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[Asian Feed] 260328 BTS: The Return Creators Share How the Documentary Was Made. Bao Nguyen & Jane Cha 🎞️A lot of that naturally comes out in group conversations. Where someone will speak up and throw in a joke, or someone will be a bit more sort of like mature... and wise in what they say. I think like those car conversations were really important. It was a lucky happen stance of just filming where I had this intention. It's like how much can you just make a film like truly verité without relying on interviews and talking head interviews. And you know we we were driving with Jin to the beach actually and Jin just started talking to us. I just wanted him to kind of like be pensive look outside or Just like capture that moment of of going to the beach. But then he just started talking about how he felt and I was like oh these car rides sort of like confessionals for the members and through each. These car rides you get like a distinct sort of answer. I would ask the same question and see how each of them would answer differently. So that was like a nice baseline to see how they were reacting differently to to what was happening in their lives and who they were and who they were changing into in the military and etc. #JIN #방탄소년단진 방탄소년단 AsianFeed netflix⁷show more

star_jin

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patrick walters and fisayo akinade talk about joe locke and kit connor’s roles as executive producers on “heartstopper forever”: patrick: “joe’s just very like, ‘i’m just gonna get on with the job.’ he’s very clever, he’s very analytical; if he’s got a question, he’ll ask it, but he’s not, you know—he’s sort of to the point in a way. kit is completely different, and in a really complementary way, where kit really likes to talk about it—you know, everything in detail—and likes to get under the skin of stuff, and really, so that they’re kind of chalk and cheese in the rehearsals, when we’re in rehearsals with them for each season, but like together they really sort of trust each other. so them coming on as executive producers, it felt like they were like a team, and where they could help [alice oseman] and i just to go, ‘hey, like this is what we think about this.’ it was really brilliant to feel like they were sort of incentivized to do that part.” fisayo: “i think a lot of the cast, we really benefited from kit and joe’s sort of additional perspective on things. it really helped to contextualize a lot of things that we, that had been maybe like niggling at us for years. and it was, yeah, they were really amazing. it was a really kind of like quite a beautiful, generous decision you made. and it was like deeply beneficial to all of us.” 🎥: kitschain on twitter

patrick walters and fisayo akinade talk about joe locke and kit connor’s roles as executive producers on “heartstopper forever”: patrick: “joe’s just very like, ‘i’m just gonna get on with the job.’ he’s very clever, he’s very analytical; if he’s got a question, he’ll ask it, but he’s not, you know—he’s sort of to the point in a way. kit is completely different, and in a really complementary way, where kit really likes to talk about it—you know, everything in detail—and likes to get under the skin of stuff, and really, so that they’re kind of chalk and cheese in the rehearsals, when we’re in rehearsals with them for each season, but like together they really sort of trust each other. so them coming on as executive producers, it felt like they were like a team, and where they could help [alice oseman] and i just to go, ‘hey, like this is what we think about this.’ it was really brilliant to feel like they were sort of incentivized to do that part.” fisayo: “i think a lot of the cast, we really benefited from kit and joe’s sort of additional perspective on things. it really helped to contextualize a lot of things that we, that had been maybe like niggling at us for years. and it was, yeah, they were really amazing. it was a really kind of like quite a beautiful, generous decision you made. and it was like deeply beneficial to all of us.” 🎥: kitschain on twitter

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🐹I saw the members a few days ago. They’ve changed a lot. Were they always like that? They were looking at their food and checking how many calories it had. “This has how many calories?!” I haven’t checked calories in years, so I just assumed they’d be the same. But they were saying things like, “Is this 500? 1000? 2000 calories?” — and they still ate it. Anyway, I just found it surprising that they were talking about it. JIN JIN JIN THANK YOU JIN PROUD OF YOU JIN JIN LIVE IN ANAHEIM DAY 1 #RUNSEOKJIN_epTOUR_US #Jin_TOUR #RUNSEOKJIN_epTOUR_Anaheim #진 #방탄소년단진 방탄소년단

🐹I saw the members a few days ago. They’ve changed a lot. Were they always like that? They were looking at their food and checking how many calories it had. “This has how many calories?!” I haven’t checked calories in years, so I just assumed they’d be the same. But they were saying things like, “Is this 500? 1000? 2000 calories?” — and they still ate it. Anyway, I just found it surprising that they were talking about it. JIN JIN JIN THANK YOU JIN PROUD OF YOU JIN JIN LIVE IN ANAHEIM DAY 1 #RUNSEOKJIN_epTOUR_US #Jin_TOUR #RUNSEOKJIN_epTOUR_Anaheim #진 #방탄소년단진 방탄소년단

star_jin

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Tristan Thompson explains how he invested in Anthropic “It was a buddy of mine in Silicon Valley… just going to a couple of these dinners they were doing with the NBA, sitting there talking to these guys and really picking their brains” “They were telling me about the future of AI and technology… I was like hey man, I like what you’re talking about” “It was a bunch of SF guys and everyone kept telling me, so I was like alright man, here’s a check. I wanna get in the game” “From there they just opened up so much for me. I was able to get in early through SPVs and bring in my other buddies to make a bigger check”

