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Artistic family.

The Figen

2,780,280 subscribers

123,421 次观看 • 1 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

11 条评论

Cats & Dogs Universe 的头像

Cats & Dogs Universe1 年前

Ryan taught his mom Andrea drums in quarantine, igniting a family band. Dad joined later, mastering bass. From New Zealand, they’re now ‘Mommas Boy’—parents with no musical roots, transformed into a radiant trio.

Church and Family Life 的头像

Church and Family Life1 年前

Whether in prosperity or peril, the culture of family life should be built to flourish. Join us this April 24-26, 2025 as we proclaim this hopeful vision!

Green Goblin 的头像

Green Goblin1 年前

Imagine having one 💕

Baby Meme X 的头像

Baby Meme X1 年前

Wonderful! A family full of creativity is truly special.

Interesting/Historical Facts 👨‍🏫 的头像

Interesting/Historical Facts 👨‍🏫1 年前

Very beautiful

عالیہ نجف 的头像

عالیہ نجف1 年前

It's cool

𝗔𝗿𝘃𝗶𝗻𝗱 𝗞𝘂𝗺𝗮𝗿 的头像

𝗔𝗿𝘃𝗶𝗻𝗱 𝗞𝘂𝗺𝗮𝗿1 年前

Nice❤️

Jeremy🖤 的头像

Jeremy🖤1 年前

Incredible stuff #zelena #Tommavi #helevier #sstvi #Trump #GrandeFratello #uzaksehir #shailenzo

Shiva Verma 的头像

Shiva Verma1 年前

So musical! Soothing to the ears.

Rosy 🦋 的头像

Rosy 🦋1 年前

Superb performance

Waheed Nazir 的头像

Waheed Nazir1 年前

Cool

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Hasan addresses the socialism but rich criticism, says he was seeking out drip when he was broke & that a lot of clothes are sent to him Points to Asmon & Moist as examples of wealthy people who wear normal clothes "Level of financial success I've attained would not changed whether I wear tattered clothes or expensive..before u even realize..when u are an influencer..ppl just send u sh*t..ur demanding that I just larp..if this was the case, Asmongold would be the true communist from ur perspective regardless of the reactionary garbage he puts out" "Both Asmongold & MoistCr1TiKaL are far wealthier than I am & yet they wear regular articles of clothing, I do as well but I do have expensive articles of clothing..Asmon owns multiple businesses" "I had this exact same perspective before I didn't have any expensive clothes whatsoever or didn't have any money..now that I make a lot..u just wanna do hyperconsumption, ur selfish..its unproductive" "Yes very wealthy family background..super powerful (sarcasm)..I take care of my family financially..very fortunate..I paid for my mom and brother's student loan debt" "Most of my sh*t is vintage, or gifted, or sent in PR drops..ur hobbies that u like have creative value..at the end of the day fashion is also artistic expression I'm not gonna defend that it doesn't matter..my point is this is entirely unproductive" "What do u want me to do, constantly turn around & be like look how wonderful of a philanthropist I am"

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Narajole , a quiet village in Paschim Medinipur, is a place where history still speaks. . Nearly six hundred years ago, Uday Narayan Ghosh, a descendant of the Ichhai Ghosh lineage, settled here. In 1596, during the reign of Mughal Emperor Akbar, the Subedar of Bengal, Man Singh, conferred the honorable title “Khan” upon Balvant Ray, the eighth generation of this family. From then on, the zamindars of Narajol came to be known by the surname Khan. . Spread across 360 bighas of land, the Narajole Rajbari was not merely a structure of bricks, stone, and wood—it served as a secret stronghold of India’s freedom movement. . The royal complex once housed 250 rooms, a Hawa Mahal, Durga and Ram temples, a moat-surrounded fort, and Lankagarh, making it an architectural and historical marvel. . Even today, inside the palace stands a unique Nat Mandir made of iron sheets, adorned with colored glass—a rare artistic wonder. It is believed that this very design inspired the Tagore family while building the Kach Mandir at Santiniketan. . When Raja Narendra Lal Khan provided shelter and financial support to revolutionaries, the British government arrested him in 1908 and stripped him of the title “Raja” along with all official honors. . Yet, he and his son Devendra Lal Khan never abandoned the path of freedom. . Even now, the silent walls of Narajole Rajbari echo with the stories of India’s struggle for independence. . This is our Bengali heritage. This is the history of Narajole Rajbari. . . #narajolrajbari #bengalheritage #historyofbengal #forgottenstories #westbengaltourism (indian history, bengal history, bengal heritage, freedom struggle, freedom movement, cultural legacy, royal bengal, rajbari, historic places, west bengal culture, heritage india, untold stories, forgotten history, storytelling, history reels, heritage reels, bengal reels)

