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Asked KURIA to turn my “Notes I Never Sent” concept into a cinematic short. He worked overnight — generating 15 AI-crafted scenes, syncing narration with dynamic captions, layering ambient sound design, animating message drafts, and packaging every asset neatly into Drive. He would then share the file in my...

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Kuria | AI

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1,021,077 просмотров • 6 месяцев назад •via X (Twitter)

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#WATCH | Lakhimpuri Kheri, UP | A man, Vipin Gupta, reached the office of the DM with the dead body of his newborn child, who died during delivery. He says, "I got my wife admitted here in the hospital. They said a normal delivery would cost Rs 10000 and a c-section delivery would cost Rs 12000. As my wife went deeper into labour, they went on increasing their charges. I arranged the money by 2:30 am and even asked them if they are incapable, I should take my wife elsewhere. They went on increasing the charges further. I asked them to begin the delivery process and that I would arrange for more money, to which they firmly demanded money first and only then would they operate on my wife... My newborn child died. They then threw my wife out on the road. We then went to a surgeon... I then went to the DM and he has come here with me. I was carrying my dead baby in a bag..." (22.08)

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THIS MIT STUDENT IS BUILDING A FULL GAME WITH ANTI-GRAVITY AI EDITOR - ASSETS, TEXTURES, ICONS AND OBJECTS ALL GENERATED ON THE FLY Anti-Gravity - Google's fork of VS Code, previously Windsurf - open on screen generating every game asset in real time as he builds icons, textures, menus, phone UI representations, objects including a horse - all generated on the fly without leaving the editor, without opening Photoshop, without hiring a designer he built this with friends and every asset they need appears the moment they describe it - no asset store, no stock libraries, no waiting for a designer to finish the game might ship on Steam daily streaks, leaderboards, premium upgrades - the same loop that turns any browser game into $21,000/month in subscriptions an MIT student building a Steam game with friends using a free AI editor that generates everything on demand - the barrier to shipping is now just having an idea

Cortex

14,007 просмотров • 2 месяцев назад

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Our very own Alexander Chen created "Hello, world" a short film inspired by the technology of his childhood with Google Labs Flow. Here's a closer look at how he brought his vision to life: 1) All of the clips were generated in Flow using text-to-image prompts except he used image-to-video prompts for the close-up shots to ensure consistency and accuracy (and the images used were generated by Imagen). 2) To evoke the exact feelings of his childhood home, he used Google Street View for visual references then asked the Google Gemini to write descriptions and prompts, then uploaded those into Flow which is what produced such vivid and accurate renderings in the film. 3) Every sound used in the video is generated by Veo 3. However, to blend things together, he used a separate video editing software to extend the head and tail of each clip over the proceeding and following clip, occasionally crossfading the audio to help with transitions.

Google AI

94,790 просмотров • 1 год назад

REENTRY| Plunging through reentry, a lone astronaut clings to fragments of another life. This short was made in my garage with no budget, no crew, and NO AI. I retaught myself basic VFX compositing in After Effects, and put many hours into making this a fully-human-made piece that I could be proud of. Special thanks to my wife and children for putting up with the process and making a few guest appearances. I hope it connects for you! If it does, a share or a repost would mean the world :) Many thanks! - Scott #FilmTwitter #shortfilm #astronaut
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REENTRY| Plunging through reentry, a lone astronaut clings to fragments of another life. This short was made in my garage with no budget, no crew, and NO AI. I retaught myself basic VFX compositing in After Effects, and put many hours into making this a fully-human-made piece that I could be proud of. Special thanks to my wife and children for putting up with the process and making a few guest appearances. I hope it connects for you! If it does, a share or a repost would mean the world :) Many thanks! - Scott #FilmTwitter #shortfilm #astronaut

