Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Attacking Hedge... Mini Clinic Breakdown of ways to Attack the Hedge (sound on🔊) Concepts Covered: Short Rolls, Slips, Quick Outs, Tag Attacks, Drag outs, Rejects, Flips, Twists, Setups, Manipulating Space Notes Below ⬇️

19,288 Aufrufe • vor 1 Jahr •via X (Twitter)

2 Kommentare

Profilbild von Isidoros Koutsos
Isidoros Koutsosvor 1 Jahr

Excellent work and really helpful!thanks coach

Profilbild von Taylor Tucker
Taylor Tuckervor 1 Jahr

Thanks, glad you enjoyed it!

Ähnliche Videos

THE CONSTANT CURRENT AND THE SHIFTING RIVERBED: Decoding the Artistic Identity of the Prelude to Cello Suite No. 1 (BWV 1007) With just the first four notes of the Prelude BWV 1007, many recognize it instantly as Bach—yet very few can articulate why it possesses an identity so unmistakable from any other prelude by the composer himself. The answer does not lie in generalized concepts such as polyphony or the resonance of the instrument. Those are compositional methodologies and instrumental characteristics in a broad sense, not the unique identifier of this specific piece. One of the things that makes the Prelude BWV 1007 always feel extraordinary to the listener, from the perspective of this essay, lies in an architectural illusion: a structural pattern that remains nearly invariant on the surface, yet continuously generates harmonic shifts underneath—a vast polyphonic space born from a strictly monophonic line. In other words, it offers the sensation of a current that always flows in the exact same manner, while the riverbed beneath is in constant flux. While keyboard preludes like BWV 846 also utilize the repetition of an arpeggiated pattern to shift harmony, BWV 1007 exhibits a vital qualitative difference. In keyboard music, the majority of the harmonic structure is already directly present in the acoustic output, so the listener does not have to actively reconstruct it to the degree required when listening to BWV 1007. Here, Bach binds himself to a rigorous constraint: writing a continuous chain of arpeggios for a solo instrument that is inherently monophonic. At any given moment, only a single note sounds, requiring the brain to engage at a much higher level to co-create and complete the harmonic structure. To shape this structural signature, Bach establishes a wave-like, symmetrical arpeggio pattern on the auditory surface: ascending from the bass, peaking at the top, and curving back down, repeating steadily in a relentless stream of sixteenth notes. Maintaining this precise "footstep" so radically creates a surface illusion of stillness, lulling the listener into a state akin to stasis. Yet right within that surface stillness, the harmonic riverbed of G major underneath is constantly shifting through different harmonic degrees (from I to ii, V, vi, IV). The foundation speeds ahead while the external form remains completely unchanged. To allow the harmonic riverbed to shift continuously without shattering the serenity of the surface current, Bach employs the master tool of voice leading. Through it, Bach creates the sensation that each movement arises organically from the one preceding it. When moving between harmonic blocks, he always chooses the smoothest path: retaining the common tone, while the remaining voices move only by microscopic intervals—half steps or whole steps. This delicate voice-leading structure pairs perfectly with a highly transparent harmonic density and the natural breathing room of the cello's open registration. The piece demands absolute control over the continuity of the bow (legato) and leverages the deep resonance of the open strings (G - D - A). Ascending from the lowest open G string, the acoustic space opens up luminous, direct, and vast, ensuring that any micro-shift in the riverbed below becomes a major event to the ear. Why did Bach choose this specific mode of motion instead of creating dramatic narrative twists? The answer lies in the artistic intent of an opening movement. This Prelude was not built to surprise; it opens the entire cycle of Cello Suites as the most natural point of departure. Instead of ostentation on the surface, Bach places the entirety of the vital force into the subterranean shifting of the harmony. The listener is not dragged along by external incidents but is guided by the natural logic of unified causality. Because the piece is written as a sequence of single notes rather than a simultaneous presentation of chords, the listener's brain is forced into a task of "co-creation." The audience must hold the note that just sounded in short-term memory, connecting it to the next to deduce the harmonic block within the mind. The listener is not handed a fully built house; they construct it themselves from the bricks Bach offers at a flawless tempo. From this perspective, the composition evokes an inherent philosophical principle deeply rooted in the Baroque spirit: the creation of order within diversity, and movement within stillness. A current that continuously alters both its form and content becomes chaos; conversely, one that stands completely still becomes dead. Bach achieves the sublime because his musical architecture finds life precisely at the intersection: a current that can maintain its external form while constantly renewing itself from within. The tight fusion between this underlying harmonic structure, the characteristic warmth of the cello's timbre, the pristine opening interval of G major, and the generous resonance of the open strings are precisely what allow a mere few opening measures to summon the distinct artistic identity of BWV 1007. A steadfast imagery, born of a seemingly constant current and a riverbed always shifting from deep within a solo monophonic instrument.

🎼🌺Music Love♥️

14,302 Aufrufe • vor 2 Monaten

A team tested Pi0, Pi0 Fast, Gr00t, and ACT on real robot arms in manufacturing tasks. (🔖 Bookmark this for later!) The task was precise: place thin rectangular frames from a messy stack into a holder. The team fine-tuned each model on 100 real trajectories and compared training time, inference speed, motion quality, and success rates. ⬇️ Here’s a breakdown of what they found Pi0 (Original) ✅ Strongest overall performance in precise pick-and-place ✅ High success rate even in edge cases ✅ Longest training time (~11 hours, ~$30 per run) ✅ Inference time of 80 ms causes short pauses between actions Despite delays, it handles complex scenarios well… solid for high-precision tasks, but slow to train. Gr00t ✅ Trains fast (~2 hours, ~$5 per run) ✅ Performs almost as well as Pi0 on large-object tasks ✅ Struggles with fine precision; random movement in some trials ✅ More training didn’t fix jitter or random offsets Best suited for tasks where exact precision isn’t critical. Not ready for manufacturing-grade accuracy without more tuning. Pi0 Fast ✅ Promised faster training, but results were underwhelming ✅ Training at 6 hours still showed low success rates ✅ Inference was slower than expected ✅ Not reliable for generalizing even slightly new tasks Currently too unstable for real-world deployment. Doesn’t live up to the “Fast” name yet. ACT (Baseline) ✅ 200MB model—lightweight, but limited ✅ Struggles with stacked objects or ambiguous scenes ✅ Success rates around 70% in best-case setups ✅ Can’t match newer models on precision or generalization Still a solid baseline, but clearly a generation behind in robustness. 🚨 Extra Notes All newer models share a common issue: •Inference takes longer than a frame (80 ms vs 33 ms), so robots “pause” between chunks. •This results in jittery movements, but not a dealbreaker unless tasks are time-sensitive. Language-conditioned tasks also fell short: after training on two labeled tasks, the model couldn’t generalize to a third unseen combination using only text prompts. ✅ The good news? These models adapt well to new robot arms with quick fine-tuning. ❌ The bad news? There’s still no plug-and-play solution for improving performance after deployment. Reinforcement learning or DAgger-style data collection during real-world operation may be the next big step, something many teams in robotics are actively working on.

Ilir Aliu

21,844 Aufrufe • vor 1 Jahr

HabbaLabbaPotomai You are massively incorrect and uninformed in your facts HabbaLabba (you are just another tweep shrouded in anonymity, living in the cheap seats and who has never been on the playing field) - do your homework before attacking next time (as you are being blocked for laziness/ad hominem attacks). I have never bought and held cannabis (as you suggested) - it has been just the opposite! See section below which transparently chronicles my trading in the cannabis space ('The Past Five Years Have Been Brutal for Cannabis Investors'): BY DOUG KASS · Oct 1, 2026, 9:35 AM EDT Pot Stocks Now in Better Position Than Ever Before “Be greedy when others are fearful and be fearful when others are greedy.” – Warren Buffett * The cannabis industry has never been closer to rescheduling and resolving custodian and uplisting issues * Perhaps the most positive and unnoticed variable has been the industry’s rescheduling of its debt (on excellent rate and duration terms) a few months ago * Yesterday’s procedural court ruling (of a stay) caused a near panic in cannabis equities yesterday – nonetheless, a rescheduling is not likely to be materially impacted * The confluence of the above (and positive) factors are creating an excellent entry point to invest in the space * The retail investor cannabis base has been decimated by a series of regulatory disappointments over the last 5+ years – as without the prospects of institutional support a sustained rally has been problematic – however, for the reasons mentioned below (rescehduling, et al) I see institutional investors beginning to enter and support cannabis stocks over the balance of the year I covered the mechanics of the stay decision on Tuesday and Wednesday: * Spatafora on Cannabis Doug’s Daily Diary — Monday, September 21, 2026 | TheStreet Pro * Claude on Cannabis Doug’s Daily Diary — Wednesday, September 30, 2026 | TheStreet Pro * Cannabis News Doug’s Daily Diary — Tuesday, September 29, 2026 | TheStreet Pro * Cannabis Thoughts Doug’s Daily Diary — Monday, September 21, 2026 | TheStreet ProHere is an excellent legal review of the stay from yesterday afternoon’s The Dales Report: Here is an abridged version of Shadd and Anthony’s podcast: ⚖️ "The hearing is not stayed. There is not a stay of the proceedings or of the rescheduling. What the ALJ did was just to pause the proceedings, which were unfolding on a timeline, and he did that on the opponent's motion to include in the record that GAO report. And the current… TDR (TDR) 📷 And here is more from this morning: ⚖️ The Rescheduling Recommendation Was Almost Here. Then ALJ Julius Hit Pause Until 10/13For six weeks the only thing left in the DEA's marijuana rescheduling hearing was the recommendation itself. Testimony wrapped in July, final briefs landed in August, and every trader in… TDR (TDR) 📷 I view yesterday’s news and market disruption as strictly procedural. The severe share price reaction was a not an unexpected Pavlovian reaction — likely based on a history of news and share price disappointments (discussed below) and partially a function of the lack of liquidity in individual cannabis equities. So, while rescheduling might be delayed somewhat, a unique opportunity to accumulate cannabis equities is emerging, which is exactly what I did yesterday. The Past Five Years Have Been Brutal for Cannabis Investors After two false starts about 5-7 years ago in which I lost money, I had positioned my portfolio long cannabis stocks (on more, seven or eight, occasions) — buying on bad news and routinely selling on good news. This (short term and trading-like) positioning approach has yielded seven or eight consecutive wins. The reason I consistently sold on strength (despite the vitriol on Twitter and criticism elsewhere) and not have elected to hold over the last five years or so is that I felt the retail investor base was not strong enough to sustain a rally in the cannabis sector. All those sell decisions proved correct. This was especially true about a year ago when the President issued Executive Order 14370 directing the Attorney General to expedite cannabis rescheduling on December 18,2025. (See: Federal Register: Increasing Medical Marijuana and Cannabidiol Research.) That day the stocks rallied (we immediately sold) and were hit hard, with most cannabis investors and traders stunned. Many still feel the pain, so skepticism and a Pavlovian reaction to the stay announcement was not surprising. (See: Federal Marijuana Rescheduling: Process and Impact | Moritz College of Law.) This pattern of very brief strength in the cannabis space on good news – has left the retail investor base in cannabis with sizeable losses, little confidence and recency bias – so the durability of any advance (regardless of news) has become suspect and fragile. The Present Setup For Cannabis Investors Has Improved Materially From the Past But we think the industry conditions have improved markedly and the regulatory process of rescheduling of cannabis (despite yesterday’s sharp decline in cannabis shares) will be intact. It remains my view that the decision yesterday was procedural and rescheduling (though slightly delayed) is my baseline expectation. I am optimistic on the cannabis space because: * I am extremely confident that rescheduling of both medical and adult use (recreational) will pass in the next few months. * I am confident that uplistings will soon follow. * More relaxed custodian rules allowing for institutional purchases of the group. * The recent debt refinancings have eliminated the frightening debt maturity cliff that some feared. * Industry fundamentals (volumes and pricing) have stabilized. * Expectations are very low. * Massive absolute and relative underperformance over the last five years has created a long runway for appreciation. * Upside reward is probably more than 5x downside risk. Bottom Line The announcement of the stay has created an exceptional entry point in cannabis as the industry and shareholders are better positioned than at any time in history. Shadd Dales Anthony Varrell Ben Kovler Jason Wild Jason Spatafora

