€ws: Rabbi Ari Lamm in the infamous Twitter space w/Elon Musk, & Dennis Prager in a TPUSA event w/Charlie Kirk. (attached video) I think there are multiple reasons for this cultural appropriation: 1) It helps reinforce the Big Lie subversion called "Judeo-Chri$tian," which gives them cover & protection. 2) It's a kind of truth inversion, which seems to be one of their pet things. 3) It's typical "resume puffing" that's a hallmark of many supremacist movements--which like to claim others' accomplishments as their own. 4) It's a tool of control. They're trying to be a tail wagging the dog. 5) Jealousy. Listen to Rabbi Lamm: --Proclaim the "Hebrew" Bible is the "best selling book of all time," as if it were a J€wish accomplishment. The Bible (New Testament + Old Testament) is the best selling book of all-time because of Chri$tians. --Tell you ideas from the Hebrew Bible form "the backbone of Western Civilization." Western Civilization was built up & propagated over the last 2,000 years and brought into the modern era principally by European Chri$tians--utilizing the entire Bible, not just the Old Testament. --Tell you these Western ideas are "the foundation of the American experiment" & "anchored in" the Hebrew Bible. While true, America was wholly a creation of White European Chri$tians who read & used the whole Chri$tian Bible, not just a few verses in the Old Testament. --Suggest that Elon Musk could be the inheritor of the legacy of people like Sir Francis Bacon, Dr. William Harvey & Sir Isaac Newton--who all "placed the Hebrew Bible at the center of their work." Bacon, Harvey & Newton were all White, European Chri$tians who went to Chri$tian colleges & leaned on their Chri$tian ideals & beliefs to further the cause of modern science. They didn't just embrace the Old Testament, but the New Testament as well. --Brag about how the "Biblical Sabbath is observed by billions of people across the globe." He doesn't tell you that it's observed across the globe because of Chri$tians and that those "billions" are predominantly Chri$tians. --Gloat over the demise of the Roman Empire & exclaim "scoreboard!" as if the J€ws won. The Roman empire lasted as long as it did because of its embrace of Chri$tianity, which--ironically--many regard as one of the main reasons it eventually fell. Score more wins for the Chri$tians. Watch Dennis Prager: --Claim Jesus as an "orthodox j€w." Except that Christ was not a "j€w"--not in the same sense that modern j€ws are j€ws. More importantly, Chri$t was (is) God. Furthermore, the entire concept of "orthodox" is a post-crucifixion/post-j€wish revolt creation anyway. It has its roots in the rise of Rabbinical Judaism after the destruction of the 2nd temple in AD 70, which subsequently evolved into Talmudic Judaism over the course of several subsequent centuries. Today's orthodox j€ws study & follow the Talmud, which didn't even exist in Chri$t's time. --Proclaim to have converted more people to Chri$tianity than any living Chri$tian in the world. Yeah, sure. Can I get a source, Dennis? Pure Jud€o chutzpah.🤣 Watch out for this cultural theft. Call it out when you see it.

Sam Parker 🇺🇲

145,809 görüntüleme • 2 yıl önce

TCSM we’re getting closer to our National Protest Day on 10/18/25 & we wanted to provide some additional details & guidance at this time. Initially we intended to protest at airports and/or state capitols exclusively but after some thought & feedback we’ve made the decision to change our strategy. The idea is just to be out & visible all across the country regardless of the location or number of people able to gather together in one location. It’s a day where we can all stand together in solidarity across the country to educate the public and demand action from our leaders. If you haven’t yet joined your state’s chapter now is the time to do so. These chapters will be essential in planning & organizing amongst the residents of each state. Please utilize them to connect with others near you. I will provide a link in the comments as well to all TCSM chapters. We want to have a big presence all across social media on our protest day. Please make sure to post your videos & pictures on TCSM USA and tag me in them. I will be gathering them throughout the day & sharing compilation videos of everyone out protesting. Serge will also be live streaming here on X the day of the protest & we’d love for you to call in and share your experiences while he’s live so that we can encourage others to speak out against GeoEngineering. Thank you all for everything you’ve done in this fight & continue to do! We appreciate all of our members so much and look forward to seeing your videos & pictures on 10/18/25! See links in comments for additional resources.

TCSM we’re getting closer to our National Protest Day on 10/18/25 & we wanted to provide some additional details & guidance at this time. Initially we intended to protest at airports and/or state capitols exclusively but after some thought & feedback we’ve made the decision to change our strategy. The idea is just to be out & visible all across the country regardless of the location or number of people able to gather together in one location. It’s a day where we can all stand together in solidarity across the country to educate the public and demand action from our leaders. If you haven’t yet joined your state’s chapter now is the time to do so. These chapters will be essential in planning & organizing amongst the residents of each state. Please utilize them to connect with others near you. I will provide a link in the comments as well to all TCSM chapters. We want to have a big presence all across social media on our protest day. Please make sure to post your videos & pictures on TCSM USA and tag me in them. I will be gathering them throughout the day & sharing compilation videos of everyone out protesting. Serge will also be live streaming here on X the day of the protest & we’d love for you to call in and share your experiences while he’s live so that we can encourage others to speak out against GeoEngineering. Thank you all for everything you’ve done in this fight & continue to do! We appreciate all of our members so much and look forward to seeing your videos & pictures on 10/18/25! See links in comments for additional resources.

