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Asked KURIA to turn my “Notes I Never Sent” concept into a cinematic short. He worked overnight — generating 15 AI-crafted scenes, syncing narration with dynamic captions, layering ambient sound design, animating message drafts, and packaging every asset neatly into Drive. He would then share the file in my...

1,020,041 views • 5 months ago •via X (Twitter)

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i built a way to make full ai films with seedance 2.5 + higgsfield without shooting a single frame in real life you start with a screenplay, a treatment, or even just an idea and it gives you an actual production plan: scenes, shots, character references, locations, dialogue, b-roll, sound, captions, everything you need to turn it into a finished film this was supposed to stay internal but f*ck it, i’m sharing the whole workflow here’s how it works: the script gets broken down scene by scene, then every scene gets turned into a proper shot list with prompts that account for character continuity, wardrobe, lighting, locations, camera movement, pacing, and what needs to happen before and after that shot those prompts get run through seedance 2.5, using reference assets and longer generations to keep the film feeling like one world instead of a thousand random ai clips stitched together then the footage gets assembled with voice, sound design, music, dialogue, captions, and transitions into an actual watchable film the whole system is built to take you from script to a finished film seedance 2.5 is coming soon on higgsfield, but i’m sharing the full breakdown before it so you can be prepared: the script-to-scene system that turns a screenplay into a real production plan seedance 2.5 prompt setup for cinematic shots and consistent characters the reference-asset workflow for keeping faces, wardrobe, locations, and visual style locked in the editing, voice, sound, and caption workflow that turns generated clips into a finished movie RT + reply “FILM” and (i’ll send it over must follow so i can dm)

Sulfur

48,323 views • 9 days ago

Coppola had to fight to cast Marlon Brando as Vito Corleone in The Godfather. At the time, the studio saw Brando as “box office poison.” What finally sold them was his legendary screen test, where he transformed into the Don right in front of their eyes. Coppola explains: "I remember in one meeting, I was told by the then president of Paramount - "As president of Paramount Pictures, I am telling you that Marlon Brando will not appear in this motion picture." So I continued talking and arguing, and finally, they agreed to let me discuss the idea of Marlon Brando being in the movie if I honored three stipulations. A - he would do a screen test. B - he would do the film for free. (he would get a back-end deal) And C - he would put up a bond so that if any of his shenanigans or any trouble came from him being on the set, that it would guarantee the losses. So I said, - "Okay, I accept” - What could I do? I accepted these three things from Marlon. So I then called up Marlon Brando and suggested, "Maybe it’d be nice if I did like a little makeup test or something? I could come over your house." - he said to me, "All right."… We got to his house very early, and we set up our little lights. And I had brought a bunch of provolone cheese and a little Italian cigars and little props just to kind of put around - sure enough, he wakes up, and he comes out of his bedroom; and he's this great-looking, I don't know, he must have been 47, and in a Japanese robe. He looked very impressive, and I looked at him with this ponytail and I'm like, "God, how's he ever going to play a mafia chieftain?"… And he walked on. He put on a jacket, and he started mumbling - I remember, he went through great effort to bend the tip of his collar - he said, "So, like, there's a time guys always have the collar bent like that." And he picked up a cigar, and he started to gesture with it and use it as a prop, and he nibbled on a little bit of provolone cheese - and he rolled up the ponytail, and he kind of pinned it up, and he took some shoe polish, and he darkened it, and while he's doing this, we're photographing… He took some tissue paper, and he said, "He should have the face of a bulldog."...He stuffed the tissue paper in his jaw, and then he said, "Well, if he's shot in the throat, he ought to have to talk like that a little bit." It really was a transformation of this nice looking young man with a blonde ponytail, into this kind of mafia guy… I took it to New York, and I went to Mr. Bluthorn's office (head of Paramount Pictures), and I said, "Oh, Charlie, Charlie, I want to show you something." - I flick the video, and sure enough, there's Marlon Brando coming out in a robe with a blonde ponytail, and he looks, and he says, "Never! Marlon Brando, never! Never!" And as he's doing that, he's watching Brando turn himself into this guy, and Charlie just looks astounded, and he says, "That's incredible! That's incredible!" And once he was sold on the idea that Marlon could do it on his authority, they allowed us to do it."

Gangster Cinema Central

29,897 views • 2 months ago