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As much as I love ILM's legendary practical effects for the original theatrical cut of Star Wars, I can't deny that this entirely digital shot of the X and Y Wings preparing to attack the Death Star in the Special Edition of A New Hope is honestly nothing short...

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jacob

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56,578 görüntüleme • 10 gün önce •via X (Twitter)

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Han Solo unnecessarily screaming while chasing a bunch of stormtroopers in the Death Star is honestly one of the funniest bits from the original Star Wars movie and we seriously don't talk about it enough.
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Han Solo unnecessarily screaming while chasing a bunch of stormtroopers in the Death Star is honestly one of the funniest bits from the original Star Wars movie and we seriously don't talk about it enough.

jacob

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The cast for new Star Wars series The Acolyte don’t even know the plot of the original Star Wars franchise Here Charlie Barnett twice claims that Anakin Skywalker blew up the Death Star
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The cast for new Star Wars series The Acolyte don’t even know the plot of the original Star Wars franchise Here Charlie Barnett twice claims that Anakin Skywalker blew up the Death Star

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You'll often hear it asserted that the digital shots George Lucas added to the Death Star battle for the Special Edition of A New Hope, ironically, actually look inferior to the original shots, and blend less seamlessly with the footage of live actors. Is this true? You could say it's subjective, but let's take a look anyway. Compare these two versions of the iconic shot(s) of the Rebel starfighters gathered in formation on approach to the Death Star. The Special Edition is on the left and the original version is on the right. Is the Special Edition version actually so incredibly ugly? Is it actually less credible than the original version? Is it actually less dramatically effective? The answer to all these questions, I think, is clearly no. It is obvious why Lucas was not satisfied with the effects in the original pair of shots, and it is obvious that the new (combined) shot is closer to the image he had in his head in 1977. Anyone who tries to tell you the original shots do not look jarringly dated (which is not the case for many of the shots in this sequence, which were not replaced) is not engaging rationally. They either do not really remember what the original version looked like, because they have not actually watched it in years, or they are the victim of Lucas Derangement Syndrome.
0:14

You'll often hear it asserted that the digital shots George Lucas added to the Death Star battle for the Special Edition of A New Hope, ironically, actually look inferior to the original shots, and blend less seamlessly with the footage of live actors. Is this true? You could say it's subjective, but let's take a look anyway. Compare these two versions of the iconic shot(s) of the Rebel starfighters gathered in formation on approach to the Death Star. The Special Edition is on the left and the original version is on the right. Is the Special Edition version actually so incredibly ugly? Is it actually less credible than the original version? Is it actually less dramatically effective? The answer to all these questions, I think, is clearly no. It is obvious why Lucas was not satisfied with the effects in the original pair of shots, and it is obvious that the new (combined) shot is closer to the image he had in his head in 1977. Anyone who tries to tell you the original shots do not look jarringly dated (which is not the case for many of the shots in this sequence, which were not replaced) is not engaging rationally. They either do not really remember what the original version looked like, because they have not actually watched it in years, or they are the victim of Lucas Derangement Syndrome.

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Since it's Star Wars Day, I feel obligated to remind everyone that this is the greatest joke in all of Star Wars:
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Since it's Star Wars Day, I feel obligated to remind everyone that this is the greatest joke in all of Star Wars:

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i love every cut moment from the theatrical edition of Aliens but this one is my favorite
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i love every cut moment from the theatrical edition of Aliens but this one is my favorite

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"One Night in Tulsa" is out now! This song marks the beginning of some new music as well as a celebration of the last 50 years. I sure hope you love it as much as I do!

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this is the gayest line delivery in Star Fox '26 and I mean that as the highest of compliments
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this is the gayest line delivery in Star Fox '26 and I mean that as the highest of compliments

seachord?! 🌊🎶

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The shot of the T-Rex wrecking a bus in THE LOST WORLD is a perfect mix of practical stunts (a real bus rigged to implode at the point of impact as the stunt performers are blown out the other side) and ILM's incredible CG work. Not to mention that beautiful night lighting.
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The shot of the T-Rex wrecking a bus in THE LOST WORLD is a perfect mix of practical stunts (a real bus rigged to implode at the point of impact as the stunt performers are blown out the other side) and ILM's incredible CG work. Not to mention that beautiful night lighting.