Dougie Kass

10,567 Aufrufe • vor 3 Tagen

For the record, I am much more of a college basketball enthusiast than an NBA Draft expert. One thing that has stood out to me throughout this draft cycle, however, is how little Richie Saunders has been discussed relative to his production. Obviously, age, injury concerns, and a lack of elite physical tools have all limited his draft buzz. Those concerns are fair. Still, Saunders was nothing short of one of the most productive and efficient scorers in college basketball last season. Richie Saunders was one of only 10 Power Conference players last season to post a True Shooting Percentage of at least 63% while attempting 8.5 or more three-pointers per 40 minutes. Among that group, he ranked second in points per 40 minutes. Additionally, Saunders was one of only two players in that same group to also post a Free Throw Attempt Rate of at least 35%, highlighting not only his perimeter shooting ability but also his effectiveness at generating rim pressure. He also finished an impressive 67% of his attempts at the rim. The combination of high-volume shooting, elite efficiency, and consistent rim pressure provides a strong statistical foundation for his NBA projection. Saunders projects as a prototypical floor-spacing possession finisher at the NBA level. An overwhelming 90.5% of his field goal attempts last season came either at the rim or from beyond the three-point line, reflecting the type of shot profile NBA teams covet for his archetype. While Saunders was assisted on the majority of his made baskets, the numbers do not suggest a player who is completely dependent on others to create offense. 34.1% of his made two-point field goals were assisted (64th percentile) and 92.2% of his made three-pointers were assisted (65th percentile), reinforcing his projection as a high-level off-ball floor spacer. Saunders also converted 44.1% of his corner three-point attempts, another indicator that his shooting should translate well to an NBA role. Defense is unlikely to be Saunders' calling card at the next level, but there are indicators that suggest he can hold his own. While steal percentage can sometimes be misleading, Saunders posted a strong 3.1% STL%, which, when paired with his reported +5-inch wingspan, points toward solid anticipation and the ability to disrupt passing lanes on the perimeter. Additionally, his 0.93x Personal Foul Efficiency (90th percentile) is noteworthy. Saunders consistently avoided unnecessary fouls while remaining engaged defensively, a valuable trait for role players expected to stay on the floor. When projecting Saunders' offensive role, players such as Cameron Johnson, AJ Green, Max Strus, and Will Richard come to mind. This comparison is not necessarily about overall talent level, but rather the archetype: floor-spacing wings who thrive playing alongside higher-usage creators, make quick decisions, punish defensive mistakes, and provide offensive value without requiring heavy on-ball responsibility. With Saunders on the floor, BYU was better in nearly every meaningful offensive category. Most notably the following listed below. On/Off ORTG: 125.3/114.3 TS%: 59.6%/56.9% A:T Ratio: 1.39/1.06 The offensive improvements are significant, but what may be even more impressive is Saunders' ability to elevate the players around him. There may be no better example than fellow BYU star and potential No. 1 overall pick AJ Dybantsa. Dybantsa saw increases in TS%, 2P%, 3P%, and FTAr when sharing the floor with Saunders, illustrating the value of Saunders' spacing, gravity, and willingness to play within a complementary role. Elite complementary players are difficult to find, and Saunders consistently demonstrated an ability to make life easier for those around him. Saunders' floor-spacing ability is amplified by the speed of his release and his willingness to fire immediately off the catch. His ability to quickly get into his shot forces defenses to close out aggressively, creating additional opportunities for him to attack off the bounce. When defenders run him off the line, Saunders does an excellent job leveraging his shooting gravity to create straight-line drives to the rim. While he may not possess elite burst, he consistently capitalizes on defensive overreactions and attacks open space effectively. As someone who primarily evaluates college basketball rather than NBA draft boards, Richie Saunders has been one of the more surprising cases of this draft cycle. The concerns are understandable. He's older than the typical prospect, suffered a significant injury, and doesn't possess the type of elite physical tools that usually drive draft buzz. At the same time, it's difficult to ignore what Saunders actually produced on the court. He was one of the most efficient high-volume scorers in college basketball, combining elite shooting volume, strong rim finishing, and an ability to generate free throws at a level rarely seen from players who occupy a similar offensive role. His shot profile, floor-spacing ability, and offensive efficiency all align with the types of complementary wings that continue to carve out long NBA careers. Saunders may never be a primary creator or a player offenses are built around, but the NBA has consistently found value in wings who can space the floor, attack closeouts, make quick decisions, and fit seamlessly alongside stars. Whether he ultimately hears his name called in the late first round, second round, or enters the league through a two-way contract, Saunders feels like the type of prospect whose production and NBA-ready skill set could allow him to outperform his draft slot.