Narajole , a quiet village in Paschim Medinipur, is a place where history still speaks. . Nearly six hundred years ago, Uday Narayan Ghosh, a descendant of the Ichhai Ghosh lineage, settled here. In 1596, during the reign of Mughal Emperor Akbar, the Subedar of Bengal, Man Singh, conferred the honorable title “Khan” upon Balvant Ray, the eighth generation of this family. From then on, the zamindars of Narajol came to be known by the surname Khan. . Spread across 360 bighas of land, the Narajole Rajbari was not merely a structure of bricks, stone, and wood—it served as a secret stronghold of India’s freedom movement. . The royal complex once housed 250 rooms, a Hawa Mahal, Durga and Ram temples, a moat-surrounded fort, and Lankagarh, making it an architectural and historical marvel. . Even today, inside the palace stands a unique Nat Mandir made of iron sheets, adorned with colored glass—a rare artistic wonder. It is believed that this very design inspired the Tagore family while building the Kach Mandir at Santiniketan. . When Raja Narendra Lal Khan provided shelter and financial support to revolutionaries, the British government arrested him in 1908 and stripped him of the title “Raja” along with all official honors. . Yet, he and his son Devendra Lal Khan never abandoned the path of freedom. . Even now, the silent walls of Narajole Rajbari echo with the stories of India’s struggle for independence. . This is our Bengali heritage. This is the history of Narajole Rajbari. . . #narajolrajbari #bengalheritage #historyofbengal #forgottenstories #westbengaltourism (indian history, bengal history, bengal heritage, freedom struggle, freedom movement, cultural legacy, royal bengal, rajbari, historic places, west bengal culture, heritage india, untold stories, forgotten history, storytelling, history reels, heritage reels, bengal reels)

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🇫🇷 📅 Il y a 300 ans, le 21 août 1725 naissait Jean-Baptiste Greuze, un peintre qui selon Diderot "est le premier qui se soit avisé de donner des mœurs à l’art". 🎨 Portraitiste sensible, peintre des vertus familiales, Greuze incarna l’art moral du XVIIIe siècle et fut, en son temps, une véritable révélation. 🏠 Greuze fut notamment l’un des premiers à donner une valeur artistique aux scènes domestiques et à élever la peinture de genre, en lui conférant la dignité de la peinture d’histoire. ∴ 🌎 📅 300 years ago, on August 21, 1725, Jean-Baptiste Greuze was born — a painter who, according to Diderot, “was the first to bring morals into art.” 🎨 A sensitive portraitist and painter of family virtues, Greuze embodied the moral art of the 18th century and was, in his time, a true revelation. 🏠 He was among the first to give artistic value to domestic scenes and to elevate genre painting by conferring upon it the dignity of history painting.

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Imagine being a Ukrainian film director living in the Soviet Union. You were born in the 1930s. You grew up knowing exactly what the Holodomor was — not as a word in a history book, but as the shadow that hung over your family, your village, your entire childhood. You know the truth. You want to expose it. But you also know that under Soviet censorship, even whispering about collectivization, famine, or the crimes of the regime could destroy your career… or your life. And yet… some people still tried. In 1968, director Rollan Serhienko made the film “Білі хмари” (White Clouds) at the Dovzhenko Film Studio. On the surface, it’s a drama about a man returning to his dying father. But woven into its memories and imagery is something the Soviet censors hated: a quiet, unflinching confrontation with the horrors of collectivization, dekulakization, and the traumatic legacy of the Holodomor. Soviet censors immediately recognized the danger. They cut scenes, restricted distribution, and essentially buried the film because it was “ideologically incorrect.” Even the suggestion of Ukraine’s suffering was too much truth for the Soviet evil empire to tolerate. But the film survived. And today, “White Clouds” stands as a quiet act of artistic resistance. It's a reminder that even inside the machinery of censorship, there were Ukrainians who refused to let the truth die. Video: Довженко-Центр