Kristy Legendre

42,382 görüntüleme • 11 ay önce

🚨 URGENT ACTION ALERT FOR ALL FLORIDIANS 🚨 The effort to end vaccine mandates in #Florida is at serious risk — the bill is facing opposition behind the scenes, and could be watered down or dismantled completely — unless WE stop it. We need all hands on deck! Parents, advocates, medical professionals, and every Floridian who believes in bodily autonomy — we need you to ACT NOW. ⚠️ If the legislature doesn’t hear from enough of us, the bill to end all vaccine mandates could be threatened.⚠️ Here’s what you must do TODAY! Please call and email the following people: ➡️ Governor Ron DeSantis (850) 488-7146 governorron.desantis@eog.myflorida.com ➡️ Bill Sponsors: Sen. Clay Yarborough (850) 487-5004 (904) 723-2035 yarborough.clay.web@flsenate.gov Rep. Jeff Halcomb (850) 717-5053 (352) 675-0100 jeff.holcomb@flhouse.gov ➡️ Leadership: Speaker of the House, Rep. Daniel Perez (850) 717-5116 (305) 463-1230 daniel.perez@flhouse.gov Senate President, Sen. Ben Albritton (850) 487-5027 (863) 534-0073 albritton.ben.web@flsenate.gov 4️⃣ Your Own State Senator and State House Representative Demand they support a permanent ban on ALL vaccine mandates and protect medical freedom without exceptions. Tell them Floridians will not accept a weakened bill or one that dies in committee. They must advance strong protections NOW. This is a fight for bodily autonomy, parental rights, and the future of medical freedom in our state. We cannot stay silent. Share this post. Call. Email. Mobilize. Our rights depend on it. No Mandates. No Compromise. Don't Back Down.

🚨 URGENT ACTION ALERT FOR ALL FLORIDIANS 🚨 The effort to end vaccine mandates in #Florida is at serious risk — the bill is facing opposition behind the scenes, and could be watered down or dismantled completely — unless WE stop it. We need all hands on deck! Parents, advocates, medical professionals, and every Floridian who believes in bodily autonomy — we need you to ACT NOW. ⚠️ If the legislature doesn’t hear from enough of us, the bill to end all vaccine mandates could be threatened.⚠️ Here’s what you must do TODAY! Please call and email the following people: ➡️ Governor Ron DeSantis (850) 488-7146 [email protected] ➡️ Bill Sponsors: Sen. Clay Yarborough (850) 487-5004 (904) 723-2035 [email protected] Rep. Jeff Halcomb (850) 717-5053 (352) 675-0100 [email protected] ➡️ Leadership: Speaker of the House, Rep. Daniel Perez (850) 717-5116 (305) 463-1230 [email protected] Senate President, Sen. Ben Albritton (850) 487-5027 (863) 534-0073 [email protected] 4️⃣ Your Own State Senator and State House Representative Demand they support a permanent ban on ALL vaccine mandates and protect medical freedom without exceptions. Tell them Floridians will not accept a weakened bill or one that dies in committee. They must advance strong protections NOW. This is a fight for bodily autonomy, parental rights, and the future of medical freedom in our state. We cannot stay silent. Share this post. Call. Email. Mobilize. Our rights depend on it. No Mandates. No Compromise. Don't Back Down.

Global Wellness Forum

26,754 görüntüleme • 8 ay önce

Masahiro Shinoda explains why it was impossible for the Jesuits to impose their religion in Japan: "Interviewer: Is 'Silence' (1971) critical of the very fact of the Catholics coming to Japan and imposing an alien culture on the Japanese? Shinoda: Japan is an island surrounded by the sea. Many cultures from outside have come here. Japan could not refuse them. The sea current itself conveyed these foreigners to Japan’s southern shores. Japan’s culture thus consists of many, many foreign cultures in a mixture. Sometimes it caused us to lose our essential Japanese culture. I’m not even sure sometimes what Japanese culture is. In the sixteenth century Christianity and the gun were introduced into Japan. The introduction of the gun was a traumatic event and had a much deeper impact than did Christianity. The Japanese people were perplexed, but they are a realistic people and they made their choices pragmatically, giving up the metaphysical. We are empiricists, materialists. Interviewer: If I had made that movie, I would have questioned the right of the Jesuit priests to come to Japan and impose their ideas on the Japanese. Shinoda: No, it was impossible for the Jesuits to impose their religion on the Japanese because of the animism believed in by this insular, island people. It was not to be destroyed by so severe a religion as Christianity. Christianity destroyed the Roman gods, but the Japanese gods were protected by the softness of Buddhism. Buddhism is so soft that it was absorbed into the Japanese culture of the time. The Japanese people believed that Buddhism could easily marry with Shinto, and thus Japanese culture is a mixed breed of both religions. Then Christianity came, but by this time the native animism of Shinto and Buddhism were already coexisting in harmony. I think that there was no room for an additional religion. All Eastern religions are in accordance with a belief in the oneness of man and nature, whereas Christianity deals with the relationship between one man and another. When movies, or film culture, were introduced into Japan they were already based on modern Western thought. But Japanese culture influenced the kind of films that would be made here, despite the Western origins of the cinema. I must categorize the films of the world into three distinct types. European films are based upon human psychology, American films upon action and the struggles of human beings, and Japanese films upon circumstance." ('Voices from the Japanese Cinema', Joan Mellen, 1975)

Masahiro Shinoda explains why it was impossible for the Jesuits to impose their religion in Japan: "Interviewer: Is 'Silence' (1971) critical of the very fact of the Catholics coming to Japan and imposing an alien culture on the Japanese? Shinoda: Japan is an island surrounded by the sea. Many cultures from outside have come here. Japan could not refuse them. The sea current itself conveyed these foreigners to Japan’s southern shores. Japan’s culture thus consists of many, many foreign cultures in a mixture. Sometimes it caused us to lose our essential Japanese culture. I’m not even sure sometimes what Japanese culture is. In the sixteenth century Christianity and the gun were introduced into Japan. The introduction of the gun was a traumatic event and had a much deeper impact than did Christianity. The Japanese people were perplexed, but they are a realistic people and they made their choices pragmatically, giving up the metaphysical. We are empiricists, materialists. Interviewer: If I had made that movie, I would have questioned the right of the Jesuit priests to come to Japan and impose their ideas on the Japanese. Shinoda: No, it was impossible for the Jesuits to impose their religion on the Japanese because of the animism believed in by this insular, island people. It was not to be destroyed by so severe a religion as Christianity. Christianity destroyed the Roman gods, but the Japanese gods were protected by the softness of Buddhism. Buddhism is so soft that it was absorbed into the Japanese culture of the time. The Japanese people believed that Buddhism could easily marry with Shinto, and thus Japanese culture is a mixed breed of both religions. Then Christianity came, but by this time the native animism of Shinto and Buddhism were already coexisting in harmony. I think that there was no room for an additional religion. All Eastern religions are in accordance with a belief in the oneness of man and nature, whereas Christianity deals with the relationship between one man and another. When movies, or film culture, were introduced into Japan they were already based on modern Western thought. But Japanese culture influenced the kind of films that would be made here, despite the Western origins of the cinema. I must categorize the films of the world into three distinct types. European films are based upon human psychology, American films upon action and the struggles of human beings, and Japanese films upon circumstance." ('Voices from the Japanese Cinema', Joan Mellen, 1975)