Caden Hoffman

116,858 Aufrufe • vor 4 Monaten

Moneytaur study blueprint 🗺️ The process I used to go from not knowing what an order block is to pulling cash from the crypto markets in under 6 months using 🎯 Master concepts. Proof of performance, past 120 days👇 Start date: 09/03/2025 Requirements: - A PC/laptop - Wifi - A basic understanding of trading. ( What candlesticks are, how to actually place trades , etc ) - A free mind - Time or the ability to free up time. Starting: - Structure and routine - Stick to that routine + Pre mortem plan. - Notion / Obsidian setup. The first thing you need to create is a clear routine moulded around how you intend to approach this very large and complex task. This will not be linear and you will naturally adapt it as you progress but especially in the beginning some resemblance of structure each day is vital. This is an individual process but it is important to understand from the beginning that this will require a majority of your free time assuming you work a full time Job or study as a student. For me in the beginning this looked like: - Wake up at 6:30. - Shower - Study/work for 1h 45m before leaving for work. - 09:00 -> 17:00 work - 17:30 Exercise / Train - Eat - 19:00 resume study/work - 22:30 Start to wind down and get ready to sleep. It changed several times over the months and especially now I am full time but this is irrelevant, the only thing that matters is sticking with what you choose. Whatever your own routine may look like, it is important to understand it will inevitably require sacrifice. --- The next thing once you have established a draft framework of your routine is ensuring you will actually stick to that routine. Something I implemented which I found particularly beneficial was the concept of a Pre-Mortem plan. This involves creating several scenarios of a future in which you have failed and working backwards from each of these to find where it went wrong. Here is a video which explains it fully: When I did this I came up with 3 scenarios as well as prevention and cure for each. In the 6 months that followed each scenario presented at some point but I was able to catch them early due to having done this. The last thing is to not over complicate this, don't hyper focus on systems and loose momentum optimizing each detail. Just ensure you do the fucking work. I was a little guilty of the above at times, trying to craft the perfect routine. In reality the person who just gets up, drinks too much coffee and works his ass off out performs the workflow perfectionist who visualizes and repeats affirmations, any day of the week. --- Next you need somewhere to store your notes, journal your trades and build your knowledge. For me this was Obsidian but I have also used Notion before and it is an equally viable option. Whichever one of these you choose be warned you will inevitably want to bang your head against a wall trying to use them for the first few days, but they will both click pretty quick and are 100% better options the word document or paper alternative. Here is my full obsidian setup tutorial: Here is a link to MisterPA 's notion Journal: Here is how I create "Meta-Notes" using obsidian: The process: - How I did it. - How I would do it if doing it again. Now I did things the "hard way" and manually worked my way back through each of MT's tweets starting in 2021, reading every one and logging those that I felt where relevant. You can see in my first post: the very first system I used to do this. I quickly adapted though after about a week and focused less on just logging each relevant tweet but trying to find and focusing on those which contained the most information. There where a lot of charts I looked at then skipped over because especially at the start of his timeline they contained little useful information and my time was better spent finding those where there was something to decode. Now this does not mean skip out on "work" just use your time efficiently. -- If however if I was to start from the beginning again with the goal of levelling up technical understanding as quickly as possible I would take a different approach. To start with I would familiarise myself with all relevant SMC concepts, I have linked the best free recourses for this below 👇 CryptoChase beginner friendly index: Barncore's "The Moneytaur Way" series: Gian's Trading bootcamp playlist: Following this I would then work through all of Taur's subscription posts working backwards, recreating his charts and taking notes on his logic. The subscription feed has the highest value density and least noise. Video example of my notes from his subscription posts 👇: --- Okay so now once you have a basic understanding of concepts and can re-recreate them on charts of your own it is time to put this in to practice. The next step is vigorous backtesting, you can use the trading view tool but I think trade Zella offers a more use friendly option if you pay for the subscription. Especially as it allows you to change timeframes without skipping ahead to candle close time of the timeframe you change too ( like Trading view does ) *my only note would be that their LTF/Micro TF data feed with be different to brokerage charts you will use on Trading view, to start with though you should not be going low enough that this is an issue. When you backtest in this context, treat it like real trading. That means journal and logging like you would if real cash was on the line. Take time, do not rush and focus on quality. Stick to BTC, ETH, Major FX pairs or indices as these assets are less reliant on confluence, backtesting a shitcoin is near useless as whether levels work or not will be highly dependent on Majors PA. Go on HTF, scroll back a couple years and try not too look at chart while doing so and then begin. Start with HTF analysis and work down to 2H or wherever you feel comfortable, chart it fully and then identify setups. Make rough notes / plans and then press play, execute the setups as they hit, log and journal trade management as well as observations and key notes. It is very important to not cheat when you do this, do not skip back and adjust your stoploss because it hit by 0.1%, do not skip back and adjust plan because you missed a block and your TP got frontrun. Instead these are the things you journal, embrace these mistakes because they are the cheapest mistakes you are going to make. Grind this, do it for hours, put some music on and enjoy. To start with focus on HTF's, as you get better and start netting $ on paper you can drop the timeframes and increase the difficulty. HTF = Normal, MTF = Medium, LTF = Hard. Even if you do not intend to day trade, learning how to read the lower TF's that force you to think faster, harder and prepare you for lower win rates / loss streaks can greatly improve your ability on higher TF's. While you are doing this as you start to have concepts click you now want to build up your real trading experience, take a sum of money that you care about but will be okay loosing and dedicate this to live trading. Start taking real trades and expect net losses in the beginning. This is where you will make you 2nd cheapest mistakes. This is also where you can begin to learn about your psychology. You may encounter some elements already in backtesting but the real market is where true colours really start to show. Mental issues are inevitable and part of the game, get used to them and start working to identify and fix them. Reading and applying books like Trading in the Zone and Mental Game of Trading are important and will help a lot but there is no easy fix, for some stuff you I believe you just have to get used to it and it goes away with experience. Losses suck at the beginning but after you loose 100 times you starting getting pretty numb to it, same goes for the winners. To accelerate the learning process, build connections and get advice there is also always the option of private groups, while I never personally chose this route and committed to learning everything through my own endeavours there is no denying that having nearly all the information you need structured and compiled in one place is valuable and can save time. Beyond this having access to real time thoughts and opinions of profitable traders can accelerate performance, however it carries the risk of being a double edged sword if not used properly, if relying on it like a crutch and using it as a substitute for real work you will not succeed. With that said if you take it for what it is, a learning opportunity then I believe it can be very beneficial. I am not a member of, nor affiliated with any paid group. There are now many options available within the community, all run by different people with different styles, tailored to different needs. If I was to make a recommendation though, as a non-member, it would be Albert & Co's 618'ers simply due to the diversity in styles of the traders running it and results I have seen from members I know personally. It is important that as you start to trade with real capital you reduce noise in your social feeds or eliminate it all together. You do not need 5 different opinions, you also do not need 2 people telling you the same thing in their own way so you feel re-assured. What you do need is to develop your independent thinking as a trader and be comfortable making different decisions to others, even traders ahead of yourself if it fits with your system or understanding of market. Taur here is perhaps an exception as this is who you are learning from but down the line a real test of your own ability and independence will be being able to stick with your own plan even when it differs from his. Don't get me wrong, counter trading him is retarded but you must learn to adapt his gift to your own style. This will make sense at some point. The next stage is taking your understanding of specific concepts to higher level as you simultaneously snowball experience. Look back through your journal and review where you lost money and made money, do not over extrapolate from a small sample but start to take notes and observe if trends in performance emerge. This is the beginning of the transition to self reliance, you now understand the strategy but must learn for yourself when and where it works. Here you can also learn more nuanced secondary concepts such as VSA, orderflow etc and add these to your game where appropriate. Do NOT get lost in the sauce though and remember mastery of basics is key. IMO a big focus should be understanding correlation thoroughly but especially on HTF's this is the most important thing and what triggers the majority of large swings where most of your cash will be made and losses recovered. Some people will disagree with me here but IMO you should also not be *focusing* on Odd TF's. These are secondary at best and most people overweight their significance leading to avoidable losses while wondering why price did not care about their 327minute Breaker Block which they think is the key to the market. Study Taurs feed and take note of how he mostly uses: 3M, 1M, 3W, 2W, 1W, 5D, 4D, 3D, 2D, 1D, 12H, 8H, 6H, 4H, 2H, 1H, 30m, 15m + micro time frames. The only thing left is time and repetition, you must show up each day and really do this, for months. Maybe you start to see result's, you catch your first key swing and where able to trade where others froze. Congratulations. Learn from these winners and repeat the actions. Find what assets work best for you, find your style, refine and grow. --- The last thing I will include is a short list of tools or links that can be helpful. - Trading view tutorial: - Dictionary: - Market news Calendar: --- Thank you too all those who have read this, I hope this has been helpful for the beginners who want to start but are just not sure how. 🫶 Don't just bookmark this and move on, start 🙃

Ace

45,752 Aufrufe • vor 10 Monaten

🛠️ Patch Notes - Early Access Patch 2 We are incredibly excited to be releasing our largest patch yet, marking the One Month Anniversary of our Steam Early Access Launch! Patch 2 is chock full of highly requested features such as Weapon Tryout, the ability to Respec, DLSS / FSR Upscaling and Controller Remapping. Lots of Balancing and Quality of Life improvements, Audio, Animation, and Visual Effect polish as well as a multitude of bug fixes are also included! Between DLSS and FSR, numerous CPU, GPU performance improvements, and memory optimization we are confident that your experience of playing No Rest For The Wicked will be significantly smoother across a wide range of hardware. For NVIDIA users, we are excited to mention that there’s a new Game Ready Driver for No Rest for the Wicked! Be sure to check out our Patch 2 Highlight Video and the full patch notes below. ⚔️ Performance: • Performance Mode now lowers texture resolution, reducing crashes on lower-end machines • Numerous Significant CPU optimizations • Fixed performance degradation that might occur on some gamepads • Fixed numerous memory leaks • Reduced instantiation spikes for numerous objects • Disabled detail meshes on generic humanoids faces when not needed • Reduced latency, overhead and improved stability of GPU Culling • Optimized texture resolution and memory budgets for Steam Deck • Optimized Art content in Ship Prologue and its cinematics • Removed unused weapon assets to free up memory • Removed leftover developer tools to free up memory • Optimized CPU spikes of a variety of common content loading operations • Added texture streaming for character portraits during dialogue interactions to save memory • Fixed some persistent log spam being generated by potatoes in Nameless Pass • Cleaned up numerous NPC prefabs, reducing memory footprint and instantiation costs • Optimized Ambient Occlusion Rendering • Extended GPU culling usage for more cases • Configured and optimized pooling for more prefab instantiations reducing CPU spikes ⚔️ Gameplay Systems: • Added new Respec System! ⚬ Players can now Respec by examining the statue in the Cerim Crucible Atrium ⚬ Respec allows players to take back Attribute Points that have been allocated at the cost of 1 Fallen Ember per Attribute Point returned ⚬ Players can then allocate returned Attribute Points for no cost at the Respec screen or in the existing Stats screen ⚔️ Quality of Life: • All weapons can now be equipped regardless of their Attribute Requirements to allow players to try out weapons they acquire ⚬ Weapons that the player does not meet the requirements for will deal less damage through negative scaling on the Attributes that are below the weapon’s Attribute Requirements • Inventory Items can now be docked to compare them ⚬ Press F (Keyboard) or Y (Controller) to dock items and hover other items to compare • Brought back the Misc category to the Inventory ⚬ Housing items, Runes, Fallen Embers and other miscellaneous items will now be sorted into this category and free up space from other categories • Vendor screens are now sorted by item type so that items are more organized for purchase • Improved Stamina player HUD brightness for better visibility, and readability of stamina debt • Added side notifications for when Danos Sacrament Upgrades are completed • Added Floor Indicators under the Clock HUD to show the Cerim Crucible floors • Improved visibility of LB/RB button icons for Equipment HUD on Steam Deck ⚔️ Settings: • Added support for Upscaling with DLSS 3.7 and FSR 2.2 • Added custom key rebinding options for Controller • Added support for Mouse Buttons 4,5 and F1-F12 Keys for custom Keyboard bindings • Default Keyboard layout set to Mouse+WASD • Added support for worldspace Player HUD (Stamina wheel, NPC name tags, etc) brightness to UI Brightness setting ⚔️ Content Additions: • Added a new set of enchantments • All Throw runes can now be added to Spears ⚔️ Loot: • Added Pig Sticker Blueprint to Fillmore's Level 1 Shop • Added Assegai Blueprint to Whittacker's Level 1 Shop ⚔️ Balance: • Nerfed Throw runes ⚬ Reduced Poise Damage on all Throw runes ⚬ Reduced Damage on Ice Throw Rune • Nerfed Focus Regeneration enchant curve so that it no longer generates too much Focus too quickly • Focus Regeneration enchantment no longer drops with Gloves and now only drops with Helmets • This includes enchanting items at Eleanor • Falling Sky and Woodland Protector’s initial item levels were set too high and have been lowered to the intended levels ⚔️ Weapons: • Updated animation for backstabbing with Staves, Spears, Greatswords and Great Hammers • Updated visual effects for Piercing type weapon attacks (such as Spear or Rapier) ⚔️ Enemies and Bosses: • Polished Darak boss fight ⚬ Improved behavior to prevent him standing idle after attacking ⚬ Improved behavior when fighting ranged builds • Added Bite Attack to Plague Rat • Added Back Attack to Risen Axe Bruiser • Added escape logic to Risen Fire Bomber • Added Elemental Affix visual effects to Nith Brute, Nith Screamer and Shackled Brute • Adding cloth simulation to Boarskin Bruiser • Polished rigging on Plagued Boomer • Reduced camera shake intensity on Risen Hammer Bruiser, Boarskin Bruiser and Riven Twins • Smaller enemies can now smash breakable objects (barrels, crates, etc.) ⚔️ NPCs: • Changed the name of the worried woman in the Sacrament Town Square to Nell • Polishing dialog for Druo, Lucian and Everwyn • Updated the dialog for NPCs at the Cerim Gate in Nameless Pass • Added eavesdrop to Sleeping Guard Gerard in Sacrament ⚔️ Areas: • Improved collision, faders and set dressing in Prologue Ship, Orban Glades, Mariner’s Keep, Nameless Pass, Sacrament, Multiple Sacrament Interiors, Cerim Crucible, Cerim Cave, Riven Twins Boss Arena and Potion Seller Cave • Polished lighting for the ship in Prologue, Sacrament and Cerim Crucible • Updated foliage in various locations • Added physics and wind simulation to Spruce trees ⚔️ Cinematics: • Polished animations for characters in the Inquisition Arrival cinematic • Improved lighting, character rim lighting and volumetrics for the Prologue Ship Crash Outro and Inquisition Arrival cinematics • Removed a background character who was blocking part of the view in the Inquisition Arrival cinematic • Fixed cloth and camera pops in the Inquisition Arrival cinematic ⚔️ Audio: • Environment update for Sacrament: ⚬ Added Ambience Emitters for certain Residential and Vendor buildings like the Cook, Tavern, Woodcrafter and Enchantress ⚬ Updated zone beds and oneshots for unique parts of town (Cemetery, Poor Area,Training Grounds, Dasha Sanctuary) ⚬ The church near the cemetery now has bells ringing to service playing at certain times of day, followed by churchgoers praying and chanting from behind the doors. ⚬ Updated ambience for Sacrament Town Square to feel busier during the day ⚬ Updated environment audio for the Cerim Gate zone in Mountain Pass • Increased audio buffer to help alleviate audio crackle artifacts • Increased available audio resources to help prevent sounds from dropping out during long play sessions • Updated audio for Cerim Vision cinematic • Updated audio mix for Barrel and Crate destruction • Saluting Guards in Sacrament now have sound • Added Weapon-specific Impacts on parrying and blocking actions • Added ladder sliding sound effects for Kickdown Ladders • Added sound effects for going down Ladders • Added new sound effects for Plague-Enchanted weapons • Polished audio for Bounties enemies • Fixed missing sounds for Plagued Mutant Soldier • Fixed rain sounds appearing in Sacrament Interiors • Fixed enchantment-specific weapon whooshes cutting a bit too early • Fixed NPCs not making footstep sounds when walking around • Fixed environment states sometimes not resetting when returning to the main menu ⚔️ VFX: • Blood effects are now juicier and used more often! • Improved blood visual effects attachment to characters bodies from attacking and getting hit • Increased intensity of shiny item drop VFX ⚔️ Bounties and Challenges: • Updated Crustacean Conundrum bounty to spawn 14 Crabs while still only requiring 8 Crabs be killed to complete ⚔️ Localization: • Added and updated localized text in many places across multiple languages • Added localization support for new Controller Remapping screen and for various missing localized elements • Fixed incorrect font on the Activities screen ⚔️ Bug Fixes: • Fixed various enchantments on unique weapons and rings that weren’t working properly • Fixed Rested Bonuses for sleeping in beds • Fixed Key Items respawning after pick up • Fixed navigation in Nameless Pass which was preventing certain enemies and the Riven Twins boss from patrolling and moving to the player • Fixed Echo Knight falling off the arena and blocking progress • Fixed Cerim Armor missing upgrades at Filmore • Fixed Risen Pavise, Eye of the Beholder and Wooden Howler Shields not showing their proper models • Fixed SHIFT key not being recognized in the Main Menu • Fixed certain environment textures overriding certain armor textures • Fixed certain armor having missing or incorrect cloth simulation • Fixed rigging on certain armor • Fixed The Wallow boss attacks not having sound effects • Fixed Falling Sky Blueprint not giving the Unique version of the weapon when crafting • Fixed an issue where completed but not yet turned in bounty/challenge rewards were being automatically given to the player at reset • Fixed wall cannons not firing in Cerim Crucible • Fixed XP UI not showing “Max Level” after reaching the level cap • Fixed Level and XP UI being present without a Character selected in the Main Menu • Fixed “Long Area Name” appearing on the map where map is unavailable (such as Cerim Crucible) • Fixed being able to skip through locked doors in The Shallows • Fixed players getting stuck at the end of the entrance corridor in the Echo Knight Arena • Fixed Enchant Item Challenge counting enchanted items that are picked up • Fixed mortuary guard popping in on screen during Spoken and Unspoken quest • Fixed extra Elsa map marker during the Spoken and Unspoken quest • Fixed Giles and Petra standing instead of sitting on the chairs in Caroline’s Inn • Fixed Arrows not hitting Plagued Wolf • Fixed Wolf and Plagued Wolf target point • Fixed Tanth Knight getting stuck during patrolling in Mariner’s Keep at Endgame state • Fixed Darak leaving his shield in Orban Glades when he escapes • Fixed chest opening VFX in Performance and Balanced quality presets • Fixed Wolf having a dance party after death • Fixed Chest floating in the air in Mariner’s Keep • Fixed incorrect texture on the Crafting Table • Fixed 4096x2160 resolution appearing as 256x135 aspect ratio, instead displays as 1.9:1 • Fixed overblown bonfire lighting at The Shallows • Removed rogue rim light at The Shallows • Removed lighting debug shortcut See the full patch notes here -