Tristan Thompson explains how he invested in Anthropic “It was a buddy of mine in Silicon Valley… just going to a couple of these dinners they were doing with the NBA, sitting there talking to these guys and really picking their brains” “They were telling me about the future of AI and technology… I was like hey man, I like what you’re talking about” “It was a bunch of SF guys and everyone kept telling me, so I was like alright man, here’s a check. I wanna get in the game” “From there they just opened up so much for me. I was able to get in early through SPVs and bring in my other buddies to make a bigger check”

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Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

22,952 Aufrufe • vor 6 Monaten

“The last time that we were touring and stuff, I think touring is quite an isolating experience. And on top of that, when we started touring, it was 2021, so it was kind of like still depths of the pandemic. We were like one of the first tours to go back out. So I think that tour started in that way where it was like, I was really bubbled up even kind of within the tour. And then staying on that tour, we put an album out and it ended up being like two and a half years type time. It's just a long time to be in like a bubble where you're not really spending that much time like in the world around you, other than shows and hotels and stuff. And when I finished, I kind of went off and was spending a lot of time in Italy, and was kind of like having this quiet time, and I was just feeling a lot of my life as I was kind of like, craving like quiet and kind of like private spaces. I was just feeling myself kind of like shut out a lot of the world, “I think, and I think the last couple of years for me was about, you know, there's a lot of things that I think I got used to saying no to, like invites from friends and like maybe a weekend trip or like a birthday party or something. I think I just got used to, you know, if I have a week at home, I don't want to go somewhere else for three days. I just want to stay home, you know. And I think when I got to Italy and was kind of out in this quiet place, I felt like, okay, if I'm going to spend all this time out here and I'm going to keep saying no to everything, I'm just going to like shut myself off from the world. And while parts of that sound appealing, I also like, I love people and I love like being in the world, you know, so it was kind of, I think for me, like there's been both the thing of like learning to set boundaries and stuff is a large part of that has also been learning when not to set boundaries and when to open up. Being intentional with the things that you don't do and being intentional with the things that you do do. So, you know, as a message in the album sleeve, where I said like thanks to all the people who helped me know when to say no and when to say yes. I think both of those have like greatly enriched my life.” - Harry about feeling isolated during his last tour and opening himself up to the world again on Q

“The last time that we were touring and stuff, I think touring is quite an isolating experience. And on top of that, when we started touring, it was 2021, so it was kind of like still depths of the pandemic. We were like one of the first tours to go back out. So I think that tour started in that way where it was like, I was really bubbled up even kind of within the tour. And then staying on that tour, we put an album out and it ended up being like two and a half years type time. It's just a long time to be in like a bubble where you're not really spending that much time like in the world around you, other than shows and hotels and stuff. And when I finished, I kind of went off and was spending a lot of time in Italy, and was kind of like having this quiet time, and I was just feeling a lot of my life as I was kind of like, craving like quiet and kind of like private spaces. I was just feeling myself kind of like shut out a lot of the world, “I think, and I think the last couple of years for me was about, you know, there's a lot of things that I think I got used to saying no to, like invites from friends and like maybe a weekend trip or like a birthday party or something. I think I just got used to, you know, if I have a week at home, I don't want to go somewhere else for three days. I just want to stay home, you know. And I think when I got to Italy and was kind of out in this quiet place, I felt like, okay, if I'm going to spend all this time out here and I'm going to keep saying no to everything, I'm just going to like shut myself off from the world. And while parts of that sound appealing, I also like, I love people and I love like being in the world, you know, so it was kind of, I think for me, like there's been both the thing of like learning to set boundaries and stuff is a large part of that has also been learning when not to set boundaries and when to open up. Being intentional with the things that you don't do and being intentional with the things that you do do. So, you know, as a message in the album sleeve, where I said like thanks to all the people who helped me know when to say no and when to say yes. I think both of those have like greatly enriched my life.” - Harry about feeling isolated during his last tour and opening himself up to the world again on Q