Natalka

40,027 次观看 • 7 个月前

There will never be another. A truly singular example of modern artistic excellence and profound humanity. When I'd call him, he would dive right into telling stories and I was all ears. I wish those conversations had been recorded because they were drenched in unlimited insight, wisdom and soul. Whether it was his equal parts awe-inspiring and ridiculously humorous recounting of how he helped shaped cultural history, or our shared love of family, world travels, exploring faith and rising from dark times. Almost everything was discussed and I was always grateful for our relationship. To fully unlock and reflect upon it all right now is just too much to process. His anecdotes about work ethic and his constructive feedback of my work were significant factors in sharpening my craft—for instance as a collaborator and unofficial producer on the We Are and World Music Radio albums that changed my artistic trajectory. But some of the most powerful advice he shared with me was rooted in how to develop your humanity. The power of prayers and mantras, which he said every morning . His insight about how "Your music can never be more or less than you are as a human being, so work on the human part" or how he and Ray Charles developed inner strength during the civil rights era by instilling within that "Not one ounce of my self worth depends on anyone else's acceptance of me" , a few examples of MANY. When I won the Academy Award in my speech I evoked his words about the power of 12 Notes, how we all get the same ones and it's up to us what we do with them. When he wasn't able to travel anymore I would always make a point to visit him in LA to show love, talk life and play for him. The last time we saw each other in person I played for him but this time asked if I could record him listening to me for posterity sake . In the clip I'm playing his "Ai No Corrida" then going into a Chopin waltz, then some blues and then Thelonious Monk's "Round Midnight" . Always the best for Q. You will be forever missed but my goodness did you make your mark sir !! It's on us now to carry it forward 🤲🏾✨

There will never be another. A truly singular example of modern artistic excellence and profound humanity. When I'd call him, he would dive right into telling stories and I was all ears. I wish those conversations had been recorded because they were drenched in unlimited insight, wisdom and soul. Whether it was his equal parts awe-inspiring and ridiculously humorous recounting of how he helped shaped cultural history, or our shared love of family, world travels, exploring faith and rising from dark times. Almost everything was discussed and I was always grateful for our relationship. To fully unlock and reflect upon it all right now is just too much to process. His anecdotes about work ethic and his constructive feedback of my work were significant factors in sharpening my craft—for instance as a collaborator and unofficial producer on the We Are and World Music Radio albums that changed my artistic trajectory. But some of the most powerful advice he shared with me was rooted in how to develop your humanity. The power of prayers and mantras, which he said every morning . His insight about how "Your music can never be more or less than you are as a human being, so work on the human part" or how he and Ray Charles developed inner strength during the civil rights era by instilling within that "Not one ounce of my self worth depends on anyone else's acceptance of me" , a few examples of MANY. When I won the Academy Award in my speech I evoked his words about the power of 12 Notes, how we all get the same ones and it's up to us what we do with them. When he wasn't able to travel anymore I would always make a point to visit him in LA to show love, talk life and play for him. The last time we saw each other in person I played for him but this time asked if I could record him listening to me for posterity sake . In the clip I'm playing his "Ai No Corrida" then going into a Chopin waltz, then some blues and then Thelonious Monk's "Round Midnight" . Always the best for Q. You will be forever missed but my goodness did you make your mark sir !! It's on us now to carry it forward 🤲🏾✨

jon batiste

313,946 次观看 • 1 年前

Cangzhou Acrobatics: A Timeless Treasure in the River of Chinese Art ✨【Historical Origins】 Cangzhou acrobatics can be traced back to the Qin and Han dynasties, rooted in the ancient “Chiyou Play.” Murals from the tomb of the Feng family in the Wei and Jin periods already depict early forms of techniques such as “scorpion walk” and handstands. In the Song Dynasty, acrobatics transitioned from court performances to public spaces like open-air stages. During the Ming and Qing dynasties, it spread nationwide along the Grand Canal’s grain transport routes. Performers were seen in places like Beijing’s Tianqiao and Tianjin’s “No Man’s Land,” with over 2,000 artists traveling overseas to perform in the late Qing and early Republican periods. ✨【Artistic Features】 Cangzhou Acrobatics is famed for its shock, danger, wonder, and excellence. In the representative act “Dragon Leaps Across China – Zhongfan”, performers toss and spin a heavy pole over 5 meters long, catching it with precision—thunderous applause erupts as the pole lands squarely on the forehead. After Wuqiao Acrobatics was listed in China’s first batch of national intangible cultural heritage in 2006, innovative acrobatic dramas such as Rivers and Lakes and Canal · Impressions began blending traditional opera and martial arts, breathing new life into this ancient art. Today, acrobatics is not only a cultural hallmark of Cangzhou but also spreads globally through international training programs, continuing the legend of these extraordinary Eastern skills.