No Rest for the Wicked

184,300 Aufrufe • vor 2 Jahren

The Housing Crash Nobody Wants to Talk About Please ❤️like, bookmark🔖, and 🔁share with fellow investors In this Short video, Melody Wright Melody Wright and Adam Taggart discuss why the U.S. housing market could be headed for a prolonged downturn that may ultimately prove worse than the 2008 housing crash. * The U.S. housing market may look stable on the surface, but the biggest problems are only beginning to emerge. While national home prices have not fallen significantly, Melody believes the market is effectively frozen and could be headed for a correction that ultimately exceeds the Global Financial Crisis in both depth and duration. * The core issue isn't supply—it's demand. There simply aren't enough qualified buyers. The spring selling season, normally the strongest period for home sales, was a major disappointment. Lower mortgage rates early in the year briefly created optimism, but geopolitical uncertainty quickly reversed that momentum. As a result, housing activity remains sluggish. * The buyers who are still transacting fall into two main groups: affluent households purchasing higher-end homes and buyers using government-backed financing programs such as FHA, Fannie Mae, or Freddie Mac. Outside those segments, affordability has become a major obstacle, leaving much of the market without sufficient demand. * The market is also becoming increasingly bifurcated. In parts of the South and West, home sales have picked up compared to last year, but prices are declining as sellers accept lower offers to complete transactions. That's genuine price discovery. Meanwhile, the Northeast and Midwest continue to see weak sales volumes, with June transactions down roughly 7% year over year. Because so few homes are changing hands, median prices have remained relatively stable, masking underlying weakness. * Melody argues that this cycle differs from 2008 in several important ways. One major concern is demographics. Younger generations simply don't have the purchasing power needed to replace aging homeowners at current price levels. Affordability challenges, higher living costs, and slower household formation limit the pool of future buyers. Another difference is the absence of a likely rescue from institutional investors. After the financial crisis, large firms purchased distressed homes and converted them into rental properties, helping stabilize the market. Melody doubts that level of institutional buying will return during this cycle. If private demand remains weak, the government could eventually become the buyer of last resort by purchasing excess housing inventory and converting it into affordable housing programs. * The timeline is another key part of the thesis. The previous housing downturn took roughly four to five years to bottom, but this cycle could last even longer because demographic pressures may persist into the mid-2030s. Instead of a sharp collapse followed by a quick recovery, Melody expects a prolonged period of stagnation and gradual price adjustment. * One event that could dramatically accelerate the process would be a major stock market correction. A significant decline in equities $SPX $QQQ would reduce household wealth, weaken consumer confidence, and further erode purchasing power, potentially causing housing prices to fall much faster than they otherwise would. * So, today's housing market isn't healthy simply because national prices remain elevated. Beneath the surface, demand is weak, affordability remains stretched, regional markets are diverging, and long-term structural forces continue to point toward a prolonged housing downturn that many investors may be underestimating. #housingmarket 💡 Get access to my notes with the key takeaways from this interview with Melody Wright Melody Wright by visiting my Substack (link below) ⬇️