HSNews

90,121 Aufrufe • vor 4 Monaten

Inspired talking about Skewmond and" the best jungler in the west" debate Q: Everyone was talking a lot of Skewmond, and I would like to know about: do you believe like the series put an end to any debate about the best jungler in the West? Inspired: To me, there was never a debate. I knew that I’m always the best, but I think Skewmond is a good player. I wouldn’t say that he had any phenomenal series, though, this tournament. I think he, against T1, he still made a lot of mistakes. When he was stronger, he didn’t really try to fight enemies, and or sometimes just over committed a bit, and I think G2 won against T1 just by waiting for T1 to make mistakes. I think today, I think Skewmond played well in the team fights. I think every time he was on my screen and we’re like skirmishing and team fighting, I think he did a good job. But I think just like team wise, and like how they all played together as a team and use their jungler was wrong. And it’s hard to say, as I always said, that don’t really know who’s there like which jungler is good because you don’t really know what was his idea beyond the game plan, what his teammates wanted to do. But it just seems like they were not connected well enough, and on top of that, as I said, I think the drafts were not that great. So yeah, I think he’s a good player, but I think they need to work more on team synergy in order to actually pressure when they’re strong if they want to be like the best in the world, because I think they definitely can, but need to work a bit more. Source:

Inspired talking about Skewmond and" the best jungler in the west" debate Q: Everyone was talking a lot of Skewmond, and I would like to know about: do you believe like the series put an end to any debate about the best jungler in the West? Inspired: To me, there was never a debate. I knew that I’m always the best, but I think Skewmond is a good player. I wouldn’t say that he had any phenomenal series, though, this tournament. I think he, against T1, he still made a lot of mistakes. When he was stronger, he didn’t really try to fight enemies, and or sometimes just over committed a bit, and I think G2 won against T1 just by waiting for T1 to make mistakes. I think today, I think Skewmond played well in the team fights. I think every time he was on my screen and we’re like skirmishing and team fighting, I think he did a good job. But I think just like team wise, and like how they all played together as a team and use their jungler was wrong. And it’s hard to say, as I always said, that don’t really know who’s there like which jungler is good because you don’t really know what was his idea beyond the game plan, what his teammates wanted to do. But it just seems like they were not connected well enough, and on top of that, as I said, I think the drafts were not that great. So yeah, I think he’s a good player, but I think they need to work more on team synergy in order to actually pressure when they’re strong if they want to be like the best in the world, because I think they definitely can, but need to work a bit more. Source:

Yujin Ha

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More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

HSNews

39,591 Aufrufe • vor 5 Monaten

Joe Rogan just took time out of his podcast to express genuine concern for his friend Theo Von. He admitted that some of Von’s recent behavior after getting on SSRIs “freaks me out” — especially his comments about suicide. ROGAN: “Theo Von’s going through the exact same thing and last time he was on the podcast he was explaining it to me.” “It freaks me out because I know Theo has had conversations before...like even publicly.” “He had a Netflix taping and it didn’t go well. It was like they actually never...they shelved it. They never used it.” “And you know there was all these stories from people that were there saying he bombed. I think he just had a kind of a breakdown.” “And when he was talking to the crowd and there’s a video of it, he said, you know, the people were saying, hey, we still love you.” “He goes, thank you. Look, I’m just I’m trying not to take my own life.” “And like you hear stuff like that and you just go like, oh, Jesus Christ.” “I’ve known too many people that I didn’t think were going to kill themselves and then did.” “And then he goes down these spirals where he starts talking about world events and freaking out. I’m like, oh, Jesus Christ! Like, I got to help this dude.”

Joe Rogan just took time out of his podcast to express genuine concern for his friend Theo Von. He admitted that some of Von’s recent behavior after getting on SSRIs “freaks me out” — especially his comments about suicide. ROGAN: “Theo Von’s going through the exact same thing and last time he was on the podcast he was explaining it to me.” “It freaks me out because I know Theo has had conversations before...like even publicly.” “He had a Netflix taping and it didn’t go well. It was like they actually never...they shelved it. They never used it.” “And you know there was all these stories from people that were there saying he bombed. I think he just had a kind of a breakdown.” “And when he was talking to the crowd and there’s a video of it, he said, you know, the people were saying, hey, we still love you.” “He goes, thank you. Look, I’m just I’m trying not to take my own life.” “And like you hear stuff like that and you just go like, oh, Jesus Christ.” “I’ve known too many people that I didn’t think were going to kill themselves and then did.” “And then he goes down these spirals where he starts talking about world events and freaking out. I’m like, oh, Jesus Christ! Like, I got to help this dude.”

