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"At this rate, Iris' medical practice isn't authentic anymore. She doesn't see any patients other than you." Watch it here: Animation: #LazyProcrastinator Sound: Volkor 🧙‍♂️✨ Voiceacting: CottontailVA 🔞 Part 5 of 5! #vrporn #darkdreams #Iris

25,416 views • 1 day ago •via X (Twitter)

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One of the saddest scenes in Taxi Driver (1976) is just two people having breakfast. Travis has brought Iris to a diner because he wants to convince her to leave Sport. He expects the situation to be obvious: she is a child, Sport is exploiting her, and going home should be the easiest decision in the world. Iris does not experience it that way. She talks about Sport as if he were a boyfriend. She brings up astrology, defends him and brushes off Travis’s concern. None of this means she understands what is happening to her. It means she has already learned how to make it sound normal. That is the most disturbing part of the conversation. Iris describes exploitation using the language of love, loyalty and freedom. Then she pours sugar over her jelly. It lasts only a second, but it breaks through the whole performance. Iris may wear sunglasses, speak in street slang and insist that she can make her own decisions, but she still eats breakfast like a kid. Jodie Foster never pushes the moment. Iris is not presented as a helpless symbol waiting to be rescued. She is funny, stubborn, suspicious and sometimes more socially aware than Travis. Then a small gesture reminds you how young she really is. Travis is unusually gentle with her. He listens. He lowers his voice. He gives her money and tries, in his broken way, to offer an escape. He is also imagining himself as her savior. That is the danger underneath his concern. Travis correctly sees that Iris needs help, but he cannot help anyone without turning the situation into a story about himself. Her rescue becomes another chance for him to prove that he has a purpose. Knowing what comes later makes the quietness of the diner difficult to watch. Here, Travis looks almost capable of helping her like a normal person. Later, he enters the building with guns and leaves bodies behind him. The film never asks us to choose between the two versions of him. His concern for Iris may be genuine. So is his desire for violence. He can recognize that a child is being harmed, but he cannot imagine saving her without becoming the hero of a bloodbath. For a few minutes over breakfast, Travis almost looks like someone Iris could trust. Almost.

Scorsese Universe

196,750 views • 10 days ago

N: I want to get up. I want to go home. E: Look what happened to you, Nisan. Why are you trying to get up? This is your home too. Relax. You’re not going anywhere. N: I can’t do it here. E: You can, you can. You will. N: Eşref, why are you coming at me like this? E: But you’re acting like a child, Nisan. If I say you’re staying here, you’re staying here. The subject is closed. E: No huffing and puffing. H: Here, I brought some breakfast. E: Thanks. H: Enjoy! E: Yes... all of this will be finished. N: Do you have any other orders, my Pasha? E: If I have any other orders, I’ll tell you. N: How are you talking to me like this? Don't drive me crazy in my sick state. Look, Eşref, your "macho" act doesn't work on me, just so you know. E: Oh, really? N: Yes, really! If you talk and act like this, you’ll get this kind of response. You have no idea how to talk to women. Your practice... maybe you have none at all. What happened? Why aren't you answering? You shut up when it doesn’t suit you. But I’ll teach you, don’t you worry. People understand each other by talking. E: Be careful, don’t let your stitches burst. N: Look, I’m the one who's going to burst now! I’m going to burst! E: I think I’m good for you. Look, you’ve perked up already. You should continue staying here. N: You’re so funny. I’m dying of laughter right now. E: That's how it is. We'll see. N: I won't eat it. H: Eşref, Hıdır is here. E:Anne, stay with her and make sure she finishes it all. H: Okay. #EşrefRüya #EşSan

𝖀𝖓𝖐𝖓𝖔𝖜𝖓

21,755 views • 6 months ago