Thoughtful Money®

16,535 Aufrufe • vor 2 Monaten

OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

57,277 Aufrufe • vor 1 Jahr

She was SO close 😭 Made with Seedance 2.5 on MakeUGC using a prompt from ChatGPT 6 Astra. PROMPT ⬇️ Create a 30-second, horizontal ultra-realistic video of an outrageous Japanese obstacle challenge suspended between skyscraper rooftops in Tokyo. ONE female contestant tackles four increasingly absurd mechanical obstacles, apparently reaches the finish, then loses to a giant mechanical lucky cat. Start with action already happening. Use fast, readable cuts between handheld angles, usually every 1.5–2.5 seconds. Show clear takeoffs, physical contact, and completed landings. Every new angle continues the same attempt. MAIN SUBJECT An exceptionally beautiful 25-year-old platinum-blonde woman with a striking feminine face, expressive blue eyes, full lips, a slim waist, a very curvy hourglass figure, a very large full bust, rounded hips, full rounded buttocks, and long legs. Her curves are soft and naturally full, with gently toned legs and subtle muscle definition. Believable anatomy, body weight, and natural movement. She wears a vivid red athletic bikini: a fitted supportive top with a low neckline and matching high-cut bottoms with narrow side bands. The fabric is opaque and remains securely in place. White athletic sneakers. Her long blonde hair is tied in a high ponytail. She has the striking appearance and confidence of a glamorous fitness influencer. Natural skin texture, subtle makeup, visible effort, and increasingly breathless reactions. Preserve her face, figure, hairstyle, clothing, and footwear throughout. LOCATION AND HEIGHT A spectacular outdoor game-show course constructed between two Tokyo skyscraper rooftops, approximately 200 metres above the streets. The obstacles are attached to visible steel support frames anchored to the buildings. Far below, small cars move through narrow streets between towers. The city is clearly visible through the gaps beneath the course. The route has four connected stages in this order: Rotating satellite dishes → turning advertising letters → mechanical slapping hands → rotating advertising cube → finish platform with a mechanical lucky cat. Short stationary connecting ledges separate the stages. Spectators watch from a neighbouring rooftop terrace behind railings. Their cheers are audible throughout. A broad catch net is suspended a few metres beneath the finish platform, secured to the same structural frame. Establish it in a wide view before the final fall. The distant city remains visible far below it. CAMERA AND LOOK Authentic handheld consumer-camera footage with a soft digital tape camcorder look and subtle vintage DV character. Use realistic hand shake, slightly crooked framing, occasional motion blur, delayed autofocus after quick reframing, faint image noise, mild highlight bloom, subtle auto-exposure adjustments, and muted contrast. Bright, lightly overcast daylight. Soft natural shadows, believable skin tones, readable buildings, and small exposure imperfections when the framing shifts between the woman and the bright sky. Keep the texture of skin, fabric, painted metal, rubber padding, and rope visible. No glossy beauty lighting, artificial rim light, heavy colour grading, or excessively sharpened skin. Film from plausible positions on adjacent rooftop decks and course-side maintenance platforms. Mix medium-wide views with closer reaction angles. The camera and its operator never appear. During jumps and obstacle contact, keep her feet and the supporting surface visible. Cut after a landing or completed movement whenever possible. Maintain a consistent direction of progress across cuts. CONTINUOUS STORY WITH FAST EDITING 00:00–00:06 — ROTATING SATELLITE DISHES The FIRST FRAME catches her already airborne, jumping from the starting ledge toward the first enormous satellite dish. Use a slightly elevated three-quarter angle: her body, the dish beneath her, and the distant street below are immediately visible together. There are TWO oversized, shallow, upward-facing satellite-dish props. Each has a broad non-slip interior and rotates steadily on a vertical motorized pedestal fixed to the steel support frame. She lands inside the first dish with bent knees. Its rotation carries her sideways, forcing two quick balancing steps. Cut after this landing to a closer side angle as she pushes off and jumps onto the second rotating dish. Her shoes visibly contact its surface. Her ponytail whips across her shoulder as she swings her arms to recover balance. She immediately jumps from the second dish onto the stationary exit ledge. Show both feet landing before moving to the next stage. The crowd reacts to each successful crossing. No introduction, countdown, or pause for posing. 00:06–00:12 — TURNING ADVERTISING LETTERS Ahead are TWO giant, thick advertising letters mounted on horizontal motorized axles between steel supports. Their broad, padded rear surfaces provide footholds when horizontal. As each letter rotates, that surface turns from flat to edge-on. Open this stage with a brief wide angle showing both letters and the receiving ledge, with open space and the city beneath. She jumps onto the first letter as its rear surface reaches a horizontal position. Her weight settles visibly onto it. As it begins tipping, she pushes off toward the second letter, which is rotating into its own horizontal position. Cut after her feet contact the second letter. She lands slightly off-centre, drops into a quick crouch, and drives forward into another jump before the surface turns upright. She reaches the stationary ledge beyond and continues moving immediately. The letters remain attached to their axles and continue rotating after she leaves them. 00:12–00:17 — THE SLAPPING HANDS A narrow padded walkway leads between TWO enormous rubber hands mounted on mechanical arms. The first hand sweeps across the walkway at shoulder height. The second sweeps across farther ahead at knee height. Their mechanisms and different heights are clearly visible. She runs onto the walkway as the first hand swings toward her. In a medium-wide side view, she ducks sharply beneath its passing palm. It sweeps over her ponytail without touching her. Cut as she comes out of the duck and immediately jumps over the second, lower hand. Show both shoes clearing the rubber fingers before she lands beyond them. She stumbles forward one quick step, recovers, and keeps running. The crowd gives a loud collective gasp followed by cheers. The hands swing across her route at their established heights. They remain connected to their mechanical arms. 00:17–00:23 — THE ROTATING ADVERTISING CUBE The final crossing is a huge advertising cube rotating steadily around a VERTICAL axle. Its broad, flat top stays horizontal. Its side faces carry colourful abstract advertising graphics. A visible central support connects it to the course frame. The entry ledge and exit ledge meet different sides of the cube’s circular travel path. She jumps from the entry ledge onto a corner of the cube’s flat top. Show the landing clearly. She crouches slightly and plants her feet as the rotating surface carries her around toward the exit. Cut to a wider angle revealing the extraordinary height and the approaching finish platform. She rides through roughly a quarter-turn, then jumps from the rotating cube onto the stationary finish platform when the gap aligns. Her feet land, her knees absorb the impact, and she takes two quick steps forward. The cube continues rotating behind her. 00:23–00:25 — SHE THINKS SHE HAS WON The finish platform holds a small gold trophy on a waist-high pedestal. Beside it stands an enormous white-and-red mechanical maneki-neko lucky cat with one raised, oversized padded paw. Its body is fixed to the platform. The catch net is visible below the outer edge. She sees the trophy, breaks into a huge relieved smile, and throws her arms up briefly. Her breathing is heavy. The crowd cheers as she steps toward the pedestal and reaches for the trophy. The trophy remains on its pedestal. 00:25–00:30 — THE CAT WINS Use ONE uninterrupted medium-wide side angle for the paw strike, fall, and net landing. Just before her hand reaches the trophy, the lucky cat’s oversized rubber paw sweeps sideways across the finish area. Show ONE clear contact against the side of her torso. The padded surface compresses briefly, pushing her off balance toward the nearby outer edge. She lets out a startled cry, loses her footing, and falls sideways and backward into the catch net directly below. Follow the short fall with a quick downward tilt. Keep her trajectory and the net visible. The net catches her, sags under her weight, and rebounds once. Its attachment points remain fixed to the frame. She ends seated awkwardly in the sagging net, completely unharmed and stunned. Her ponytail has fallen across her face. As the crowd bursts into laughter and applause, she pushes the hair aside, looks up toward the cat and the untouched trophy, and throws one hand up in disbelief. Finish on her incredulous expression with the enormous city drop still visible beyond the net. SOUND Natural recorded sound only: rooftop wind, faint city traffic far below, motorized mechanisms, shoe impacts, rubber movement, her breathing and wordless reactions, the net tightening, and the spectators’ cheers, gasps, laughter, and applause. Keep the crowd reacting to the actual events: encouragement during the crossings, louder cheers at the apparent finish, then surprised laughter after the net catches her. No music, narration, presenter dialogue, added cartoon effects, or laugh track. ESSENTIAL CONTINUITY ONE contestant completes all four obstacles in order and falls only at the finish. Every jump has a visible takeoff, a continuous airborne trajectory, and a physical landing. Her body cannot pass through obstacles or change position between matching shots. Every moving prop remains attached to its visible support. The dishes rotate on vertical pedestals, the letters turn on horizontal axles, the hands swing on mechanical arms, and the cube rotates around a vertical axle. The final cat’s paw causes the fall through visible contact. The net is already beneath the finish platform before she falls and visibly catches her. She never reaches the street below. The trophy remains on its pedestal. Preserve her identity, red bikini, white sneakers, ponytail, the course layout, daylight, and city background throughout. Fast editing, normal-speed action, readable physical movement, and spontaneous reactions. No repeated attempts, slow motion, teleportation, duplicated people, changing outfits, CGI appearance, captions, subtitles, scoreboard overlays, watermarks, or recording interface. #AIVideo

Alpha Mom

20,710 Aufrufe • vor 11 Tagen

I played 4 hours of The Blood of Dawnwalker - and it's damn good. My full thoughts below 👇 The version we played was in beta and running on some powerful PCs. It was from the beginning of the game so I wasn't able to explore the entire map. It felt pretty polished overall and I didn't experience any bugs or performance issues during my time. The game takes place in Vale Sangora - it's a beautiful valley near the Carpathian Mountains full of lush trees, bogs, mines, and all kinds of wildlife and villages and communities roughly comparable in size to The Witcher 3's Blood and Wine but packed with detail. There's a lot of neat history everywhere you look and explore, with references to Genghis Khan's hordes, the Tatars, and more. There are also little details that help make the setting a bit more real. Because Vale Sangora is run by the vampire leaders, silver is forbidden to have in your possession, and not every merchant will buy or sell them. It looks great visually, but I wouldn't say in a way that blew my socks off. Environments look good, trees, bushes etc all swaying in the wind, good lighting, character models are nicely detailed. It's not pushing things on a technical level but I found that perfectly ok. From the beginning of the game, a series of events introduces you to Coen's family - his parents and siblings. His father Pieter is a strong and stern caretaker who knows his way around a sword but deeply cares for his family. Coen's mother Esme is stricken by an illness that the whole family is trying to wrangle with, and his siblings are playful and endearing. As the vampires don't tolerate 'weakness', you start the feel the weight of the family's plight that gives off an aura of despair. At least in these initial hours, I found myself surprisingly growing attached pretty quickly. While there's an ominous metaphorical 'cloud' that hangs over the valley, there are bits of lightheartedness thrown in too. One charming quest saw me play tag with my siblings and go fishing in the old family hangout spot. Character performances and voice acting are excellent. There weren't really any characters that felt out place or miscast. I especially enjoyed the gravelly voices of Pieter and Brencis - the leader of the vampires. Brencis comes off formidable, and events in the game gave me a motivational drive for revenge, which I always like in games. The story is set up in a way that each of the vampire leaders needs to be taken down, with Brencis as the head honcho. You can attack them in any order, even going directly to Brencis from the outset, but you'll probably find you'll have a bit of trouble with that approach. While I've always been a little hesitant about plots that have open-ended structures, the team at Rebel Wolves told me that each vampire 'captain' is unique with many quests tailored to their specific stories, and there was a lot of effort and care put into each. They urge players to play through each storyline to get the most out of the game. There were lots of endearing characters in just the first few hours. Anca - a local herbalist and a witch, reminded me a lot of The Witcher 3's Keira. And she's a romance option. There are other sentient races as well, like the Uriash which I would say resemble something like the Qunari from Dragon Age. They're big, tough and brooding and are seen as monsters and somewhat shunned. There's a nice variety of monsters too, like kobolds who are basically ghouls that talk smack, and I came across the "Great Bog Wurm" in a swampy area which was it's own mini-boss fight. When I compare to something like The Witcher 3 (because many people understandably do with Dawnwalker given how the game looks and the makeup of the Rebel Wolves team), movement and navigation in the game felt fairly fluid overall. Walking, sprinting, vaulting ledges, etc were smooth. There's a bit of clunkiness when it comes to jumping, where I'd sometimes starting sliding jumping down a hill or onto rocks. There's also an ability that Coen automatically gets after he becomes a half-vampire called "Planeshift". It lets him teleport dash around the world so he can reach higher areas or across gaps. It felt a little clunky and imprecise when scaling things like towers and trying to land back on solid ground. There's a glossary/beastiary that's structured just like The Witcher 3, and the soundtrack is basically, you guessed it, The Witcher 3 in all the best ways. And like one of my favorite parts of The Witcher 3, there are plenty of points of interest that lead to unique little narrative beats or quests. One saw me come across a villager searching for his brother. Following that little quest line led me to a buried tomb which led to a boss fight with an ancient warrior and cool loot at the end. One abrupt encounter in the world saw me chase the village asshole talking shit about my family. When his drunkard father catches us arguing, he scolds him more and tells me I should teach him a lesson myself and beat him with a stick. I can choose to partake in it, stand by and watch, or stop the father in a physical altercation. There's been a lot of questions about combat and from what I played, I liked it, moreso than The Witcher 3's. There are two ways to play: directional and traditional. With directional combat, you hold down a shoulder button to block while aiming in whatever direction you see an enemy attacking from. That's either up, down, left or right. It's simpler than something like Kingdom Come and I got used to it real quick. It sometimes got a liiiittle overwhelming when multiple enemies are attacking at the same time - and they do that a lot. Enemies don't wait around for their turn, instead opting to gang up on you to take you down. There's also the traditional or 'standard' combat, which is basically pressing a button that blocks enemies no matter what direction (your standard action game). You can also expectedly parry enemies that open them up for more damage. There is a stamina meter that depletes with blocks, and it depletes faster if you're playing standard, though you can upgrade your stamina as you play too. There are active abilities you can put into quick slots for faster use during combat. As there's a day/night cycle and Coen is a 'dawnwalker' - meaning he's human during the day and a vampire at night, you can switch between your swords in daytime and bring out your claws at night, which are more powerful. There are many abilities, though because I was playing the first hours of the game, I didn't get to see them all. One that I got to use was a powerful charge attack, and another was a flurry of deadly slashes with my claws. You can drain enemies to regain health with 'voracious bite', though enemies won't wait around while you're doing it so you have to be mindful. There are shrines dotted around the map that you can use to fast travel and upgrade your skills. There are tons of resources and items in the world just like The Witcher that you can use to craft potions and the like. Some can only be done during the day or at night. In terms of time progression, there are 8 time 'segments' per day and certain quests and activities can push the time forward a set amount of segments. I thought I would hate it at first, but it actually makes for some compelling choices in how you choose to progress the game. You're always shown when an action will progress time by the way, so nothing will take you by surprise. Running around and exploring the world doesn't push time forward. When your vampiric health drops really low, you become hungry and start to really crave blood. You can even lose control during dialogue and drain the person you're talking to - including friends. I didn't encounter that myself but the devs said those can have lasting effects throughout the game. This has definitely jumped up my most anticipated list for the rest of the year. It's practically The Witcher 3: Medieval Vampire Edition with its own flavor and unique mechanics and honestly...that is something I'm quite happy about. #BloodofDawnwalker