DepressedBergman

3,902,851 görüntüleme • 4 ay önce

Promethean Action 💥 The Saturday Wrap-Up - Mark Carney PANIC: The "New World Order" Is Dead - January 17, 2026 Mark Carney's "New World Order" speech isn't a master plan—it's an admission the old empire is dead. While elites panic, Trump rejects chaos in Venezuela and Iran, dismantles the Muslim Brotherhood, and builds a Board of Peace that threatens 80 years of imperial control. Susan Kokinda Jan 17, 2026 Susan and her team have become one my favorite go to for real truth! Their team Single-Handedly destroyed the false narrative that PDJT is beholden to BB. They didn't just do it with short narratives, memes or speculation, they brought the receipts every single time giving the public a much needed History Lesson! 🙌 I've said it before and I'll say it again if you are not following this team you need to. They have such a clear and concise way of explaining things that not many can! Get their FREE Newsletter at In this video Susan Kokinda delves into the current geopolitical strategies under President Trump's administration, challenging the old post-war order. Highlighting Trump's distinct approach in Iran, Venezuela, and the Middle East, Susan argues that the President is not following the traditional Western imperial playbook but is instead crafting new alliances and promoting stability. From Venezuela's leadership relations to the intricate dynamics of the Middle East involving Gaza and the Muslim Brotherhood, this video outlines the President's efforts to dismantle the old systems of chaos and war, while building a Board of Peace. Additionally, the video explores the global reaction to these shifts, particularly by elites who mourn the end of their empire, as epitomized by Mark Carney's New World Order speech. Capt Kyle

Promethean Action 💥 The Saturday Wrap-Up - Mark Carney PANIC: The "New World Order" Is Dead - January 17, 2026 Mark Carney's "New World Order" speech isn't a master plan—it's an admission the old empire is dead. While elites panic, Trump rejects chaos in Venezuela and Iran, dismantles the Muslim Brotherhood, and builds a Board of Peace that threatens 80 years of imperial control. Susan Kokinda Jan 17, 2026 Susan and her team have become one my favorite go to for real truth! Their team Single-Handedly destroyed the false narrative that PDJT is beholden to BB. They didn't just do it with short narratives, memes or speculation, they brought the receipts every single time giving the public a much needed History Lesson! 🙌 I've said it before and I'll say it again if you are not following this team you need to. They have such a clear and concise way of explaining things that not many can! Get their FREE Newsletter at In this video Susan Kokinda delves into the current geopolitical strategies under President Trump's administration, challenging the old post-war order. Highlighting Trump's distinct approach in Iran, Venezuela, and the Middle East, Susan argues that the President is not following the traditional Western imperial playbook but is instead crafting new alliances and promoting stability. From Venezuela's leadership relations to the intricate dynamics of the Middle East involving Gaza and the Muslim Brotherhood, this video outlines the President's efforts to dismantle the old systems of chaos and war, while building a Board of Peace. Additionally, the video explores the global reaction to these shifts, particularly by elites who mourn the end of their empire, as epitomized by Mark Carney's New World Order speech. Capt Kyle

Capt Kyle

79,812 görüntüleme • 7 ay önce

TIKTOKER AZZIAD CONTEMPLATES PROSTITUTION TO OFFSET PENDING BILLS: The Kenyan economy is crumbling, a rotting husk where even the brightest stars are dimming. Socialites and content creators, once the darlings of brand deals and corporate sponsorships, are now scraping by, their glittering facades shattered by a brutal reality. Azziad Nasenya, at the peak of her influencer game, is a stark example. A leaked audio reveals her desperation, drowning in a KSh 85,000 debt and allegedly contemplating selling her body for cash. This isn’t just a personal fall - it’s a symptom of a diseased system. The corporates that once threw money at influencers for a single post are now cash-strapped, their budgets slashed as the economy suffocates under mismanagement, corruption, and William Ruto’s mental impotence with his bandwagon of Yamune Wankers. Ad spends are drying up, gigs are vanishing, and the influencer bubble has burst. The streets tell the same story. Jobs are evaporating, businesses are folding, and the cost of living is a noose tightening around the necks of ordinary Kenyans. For every Azziad, there are countless others - young women and men who thought their TikTok fame or Instagram aesthetic would shield them from the grind. They were wrong. Without a stable economy, the hustle turns predatory. Many are forced into “unconventional means” of survival - some into prostitution, others into scams or worse - just to eat. The promise of Nairobi’s glamour is a cruel mirage, and the road back to the village looms for those who can’t keep up. This is the grim fate awaiting influencers who cling to their apolitical silence, chasing likes while the nation burns. They ignored the call to action, choosing the safe path of political correctness over the messy, vital fight for change. They listened to voices like Hanifa 🇵🇸 🇸🇩 🇨🇩 🇰🇪 and The People’s President , branded as traitors by the movement, instead of joining the revolution’s roar. And now, they’re paying the price in a world where even their clout can’t buy a lifeline. But there’s a flicker of hope, a blazing light on the other side of this darkness. The next wave of protests is coming, a tidal surge of defiance against a broken system. If influencers and content creators join this fight - full throttle, no hesitation - they can rewrite their story. Imagine a Kenya reborn, where the economy thrives, where corporates are flush with cash to bankroll creators, where every TikTok dance or Instagram reel is a step toward prosperity. A life of infinite happiness awaits, where influencers aren’t just surviving but flourishing, their talents celebrated in a nation that works for all. The revolution isn’t just a protest - it’s a promise of abundance. Join it, or be left behind in the gloom. #OccupyStateHouse #RutoMustGo

