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As BINI (BINI_PH) make history at Coachella and are named this year’s Global Force honoree by Billboard Philippines for Billboard Women in Music in Los Angeles, we look back at when they became the first P-pop girl group to appear on Billboard Philippines’ Soundwave in 2024, performing their smash...

43,496 görüntüleme • 5 ay önce •via X (Twitter)

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Booking SMDC Festival Grounds for their Trilogy Concert Finale can only mean one thing: They want to do what has never been done by a P-pop group before. It's as if they know that their being good as artists is, unfortunately, not enough to really go global nowadays; that when it comes to talent, there are many, many talented individuals from all over and that they just have to be the standout. It's as if they've come to the realization that the world's largest indoor arena bursting at the seams on two consecutive days in 2025 is not enough to get the world to pay attention. It's as if they don't want to leave any stone unturned. With no disrespect for their fellow musicians, they know they simply need to disallow critics the thought that the outdoor music festivals in their portfolio (Aurora, ACON 2025, etc.) only had record-breaking attendance because other artists were also there. They also know that the producers of the world's largest music festivals, ➡️most of which are held outdoors (Lollapalooza, Coachella, Glastonbury, Summer Sonic, etc.)⬅️, invite talented artists based on their ability to bring in the numbers. If they can pull this off, if they can show the world that they can hold their own in their grandest challenge to date, then maybe, no, POSSIBLY, the world will run out of reasons to look away. SB19 Official #SB19 __________ P.S. My guess is SB19 will pattern their concert based on Ed Sheeran's Mathematics Tour stop in Manila in March 2024. Also held at the SMDC Festival Grounds, his team took advantage of the venue's capability to have a 360° stage (see attached video). Sounds familiar? Let me refer you to the 360° stage at their Fast Zone anniversary concert and the same set-up in ACON 2025. ☺️

CallMeByMyRealName

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Naked and Unashamed... As God Intended (Movie Trailer) In association with Currently in pre-production, “Naked & Unashamed… As God Intended” tells the true story of Pastor Jim Moore’s journey of self-discovery as he unlocks the key to a paradigm shifting vision of a future without body shame. Teamwork makes the dreamwork and we would love for you to take a leap of faith with us by passing the collection plate and helping back the project by making a donation. Your donations bring us one step closer to ensuring this project can become a reality. Visit for more information. CAMPAIGN INFORMATION Naked & Unashamed… As God Intended is the inspiring true story of Pastor Jim Moore. One night after a business meeting the host and his wife, inform the young pastor and his wife that the hosts sister and her family are “nudists” and would the pastor and his wife help straighten them up and talk them out of being nudists… The pastor quickly agrees but needs time to prepare a full Bible study on the subject, so they have proper “ammunition” to straighten the nudists up. It was after diving into the world of nudist and the Bible’s word on the subject, that Pastor Jim’s life would change forever. This is the story of that life changing turning point. Naked & Unashamed is a unique movie like none other and is the first of its kind. But to realize our dream of bringing this movie to life, we need your help. We are looking at $100,000 minimum budget in order to bring Pastor Jim’s story to life. This will cover production cost, locations, cast members (including celebrity cameos!), post-production, as well as physical media release. Take a leap of faith with us, and let’s pass the collection plate. Each donation helps us get closer to envisioning our dream. You will also earn rewards for donating, up to and including an Executive Producer credit. We are looking to film in November 2024 on location at Shangri-La Ranch in Arizona as well as a sound stage in Los Angeles, California. We will then enter post-production, eyeing a release in April of 2025. If we are unable to meet our budgetary goal, this timeline may change. But we believe in you that you believe in us and that we will hit it! Anything over our minimum goal will go directly into the film, allowing us to deliver an even better experience in the end. Visit for more information. In association with

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36,937 görüntüleme • 2 yıl önce

For the first time in my life, I feel I get to merge the 2 things that I love: production & web3. When I look at web3, the space is so rich in stories. Founder stories, product stories, user stories. I believe storytelling is ultimately what will help people see this space for what it is and to give them a different perspective on the media headlines. And it's not often that as a creative you can work side by side with brands and cos that you truly align with. So on May 24th, when I got the call from Arcade Research and Blast to see if I could help Pacman | Blur + Blast share the story and vision for Blast- I knew it was going to be sprint but it was an easy yes. Really excited to share that I had the privilege of directing and producing the Blast Phase 2 announcement video and a deep dive interview with Pacman about the vision for Phase 2. From a little campaign video to a deep dive interview- we covered it all and we ran it back ;) The last 30 days have been a non-stop sprint literally up until yesterday, with 2 productions in LA and NYC. And I’m so grateful to have been a small part of what feels like history in the making. A campaign like this does not happen on such a tight turnaround time without an incredible crew and post-production team. This would not have been possible able to do this without them. Proud of this crew and it was an honor to work alongside them. Excited to be properly stepping back into the world of production to tell the stories of Web3. We experimented, FAFO’d, and had an actual Blast. Plz gib a round of applause for these legends who made it all possible 👏🐐👇 Production Co: Remint Reality Director/Producer: RIP Director of Photography: Josh Park Production Designer: Briana Gonzales 1st AC: Wade Young 2nd AC/DIT: Che Song “Jay” Pak 2nd AC: Mitchell Schultz Editor & Sound Designer: PANDAA (delusionally optimistic era) Motion Graphics & Animation: Suffoca Los Angeles Crew Stills Photographer: Hannah BTS Video: James Cortez Steadicam Op: Jaron Tauch Gaffer: Robin Banando G&E Swing: Eddie Loera Best Boy Electric: Geoff Stevenson Key Grip: Tony Banando Sound Mixer: Ferinand Almalvez Boom Op: Matt Brodnick Set Dresser: Chris Katus H/MU: Tayla Boz PA: LJ Benet New York Crew Gaffer: John Roche G&E Swing: Jeff Cunningham G&E Swing: Kevin Hunt Grip: Huttemberg Nassar Sound Mixer: Daniel Sheppard Boom Op: EJ Markland Set Dresser: Damani Pompey H/MU: Sol PA: Vitali A huge thank you Blast for taking a bet on me and bringing me in to work on this. This is just the beginning. Some BTS from the LA production 👀

Jenn

94,514 görüntüleme • 2 yıl önce