Shinobi602

369,642 Aufrufe • vor 3 Monaten

🎉 new skill unlocked: 20s uninterrupted, unstitched, single render from our new ai video engine: Nami. This is my birb (#7531) from the Moonbirds collection, idling in the library. patent: "Intra-Latent Semantic Injection via Cross-Spatial Encoding and Decoding during Multi-Pass Inference for Generative AI Video Creation" At Scrypted we've been quietly working on an agentic generative AI stack for two years: • integrating and testing w/ partners across the games & entertainment sectors • stealthily building a community of early believers through AVB • showcasing some of what we're doing with amazing projects like H011yw00d Agent. -- about Nami -- Nami is an agentic orchestration layer for AI video models: it unlocks their inner superpowers without making them rely on custom LoRAs or fine-tunings. Instead of throwing raw training power and tens of millions of dollars at training yet another ai video model: we figured out new ways to use what we have. Nami harnesses a multi-agent system to perform the work needed in taking a simple prompt or image and turning it into something bigger - much bigger. The agentic steps are allowed to manipulate latent space, digging into tensors, yet doing so in semantically aware chunks - meaning that Nami inherently supports video generation of arbitrary length, though it's bound to O(n) rendering time. (We do have some cool sharding tech that allows us to cut the generative time in half for a reference pose idle-animation like this demo). It's also fairly agnostic, picking and choosing the right tools for the job, and plays really well with emerging tech like FLUX Kontext, FramePack, or <- without being limited by any of them. -- use cases -- Even just a year or two ago the 20 second render below would cost a company, paying an agency, around $10k start-to-finish. This one cost me $6.25 on our dev hardware in an unoptimized environment. There's something mind-blowing about the state-of-the-art when we reduce costs to 0.0625% - less than 1% - of what we used to pay. It's also empowering. For creators. Game developers. Content influencers: you name it. -- superpowers -- 1. it does the things you ask for, in the order you asked for it 2. consistency is king 3. single-shot text or image-to-video 4. future videos can reference previous ones to seamlessly maintain style 5. semantic stitching: can't wait to showcase this -- gtm -- We think Generative AI Video, like image generation, like text, like games, should be a publicly accessible common good. We believe democratizing access to Nami in web3, via x402 payments proposed by Coinbase Wallet, or in World's mini-apps, is a bold step forward for digital freedom. Permissionless, decentralized, generative ai video. Naturally, we'll also soon release a web platform for using Nami in a traditionally SaaSy way: bring your own images, videos, or prompts and we'll take care of the rest. In the mid-term, Scrypted is building a stack of agentic skills (we call it AVB) and making them available to projects like H011yw00d Agent on Virtuals Protocol and other platforms. -- long-term vision -- Scrypted's mission is to decentralize the things that can't be decentralized. We participated in a16z crypto's CSX (London 2024) during our pre-seed specifically to research a new consensus protocol for hard things like AI video and AI agents: where there's no "one right answer". When Zero-Knowledge Proofs (ZKP) can't secure it, and Trusted Execution Environments (TEEs) are too small, we've got you covered with our upcoming Inori Network. -- how you can help -- 1. Are you a GPU farm? We're gonna need more flops. 2. Do you represent an L1 or L2? We want to build bridges. 3. Do you represent a Wallet or App creator? Let's get an endpoint exposed. 4. Are you an investor? Let's chat. 5. Like, repost, share! -- team background -- We come from a background of AI in the Video Game industry with each founder having over 20 years of experience at companies like Electronic Arts & Square Enix. -- contact -- DMs are open, reach out if you want to be an early tester for your site, game, collection, or project! -- try it out -- Go anywhere on X and tag H011yw00d Agent with a prompt and she'll give you a free 2 second render. Have fun making cinematic shorts or meme videos! -- thanks -- AWS Startups has been an incredible help scaling our prototypes. Also, shout out to all loyal beans 🫘 in the Autonomous Virtuals Beings (AVB) community. Nami has a very important role in the upcoming XP agent platform, can't wait to show you all. AVbeings