Cangzhou Acrobatics: A Timeless Treasure in the River of Chinese Art ✨【Historical Origins】 Cangzhou acrobatics can be traced back to the Qin and Han dynasties, rooted in the ancient “Chiyou Play.” Murals from the tomb of the Feng family in the Wei and Jin periods already depict early forms of techniques such as “scorpion walk” and handstands. In the Song Dynasty, acrobatics transitioned from court performances to public spaces like open-air stages. During the Ming and Qing dynasties, it spread nationwide along the Grand Canal’s grain transport routes. Performers were seen in places like Beijing’s Tianqiao and Tianjin’s “No Man’s Land,” with over 2,000 artists traveling overseas to perform in the late Qing and early Republican periods. ✨【Artistic Features】 Cangzhou Acrobatics is famed for its shock, danger, wonder, and excellence. In the representative act “Dragon Leaps Across China – Zhongfan”, performers toss and spin a heavy pole over 5 meters long, catching it with precision—thunderous applause erupts as the pole lands squarely on the forehead. After Wuqiao Acrobatics was listed in China’s first batch of national intangible cultural heritage in 2006, innovative acrobatic dramas such as Rivers and Lakes and Canal · Impressions began blending traditional opera and martial arts, breathing new life into this ancient art. Today, acrobatics is not only a cultural hallmark of Cangzhou but also spreads globally through international training programs, continuing the legend of these extraordinary Eastern skills.

Cangzhou,China

42,377 次观看 • 1 年前

Dr. Rakiya Sa’idu Earns Her PhD in Gynaecology Many of us still remember the remarkable story of the four sisters from Kano—Dr. Sa’adatu, Dr. Rakiya, Dr. Hadiza, and Dr. Aisha Sa’idu Bala—born into a humble Hausa Muslim home and each rising to become accomplished medical doctors. Their inspiring journey has lit the path for countless others, symbolizing resilience, excellence, and unwavering dedication. Today, we celebrate one of these phenomenal women: Dr. Rakiya Sa’idu, who has added yet another illustrious feather to her headtie by earning a terminal degree in Obstetrics and Gynaecology. A Senior Researcher at the University of Cape Town’s Department of Obstetrics and Gynaecology, Dr. Rakiya was conferred with her PhD during UCT’s autumn graduation—a proud moment made even more special as her daughter, Aisha Yahaya, graduated with a bachelor’s degree in Fine Arts at the same ceremony. While Dr. Sa’idu’s groundbreaking work continues to uplift women’s healthcare across the African continent, Aisha’s artistic exploration dives deep into the complexities of Hausa identity. Through photography and mixed media, she reconnects with a heritage shaped by both presence and distance. Their joint graduation was more than an academic milestone—it was a celebration of generational excellence, a tribute to family, and a powerful testament to the strength of women who pursue knowledge hand in hand. Congratulations, Dr. Rakiya Sa’idu. Your story continues to inspire us all. ©Hidima, PhD.

Dr. Rakiya Sa’idu Earns Her PhD in Gynaecology Many of us still remember the remarkable story of the four sisters from Kano—Dr. Sa’adatu, Dr. Rakiya, Dr. Hadiza, and Dr. Aisha Sa’idu Bala—born into a humble Hausa Muslim home and each rising to become accomplished medical doctors. Their inspiring journey has lit the path for countless others, symbolizing resilience, excellence, and unwavering dedication. Today, we celebrate one of these phenomenal women: Dr. Rakiya Sa’idu, who has added yet another illustrious feather to her headtie by earning a terminal degree in Obstetrics and Gynaecology. A Senior Researcher at the University of Cape Town’s Department of Obstetrics and Gynaecology, Dr. Rakiya was conferred with her PhD during UCT’s autumn graduation—a proud moment made even more special as her daughter, Aisha Yahaya, graduated with a bachelor’s degree in Fine Arts at the same ceremony. While Dr. Sa’idu’s groundbreaking work continues to uplift women’s healthcare across the African continent, Aisha’s artistic exploration dives deep into the complexities of Hausa identity. Through photography and mixed media, she reconnects with a heritage shaped by both presence and distance. Their joint graduation was more than an academic milestone—it was a celebration of generational excellence, a tribute to family, and a powerful testament to the strength of women who pursue knowledge hand in hand. Congratulations, Dr. Rakiya Sa’idu. Your story continues to inspire us all. ©Hidima, PhD.

𝐇𝐢𝐝𝐢𝐦𝐚, 𝐏𝐡.𝐃.

21,482 次观看 • 1 年前