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Atlas understands both the spatial structure of the world and how it evolves over time. This lets us turn a handful of ordinary cameras into a "bullet time" multiview capture studio, capturing dynamic moments frozen in time.

World Labs

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278,550 views • 19 days ago •via X (Twitter)

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Atlas can control space and time to create "bullet time" videos. Having worked on dynamic 3D reconstruction during my Ph.D, it's shocking how easy this is with Atlas. Our interns Andy Cheng Hao Zhang David Pantera Zeyi Chen had a lot of fun smashing things.

Atlas can control space and time to create "bullet time" videos. Having worked on dynamic 3D reconstruction during my Ph.D, it's shocking how easy this is with Atlas. Our interns Andy Cheng Hao Zhang David Pantera Zeyi Chen had a lot of fun smashing things.

Keunhong Park

10,964 views • 19 days ago

Frozen in time, the room of a French soldier who fell in the 1st World War, remains undisturbed for over 100 years.

Frozen in time, the room of a French soldier who fell in the 1st World War, remains undisturbed for over 100 years.

History Arc

96,628 views • 7 months ago

One cool use for Atlas is creating "bullet time"-style effects using only a few cameras. In this case, I was able to use 3 iPhones + my finely honed juggling skillz to synthesize a smooth camera trajectory between each pair of cameras. Also I layered in an AI-generated beats because that's just the world we live in now. Deal with it.

One cool use for Atlas is creating "bullet time"-style effects using only a few cameras. In this case, I was able to use 3 iPhones + my finely honed juggling skillz to synthesize a smooth camera trajectory between each pair of cameras. Also I layered in an AI-generated beats because that's just the world we live in now. Deal with it.

Eric Rachlin

46,703 views • 19 days ago

Homie dodged a bullet in the nick of time

Homie dodged a bullet in the nick of time

Garbage Human

44,261 views • 4 months ago

My friend Lumi brought it to my attention that the talonflame in the PLZA trailer de-evolves into Fletchling at the end of the trailer. To me this could mean 3 things. 1.Pointing to a gameplay mechanic that allows us to time travel(play),switching between both the future and past 2.Simply represents that this game is going back into the past of Lumiose City and that’s the time that the whole game is set in. 3. It’s just a fun Easter egg of the opening scene of Pokémon X & Y to make us fans feel nostalgic. #PokemonLegendsZA

My friend Lumi brought it to my attention that the talonflame in the PLZA trailer de-evolves into Fletchling at the end of the trailer. To me this could mean 3 things. 1.Pointing to a gameplay mechanic that allows us to time travel(play),switching between both the future and past 2.Simply represents that this game is going back into the past of Lumiose City and that’s the time that the whole game is set in. 3. It’s just a fun Easter egg of the opening scene of Pokémon X & Y to make us fans feel nostalgic. #PokemonLegendsZA

SoulSilverArt

514,032 views • 2 years ago

Here’s a time-lapse of the last 30 days of construction on the Wallis Annenberg Wildlife Crossing. Amazing! Soil level is rising fast and the secondary structure is nearing completion. We have had a camera capturing it all since groundbreaking and will have a time-lapse for all of construction when it’s completed! Very cool.

Here’s a time-lapse of the last 30 days of construction on the Wallis Annenberg Wildlife Crossing. Amazing! Soil level is rising fast and the secondary structure is nearing completion. We have had a camera capturing it all since groundbreaking and will have a time-lapse for all of construction when it’s completed! Very cool.

Beth Pratt

92,387 views • 2 months ago

[SIGGRAPH ASIA '25] Detail-Enhanced Gaussian Splatting for Large-Scale Volumetric Capture Contributions: - A two-stage approach to performance capture, combining a scene-scale capture rig and a single-actor facial capture rig. - A novel high-quality scene-scale volumetric performance capture rig, incorporating both static and dynamic cameras to track the performance of multiple actors. - A reconstruction pipeline for dynamic performance capture, featuring stable calibration of moving cameras and 4DGS with improved dynamic range and color fidelity. - A detail enhancement Diffusion Model, which supports 4K, RGB, and Alpha, with improved temporal stability.