Tim Cotten

12,787 Aufrufe • vor 1 Jahr

TRUMP, THE ANTIKRYST? Pt 1 (Update 12/14/24) On 8/28/24 Donald Trump posts this video of a cross. What does that really mean, and why at exactly 11:11? Does anyone understand what the cross really is? It's an unfolded tesseract, also known as Metatron's Hypercube. Who is Metatron? It is one of Thoth's many names across the ages. He was also known as Hermes, son/daughter of Enki Lucifer. And while I've never had it explained to me in absolute detail, there is reason to believe this Anunnaki shape-shifting hybrid could be one and the same as Marduk Lucifer Satain. An awful lot of water has gone under this bridge since the Leviathans arrived 798k years ago, so each of the Babylonian fake gods could have thousands of different personas and names by this time. In any case, Marduk appears to be the leviathan that keeps reincarnating over and over as the savior of mankind. His/her most recent being the 'jesus' character that poses as if being Jesheua Sananda Melchizedek that is one of the guardian alliance team who came to restore the purity of the bloodline of the Human Elohim development that are in captivity here in the Tara earth simulation, and really could walk on water. Identity theft is always the middle names of all your captors. It is what they do to maintain control over the sheep. Like I've said countless times now, Sananda is not 'god' anymore than you are. He is not a savior of mankind, he is here on mission to help your avatar's vibration reach sympathetic harmonic resonance with the 4th dimension to help you escape. By having children with human females carrying very pure human DNA, those children will multiply and raise the vibration of the plane, making your chances that much better to make this ascension happening now. We do not worship Sananda, and unless you like playing subservient to others, you won't either. He is still here, and so are your captors. The ancient false gods of Babylon never left. They just keep taking different forms under different names, hiding in plain sight. They have MANY bodies here. Some are identical to each other, some look totally different. I know because I've met them and had them explain to me who they were in ancient times and what really happened that is totally unlike the his-story you've been told. Sometimes they allow you to know who they really are, such as they did in Babylon, but most of the time they're posing as regular people, just like you, so they can infiltrate human spaces, rise to positions of great influence and steer the masses. Who is Donald Trump? Do you know anyone alive who is more adored, more worshipped, more feared than the Donald? No. He's the most famous person alive. And why is that? Because he's the most perfect person on the plane? Hardly. He's also famous for grabbing women by the pussy. It is because he's using psychological manipulation he knows at a master-class level because he has unbroken recollection of his time across hundreds of thousands of lives. So his mental 'magic' is simply knowledge and wisdom humans could never possibly even understand, much less duplicate. It is a form of very powerful hypnosis. There is overwhelming evidence now that Trump is considered the king of earth as you will see in the masterpiece film by Good Lion Films. His 'capitulation tour' (THE GREATEST SHOW ON EARTH) in 2017-18 made it clear he's the one in charge. THE GREATEST SHOW ON EARTH Video: 👉 Not just this, but Trump was officially crowned the 'Messiah of Jerusalem' they had been waiting to return for thousands of years. That's right, this really happened. He is 'ben David' (son of King David). Something I know a bit about, since that's my avatar's bloodline I'm in here for mission reasons that has to do with the Co-Evolution BioRegenesis Treaty that gives 'J3wish' people a mechanism for ascension. [For more see my article: 👉 THE TWO CHRISTS] Trump, Messiah of Jerusalem Video: 👉 Trump is also a time traveler. Believe or don't believe, but I now have far more than just a few examples that prove this to be fact. He also has multiple other bodies he uses at the golf course, at rallies, and Mar-a-Lago that are clearly different weights, heights, ages. Here is one that is much older than the ones we see in the spotlight. Who has the technology to do all these things? The Anunnaki. Word has it that Trump has been working with the Anuhazi Elohim during his entry into politics. I would suggest he's been working with them for 798k years. They are known as the fallen angels, the original captors of this simulation. All the invader races (over 50 species) have been working together as a single team to enslave humankind since the hostage began over 1/2 billion years ago. I don't profess to know who each of these actors really were in the last drama, or Babylon, Greece, Rome and countless other eras, since, as mentioned, it is a 560 million year story involving quadrillions of events and dramas, but you likely understand what I'm trying to say is we're dealing directly with ancient gods here, not 'business men' or 'politicians'. These people held lightning in their hands last time they decided to let us see them for who they really are. Thoth could literally fly when he was using the name Hermes and there's no question he still can. As briefly reference above, the cross he released this morning is secretly the Nibiru Scalar Vibrational Mechanics platform called a tesseract or hypercube, in unwrapped form. If you fold it back into a 6-sided cube again, you're seeing the shape of the device that powers our counterfeit hologram. You will come to learn at some point that every geometric shape is an operating system, not just a form, called the Platonic Solids in science. Which is why grown men pilgrimage to Mecca to walk around the Kaaba, wearing a little black cube on their forehead. So don't think the cube cross is only worshipped in America. Metatron's Hypercube is used at CERN known as ALICE that keeps you inside an artificial reality called the 'Beyond The Looking Glass Chimera Reality Simulation'. Typically you'll hear the keeper refer to it as the Chimera Reality for short. All down through your current history, the cross has stood for purity, perfection, and hope that one day the savior would return and usher in a utopia, when in truth, it was the very symbol of your eternal enslavement. They keep rolling out this same savior trope, civilization after civilization, always with a different face of the program, but always the same hope. Hope, by the way, is a weaponized spell that was designed to keep you perpetually in bondage and trudging forward like a good little slave, doing your job because 'one day he will return and THEN by golly, he'll save us all'. These are all the same guy/girl. When Sananda (I'm not talking about the fake jesus here) said 'come out of her my peoples', he meant stop falling in line with the prison machine you're trapped in. Stop acquiescing to your own enslavement. I was told in person that humans 'have to rise up and take their world back or they will never move forward'. It means letting go of fear and stand up for what is right. Enslavement of any kind, is not that. The great deceiver will fool 'even the elect' is not a fictional claim in the M@sonic bible for entertainment. They have to tell you what they're doing in order to have you cast that reality they want to play out in your world. The person who wrote the bible also wrote demonology. [For more on this subject see my article 👉 THE SCIENCE OF PREDICTIVE PROGRAMMING and the 2ND COMING] Why would that be? Because the bible is the most elaborate talisman on earth that hypnotizes those who read it, enslaving their minds to passively accept the chimera reality, so when the simulation glitches, you will second guess yourself instead of the holographic world around you. "Did I just see a bird in the sky not flapping its wings and remaining perfectly still? Of course not, that's preposterous." ‘Mithra the Savior’ was gifted to T-Amerikaans (America) by Frédéric Auguste Bartholdi of France in 1886. Freddy was a 33rd degree (master) Freem@son and you now call Mithra your 'Statue of Liberty'. She is literally the symbol of this nation and is making her second coming at the time when the economy has been utterly destroyed, your politics have been weaponized against you, your courts have been utterly corrupted, your people have been openly attacked with bioweapons, your country flooded with 20m illegal aliens and your police have been defunded & refuse to arrest criminals. All by design and deliberately manufactured. Albert Pike, 33rd degree (master) Freemason stated: "Whenever the people need a hero, we'll supply him." Almost as if Freem@sons plan TO role out some very hard times to achieve a certain agenda. Oh, that's right, Pike also stated this: “We shall unleash the nihilists and the atheists and we shall provoke a great social cataclysm which in all its horror will show clearly to all nations the effect of absolute atheism; the origins of savagery and of most bloody turmoil. Then everywhere, the people will be forced to defend themselves against the world minority of the world revolutionaries and will exterminate those destroyers of civilization and the multitudes disillusioned with Christianity whose spirits will be from that moment without direction and leadership and anxious for an ideal, but without knowledge where to send its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer brought finally out into public view. A manifestation which will result from a general reactionary movement which will follow the destruction of Christianity and Atheism; both conquered and exterminated at the same time.” Sound familiar? If I were going to infiltrate a world & pose as the savior of the peoples that would be allowed to take the last tiny bits of freedom from them in return for pulling them out of a hellscape, I would first reduce them all to the most quivering and broken mess possible just shy of their death, and arrive like a knight in shining armor. Think a hundred-vehicle motorcade, 500 special-ops swat team & my own rolling hospital. When Trump had to go to court in New York it cost them something like $25m to lock down the city for 1 appearance. Nothing gets more high-profile than that anywhere. You've been under predictive programming since the day you were born for this time when the 'antichrist' would appear (that would 'loose his demons' and tear the world asunder), and also for the 2nd coming to 'save humanity' at the same time. But what you weren't told is these will secretly be the same person. Of course everyone will think it was "Barack" who brought about the destruction because Dolores Cannon alluded to it, but who is actually 'showing you a movie' right now while secretly holding the office of CIC and allowing millions of aliens across the border? Because he's your real border czar. This is Armageddon, you're in the 'little season of satan' (Satain). The 1000 years of heaven-like reign ended around 1893, and your entire life has been inside of what you could call hell, where you are literally surrounded by demons you believe are human because they look like you. You know more demons than you do humans. This is actual reality, not fiction. Take at look at Not Op Cue's article on the heavenly heritage of Trump, suggesting why he is the reincarnation of jesus. The evidence is overwhelming. The Lincoln Kahlooni Druze Minority Bloodline: The Jesus Strand Video 👉 11:11 I had just flown in from half way across the world to meet up with the keeper of the Tara earth simulation for a mission that would involve some of the most astonishing things I would ever live to see in this life. It was getting late and we were talking in a dark, cramped trailer that the keeper and crew had been reduced down to, illuminated only be a couple of small candles. They had been trapped in an area where they were not allowed to escape from by the Anunnaki hybrids. The dark agencies had frozen their bank accounts, forced them out of their compound and left them homeless for the past few years, on the run daily. My mission was to escort them away from that area to a safe space, as the others who had tried to break them free previously had been maimed and even killed. It took 2 years to pull off, 7 months of which living in a car, but the mission was successful. [That's a story for another time, when I am allowed to talk about it. It involved crazy metaphysical anomalies, black helos, giant venomous snakes (I know that sounds crazy, but the whole thing was way crazier than just that), a cross-leyline vortex acting as protection at the safe house we directly on top of, massive aerial DEW attack, fire tornadoes and 'celestial' escorts. None of this is fiction, just to be totally clear.] I was extremely interested in duplicate numbers on my clocks I was seeing 2-3x everyday and wanted to know what they meant. As the words were coming out of my mouth about this, in the relative darkness suddenly my phone lit up all by itself for no reason with the time in large numbers at 11:11pm, apparently to prove to the keeper I wasn't making this phenomenon up. What is that? I was told duplicate numbers are a distraction, to not give them mind, as it is just numerology the system uses in what I took to mean it is part of the complex mechanism of our simulation that hypnotizes us to keep us from being clear and aware to decipher the holographic illusion around us. The more awake we are, the more the system will flash out 3:33 or 11:11 to put you back to sleep by distracting you from the moment that is taking place in front of you. Such as when the most heralded man in the world shares a video depicting a giant cross which insinuates the 2nd coming of the christ (the Kryst or Krystos, is the series title of the Human Elohim eternal-life bloodline and is not 'a guy'). Discernment is more critical now than any other time since you were born. Pay attention, keep your vibration high and know that the next step is you moving on to the next level of the simulation where Lucifer and Satain will no longer be part of your world. This is but a short time to test which path you want to take moving forward is all. It is the 'sifting' phase of humanity at the end of the final long-cycle of human evolution. If you resonate in fear, hate, anger, you lose. React in love, appreciation, kindness and compassion and never give in to the devolution. You can do this. See my article 👉 THE WORLD TOMORROW for more on what to expect moving forward into your next experience. And yes, you always move on to a new experience, because you're an eternal spirit essence having a human experience in this one drama. The dramas never run out or get too boring, because there are trillions of ways to stage 'living a mortal life'. For more on the separation, see my articles: 👉THE SEPARATION 👉DESTINATIONS AFTER THE SEPARATION 👉THE SURGICAL SEPARATION OF THE 2 PLANES See the second part to this thread in my article: 👉TRUMP, THE ANTIKRYST PT 2 On X, to search for my articles, simply type in the name of the piece, enter one space, then from: & my username in parenthesis such as shown here: THE HISTORY OF THE CHIMERA PT 1 (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 100 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