Overton

17,490,025 Aufrufe • vor 2 Monaten

( 🐰 it actually really hurt my feelings back then. whenever i tried to approach yeonjun hyung and start a conversation, he would just try to hide everything and it felt like he was putting up a wall. but that day, while we were drinking together, for the first time in years, he opened up and shared his honest feelings with me. so i ended up crying that day… while we were talking 👤 why? what made you cry? 🐰 just while i was listening, it suddenly started coming out… i hadn’t cried like that in a while. he’s kind of like a ‘sore finger’ for me, you know… and he was going through a really tough time back then, but it felt like he was in the process of becoming a better person, someone stronger. i think that’s what made me feel really happy about it. i was really relieved

( 🐰 it actually really hurt my feelings back then. whenever i tried to approach yeonjun hyung and start a conversation, he would just try to hide everything and it felt like he was putting up a wall. but that day, while we were drinking together, for the first time in years, he opened up and shared his honest feelings with me. so i ended up crying that day… while we were talking 👤 why? what made you cry? 🐰 just while i was listening, it suddenly started coming out… i hadn’t cried like that in a while. he’s kind of like a ‘sore finger’ for me, you know… and he was going through a really tough time back then, but it felt like he was in the process of becoming a better person, someone stronger. i think that’s what made me feel really happy about it. i was really relieved

💿

92,138 Aufrufe • vor 3 Monaten

👽🔥 New Dylan - Biologics🔥👽 "There's things that I knew that these people were aware of, but even they would not say. One of those being biologics." ~DB "The agreement was that, if they died, that I run with it and just blow the whole thing up." ~DB Firsthand witnesses to the Legacy program, "would never come forward in a million years unless they were gonna die." ~DB "When I was still in government...I brought the people who worked on [the biological analysis of non-human bodies] to The Hill." ~Grusch ~ Jeremy Kenyon Lockyer Corbell: "Did you physically see photos? Did you physically see these documents?" Dylan Borland: "No, but because of how much was given to me in relay that the individuals that had relayed it, they were doing so because they were genuinely concerned for their life, because their careers were taken, their houses were broken into. I mean, computers taken, mailboxes gone through. And again, they knew what I was going through at this time. They had given me enough information, and the agreement was that, if they died, that I run with it and just blow the whole thing up." Corbell: "So he's got his firsthand experience of this tech, but then this is something George and I hear a lot. Which is, in the Legacy, when you're kind of put into the bad camp - you know, you're under scrutiny now - that there are these people that are threatening you, and you do feel afraid for your life. And we'll get to it, but there are some things that occurred to you as this gets kind of deeper and deeper with what's happening. "But just to be clear: So you're in a place where there's some sort of purgatory going on. Everybody has clearance, but they're in this sort of purgatory. You're in this sort of purgatory?" Borland: "A few of us, yep." Corbell: "And then, people directly involved in the Legacy program are afraid for their lives, so they're telling you so that at least somebody at their level can take that information if something bad happens to them?" Borland: "I think it was definitely that, but it was also, this is such an isolating, lonely experience, especially for young people to be exposed to the reality of this. If you already don't have the acknowledgement that it's a possibility, like if you're...I don't want to say closed minded. If you're an average Joe Blow going through life, and then all of a sudden this pops up on your radar, and you're seeing physical proof of it, you probably take a step back and go, 'whoa.' So you have that aspect, then these same people have that aspect of it, and they also have the aspect of their government destroying them." (In other words, people like us would be excited to see proof of what we all suspect. But someone new to the topic might freak out a bit.) George Knapp: "So they are going through the same thing you are." Borland "Exactly." Knapp: "Their clearances are in limbo, home break ins, threats..." Borland: "When I come into contact with these people, they had had to resign from their government position and take a contracting job for less money. They were, basically, blacklisted for six months. The only reason they ended up getting a job was because somebody on the Legacy program had hooked them up after six months. And they ended up where I was at, and they heard me talking all this stuff, and they're like, 'Oh, you ended up here too, buddy. So, uh, what the hell is going on here?' Knapp: "It's like the island of bad toys or something like that." Borland: "Yeah." Knapp: "You know, put them all in one basket." Borland: "After I saw what I saw, and I've experienced what I've experienced, I kind of...I think most of us have, taken the delve into all of this material (points toward a bookshelf full of what appear to be UFO books). And you're like, 'I know this is true, I know this is true, I know this is true. Who else is saying these true things? Who else is relaying information I know to be true, to try and make sense of your own life?' "Um, they were aware of what I was talking about. I don't know the capacity in which they were briefed in. There's things that I knew that these people were aware of, but even they would not say. Um, one of those being biologics." ~~~ (This is the best anecdote we have about government officials being briefed on bodies.) Joe Rogan: "When it comes to these...actual entities...do we have an understanding of how many of them we're talking about, and the variety of them?" Grusch: "There is a variety and we have a certain number of (laughs) different things... I talked to people who were familiar with the biological analysis of everything. So we have some idea, not a complete picture because it's like, you know, looking at it, it's like, well I don't even understand the physiology at all. It's like, what the heck? It's like, way different, right? So..." Rogan: "Is there a description of this physiology?" Grusch: "Yeah, no, I was in the room when uhhh... I gotta be careful, I don't wanna... I was in Washington, DC with a very number of senior people that work for members of Congress (Senate staffers seems like a safe bet ~Joe). Put it that way. When I was still in government. And I brought the people who worked on that stuff to The Hill. And this is why the members were so confident to put out the Schumer amendment and stuff. And, I was like, 'Please explain.' And they went into all those details and stuff. And I remember (laughs) some of the professional staff members were like, 'Whoa.' Like they were like, in G-Loc, right? Cause, I mean, and like, a total world bubble got burst right there for a lot of people." Source, with video... ~Back to Dylan~ Knapp: "You think there's a storehouse of that information that anybody would have put something away in case something bad happened to them? And do you know what happened to these people?" Borland: "You know the ones that I know still continue in the government. Um, I think they continue in classified-operations programs." Knapp: "They're not coming forward." Borland: "They would never come forward in a million years unless they were gonna die. And that's...it really sucks for me coming forward, because I only came forward because I sincerely believed they were going to die. Sucks."