Francis Gaitho

192,788 görüntüleme • 1 yıl önce

“Risk Again or Mean Never?” James Lindsay’s Powerful Warning: Fighting the Rising Tide! Fight the “rising tide,” and “bring people back to the values that they were hopefully raised with or to fish them out of the bad waters. ~ James Lindsay The Tafsik Organization and Stop Antizionism proudly had a full-day conference that took place on May 17, 2026. As the first conference in the world specifically dedicated to combatting Antizionism, the event brought together world-renowned advocates, leaders, and speakers for a day of critical dialogue and action. Among the high-profile speakers was James Lindsay. In his address, Lindsay examined why anti-Zionist and antisemitic content appears to be gaining traction despite not aligning with mainstream values in Canadian or American society. “Maybe the demand side is not who we think it is,” he said, suggesting that the influx of people into Western countries who have “disposable time and income” has created a large online audience that generates likes and clicks, making certain views seem more popular than they are among native populations. James noted that many immigrants to Europe, Canada, and the United States hold radical views, and that young people and U.S. veterans, the primary target groups, may be absorbing the messaging indirectly. “They’re almost getting the effect of secondhand smoke but in propaganda form,” Lindsay explained, “that’s actually being targeted to a different audience.” Lindsay also pointed to the influence of social media, particularly X, which he said has 200 million active users from third-world countries who are not physically in the West. “If you import the third world you become the third world,” he stated, clarifying that he was referring not to physical immigration but to digital interactions with millions who may not share Western values. “We are actually interacting with tons of people who we don’t know who they are… and can confuse us about where we stand on issues,” he warned. James urged listeners to seek clarity, fight the “rising tide,” and “bring people back to the values that they were hopefully raised with or to fish them out of the bad waters that they’ve landed themselves in.” Turning to solutions, Lindsay stressed that meaningful change requires grassroots pressure. “The political will is going to follow more or less massive political demand from the people,” he said. “We kind of have two choices right now… We either risk again or we mean never.” Referencing the post-World War II pledge “Never Again." Lindsay highlighted that history shows demonizing particular groups to build inclusion or grow a brand “always goes somewhere very bad… it never goes anywhere good.” Lindsay called on the audience to exercise agency: to speak out loudly, demand action from politicians, and engage fellow citizens in conversation until leaders recognize a significant public will on the issue. I concur fully with James Lindsay's statements!

Andrea Shaffer, Anti-Marxist Warrior

43,753 görüntüleme • 3 ay önce

Jess Phillips has admitted she waited 14 years for action on the grooming gangs. Fourteen years. Her own words. Fourteen years in which she knew Pakistani rape gangs were abusing children. Fourteen years in which she admits she was waiting for “anyone to do anything.” But Jess Phillips was not powerless. She was not an ordinary citizen without influence. She was an MP. She was a national campaigner. She is now the Minister for Safeguarding Girls. For 14 years, she knew and she stayed silent. Worse for the Muslim bloc vote reliant MP from Birmingham. Philips did not just sit back and wait. She actively opposed a national inquiry. During this time, she defended the very institutions accused of shielding abusers. She worked to protect councils, police forces, and her own party from accountability. She sided with the system. The system that protected the Pakistani Rape Gangs. Now she claims she was “waiting.” - Waiting, while children were gang raped. - Waiting, while survivors were betrayed. - Waiting, while institutions colluded and The Labour Party politicians claimed it was bare faced lies and a far right conspiracy.. Now Phillips has confessed. Why are the opposition not calling for her resignation? Why has no mainstream news outlet run with her admission? Why is her complicity being buried? Jess Phillips knew. She stayed silent. Her complicity protected the rape gangs. Her legacy is betrayal, and she cannot remain in post. _________ I have 3 questions I would like you to consider. 1. Do you believe the government would have voluntarily agreed to a National Inquiry without years of relentless sacrifice from survivors and campaigners who refused to be silenced? 2. Do you believe the Inquiry will actually hold public officials, police officers, and politicians accountable for enabling the industrial-scale gang rape of children? 3. Do you trust Shabana Mahmood MP and Jess Phillips to deliver justice? If your answer to these questions is No, then you already know why my work must continue. _________ I am Raja Miah. Seven years ago I began exposing how politicians protected the rape gangs. The truth can no longer be buried. The Pakistani rape gangs are real. Their victims number in the hundreds of thousands. And the cover up is still ongoing. Now the National Inquiry is about to begin. This is our one chance to stop another whitewash. But that will only happen if enough people know the truth and are willing to fight back. Despite the media blackout, Red Wall and the Rabble has grown to over 6,000 subscribers. I need your help to reach 10,000 before the inquiry begins. Every new subscriber makes it harder for them to bury this story. Every share makes it harder to dismiss the evidence. Every voice raised brings justice closer. 🔴 Subscribe for free or support the work for just 75p a week or £30 for the full year 👉 🔴 Prefer a one-off contribution? 👉 👉 This is the fight. This is the moment. There will not be another. – Raja Miah MBE