[SIGGRAPH ASIA '25] Detail-Enhanced Gaussian Splatting for Large-Scale Volumetric Capture Contributions: - A two-stage approach to performance capture, combining a scene-scale capture rig and a single-actor facial capture rig. - A novel high-quality scene-scale volumetric performance capture rig, incorporating both static and dynamic cameras to track the performance of multiple actors. - A reconstruction pipeline for dynamic performance capture, featuring stable calibration of moving cameras and 4DGS with improved dynamic range and color fidelity. - A detail enhancement Diffusion Model, which supports 4K, RGB, and Alpha, with improved temporal stability.

MrNeRF

42,570 views • 10 months ago

To be honest. Evaluation in robotics has always been a challenge unlike in vision or language: not enough DATA, not enough TASKS, and too much reliance on FIXED benchmarks. PlayGround pushes us beyond static datasets and predefined tasks, moving robotics evaluation into the era of dynamic evaluation in structure physical domain one at a time. *Can't wait to see how the community scale on this!

To be honest. Evaluation in robotics has always been a challenge unlike in vision or language: not enough DATA, not enough TASKS, and too much reliance on FIXED benchmarks. PlayGround pushes us beyond static datasets and predefined tasks, moving robotics evaluation into the era of dynamic evaluation in structure physical domain one at a time. *Can't wait to see how the community scale on this!

Jiafei Duan

10,530 views • 5 months ago

Just remember 2 blokes in a studio looked at this, in their own time, and decided that somehow it was VDV who committed the foul. VAR is just terrible. It’s a complete waste of time.

Just remember 2 blokes in a studio looked at this, in their own time, and decided that somehow it was VDV who committed the foul. VAR is just terrible. It’s a complete waste of time.

• dave ellis •

481,187 views • 1 year ago

The goal is not just to find someone who laughs at your jokes or understands your silences. It is to find a best friend who ignites a spark every time they look at you, who teases and flirts without ever crossing the line, who turns ordinary moments into playful adventures. Someone whose presence feels like home and mischief at the same time. A companion who challenges you, makes you blush, makes your heart skip in the middle of a conversation, yet remains your anchor when the world gets heavy. The dream is a friendship wrapped in endless flirtation, a connection that feels infinite, effortless, and intoxicatingly alive, a bond that never dulls but only deepens with time.

The goal is not just to find someone who laughs at your jokes or understands your silences. It is to find a best friend who ignites a spark every time they look at you, who teases and flirts without ever crossing the line, who turns ordinary moments into playful adventures. Someone whose presence feels like home and mischief at the same time. A companion who challenges you, makes you blush, makes your heart skip in the middle of a conversation, yet remains your anchor when the world gets heavy. The dream is a friendship wrapped in endless flirtation, a connection that feels infinite, effortless, and intoxicatingly alive, a bond that never dulls but only deepens with time.

Poetry.

69,149 views • 9 months ago

i’m sorry but this is the most delicious ship dynamic of all time mainline this shit directly into my heart i’m so serious i eat it up every time

i’m sorry but this is the most delicious ship dynamic of all time mainline this shit directly into my heart i’m so serious i eat it up every time

lesbian emily charlton

30,243 views • 2 months ago

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

Manuel Lariño ☔️

21,931 views • 5 months ago

Real-time generation isn’t about predicting the next pixel, it requires understanding the structure and context of a 3D world. That’s the shift. Read more about our real-time game-native diffusion model on our blog. Moonlake's Reverie v0.1.0

Real-time generation isn’t about predicting the next pixel, it requires understanding the structure and context of a 3D world. That’s the shift. Read more about our real-time game-native diffusion model on our blog. Moonlake's Reverie v0.1.0

Moonlake

14,439 views • 9 months ago

doodles AI beta. next week. we're building the tools for a new era of dynamic world-building. it starts with an image model that reimagines anything and everything through the doodles lens. this is the first iteration of many. as the product evolves, we'll introduce the ability to turn your generations into physical objects. video with sound and dialogue, realtime AR, and gaming are all on the roadmap. doodles AI aligns us with the speed and scale of the AI industry at large. our colourful world can now be plugged into new tech as it unfolds. create with us.

doodles AI beta. next week. we're building the tools for a new era of dynamic world-building. it starts with an image model that reimagines anything and everything through the doodles lens. this is the first iteration of many. as the product evolves, we'll introduce the ability to turn your generations into physical objects. video with sound and dialogue, realtime AR, and gaming are all on the roadmap. doodles AI aligns us with the speed and scale of the AI industry at large. our colourful world can now be plugged into new tech as it unfolds. create with us.

burnt toast

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