👽🔥 New Dylan - Biologics🔥👽 "There's things that I knew that these people were aware of, but even they would not say. One of those being biologics." ~DB "The agreement was that, if they died, that I run with it and just blow the whole thing up." ~DB Firsthand witnesses to the Legacy program, "would never come forward in a million years unless they were gonna die." ~DB "When I was still in government...I brought the people who worked on [the biological analysis of non-human bodies] to The Hill." ~Grusch ~ Jeremy Kenyon Lockyer Corbell: "Did you physically see photos? Did you physically see these documents?" Dylan Borland: "No, but because of how much was given to me in relay that the individuals that had relayed it, they were doing so because they were genuinely concerned for their life, because their careers were taken, their houses were broken into. I mean, computers taken, mailboxes gone through. And again, they knew what I was going through at this time. They had given me enough information, and the agreement was that, if they died, that I run with it and just blow the whole thing up." Corbell: "So he's got his firsthand experience of this tech, but then this is something George and I hear a lot. Which is, in the Legacy, when you're kind of put into the bad camp - you know, you're under scrutiny now - that there are these people that are threatening you, and you do feel afraid for your life. And we'll get to it, but there are some things that occurred to you as this gets kind of deeper and deeper with what's happening. "But just to be clear: So you're in a place where there's some sort of purgatory going on. Everybody has clearance, but they're in this sort of purgatory. You're in this sort of purgatory?" Borland: "A few of us, yep." Corbell: "And then, people directly involved in the Legacy program are afraid for their lives, so they're telling you so that at least somebody at their level can take that information if something bad happens to them?" Borland: "I think it was definitely that, but it was also, this is such an isolating, lonely experience, especially for young people to be exposed to the reality of this. If you already don't have the acknowledgement that it's a possibility, like if you're...I don't want to say closed minded. If you're an average Joe Blow going through life, and then all of a sudden this pops up on your radar, and you're seeing physical proof of it, you probably take a step back and go, 'whoa.' So you have that aspect, then these same people have that aspect of it, and they also have the aspect of their government destroying them." (In other words, people like us would be excited to see proof of what we all suspect. But someone new to the topic might freak out a bit.) George Knapp: "So they are going through the same thing you are." Borland "Exactly." Knapp: "Their clearances are in limbo, home break ins, threats..." Borland: "When I come into contact with these people, they had had to resign from their government position and take a contracting job for less money. They were, basically, blacklisted for six months. The only reason they ended up getting a job was because somebody on the Legacy program had hooked them up after six months. And they ended up where I was at, and they heard me talking all this stuff, and they're like, 'Oh, you ended up here too, buddy. So, uh, what the hell is going on here?' Knapp: "It's like the island of bad toys or something like that." Borland: "Yeah." Knapp: "You know, put them all in one basket." Borland: "After I saw what I saw, and I've experienced what I've experienced, I kind of...I think most of us have, taken the delve into all of this material (points toward a bookshelf full of what appear to be UFO books). And you're like, 'I know this is true, I know this is true, I know this is true. Who else is saying these true things? Who else is relaying information I know to be true, to try and make sense of your own life?' "Um, they were aware of what I was talking about. I don't know the capacity in which they were briefed in. There's things that I knew that these people were aware of, but even they would not say. Um, one of those being biologics." ~~~ (This is the best anecdote we have about government officials being briefed on bodies.) Joe Rogan: "When it comes to these...actual entities...do we have an understanding of how many of them we're talking about, and the variety of them?" Grusch: "There is a variety and we have a certain number of (laughs) different things... I talked to people who were familiar with the biological analysis of everything. So we have some idea, not a complete picture because it's like, you know, looking at it, it's like, well I don't even understand the physiology at all. It's like, what the heck? It's like, way different, right? So..." Rogan: "Is there a description of this physiology?" Grusch: "Yeah, no, I was in the room when uhhh... I gotta be careful, I don't wanna... I was in Washington, DC with a very number of senior people that work for members of Congress (Senate staffers seems like a safe bet ~Joe). Put it that way. When I was still in government. And I brought the people who worked on that stuff to The Hill. And this is why the members were so confident to put out the Schumer amendment and stuff. And, I was like, 'Please explain.' And they went into all those details and stuff. And I remember (laughs) some of the professional staff members were like, 'Whoa.' Like they were like, in G-Loc, right? Cause, I mean, and like, a total world bubble got burst right there for a lot of people." Source, with video... ~Back to Dylan~ Knapp: "You think there's a storehouse of that information that anybody would have put something away in case something bad happened to them? And do you know what happened to these people?" Borland: "You know the ones that I know still continue in the government. Um, I think they continue in classified-operations programs." Knapp: "They're not coming forward." Borland: "They would never come forward in a million years unless they were gonna die. And that's...it really sucks for me coming forward, because I only came forward because I sincerely believed they were going to die. Sucks."