Jess Phillips has admitted she waited 14 years for action on the grooming gangs. Fourteen years. Her own words. Fourteen years in which she knew Pakistani rape gangs were abusing children. Fourteen years in which she admits she was waiting for “anyone to do anything.” But Jess Phillips was not powerless. She was not an ordinary citizen without influence. She was an MP. She was a national campaigner. She is now the Minister for Safeguarding Girls. For 14 years, she knew and she stayed silent. Worse for the Muslim bloc vote reliant MP from Birmingham. Philips did not just sit back and wait. She actively opposed a national inquiry. During this time, she defended the very institutions accused of shielding abusers. She worked to protect councils, police forces, and her own party from accountability. She sided with the system. The system that protected the Pakistani Rape Gangs. Now she claims she was “waiting.” - Waiting, while children were gang raped. - Waiting, while survivors were betrayed. - Waiting, while institutions colluded and The Labour Party politicians claimed it was bare faced lies and a far right conspiracy.. Now Phillips has confessed. Why are the opposition not calling for her resignation? Why has no mainstream news outlet run with her admission? Why is her complicity being buried? Jess Phillips knew. She stayed silent. Her complicity protected the rape gangs. Her legacy is betrayal, and she cannot remain in post. _ I have 3 questions I would like you to consider. 1. Do you believe the government would have voluntarily agreed to a National Inquiry without years of relentless sacrifice from survivors and campaigners who refused to be silenced? 2. Do you believe the Inquiry will actually hold public officials, police officers, and politicians accountable for enabling the industrial-scale gang rape of children? 3. Do you trust Shabana Mahmood MP and Jess Phillips to deliver justice? If your answer to these questions is No, then you already know why my work must continue. _ I am Raja Miah. Seven years ago I began exposing how politicians protected the rape gangs. The truth can no longer be buried. The Pakistani rape gangs are real. Their victims number in the hundreds of thousands. And the cover up is still ongoing. Now the National Inquiry is about to begin. This is our one chance to stop another whitewash. But that will only happen if enough people know the truth and are willing to fight back. Despite the media blackout, Red Wall and the Rabble has grown to over 6,000 subscribers. I need your help to reach 10,000 before the inquiry begins. Every new subscriber makes it harder for them to bury this story. Every share makes it harder to dismiss the evidence. Every voice raised brings justice closer. 🔴 Subscribe for free or support the work for just 75p a week or £30 for the full year 👉 🔴 Prefer a one-off contribution? 👉 👉 This is the fight. This is the moment. There will not be another. – Raja Miah MBE

Raja Miah

354,646 görüntüleme • 11 ay önce

#ฟรีนเบค #FreenBecky #srchafreen #beckysangels 🌟 Bangkok Pride Awards 2026 🌟 🗓️ Voting Ends: April 30, 2026 🗓️ Award Ceremony: May 28, 2026 🚨 CALL TO ACTION: LET'S REPAY THEIR HARD WORK! 🚨 Guys, through the recently quoted post from the Uranus2324 crew, we know the absolute blood, sweat, and tears FreenBecky poured into this film. Becky pushed her body to the absolute limit for those dangerous diving scenes, even collapsing from exhaustion and being rushed to the hospital during their PR tour. And Freen? She carried the weight of a 20kg+ spacesuit all day long and stepped up without hesitation to handle the media entirely on her own, speaking on Becky's behalf too, so she could rest and recover. They fought through brutal conditions, exhaustion, and physical pain to deliver this incredible film to us. Now, it is OUR turn to fight for them! ⚔️ Uranus2324 is nominated at the Bangkok Pride Awards 2026, and we absolutely cannot let their immense dedication go unrewarded. 🔥 OUR MISSION: 1️⃣ Vote with everything you have: ✅ Maximize your free votes using ALL your email accounts. ✅ 20 tickets per account. 2️⃣ Utilize all resources: If you have the time but need more voting accounts, message us immediately. We have them ready for you! 3️⃣ Do not slow down: The deadline is approaching. With only 13 days left, we need to maintain our pace. Let's give it OUR ALL because they deserve it!!! 🏆✨ ============= Watch guideline video to know how to vote: 🏁Rules: 1⃣ Free vote 📌Link: ✅20 votes per 1 account ✅Can vote 1 time with max 20 votes 2⃣ Paid vote: 📌Link: 💳Credit Card, Wechat, Alipay, Shopee Pay 🪙30 votes = 20 baht (Cheapest) 🪙100 votes = 100 baht 🪙700 votes = 500 baht ‼️Please focus on free vote first - with WikiFreenBecky TH 🇹🇭 & FreenBecky_Data数据组

#ฟรีนเบค #FreenBecky #srchafreen #beckysangels 🌟 Bangkok Pride Awards 2026 🌟 🗓️ Voting Ends: April 30, 2026 🗓️ Award Ceremony: May 28, 2026 🚨 CALL TO ACTION: LET'S REPAY THEIR HARD WORK! 🚨 Guys, through the recently quoted post from the Uranus2324 crew, we know the absolute blood, sweat, and tears FreenBecky poured into this film. Becky pushed her body to the absolute limit for those dangerous diving scenes, even collapsing from exhaustion and being rushed to the hospital during their PR tour. And Freen? She carried the weight of a 20kg+ spacesuit all day long and stepped up without hesitation to handle the media entirely on her own, speaking on Becky's behalf too, so she could rest and recover. They fought through brutal conditions, exhaustion, and physical pain to deliver this incredible film to us. Now, it is OUR turn to fight for them! ⚔️ Uranus2324 is nominated at the Bangkok Pride Awards 2026, and we absolutely cannot let their immense dedication go unrewarded. 🔥 OUR MISSION: 1️⃣ Vote with everything you have: ✅ Maximize your free votes using ALL your email accounts. ✅ 20 tickets per account. 2️⃣ Utilize all resources: If you have the time but need more voting accounts, message us immediately. We have them ready for you! 3️⃣ Do not slow down: The deadline is approaching. With only 13 days left, we need to maintain our pace. Let's give it OUR ALL because they deserve it!!! 🏆✨ ============= Watch guideline video to know how to vote: 🏁Rules: 1⃣ Free vote 📌Link: ✅20 votes per 1 account ✅Can vote 1 time with max 20 votes 2⃣ Paid vote: 📌Link: 💳Credit Card, Wechat, Alipay, Shopee Pay 🪙30 votes = 20 baht (Cheapest) 🪙100 votes = 100 baht 🪙700 votes = 500 baht ‼️Please focus on free vote first - with WikiFreenBecky TH 🇹🇭 & FreenBecky_Data数据组