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Tech sacrificing himself to save his friends in the Season 2 finale of The Bad Batch is still one of the most shocking moments in all of Star Wars. Didn’t expect this at all when this episode originally aired, and is honestly still just as heartbreaking to watch now as it was in 2023.
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Tech sacrificing himself to save his friends in the Season 2 finale of The Bad Batch is still one of the most shocking moments in all of Star Wars. Didn’t expect this at all when this episode originally aired, and is honestly still just as heartbreaking to watch now as it was in 2023.

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50,426 görüntüleme • 6 ay önce

Just saw Revenge of the Sith in cinema. 20 years later it still feels brand new. It’s incredible. No matter what you think of Star Wars nowadays, I think it’s nothing short of a masterpiece.
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Just saw Revenge of the Sith in cinema. 20 years later it still feels brand new. It’s incredible. No matter what you think of Star Wars nowadays, I think it’s nothing short of a masterpiece.

Bombastic 💣🕶

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i love how proud he is of his new mic, and he should be. it’s as shiny as the bright star he is ✨
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i love how proud he is of his new mic, and he should be. it’s as shiny as the bright star he is ✨

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The star tunnel works so well because of the calming, down tempo synth BGM and the sound absorbing panels. It’s rare to find a queue space as calming as this. I hope this is preserved.
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The star tunnel works so well because of the calming, down tempo synth BGM and the sound absorbing panels. It’s rare to find a queue space as calming as this. I hope this is preserved.

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Still thinking about how insane this move was. The Acolyte is still nothing short of peak Star Wars and ABSOLUTELY deserves a second season.
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Still thinking about how insane this move was. The Acolyte is still nothing short of peak Star Wars and ABSOLUTELY deserves a second season.

jacob

320,957 görüntüleme • 1 yıl önce

It's come to this. The finale of #TheAcolyte, a Star Wars Original series, is now streaming on Disney+.
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Star Wars pioneered so many special effects that we take for granted today. When filming the destruction of Alderaan in Star Wars, the effects team at Industrial Light & Magic used a surprisingly simple practical effect. The planet was a painted sphere suspended in front of a black backdrop. To create the explosion, they rigged the miniature with pyrotechnics and filmed it with high-speed cameras at a faster frame rate so the blast would appear massive and cinematic when slowed down. One interesting detail is that the explosion was partially achieved using gasoline and powdered cement. The cement gave the blast a heavier, planetary look rather than a quick fireball. Because the miniature exploded outward so quickly, the slowed footage helped sell the illusion of an entire planet tearing apart in space. The shot lasts only a few seconds in the final film but became one of the most iconic visual effects moments in cinema history, created years before CGI existed. (Original 1977 footage)
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Star Wars pioneered so many special effects that we take for granted today. When filming the destruction of Alderaan in Star Wars, the effects team at Industrial Light & Magic used a surprisingly simple practical effect. The planet was a painted sphere suspended in front of a black backdrop. To create the explosion, they rigged the miniature with pyrotechnics and filmed it with high-speed cameras at a faster frame rate so the blast would appear massive and cinematic when slowed down. One interesting detail is that the explosion was partially achieved using gasoline and powdered cement. The cement gave the blast a heavier, planetary look rather than a quick fireball. Because the miniature exploded outward so quickly, the slowed footage helped sell the illusion of an entire planet tearing apart in space. The shot lasts only a few seconds in the final film but became one of the most iconic visual effects moments in cinema history, created years before CGI existed. (Original 1977 footage)

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I love this a lot, the Star Wars Version of these two are adorable He fell first x she fell harder dynamic is good #phineasandferb #phinbella

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