Scott Jeschke

340,508 просмотров • 10 месяцев назад

Coppola had to fight to cast Marlon Brando as Vito Corleone in The Godfather. At the time, the studio saw Brando as “box office poison.” What finally sold them was his legendary screen test, where he transformed into the Don right in front of their eyes. Coppola explains: "I remember in one meeting, I was told by the then president of Paramount - "As president of Paramount Pictures, I am telling you that Marlon Brando will not appear in this motion picture." So I continued talking and arguing, and finally, they agreed to let me discuss the idea of Marlon Brando being in the movie if I honored three stipulations. A - he would do a screen test. B - he would do the film for free. (he would get a back-end deal) And C - he would put up a bond so that if any of his shenanigans or any trouble came from him being on the set, that it would guarantee the losses. So I said, - "Okay, I accept” - What could I do? I accepted these three things from Marlon. So I then called up Marlon Brando and suggested, "Maybe it’d be nice if I did like a little makeup test or something? I could come over your house." - he said to me, "All right."… We got to his house very early, and we set up our little lights. And I had brought a bunch of provolone cheese and a little Italian cigars and little props just to kind of put around - sure enough, he wakes up, and he comes out of his bedroom; and he's this great-looking, I don't know, he must have been 47, and in a Japanese robe. He looked very impressive, and I looked at him with this ponytail and I'm like, "God, how's he ever going to play a mafia chieftain?"… And he walked on. He put on a jacket, and he started mumbling - I remember, he went through great effort to bend the tip of his collar - he said, "So, like, there's a time guys always have the collar bent like that." And he picked up a cigar, and he started to gesture with it and use it as a prop, and he nibbled on a little bit of provolone cheese - and he rolled up the ponytail, and he kind of pinned it up, and he took some shoe polish, and he darkened it, and while he's doing this, we're photographing… He took some tissue paper, and he said, "He should have the face of a bulldog."...He stuffed the tissue paper in his jaw, and then he said, "Well, if he's shot in the throat, he ought to have to talk like that a little bit." It really was a transformation of this nice looking young man with a blonde ponytail, into this kind of mafia guy… I took it to New York, and I went to Mr. Bluthorn's office (head of Paramount Pictures), and I said, "Oh, Charlie, Charlie, I want to show you something." - I flick the video, and sure enough, there's Marlon Brando coming out in a robe with a blonde ponytail, and he looks, and he says, "Never! Marlon Brando, never! Never!" And as he's doing that, he's watching Brando turn himself into this guy, and Charlie just looks astounded, and he says, "That's incredible! That's incredible!" And once he was sold on the idea that Marlon could do it on his authority, they allowed us to do it."
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Coppola had to fight to cast Marlon Brando as Vito Corleone in The Godfather. At the time, the studio saw Brando as “box office poison.” What finally sold them was his legendary screen test, where he transformed into the Don right in front of their eyes. Coppola explains: "I remember in one meeting, I was told by the then president of Paramount - "As president of Paramount Pictures, I am telling you that Marlon Brando will not appear in this motion picture." So I continued talking and arguing, and finally, they agreed to let me discuss the idea of Marlon Brando being in the movie if I honored three stipulations. A - he would do a screen test. B - he would do the film for free. (he would get a back-end deal) And C - he would put up a bond so that if any of his shenanigans or any trouble came from him being on the set, that it would guarantee the losses. So I said, - "Okay, I accept” - What could I do? I accepted these three things from Marlon. So I then called up Marlon Brando and suggested, "Maybe it’d be nice if I did like a little makeup test or something? I could come over your house." - he said to me, "All right."… We got to his house very early, and we set up our little lights. And I had brought a bunch of provolone cheese and a little Italian cigars and little props just to kind of put around - sure enough, he wakes up, and he comes out of his bedroom; and he's this great-looking, I don't know, he must have been 47, and in a Japanese robe. He looked very impressive, and I looked at him with this ponytail and I'm like, "God, how's he ever going to play a mafia chieftain?"… And he walked on. He put on a jacket, and he started mumbling - I remember, he went through great effort to bend the tip of his collar - he said, "So, like, there's a time guys always have the collar bent like that." And he picked up a cigar, and he started to gesture with it and use it as a prop, and he nibbled on a little bit of provolone cheese - and he rolled up the ponytail, and he kind of pinned it up, and he took some shoe polish, and he darkened it, and while he's doing this, we're photographing… He took some tissue paper, and he said, "He should have the face of a bulldog."...He stuffed the tissue paper in his jaw, and then he said, "Well, if he's shot in the throat, he ought to have to talk like that a little bit." It really was a transformation of this nice looking young man with a blonde ponytail, into this kind of mafia guy… I took it to New York, and I went to Mr. Bluthorn's office (head of Paramount Pictures), and I said, "Oh, Charlie, Charlie, I want to show you something." - I flick the video, and sure enough, there's Marlon Brando coming out in a robe with a blonde ponytail, and he looks, and he says, "Never! Marlon Brando, never! Never!" And as he's doing that, he's watching Brando turn himself into this guy, and Charlie just looks astounded, and he says, "That's incredible! That's incredible!" And once he was sold on the idea that Marlon could do it on his authority, they allowed us to do it."

Gangster Cinema Central

29,897 просмотров • 3 месяцев назад