FreenBecky_RankingVN🇻🇳

24,181 görüntüleme • 4 ay önce

$Grok Imagine, right now is in my opinion best and fastest ai video generator for the masses. sure, is not perfect, but Rome wasn't built in a day. Maybe ppl from xai or Elon Musk would look on our posts and suggestions for future improvements. What is a must (for advanced users into ai video generation, been doing this game since 2022) .. 1. for longer movies , we need an option to organize like a project style, and to be able to add main prompts like the niche of the current movie, the character description and to be able to select a custom seed so we can have consistency of the characters. 2. we have now 6 seconds generation ( saw Elon promised 15 seconds soon).. BUT when we generate long movies, we end up with lots of scenes... what grok needs for the same project of the movie, would be a First Frame -Last frame scene interpolation between the scenes (take last frame from scene one, and first frame from scene 2 and generate a mid scene that would merge scene 1 with scene 2 .. and continue for the other scenes (this could be very easy implemented with some python lines of code , like before spitting final video, select all scenes.. extract frames etc etc etc etc.. simple af, when u have all scenes + the interpolation scenes combine evrything with ffmpeg ). 3.. list is long... and i dind't finished my coffee yet, so here is a grok TEXT to video short movie (coz lol u hit the limit for today). Prompts i used for each scene are a little more advanced, so i can see what grok is able to do .. the prompts used are like this (can;t post all due to X limits ) : { "scene_1": { "global_cinematography": "Ultra-realistic Hollywood cyberpunk thriller in the vein of The Matrix (1999) and Blade Runner 2049 (2017), shot on Arri Alexa LF with anamorphic lenses for widescreen 2.39:1 aspect ratio, 24fps for fluid motion, desaturated palette dominated by cool blues, greens, and high-contrast neon reds piercing perpetual smog-choked night. Consistent VFX pipeline: Procedural green code cascades, photorealistic cybernetic augmentations with subsurface scattering, physics-based rain and particle simulations. Lighting paradigm: Volumetric god rays through haze, practical lens flares from holograms, rim lighting on metallic surfaces for depth. Sound integration: Pulsing industrial synth score with digital glitches, rain patter syncing to code interference, metallic echoes underscoring dialogue. Transitions: Seamless glitch wipes or matrix symbol dissolves ensuring narrative continuity, each scene's final beat priming the next for unbroken tension flow. Continuity directive: Scenes chain via lingering elements—rain droplets from prior shots persisting, Nova's silhouette echoing across cuts, HUD overlays threading flashbacks to present, escalating glitch distortions building to climax rupture—maintaining spatial and temporal cohesion in Neo-Tokyo's underbelly.", "shot": { "composition": "Wide aerial drone shot with 35mm wide-angle anamorphic lens on Arri Alexa LF, high dynamic range capturing smog gradients and rain refraction for immersive dystopian establishment, foreground skyscraper edges framing the descent path", "camera_motion": "Controlled descending tilt-push through layered haze, subtle forward momentum building velocity into street-level convergence, priming alley reveal for Scene 2 silhouette emergence" }, "subject": { "description": "Neo-Tokyo's jagged circuit-board skyscrapers thrusting into smog-veiled void, rain-lashed surfaces mirroring erratic neon pulses; faint pedestrian phantoms below as harbingers of oblivious simulation", "wardrobe": "null" }, "scene": { "location": "Shadowed aerial vantage over Neo-Tokyo underbelly, continuity hook from global haze motif", "time_of_day": "Perpetual neon-twilight under storm overcast, syncing with all scenes' eternal dusk", "environment": "Thick smog banks parting reluctantly, acid rain sheets cascading in synchronized sheets with volumetric depth, holographic billboards stuttering in the distance to echo Scene 7 flicker" }, "visual_details": { "action": "Drone pierces urban canopy, unveiling rain-assaulted sprawl where neon bleeds into puddles like corrupted signals, distant alley haze teasing Nova's imminent step-forward in Scene 2", "props": "Circuit-etched tower facades with embedded LED veins flickering erratically, overflowing industrial gutters spewing iridescent chemical runoff, wind-scattered debris hinting at skirmish aftermath", "action_sequence": [ {"0-1s": "High hover frames smog-piercing spires, rain droplets streak lens in slow-mo refraction"}, {"1-2s": "Descent