Joe Murgia

61,078 Aufrufe • vor 9 Monaten

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”

neandrewthal

41,422 Aufrufe • vor 1 Jahr

I’ve been swarmed like this while driving in Florida. The kids were in a huge group, I couldn’t tell how many there was but it seemed like 50 of them or more. Lucky for me I wasn’t driving, I was a passenger in an Uber trying to get to the airport. The Uber driver must have had experience with them because he was just driving along like normal while I was thinking they were going to hit us. The rest of the ride seemed to go without a hitch. This woman was just going to the store when they looked like they targeted her and was riding the bikes recklessly. They were swerving as if they were going to hit her and riding while doing wheelies. I don’t know about you but I’m tired of this. I can only speak out against this for so many times until something bad happens and then everyone wants to play the blame game and act surprised that it happened. Am I against kids having fun? No of course not. But I want them to be safe too instead of becoming a statistic. There has to be a better way of dealing with them, maybe ban the unlicensed version and only sell the one that has to have a plate and registration. That would require them to have insurance and proper training. Do I have the answer? No I don’t, but somebody does and we have to figure this out.

I’ve been swarmed like this while driving in Florida. The kids were in a huge group, I couldn’t tell how many there was but it seemed like 50 of them or more. Lucky for me I wasn’t driving, I was a passenger in an Uber trying to get to the airport. The Uber driver must have had experience with them because he was just driving along like normal while I was thinking they were going to hit us. The rest of the ride seemed to go without a hitch. This woman was just going to the store when they looked like they targeted her and was riding the bikes recklessly. They were swerving as if they were going to hit her and riding while doing wheelies. I don’t know about you but I’m tired of this. I can only speak out against this for so many times until something bad happens and then everyone wants to play the blame game and act surprised that it happened. Am I against kids having fun? No of course not. But I want them to be safe too instead of becoming a statistic. There has to be a better way of dealing with them, maybe ban the unlicensed version and only sell the one that has to have a plate and registration. That would require them to have insurance and proper training. Do I have the answer? No I don’t, but somebody does and we have to figure this out.

