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as soon as Ilya texts "come over" Shane immediately starts getting dressed but keeps texting "no, we can't do this". YOU'RE SUCH A LIAR SHANE

176,104 次观看 • 7 个月前 •via X (Twitter)

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i’ve deffo spoken about this before but it was immediately after the ep and now after a million rewatches it’s still lowkey one of my favourite details so i’m gonna talk about tuna melts again so in filmmaking there’s this “rule” where essentially there’s an invisible line across the space of a scene that the camera shouldn’t cross (to avoid confusing the audience or mixing up the perspectives). when the 180 degree rule is broken, it’s usually done intentionally for a particular purpose or effect. in the tuna melt scene, the camera keeps breaking the 180 degree rule every time there’s a moment of vulnerability - only to be snapped back to the “correct” side each time as shane retreats and puts his walls back up. we switch perspectives when they say each others names for the first time, only to be pulled right back to the other perspective when shane starts to panic. we switch again when ilya says “hollander” to try and convince him to stay, and then back over to the “correct” side when we see shane leaving. (it doesn’t technically break the rule here because of where shane is standing the “line” would technically be behind him, but that would’ve been a really weird shot so imo the point still stands) its really effective and i think the scene is filmed that way to be intentionally jarring. it really shows how every moment of vulnerability is met with an equal amount of resistance from shane. he wasn’t ready to be truly vulnerable with ilya yet. as much as he wants to let go and allow himself this, each crack in ilya’s armour is a reminder to shane to put up another wall and protect himself.

frances 🏒

18,189 次观看 • 4 个月前