accelerates, haze thins to reveal neon-veined edges glowing faintly blue"}, {"2-3s": "Tilt reveals grid below, rooftops hammered in static-burst impacts syncing to score pulse"}, {"3-4s": "Forward push threads alley corridors, Mandarin signs initial flicker priming Scene 7"}, {"4-5s": "Pedestrians sharpen as wireframe ghosts, AR visors glinting obliviously"}, {"5-6s": "Level to ground haze, Nova's trench silhouette materializes at frame's vanishing point, coat billow lingering into Scene 2 track"} ] }, "cinematography": { "lighting": "Desaturated neon primaries with volumetric god rays slicing haze for ethereal isolation, rain speculars adding dynamic highlights consistent across wet surfaces", "tone": "Oppressive immersion yielding to rebellious spark—global cyber-noir dread laced with glitch anticipation, flowing seamlessly to Nova's personal emergence" } }, "scene_2": { "global_cinematography": "Ultra-realistic Hollywood cyberpunk thriller in the vein of The Matrix (1999) and Blade Runner 2049 (2017), shot on Arri Alexa LF with anamorphic lenses for widescreen 2.39:1 aspect ratio, 24fps for fluid motion, desaturated palette dominated by cool blues, greens, and high-contrast neon reds piercing perpetual smog-choked night. Consistent VFX pipeline: Procedural green code cascades, photorealistic cybernetic augmentations with subsurface scattering, physics-based rain and particle simulations. Lighting paradigm: Volumetric god rays through haze, practical lens flares from holograms, rim lighting on metallic surfaces for depth. Sound integration: Pulsing industrial synth score with digital glitches, rain patter syncing to code interference, metallic echoes underscoring dialogue. Transitions: Seamless glitch wipes or matrix symbol dissolves ensuring narrative continuity, each scene's final beat priming the next for unbroken tension flow. Continuity directive: Scenes chain via lingering elements—rain droplets from prior shots persisting, Nova's silhouette echoing across cuts, HUD overlays threading flashbacks to present, escalating glitch distortions building to climax rupture—maintaining spatial and temporal cohesion in Neo-Tokyo's underbelly.", "shot": { "composition": "Low-angle tracking push with 50mm anamorphic prime on Arri Alexa LF, heroic distortion compressing background alley into claustrophobic funnel, foreground rain blur veiling initial fog for continuity from Scene 1 descent", "camera_motion": "Fluid forward Steadicam arc from lingering Scene 1 haze, subtle left profile tilt to frame Nova against graffiti wall, pulling back slightly to hold environmental depth into Scene 3 orbit" }, "subject": { "description": "Nova, 30s hybrid rebel with scarred synthetic pallor, cropped black hair rain-matted, holographic irises scanning with latent data flickers; sleek titanium limbs rune-etched in dormant blue", "wardrobe": "Sodden black trench coat with frayed hems from Scene 1 debris scatter, high collar shadowing jawline for motif continuity" }, "scene": { "location": "Graffiti-choked alley continuation from Scene 1 street convergence, Neo-Tokyo underbelly", "time_of_day": "Eternal neon-dusk syncing global palette", "environment": "Fog banks rolling from industrial vents as Scene 1 smog extension, wet cobblestones rippling with residual aerial rain patterns" }, "visual_details": { "action": "Nova materializes from Scene 1's terminal haze, striding assertively into sodium glow with metallic glint, coat hem dragging puddles to splash forward—teasing Scene 3 facial trace", "props": "Luminescent 'GLITCH THE SYSTEM' graffiti echoing from Scene 1 signs, overhead hover-traffic hum persisting from aerial hum", "action_sequence": [ {"0-1s": "Fog swirl from Scene 1 yields Nova's silhouette, boot first impacting puddle"}, {"1-2s": "Full stride forward, coat hem trails iridescent wake linking to blood drip in Scene 9"}, {"2-3s": "Titanium forearm catches neon, runes sequential-pulse awakening blue continuity"}, {"3-4s": "Holographic eyes iris-scan, reflecting alley code fragments priming Scene 4 overlay"}, {"4-5s": "Rain beads contour synthetic skin, parting at seams for Scene 3 macro journey"}, {"5-6s": "Profile lean against wall, vapor breath hangs, posture straightening into Scene 5 OTS"} ] }, "cinematography": { "lighting": "Harsh sodium sidelight rimming form per global motif, cool rune fill softening human remnants, prismatic rain refractions tying to Scene 1 aerial streaks", "tone": "Defiant grace in simulated decay—cyber-noir intimacy building personal stakes, camera arc ensuring spatial flow to close-up revelation" } }, etc etc etc up to scene 16. you got the point$