SonnyBoy🇺🇸

83,307 Aufrufe • vor 23 Tagen

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 Aufrufe • vor 5 Monaten

Zack Snyder expected fans to edit 300 and 300: Rise of an Empire into a single chronological edit. "Well, this film takes place on the same three days as the Battle of Thermopylae. We just get to see a different perspective. We're not from the Spartan perspective. We're from the Free Greek perspective. And we're following this leader, Thermistocles, who is a naval commander." "Yeah, and the other thing we get to see, I think, that's different in this film is it sort of, it also, it jumps forward and backward a little bit because it also goes and sort of paints the origins of Xerxes. So you get to see Xerxes' birth, what caused him to sort of become the character that you saw in the original film. "And you get to see him, you know, transform before your eyes. So it's a, and that's a mystery too. And it's kind of fun to watch that. And I think it, and then you also get to see sort of some elements of the original film kind of woven through to sort of let you see where you are in context of the timeline of the original film. "So you kind of, every now and then you're just checking in with that sort of, the, you know, the Spartans and their, what they're up to. So it's kind of fun that way too." "I love that there's moments where you go, 'Oh, that's the messenger.' And it's not just the characters you expect to see coming back." "Or like when Daxos rides up and tells Thermistocles, like, 'The hot gates have fallen.' You're like, 'Oh, that's awesome.'" "'That's where he went. I remember him leaving.'" "'That's where he went off on the horse. Remember, he rides in the, it's cool.'" "It's a fun way to see the characters that, you know, that connect us to the original film." "I thought it'd be cool, like, if some fan, you know, once this movie comes out on DVD, they can, some fans could cut the two movies together into a single, like, you could cut them into a single film."

Zack Snyder expected fans to edit 300 and 300: Rise of an Empire into a single chronological edit. "Well, this film takes place on the same three days as the Battle of Thermopylae. We just get to see a different perspective. We're not from the Spartan perspective. We're from the Free Greek perspective. And we're following this leader, Thermistocles, who is a naval commander." "Yeah, and the other thing we get to see, I think, that's different in this film is it sort of, it also, it jumps forward and backward a little bit because it also goes and sort of paints the origins of Xerxes. So you get to see Xerxes' birth, what caused him to sort of become the character that you saw in the original film. "And you get to see him, you know, transform before your eyes. So it's a, and that's a mystery too. And it's kind of fun to watch that. And I think it, and then you also get to see sort of some elements of the original film kind of woven through to sort of let you see where you are in context of the timeline of the original film. "So you kind of, every now and then you're just checking in with that sort of, the, you know, the Spartans and their, what they're up to. So it's kind of fun that way too." "I love that there's moments where you go, 'Oh, that's the messenger.' And it's not just the characters you expect to see coming back." "Or like when Daxos rides up and tells Thermistocles, like, 'The hot gates have fallen.' You're like, 'Oh, that's awesome.'" "'That's where he went. I remember him leaving.'" "'That's where he went off on the horse. Remember, he rides in the, it's cool.'" "It's a fun way to see the characters that, you know, that connect us to the original film." "I thought it'd be cool, like, if some fan, you know, once this movie comes out on DVD, they can, some fans could cut the two movies together into a single, like, you could cut them into a single film."

Zack Snyder Film

20,182 Aufrufe • vor 5 Monaten

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”

hiro

35,872 Aufrufe • vor 5 Monaten

Matt Barnes on his relationship with Kobe Bryant: “I remember when the Drake and Rick Ross song came out Stay Schemin' and you wasn’t with me shooting in the gym. I remember when that sh*t came out and how made he was about that was crazy and I’m going kind to leave that where that was. But then I also remember another time where we just having a good time. We were in Phoenix on the bus about to get on the plane and we were joking talking sh*t because I came here off the rip just talking sh*t you know I mean I talk sh*t, I’m talking sh*t to Kobe and he’s talking it back. So it kind of changes the whole mood. But one day I was literally like bro how come you don’t show the rest of the world this side of you? And he like thought for second. He’s like, “MB, I can’t show these motherfu*kers that,” you know, I mean, because he always showed the rest of the world the Mamba. Like, I got to know Kobe, you know what I mean? And the person and the businessman and the Father, how much he loved my kids and just the man behind the mask and that’s what I treasure most about our friendship” (Via Out The Mud Podcast)

Matt Barnes on his relationship with Kobe Bryant: “I remember when the Drake and Rick Ross song came out Stay Schemin' and you wasn’t with me shooting in the gym. I remember when that sht came out and how made he was about that was crazy and I’m going kind to leave that where that was. But then I also remember another time where we just having a good time. We were in Phoenix on the bus about to get on the plane and we were joking talking sht because I came here off the rip just talking sht you know I mean I talk sht, I’m talking sht to Kobe and he’s talking it back. So it kind of changes the whole mood. But one day I was literally like bro how come you don’t show the rest of the world this side of you? And he like thought for second. He’s like, “MB, I can’t show these motherfukers that,” you know, I mean, because he always showed the rest of the world the Mamba. Like, I got to know Kobe, you know what I mean? And the person and the businessman and the Father, how much he loved my kids and just the man behind the mask and that’s what I treasure most about our friendship” (Via Out The Mud Podcast)