133,049 Aufrufe • vor 1 Jahr

OPUS 5.5 IS THE ONLY MOTION DESIGNER YOU NEED this launch video cost $0 and is pure code everyone else on X claims the same shit, then sends you to their website or mcp this is completely free with 0 external tools steal the prompt and try it in your claude ↓ Ask me for: a one-word brand name for the wordmark (a verb works best), 9 to 12 high-res photos, a royalty-free song around 120 BPM with a drop and a quiet breakdown (Mixkit, free for commercial use), and a free stock clip of a plain wall with moving plant shadows (Pexels). An Apple-keynote launch film, 2D only, one continuous take. Every scene is made out of the previous one: nothing fades, blurs or cuts. Objects change shape instead: text rises out of a mask line, icons pop from zero on a spring, bars draw across, pages push, and a black shape floods the whole frame and contracts into the next scene. Warm off-white canvas, black UI, iOS 26 liquid glass over the photos. Archivo (wdth 125, weight 800) for the wordmark, Geist for UI. A cursor drives every change with real clicks, drags and long-presses. The camera zooms screen-studio style so each moment fills the square, and the cursor scales with it. Banned: crossfades, blur-ins, brightness "developing", 3D flips, particles, glows, holds longer than 1s, anything that looks like a template. 120 BPM, 54 beats, something happens on every beat. Open: the wordmark squeezes into its own period like an accordion, the dot grows into a black pill, a label rises inside it. Click: six iris blades close over the label and snap open onto a photo. The circle becomes a square, shrinks, the grid unfolds from behind it like a paper map (center, plus, corners), reflows into a bento, and a click zooms into one tile, landing exactly on the drop. Glass: a glass word pops in letter by letter, melts into a droplet that stretches into a glass toolbar. The adjust icon turns it into a slider. Dragging relights the photo from day to golden hour (two aligned shots), and the knob turns into a glass lens while held. It lifts into a glass orb, the next photo opens inside it as a circle, and the orb expands into a lock screen: glass clock digits, date, and a home bar that stretches into a glass music player. Stage: the lock screen pulls back into a phone (the bezel grows out of the screen edge). The Dynamic Island stretches like liquid, pinches off, flies over and grows into a Mac window that rolls up like a blind. Long-press the wallpaper, drag it onto a Safari tab, the page pushes in, drop it and it becomes the hero of a landing page. Scroll: the hero morphs into a framed print on a product card, with the mat and molding growing out of the photo's edge. Pick a frame color (it paints across) and a size, then the nav button flies down into "Order print". Order: one black shape keeps morphing: Ordered ✓ → Printing % → On its way (a van on a route) → Delivered ✓. Wall: the delivered circle floods the frame edge to edge, holds black for a beat, and contracts into the framed print hanging on the real wall footage. The same iris opens onto the print, closes again, the frame floods the screen and contracts into the pill → the dot → the letters spring back out, landing on the beat return. Last frame = first frame. 1. One HTML file, square 1440x1440. Every style is computed from time inside an async seek(t): no CSS transitions, no timers, no state between frames. 2. Springs are closed-form step responses. A value with many targets is the sum of one spring per change, so it stays a pure function of time. 3. Liquid glass: each glass element holds its own clone of the scene behind it, filtered with an SVG feImage displacement map (a rounded-rect distance field) through three feDisplacementMaps at slightly different scales for chromatic edges, plus a rim light. Glass letters: a canvas distance field per glyph gives the map, mask and highlights. 4. Goo: blur + alpha threshold, then composite the source atop it so the glass stays sharp inside. 5. Iris: 6 blades around a hexagonal aperture. Each blade is its two vertices, both edge extensions and the SHORT arc between them. 6. Wordmark squeeze: every letter moves toward the dot by the same factor and its drawn width follows (narrow the wdth axis, scale the rest), so the letters stay touching. 7. Footage: re-encode all-intra (ffmpeg -g 1), load it as a blob URL, await 'seeked' before drawing each frame. 8. Sound: a downloaded SFX for every event (Mixkit), never synthesized, each placed by its measured peak. The song starts on a downbeat: the zoom lands on the drop, the wall sits in the breakdown, the wordmark returns with the beat. Loudnorm to -14 LUFS. 9. Render with Playwright: 4 subframes per frame blended with ffmpeg tmix, 60fps. Check one frame per beat, then scan for single-frame pops (frame-difference spikes 3x their neighbours). backdrop-filter: url() misreads displacement maps in Chromium, so clone the scene instead. A flood must overscale past the corners and take about 0.3s, or half the screen changes in one frame. A child with visibility: visible shows through a hidden parent, so use inherit. Text that swaps inside a morphing shape needs its own mask. python http.server can't range-seek video, so use the blob URL. Ask me for the inputs, then show me the beat map and 4 stills (open, glass, stage, wall) before you write the full film.

zero

131,347 Aufrufe • vor 9 Tagen

It's not about what we have or don't have that drives our trading decisions—it's what we're afraid of losing. This fear of loss has often led me down the false path of perfectionism. Yet true mastery and profitability in trading, like in art, comes from embracing the craft's imperfections. ✉️ At the recent Mumbai traders' meetup, Chhirag Kedia spoke a line that has resonated with me all week— वो आदमी सफल होने से कोई रोक नहीं सकता जो अपनी कश्ती जला कर आया हो! It made me reflect on my trading journey and how my risk-taking appetite has evolved over the years. I'm inherently risk-conservative as an individual, though my career decisions and trajectory paint a completely opposite picture. I've never gone bust or even had a significant drawdown in my trading life—initially because I was too cautious, and now because my skills have improved. When I look back at my interactions with other traders and analyse my own performance graph, I am noticing a pattern: traders who started recklessly or faced major drawdowns—but persistently improved their execution—often developed better and faster learning curves than those who began cautiously with small positions. Even Quallamaggie (Q) and Zanger (Z) demonstrated similar patterns—their initial failures didn't reduce their risk appetite or aggression. Rather, they increased their risk appetite as their accounts grew larger. When ordinary traders dismiss Q and Z as exceptions in the trading world, they're likely rationalizing their own fears—fear of bouncing back from setbacks beyond their risk comfort zone, and fear of not having enough skin in the game. After all, as Taleb says, courage is the only virtue you cannot fake. I wonder if I would have been a better trader today had I started more aggressively—even borderline recklessly—and then learned to control that aggression, rather than the other way around. Has my obsession with perfection (or trying to get close to it) actually slowed down my learning curve as a trader? Perfectionism and Self-Abuse In every trade—even with flawless setups and meticulously calculated risks—there are countless ways to feel wrong, whether you make money or not: You buy and it goes down You don't buy and it goes up You buy, it falls, you sell—then it goes up It goes up, you sell, and it keeps going up It goes up, you buy, it goes up further—then drops You buy with half size and it moves up; you pyramid with full size and it goes down You buy with double size and it drops; you buy with half size and it doesn't go up as much . . . and the list can go on But there is only one way you'll feel right: When you buy and it immediately goes up, and when you sell and it immediately goes down. And this is a very very rare instance. But the pursuit of perfect trade—trying to capture both the first and last eighth of every trade—is where much self-belief and confidence is needlessly lost. The search for the perfect chart, perfect market conditions, and perfect mindset was probably the most paralyzing form of self-abuse in trading I had done. It led me to the comfort of inaction rather than risk the ego to scrape the imperfect rewards on offer. Lets take up an example that was discussed in the last Mumbai meetup - PDMJE Paper - Trade Objective An Episodic Pivot setup, gapping out of a big base, to be held as a longer positional play. Entry (Orange lines) 29th October 2024 Entry 113.95, Stop Loss 2% - 111.7 (~Day low) Risk on Trade 0.75% of portfolio, Size - 35% Sells (Blue Lines) 50% Sell at 6R - 128.6 - This was not a planned sell, but I observed weak market depth with sporadic volumes over the next 3-4 days. As a precaution, I reduced size in this illiquid counter. = 3R 50% sell at ~12R - 143 - The swing move had become overextended, moving far from the 10/21 EMA. The position was sold when price broke below the opening range lows in weakness. = 6R Impact of portfolio - 6.75% Analyzing this trade up to this point, it was executed well with little room for improvement—almost perfect. This was also a very obvious EP trade, and many others had executed it similarly. In the group discussion of this trade, even though everyone had profited, regret about the price movements after exit overshadowed the satisfaction from actual gains. If you had missed the pullback entries near the 21 EMA on November 13th (which wasn't actually setup-ready) or the breakout entry that triggered on November 29th (when markets were strong and many stocks were breaking out), you would have likely missed the 80% move that happened in less than a month, which I did. The traders in the group spent much of their emotional energy obsessing over this missed opportunity, ultimately accumulating emotional debt from the markets. The paradox of trading is that while realized losses may dent our account, missing potential gains often dent our confidence. Each time we let the fear of missed opportunities overshadow our actual successes, we unconsciously train ourselves to trade smaller, not bigger - precisely when our proven profitability should be empowering us to scale up. It took me years to understand that successful trading doesn't require feeling happy. I can make sound decisions and evaluate my performance objectively, even when I feel frustrated about missed opportunities. The only true nobility in this business is making money, not chasing dopamine highs. The Adjustment Taking a loss is straightforward—we simply follow our stop loss. The real challenge—and greatest potential for regret—lies in managing profitable positions, particularly when a stock has made big moves in a short period. This is particularly common in magnitude trades like an EP or IPO where our objective is to hold for a longer duration and sell into weakness, but often have moments when the stock is overextended in the short term with a high probability of pulling back. However, we hesitate to sell either because it conflicts with our original trade objective or because we fear missing the chance to buy back during the pullback. This is where many professional traders actively manage their core positions. Rather than passively waiting for a deeper trailing stop loss to trigger during weakness, they sell a portion when the price becomes extended and buy back the same amount at a lower price. This strategy proves more effective than enduring drawdowns while waiting for a formal pullback setup at support levels or moving averages. Let's take a recent example of IGIL (5 min chart) - Trade Objective An early-stage IPO setup displaying a typical volatility contraction pattern (VCP) on intraday charts. The plan is to hold this as a longer-term position, treating it as an All-or-Nothing trade. Entry (Orange line) 24th December 2024 Entry 504, Stop Loss 2% - 493.95 Risk on Trade 0.50% of portfolio, Size - 23% of pf Adjustment Context - 27th December 2024 The stock had surged powerfully over the previous two days, hitting Upper Circuits. On the third day, despite gapping up at open, it immediately broke down during the opening range - like a typical parabolic short setup. This was a point with a high probability of a short-term pullback or consolidation. Sells (Blue Line) 27th December - 585 - 50% size Buyback (Orange line 2) 27th December - 565 - 50% size - Gained 1R Rationale - My anchor bias was for the price to cool off for a bit. - At the 27th open, the price was already at ~8R+ for me. Even if the stock rose further after I sold my partial position, I wouldn't regret it much—I had already secured 4R with half my position still pending, well above my journal averages. This served as an important emotional anchor point for this adjustment. - When buying back, I was simply looking to average down my costs without a specific target or a perfect setup in mind. In this case, I bought back at 565, as the buyback itself presented a good psychological point to cover (10 Rs initial stop loss, 20 Rs points averaged ~1R at half size). It could have been lower too if the breakdown was slower. This was more intuitive and intentionally imperfect. - I close most of these adjustments on the same day since they are just short-term pullbacks and my overall bias remains bullish. A magnitude trade can also be looked at as a combination of several intraday trades around a core position. - This adjustment method applies specifically to magnitude trades like EP and IPO positions, where the trade objective aligns with pyramiding or averaging costs. Caveat You might think this is a cherry-picked example—and you'd be partly right, since it's one of my better and more recent trades (you can see similar patterns in Care or TI). However, I urge you to stay open to the concept. Look back at your previous trades where you held positions too long passively—you'll often find that temporary extensions and pullbacks were easily visible, offering opportunities to capture additional R’s along the way. Traders commonly face similar emotions and dilemmas when deciding how to act in these situations. End Note

Anuragg Venkatakrishnan

24,423 Aufrufe • vor 1 Jahr