Grok Imagine, right now is in my opinion best and fastest ai video generator for the masses. sure, is not perfect, but Rome wasn't built in a day. Maybe ppl from xai or Elon Musk would look on our posts and suggestions for future improvements. What is a must (for advanced users into ai video generation, been doing this game since 2022) .. 1. for longer movies , we need an option to organize like a project style, and to be able to add main prompts like the niche of the current movie, the character description and to be able to select a custom seed so we can have consistency of the characters. 2. we have now 6 seconds generation ( saw Elon promised 15 seconds soon).. BUT when we generate long movies, we end up with lots of scenes... what grok needs for the same project of the movie, would be a First Frame -Last frame scene interpolation between the scenes (take last frame from scene one, and first frame from scene 2 and generate a mid scene that would merge scene 1 with scene 2 .. and continue for the other scenes (this could be very easy implemented with some python lines of code , like before spitting final video, select all scenes.. extract frames etc etc etc etc.. simple af, when u have all scenes + the interpolation scenes combine evrything with ffmpeg ). 3.. list is long... and i dind't finished my coffee yet, so here is a grok TEXT to video short movie (coz lol u hit the limit for today). Prompts i used for each scene are a little more advanced, so i can see what grok is able to do .. the prompts used are like this (can;t post all due to X limits ) : { "scene_1": { "global_cinematography": "Ultra-realistic Hollywood cyberpunk thriller in the vein of The Matrix (1999) and Blade Runner 2049 (2017), shot on Arri Alexa LF with anamorphic lenses for widescreen 2.39:1 aspect ratio, 24fps for fluid motion, desaturated palette dominated by cool blues, greens, and high-contrast neon reds piercing perpetual smog-choked night. Consistent VFX pipeline: Procedural green code cascades, photorealistic cybernetic augmentations with subsurface scattering, physics-based rain and particle simulations. Lighting paradigm: Volumetric god rays through haze, practical lens flares from holograms, rim lighting on metallic surfaces for depth. Sound integration: Pulsing industrial synth score with digital glitches, rain patter syncing to code interference, metallic echoes underscoring dialogue. Transitions: Seamless glitch wipes or matrix symbol dissolves ensuring narrative continuity, each scene's final beat priming the next for unbroken tension flow. Continuity directive: Scenes chain via lingering elements—rain droplets from prior shots persisting, Nova's silhouette echoing across cuts, HUD overlays threading flashbacks to present, escalating glitch distortions building to climax rupture—maintaining spatial and temporal cohesion in Neo-Tokyo's underbelly.", "shot": { "composition": "Wide aerial drone shot with 35mm wide-angle anamorphic lens on Arri Alexa LF, high dynamic range capturing smog gradients and rain refraction for immersive dystopian establishment, foreground skyscraper edges framing the descent path", "camera_motion": "Controlled descending tilt-push through layered haze, subtle forward momentum building velocity into street-level convergence, priming alley reveal for Scene 2 silhouette emergence" }, "subject": { "description": "Neo-Tokyo's jagged circuit-board skyscrapers thrusting into smog-veiled void, rain-lashed surfaces mirroring erratic neon pulses; faint pedestrian phantoms below as harbingers of oblivious simulation", "wardrobe": "null" }, "scene": { "location": "Shadowed aerial vantage over Neo-Tokyo underbelly, continuity hook from global haze motif", "time_of_day": "Perpetual neon-twilight under storm overcast, syncing with all scenes' eternal dusk", "environment": "Thick smog banks parting reluctantly, acid rain sheets cascading in synchronized sheets with volumetric depth, holographic billboards stuttering in the distance to echo Scene 7 flicker" }, "visual_details": { "action": "Drone pierces urban canopy, unveiling rain-assaulted sprawl where neon bleeds into puddles like corrupted signals, distant alley haze teasing Nova's imminent step-forward in Scene 2", "props": "Circuit-etched tower facades with embedded LED veins flickering erratically, overflowing industrial gutters spewing iridescent chemical runoff, wind-scattered debris hinting at skirmish aftermath", "action_sequence": [ {"0-1s": "High hover frames smog-piercing spires, rain droplets streak lens in slow-mo refraction"}, {"1-2s": "Descent accelerates, haze thins to reveal neon-veined edges glowing faintly blue"}, {"2-3s": "Tilt reveals grid below, rooftops hammered in static-burst impacts syncing to score pulse"}, {"3-4s": "Forward push threads alley corridors, Mandarin signs initial flicker priming Scene 7"}, {"4-5s": "Pedestrians sharpen as wireframe ghosts, AR visors glinting obliviously"}, {"5-6s": "Level to ground haze, Nova's trench silhouette materializes at frame's vanishing point, coat billow lingering into Scene 2 track"} ] }, "cinematography": { "lighting": "Desaturated neon primaries with volumetric god rays slicing haze for ethereal isolation, rain speculars adding dynamic highlights consistent across wet surfaces", "tone": "Oppressive immersion yielding to rebellious spark—global cyber-noir dread laced with glitch anticipation, flowing seamlessly to Nova's personal emergence" } }, "scene_2": { "global_cinematography": "Ultra-realistic Hollywood cyberpunk thriller in the vein of The Matrix (1999) and Blade Runner 2049 (2017), shot on Arri Alexa LF with anamorphic lenses for widescreen 2.39:1 aspect ratio, 24fps for fluid motion, desaturated palette dominated by cool blues, greens, and high-contrast neon reds piercing perpetual smog-choked night. Consistent VFX pipeline: Procedural green code cascades, photorealistic cybernetic augmentations with subsurface scattering, physics-based rain and particle simulations. Lighting paradigm: Volumetric god rays through haze, practical lens flares from holograms, rim lighting on metallic surfaces for depth. Sound integration: Pulsing industrial synth score with digital glitches, rain patter syncing to code interference, metallic echoes underscoring dialogue. Transitions: Seamless glitch wipes or matrix symbol dissolves ensuring narrative continuity, each scene's final beat priming the next for unbroken tension flow. Continuity directive: Scenes chain via lingering elements—rain droplets from prior shots persisting, Nova's silhouette echoing across cuts, HUD overlays threading flashbacks to present, escalating glitch distortions building to climax rupture—maintaining spatial and temporal cohesion in Neo-Tokyo's underbelly.", "shot": { "composition": "Low-angle tracking push with 50mm anamorphic prime on Arri Alexa LF, heroic distortion compressing background alley into claustrophobic funnel, foreground rain blur veiling initial fog for continuity from Scene 1 descent", "camera_motion": "Fluid forward Steadicam arc from lingering Scene 1 haze, subtle left profile tilt to frame Nova against graffiti wall, pulling back slightly to hold environmental depth into Scene 3 orbit" }, "subject": { "description": "Nova, 30s hybrid rebel with scarred synthetic pallor, cropped black hair rain-matted, holographic irises scanning with latent data flickers; sleek titanium limbs rune-etched in dormant blue", "wardrobe": "Sodden black trench coat with frayed hems from Scene 1 debris scatter, high collar shadowing jawline for motif continuity" }, "scene": { "location": "Graffiti-choked alley continuation from Scene 1 street convergence, Neo-Tokyo underbelly", "time_of_day": "Eternal neon-dusk syncing global palette", "environment": "Fog banks rolling from industrial vents as Scene 1 smog extension, wet cobblestones rippling with residual aerial rain patterns" }, "visual_details": { "action": "Nova materializes from Scene 1's terminal haze, striding assertively into sodium glow with metallic glint, coat hem dragging puddles to splash forward—teasing Scene 3 facial trace", "props": "Luminescent 'GLITCH THE SYSTEM' graffiti echoing from Scene 1 signs, overhead hover-traffic hum persisting from aerial hum", "action_sequence": [ {"0-1s": "Fog swirl from Scene 1 yields Nova's silhouette, boot first impacting puddle"}, {"1-2s": "Full stride forward, coat hem trails iridescent wake linking to blood drip in Scene 9"}, {"2-3s": "Titanium forearm catches neon, runes sequential-pulse awakening blue continuity"}, {"3-4s": "Holographic eyes iris-scan, reflecting alley code fragments priming Scene 4 overlay"}, {"4-5s": "Rain beads contour synthetic skin, parting at seams for Scene 3 macro journey"}, {"5-6s": "Profile lean against wall, vapor breath hangs, posture straightening into Scene 5 OTS"} ] }, "cinematography": { "lighting": "Harsh sodium sidelight rimming form per global motif, cool rune fill softening human remnants, prismatic rain refractions tying to Scene 1 aerial streaks", "tone": "Defiant grace in simulated decay—cyber-noir intimacy building personal stakes, camera arc ensuring spatial flow to close-up revelation" } }, etc etc etc up to scene 16. you got the point

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