NBA Courtside

397,240 Aufrufe • vor 24 Tagen

Duncan Robinson on the Charlotte vs. Detroit incident: “It looked and I could see how there could be a narrative outwardly of like, oh, I like left my guy hanging or I didn’t care about Stew or whatever. Like, and that was actually the only aspect of it that like I wanted to make sure Stew and I were cool, not like publicly, but like and I do think Stew and my teammates know that I like ride for them. Obviously, it’s going to be a little different than how Stew rides for his teammates. Like I’m also goin to be authentically me, right? And in that moment, I got captured. It looked bad, it did to be honest. Like it didn’t look like I was down for the cause. You know, I learned my lesson. Next I’m going to grab someone, at least make it, you know, kind of get in the middle.” (Via TheOldManAndTheThree)

Duncan Robinson on the Charlotte vs. Detroit incident: “It looked and I could see how there could be a narrative outwardly of like, oh, I like left my guy hanging or I didn’t care about Stew or whatever. Like, and that was actually the only aspect of it that like I wanted to make sure Stew and I were cool, not like publicly, but like and I do think Stew and my teammates know that I like ride for them. Obviously, it’s going to be a little different than how Stew rides for his teammates. Like I’m also goin to be authentically me, right? And in that moment, I got captured. It looked bad, it did to be honest. Like it didn’t look like I was down for the cause. You know, I learned my lesson. Next I’m going to grab someone, at least make it, you know, kind of get in the middle.” (Via TheOldManAndTheThree)

NBA Courtside

213,485 Aufrufe • vor 4 Monaten

Marcus King: “Being on antidepressants and them telling you, ‘Wooo, don’t stop taking them all at once or you could have seizures and sh*t.’ I’m like, I don’t like that. I don’t want to be enslaved by a drug. A pharmaceutical drug.” Joe Rogan: “Theo Von’s going through the exact same thing and last time he was on the podcast he was explaining it to me. It freaks me out because I know Theo has had conversations before, like even publicly.” “He had a Netflix taping and it didn’t go well… They shelved it. They never used it... There was all these stories from people that were there saying he b0mbed. I think he just had a kind of a breakdown.” “And when he was talking to the crowd and there’s a video of it, he said, you know, the people were saying, ‘Hey, we still love you.’” “He goes, ‘Thank you. Look, I’m just I’m trying not to take my own life.’” “And like you hear stuff like that and you just go like, oh, Jesus Christ. I’ve known too many people that I didn’t think were going to kill themselves and then did.” “And then he goes down these spirals where he starts talking about world events and freaking out. I’m like, oh, Jesus Christ! Like, I got to help this dude.” “It’s also part of the problem that doctors are incentivized to prescribe people [antidepressants].”

Marcus King: “Being on antidepressants and them telling you, ‘Wooo, don’t stop taking them all at once or you could have seizures and sh*t.’ I’m like, I don’t like that. I don’t want to be enslaved by a drug. A pharmaceutical drug.” Joe Rogan: “Theo Von’s going through the exact same thing and last time he was on the podcast he was explaining it to me. It freaks me out because I know Theo has had conversations before, like even publicly.” “He had a Netflix taping and it didn’t go well… They shelved it. They never used it... There was all these stories from people that were there saying he b0mbed. I think he just had a kind of a breakdown.” “And when he was talking to the crowd and there’s a video of it, he said, you know, the people were saying, ‘Hey, we still love you.’” “He goes, ‘Thank you. Look, I’m just I’m trying not to take my own life.’” “And like you hear stuff like that and you just go like, oh, Jesus Christ. I’ve known too many people that I didn’t think were going to kill themselves and then did.” “And then he goes down these spirals where he starts talking about world events and freaking out. I’m like, oh, Jesus Christ! Like, I got to help this dude.” “It’s also part of the problem that doctors are incentivized to prescribe people [antidepressants].”

RedWave Press

76,551 Aufrufe • vor 2 Monaten

Tom Cruise reveals why he stopped sharing his dreams "I just had dreams and I would write these goals down and I didn't share them with people" "I remember as a kid I told people what I wanted to do and then it was just somehow kind of too much for some people" "They're like you know, what are you talking about kid?" "And so I stop telling people and now kind of over the years you just kind of reflect on what those decisions were and what the dreams were" "And just kind of I wanted to be here for the rest of my life and make movies"

Tom Cruise reveals why he stopped sharing his dreams "I just had dreams and I would write these goals down and I didn't share them with people" "I remember as a kid I told people what I wanted to do and then it was just somehow kind of too much for some people" "They're like you know, what are you talking about kid?" "And so I stop telling people and now kind of over the years you just kind of reflect on what those decisions were and what the dreams were" "And just kind of I wanted to be here for the rest of my life and make movies"

le.hl

208,999 Aufrufe • vor 11 Tagen